My 4th book, "Let's Spend the NIght Together," was over long (imagine that!) and this scintillating chapter had to be excised. But here it is in all it's naughty, bawdy glory: the untold tales of groupies and their one night romps with rock gods.

    Her music has touched countless lives since her debut in the 1970s, yet her own life story has remained unpublished-until now. Tapping private archives, family interviews, and a forty-year friendship with the legend herself, Stephen Davis at last captures Carly Simon's extraordinary journey from shy teenager to superstar. I Believe in Love candidly covers everything her fans want to know, including Growing up with her father, publishing mogul Richard Simon The Bob Dylan turning point that launched her career The real story behind "You're So Vain" Carly's severe stage fright (she's the only musical guest to pretape an SNL segment) Romantic involvements with Mick Jagger, Warren Beatty, and Cat Stevens How Carly and James Taylor went from being pop music's reigning couple to independent souls living at opposite ends of Massachusetts Surviving breast cancer Her recent financial and spiritual crises Along the way, Davis vividly takes readers back to some of the most powerful eras in American music history and delivers a tribute worthy of the artist and her loyal fans, who know that nobody does it better than Carly Simon.

    About a guy and his punk band. Who start out shitty, but persevere, and eventually become pretty popular. If I mentioned that Ben Foster is better known as Ben Weasel from Screeching Weasel, you'll get a much more nuanced idea about what this book is about, and certainly, what this novel MIGHT be based upon. Regardless, it's a great, rollicking read. Whether or not it's entirely true, or entirely false, anyone with any knowledge of 90s punk in America will recognise large chunks of this. And anyone with any interest in, appreciation of, or experience of being in a band, breaking up with a girl, or punk rock, will thoroughly enjoy. It's that good. Though why he had to kill off his guitarist and best friend at the end I'll leave to his shrink to fathom...

    The Drive-By Truckers, as they named themselves, grew into one of the best and most consequential rock bands of the twenty-first century, a great live act whose songs deliver the truth and nuance rarely bestowed on Southerners, so often reduced to stereotypes.Where the Devil Don’t Stay tells the band’s unlikely story not chronologically but geographically. Seeing the Truckers’ albums as roadmaps through a landscape that is half-real, half-imagined, their fellow Southerner Stephen Deusner travels to the places the band’s members have lived in and written about. Tracking the band from Muscle Shoals, Alabama, to Richmond, Virginia, to the author’s hometown in McNairy County, Tennessee, Deusner explores the Truckers’ complex relationship to the South and the issues of class, race, history, and religion that run through their music. Drawing on new interviews with past and present band members, including Jason Isbell, Where the Devil Don’t Stay is more than the story of a great American band; it’s a reflection on the power of music and how it can frame and shape a larger culture.

    Headnotes and connective material-the "stories behind the stories"-provide running commentary on the music business, rock criticism, a troubled generation, and an attempt to put the fast-moving alternative-rock era in perspective from the safe distance of the comparatively bland new millennium. Compiled by a critic who shared the Generation X outlook, attitude, and biting sense of humor with the musicians that he covered-Nirvana, Pearl Jam, Smashing Pumpkins, Hole, and many others-Milk It! is the first serious attempt to chart the alternative music scene. Compelling, amusing, and provocative, Milk It! captures the excitement of an era, and reckons with its enduring influence.

    With ten months to live, he decided to accept his imminent death and went on the road. His calm, philosophical response made him even more beloved and admired. And then the strangest thing happened: he didn't die. Don't You Leave Me Here is the story of his life in music, his life with cancer, and his life now - in the future he never thought he would see.

    It is a remarkable story of extremes, and a no-holds barred account of Rollermania.From the Trade Paperback edition.

    Always concerned that his audiences had the best experience possible, he was honored a never equaled three consecutive years by "Billboard Magazine" as Concert Promoter of the Year in 1978 through 1980. During Barry Fey's 32 years as a promoter he has rubbed elbows and cut deals with nearly every legend of Rock 'n Roll and in "Back Stage Past" he shares those behind the scenes stories of a mercurial business during a tumultuous time. It is a backstage pass to never before revealed tales of the Rock 'n Roll business and its performers. Includes an original poem by U2 great Bono.

    He has now abandoned his past. Through interviews with Barrett's family and friends, this book provides an account of the man and his illness.

    From toughing it out in Texas to his appearance at Woodstock, his affair with Janis Joplin, his stadium-filling tours, and binging on drugs and the temptations of the road before finally fulfilling his dream of becoming a 100-percent pure bluesman, resurrecting the career of Muddy Waters, and winning a Grammy Award for his effort, this is a raucous roller coaster of a true story.

    She made her place behind the boards and right in the front row as insurgents such as SSD, Minor Threat, Bad Brains, Dead Kennedys and Black Flag wrote new rules and made history. She survived punk riots and urban decay, ran the streets with outcasts, and ultimately found true love as she fought for fairness and found her purpose.

    The roadies see it all, and now they are sharing their secrets. Roadies are the unsung heroes of the Australian music industry. They unload the PAs and equipment, they set it all up, they make sure everything is running smoothly before, during and after the gigs. Then they pack everything up in the middle of the night, put it in the back of the truck and hit the road to another town - to do it all over again. They know everything about the pre- and post-show excesses. They bear witness to overdoses, the groupies, the obsessive fans. They are part of - and often organise - all the craziness that goes on behind the scenes of the concerts and pub gigs you go to. From The Rolling Stones to AC/DC, Bob Marley to Courtney Love, Sherbet to The Ted Mulry Gang, INXS to Blondie - these guys have seen it all. And now they're stepping onto the stage and talking.The Roadies' Creed: If it's wet, drink it. If it's dry, smoke it. If it moves, **** it. If it doesn't move, throw it in the back of the truck. 'Fabulous . . . a bold portrait' SYDNEY MORNING HERALD on Stuart Coupe's GUDINSKI

    Through the introduction of MTV and the alternative rock revolution, it's been many things. Rude. Brilliant. Soulful. Snotty. Angry. Delirious. In the past two decades, genres have spawned like mad, from goth, indie rock, and gangsta rap to emo and the garage rock revival. This twentieth-anniversary tribute celebrates the passion and fury of the music, with original essays, quotes, and photographs by contributors who are as hopelessly obsessed with it as you are. SPIN: 20 Years of Alternative Music features: Alan Light on Beastie Boys, Ann Powers on U2, Charles Aaron on R.E.M., Dave Eggers on The Smiths + Morrissey, Marc Spitz on Goth, Simon Reynolds on Depeche Mode + Synth-pop, Dave Itzkoff on ’80s Teen Movies, Chuck Klosterman on Weezer, Will Hermes on Radiohead, Neil Strauss on Nine Inch Nails + Industrial, Sacha Jenkins on Public Enemy, Andy Greenwald on Emo, RJ Smith on Gangsta Rap, Jon Dolan on The White Stripes, Chris Norris on Nirvana, Doug Brod on Oasis + Britpop, Jim DeRogatis on Smashing Pumpkins, Laura Sinagra on Courtney Love, Ta-Nehisi Coates on Tupac

    For years, Walter has striven to impose his family values – stairs must be regularly washed, noise kept down, and wheelie bins moved back and forth at the correct times. When Walter is found murdered, there are plenty of suspects among his ungrateful neighbours. Comic book dealer Billy Briggs is estranged from his daughter, with his business in ruins, and Tony Miller is jobless and facing eviction, all because of Walter. Henrietta Quayle, bullied and belittled by the dead man, conceals a murderous obsession beneath her timid exterior. And alcoholic solicitor Gus Mackinnon has even more reason to hate Walter than anyone else. As Close Quarters takes a look back over the years at the various turbulent relationships between Walter and his neighbours, one thing becomes clear: although only one may be the murderer, none of them will mourn his passing.

    The band aimed to build on previous sales and critical acclaim with its boldest and most ambitious album yet, but was instead urged by skittish Reprise execs to make the record more “radio friendly.” When Wilco wouldn’t give, they found themselves without a label. Instead, they used the Internet to introduce the album to their fans, and eventually sold the record to Nonesuch, another division of Warner. Wilco was vindicated when the album debuted at No. 13 on the Billboard charts and posted the band’s strongest sales to date. Wilco: Learning How to Die traces the band’s story to its deepest origins in Southern Illinois, where Jeff Tweedy began growing into one of the best songwriters of his generation. As we witness how his music grew from its punk and alt-country origins, some of the key issues and questions in our culture are addressed: How is music of substance created while the gulf between art and commerce widens in the corporate consolidation era? How does the music industry make or break a hit? How do working musicians reconcile the rewards of artistic risk with the toll it exacts on their personal life? This book was written with the cooperation of Wilco band members past and present.  It is also fully up to date, covering the latest changes in personnel and the imminent release of the band’s fifth album, A Ghost Is Born, sure to be one of the most talked-about albums of 2004.