"-Washington Post Book WorldIn 1909 maps still identified eastern Montana as the Great American Desert.  But in that year Congress, lobbied heavily by railroad companies, offered 320-acre tracts of land to anyone bold or foolish enough to stake a claim to them. Drawn by shamelessly inventive brochures, countless homesteaders--many of them immigrants--went west to make their fortunes. Most failed. In Bad Land, Jonathan Raban travels through the unforgiving country that was the scene of their dreams and undoing, and makes their story come miraculously alive.     In towns named Terry, Calypso, and Ismay (which changed its name to Joe, Montana, in an effort to attract football fans), and in the landscape in between, Raban unearths a vanished episode of American history, with its own ruins, its own heroes and heroines, its own hopeful myths and bitter memories. Startlingly observed, beautifully written, this book is a contemporary classic of the American West. "Exceptional. . . .  A beautifully told historical meditation. "--Time"Championship prose. . . .  In fifty years don't be surprised if Bad Land is a landmark."--Los Angeles Times

    On the Lower East Side, two boys playing at a pier discover a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumble upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime are turning up all over New York, but the police are baffled: There are no witnesses, no motives, no suspects.The grisly finds that began on the afternoon of June 26, 1897, plunged detectives headlong into the era's most baffling murder mystery. Seized upon by battling media moguls Joseph Pulitzer and William Randolph Hearst, the case became a publicity circus. Reenactments of the murder were staged in Times Square, armed reporters lurked in the streets of Hell's Kitchen in pursuit of suspects, and an unlikely trio — a hard-luck cop, a cub reporter, and an eccentric professor — all raced to solve the crime.What emerged was a sensational love triangle and an even more sensational trial: an unprecedented capital case hinging on circumstantial evidence around a victim whom the police couldn't identify with certainty, and who the defense claimed wasn't even dead. The Murder of the Century is a rollicking tale — a rich evocation of America during the Gilded Age and a colorful re-creation of the tabloid wars that have dominated media to this day.

    Detailed accounts of the hardships experienced while traveling across mountains and prairies; vibrant portraits of emigrants and Western wildlife; and vivid descriptions of Indian life and culture. A classic of American frontier literature.

    But when it comes to love stories, things are simpler. A love story can never be about full possession. Love stories depend on disappointment, on unequal births and feuding families, on matrimonial boredom and at least one cold heart. Love stories, nearly without exception, give love a bad name.... It is perhaps only in reading a love story (or in writing one) that we can simultaneously partake of the ecstasy and agony of being in love without paying a crippling emotional price. I offer this book, then, as a cure for lovesickness and an antidote to adultery. Read these love stories in the safety of your single bed. Let everybody else suffer." --Jeffrey Eugenides, from the introduction to My Mistress's Sparrow Is Dead All proceeds from My Mistress's Sparrow Is Dead will go directly to fund the free youth writing programs offered by 826 Chicago. 826 Chicago is part of the network of seven writing centers across the United States affiliated with 826 National, a non-profit organization dedicated to supporting students ages 6 to 18 with their creative and expository writing skills, and to helping teachers inspire their students to write.

    It is the story of Robert Grainier, a day laborer in the American West at the start of the twentieth century---an ordinary man in extraordinary times. Buffeted by the loss of his family, Grainer struggles to make sense of this strange new world. As his story unfolds, we witness both his shocking personal defeats and the radical changes that transform America in his lifetime. Suffused with the history and landscapes of the American West, this novella captures the disappearance of a distinctly American way of life.

    A man travels to his son’s school to deal with the fallout of a violent attack and to make sure his son will not lose his college place. But what exactly has his son done? And who is to blame? A young woman trying to make it in LA, working in a clothes shop while taking acting classes, turns to a riskier way of making money but will be forced to confront the danger of the game she’s playing. And a family coming together for Christmas struggle to skate over the lingering darkness caused by the very ordinary brutality of a troubled husband and father.These outstanding stories examine masculinity, male power and broken relationships, while revealing – with astonishing insight and clarity – those moments of misunderstanding that can have life-changing consequences. And there is an unexpected violence, ever-present but unseen, in the depiction of the complicated interactions between men and women, and families. Subtle, sophisticated and displaying an extraordinary understanding of human behaviour, these stories are unforgettable.

    Vincent Millay, Margaret Mitchell, Carson McCullers, Flannery O'Connor, Sylvia Plath, Ayn Rand and Virginia Woolf. Facts about Dead Women Writers:Most early female writers used pen names because women weren't regarded as competent writers. Margaret Mitchell wrote only one published novel in her lifetime, but Gone with the Wind won the Pulitzer Prize for Fiction in 1937 and sold more than 30 million copies. Emily Dickinson was so paranoid that she only spoke to people from behind a door. Carson McCullers wrote The Heart Is a Lonely Hunter at age 22. Her husband wanted them to commit suicide in the French countryside, but she refused. Ambrose and Turner explore these and other intriguing facts about the most famous (but departed) women in literary history.

    Through the years, though never meeting and separated both geographically and culturally, they share a winsome, sentimental friendship based on their common love for books. Their relationship, captured so acutely in these letters, is one that will grab your heart and not let go.

    Bill, aging and sick but still able to best any man in a fair gunfight, just wants to be left alone to drink and play cards. But in this town of played-out miners, bounty hunters, upstairs girls, Chinese immigrants, and various other entrepeneurs and miscreants, he finds himself pursued by a vicious sheriff, a perverse whore man bent on revenge, and a besotted Calamity Jane. Fueled by liquor, sex, and violence, this is the real wild west, unlike anything portrayed in the dime novels that first told its story.

    For nearly a century, the work of O. Henry has delighted readers with its humor, irony and colorful, real-life settings. The writer's own life had more than a touch of color and irony. Born William Sidney Porter in Greensboro, North Carolina in 1862, he worked on a Texas ranch, then as a bank teller in Austin, then as a reporter for the Houston "Post." Adversity struck, however, when he was indicted for embezzlement of bank funds. Porter fled to New Orleans, then to Honduras before he was tried, convicted and imprisoned for the crime in 1898. In prison he began writing stories of Central America and the American Southwest that soon became popular with magazine readers. After his release Porter moved to New York City, where he continued writing stories under the pen name O. Henry. Though his work earned him an avid readership, O. Henry died in poverty and oblivion scarcely eight years after his arrival in New York. But in the treasury of stories he left behind are such classics of the genre as "The Gift of the Magi," "The Last Leaf," "The Ransom of Red Chief," "The Voice of the City" and "The Cop and the Anthem" — all included in this choice selection. A selection of the Common Core State Standards Initiative.

    . . . Mr. Thurber belongs in the great lines of American humorists that includes Mark Twain and Ring Lardner." --Philadelphia InquirerJames Thurber’s unique ability to convey the vagaries of life in a funny, witty, and often satirical way earned him accolades as one of the finest humorists of the twentieth century. A bestseller upon its initial publication in 1945, The Thurber Carnival captures the depth of his talent and the breadth of his wit. The stories compiled here, almost all of which first appeared in The New Yorker, are from his uproarious and candid collection My World and Welcome to It--including the American classic "The Secret Life of Walter Mitty"--as well as from The Owl in the Attic, The Seal in the Bathroom, Men, Women and Dogs. Thurber’s take on life, society, and human nature is timeless and will continue to delight readers even as they recognize a bit of themselves in his brilliant sketches.

    "Wired" magazine sent him to Singapore to report on one of the world's most buttoned-up states. "The New York Times Magazine" asked him to describe what was wrong with the Internet. Rolling Stone published his essay on the ways our lives are all "soundtracked" by the music and the culture around us. And in a speech at the 2010 Book Expo, he memorably described the interactive relationship between writer and reader.These essays and articles have never been collected-until now. Some have never appeared in print at all. In addition, "Distrust That Particular Flavor" includes journalism from small publishers, online sources, and magazines no longer in existence. This volume will be essential reading for any lover of William Gibson's novels. "Distrust That Particular Flavor" offers readers a privileged view into the mind of a writer whose thinking has shaped not only a generation of writers but our entire culture.

    These are among the people that Joseph Mitchell immortalized in his reportage for The New Yorker and in four books—McSorley's Wonderful Saloon, Old Mr. Flood, The Bottom of the Harbor, and Joe Gould's Secret—that are still renowned for their precise, respectful observation, their graveyard humor, and their offhand perfection of style.These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of an unsuspected New York and its odder citizens—as depicted by one of the great writers of this or any other time.

    Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.

    It is a season of escapade as well as drama, during which fourteen-year-old Jick comes of age. Through his eyes we see those nearest and dearest to him at a turning point—“where all four of our lives made their bend”—and discover along with him his own connection to the land, to history, and to the deep-fathomed mysteries of one’s kin and one’s self.