But will he find himself? Or a version of himself he might learn something from?Strange Labyrinth is a quest narrative arguing that we shouldn't get lost in order to find ourselves, but solely to accept that we are lost in the first place. It is a singular blend of landscape writing, political indignation, cultural history and wit from a startling new voice in non-fiction.

    He's landed at the bottom of his school's popularity ladder, and bully Randy Stanford seems to be waiting around every corner.The troubled teen thinks he's found a way to escape his real-world problems when he stumbles upon strange doorways in Astoria's local library that seem to lead into the extraordinary worlds from all his favorite books. Oz, Neverland, Wonderland -- they're all a reality with Wesley's new discovery. Wesley teams with best friend Taylor Williams to embark on a great adventure, both ready to leave the drama of middle school behind.But the two kids quickly find themselves embroiled in a centuries-old battle for the library and the magic hiding within. Now, fighting alongside the eccentric old man who's vowed to protect the building's power, the pair must help ward off an attack by a shadowy group with a strange tie to Wesley's nemesis, forcing Wesley to face the fears he's been dodging... and one of the most terrifying bullies of all time!

    160 illustrations.

    Generally, very little changes in the Briardale Valley, but this year things are different. His grandfather - known to everyone as the Gaffer - has died and John's new wife, Katherine, is accompanying him for the first time.Every year, the Gaffer would redraw the boundary lines of the village, with pen and paper but also through the remembrance of folk tales, family stories and timeless communal rituals which keep the sheep safe from the Devil. This year, though, the determination of some members of the community to defend those boundary lines has strengthened, and John and Katherine must decide where their loyalties lie, and whether they are prepared to make the sacrifices necessary to join the tribe...Gripping, unsettling and beautifully written, Andrew Michael Hurley's new novel asks how much we owe to tradition, and how far we will go to belong.

    His Ozark corpus is "the best known single body of regional folklore in the United States," according to Richard Dorson, director of the Folklore Institute at Indiana University. And Gershon Legman, the world's leading scholar of sexual and scatological humor, has called Randolph "the greatest and most successful field collector and regional folklorist that America ever had." In Legman's estimation, "We have no one else like him. He is a national treasure, like Mark Twain. Randolph's reputation rests on the massive accumulation of folksong, folktale, and ballad materials he collected during forty years of living and working in the Ozarks. Unfortunately, in the 1950s when Randolph published several collection of Ozark tales, the material in this volume was considered unprintable.Pissing in the Snow departs from the academic prudery that until recently has restricted the amount of bawdy folklore available for study. It presents a body of material that for twenty years has circulated only in manuscript or microfilm under its present title. When placed in their rightful context alongside Randolph's other collections of folk material, the bawdy tales help provide evidence of what Ozark hill people think about their own lives and language. As Rayna Green writes in her introduction, "The entire body of material . . . offers a picture of expressive behavior unparalleled by any other American region's or group's study." Hoffmann's annotations draw parallels between the erotic narrative tradition of the Ozarks and that in other parts of the country and the world, especially Europe.

    It is, in its earliest form, a spontaneous and instinctive endeavor to shape the facts of the world to meet the needs of the imagination, the cravings of the heart.Classics included in this volume include:One Eye, Two Eyes, Three Eyes,The Magic Mirror,The Enchanted Stag,Hansel and Grethel,The Story of Aladdin,This Story of Ali Baba,The Second Voyage of Sinbad the Sailor,The White Cat,The Golden Goose,The Twelve Brothers,The Fair One With the Golden Locks,Tom Thumb,Blue Beard,Cinderella,Puss In Boots,The Sleeping Beauty In the Wood,Jack and The Bean-Stalk

    From its beginning as a few lines of Latin text written in a sixth-century monk’s hand, Arthurian legend has blossomed over the years into a unique universe built on the real foundations of Britain’s Dark Ages and the principles of ancient chivalry. Liberally expanded over the years to include romantic entanglements, an imaginary ancient empire, and the threat of the supernatural, the legend of King Arthur remains as engaging today as it was in medieval times. King Arthur’s life, whether it happened or not, cuts to the core of the Matter of Britain and reveals the heart of Britain’s fanciful idea of its origin.

    I think. When a missing person case brings me into contact with the only other supernatural creature I have ever seen, it’s not long before I am ass-deep in trouble. The police don’t like me, there’s a clandestine organisation who want me to join them, and what might be a demon trying to catch me. When I refuse to play ball with any of them, my life starts to get tough, but I had no idea how low they might stoop to force my hand. Soon they will find out just how badly they underestimated me. I hope. Have I bitten off more than I can chew? Somehow, I need to escape captivity, cross to a mysterious demon realm, rescue a girl, and find my way back. Easy, right? It might be if they hadn’t confiscated my wand. Thankfully, I’m not alone, I have a powerful werewolf as an ally. If only he wasn’t such an annoying, snarky d-bag.

    You can find this book online in the Digital Collection of the University of Floridahttp://ufdc.ufl.edu/UF00028272/00001?...

    Featuring original texts from sources around the world, it includes readings from Greek and Roman classics (by Homer, Hesiod, Ovid, and other writers); Nordic mythology (by Snorri Sturluson); Hindu culture (The Ramayana); and from such ancient works as The Epic of Gilgamesh and the Bible. Selections from Native-American sources and fairy tales and stories from Africa, Germany, and the United States are also included. In addition, authors Eva Thury and Margaret Devinney draw comparisons between classical myths and such contemporary cultural phenomena as The X Files, Star Trek, and Mother Goose. They also incorporate readings by Carl Jung, Levi-Strauss, Victor Turner, and other scholars who consider mythic material from different analytical perspectives. Finally, works by Milton, Keats, Updike, and Joyce are presented as examples of modern literary texts with mythological roots. The selections are organized into seven topical sections: myths of creation and destruction; hero and trickster myths; ritual and myth; myths and dreams; folktale and myth; modern American myths; and myths and literature. Introduction to Mythology: Contemporary Approaches to Classical and World Myths employs an innovative pedagogical structure to help students unravel the complex web of literary allusions often found in mythological texts. Extensive marginal notes provide cross-references and explanations of terms and culture-specific concepts, while a glossary of deities, suggested readings for each chapter, and more than 200 illustrations, photographs, and maps further enhance the volume. Ideal for courses in classical and world mythology, this text can also be used in world culture, world literature, and comparative religion courses. An Instructor's Manual and a Student's Website featuring chapter objectives and summaries, key terms, study questions, self-tests, and off-site links of interest will accompany the book.

    Nor did it bury the horrors predating civilisation. Ancient rites, old deities and savage ways can reappear in the places you least expect.Lifestyle journalist Katrine escaped past traumas by moving to a coast renowned for seaside holidays and natural beauty. But when a vast hoard of human remains and prehistoric artefacts is discovered in nearby Brickburgh, a hideous shadow engulfs her life.Helene, a disillusioned lone parent, lost her brother, Lincoln, six years ago. Disturbing subterranean noises he recorded prior to vanishing, draw her to Brickburgh's caves. A site where early humans butchered each other across sixty thousand years. Upon the walls, images of their nameless gods remain.Amidst rumours of drug plantations and new sightings of the mythical red folk, it also appears that the inquisitive have been disappearing from this remote part of the world for years. A rural idyll where outsiders are unwelcome and where an infernal power is believed to linger beneath the earth. A timeless supernormal influence that only the desperate would dream of confronting. But to save themselves and those they love, and to thwart a crimson tide of pitiless barbarity, Kat and Helene are given no choice. They were involved and condemned before they knew it.'The Reddening' is an epic story of folk and prehistoric horrors written by Adam Nevill, the author of 'The Ritual', 'Last Days', 'No One Gets Out Alive' and the three times winner of The August Derleth Award for Best Horror Novel.

    The essays cover a wide range of topics, from magic and trance healing to cockfighting and seaweed farming. The author, who has lived on Bali for 28 years, is widely recognized as a self-taught guru of Balinese folk traditions.

    They travelled the length and breadth of Scotland, and much of England too, stopping here and there until they were moved on by the local authorities or driven by their own instinctive need to travel. By campfires, under the unchanging stars they brewed up tea, telling stories and singing songs late into the night. Jessie's Journey describes what it was like to be one of the last of the traditional travelling folk. It is not an idyllic tale, but despite the threat of bigoted abuse and scattered schooling, humour and laughter run throughout a childhood teeming with unforgettable characters and incidents.

    Now, in the new, expanded third edition, renowned scholar and folklorist Jack Zipes has translated all 250 tales collected and published by Jacob and Wilhelm Grimm, plus twenty-nine rare tales omitted from the original German edition, as well as narratives uncovered in the brothers’ letters and papers. Truly the most comprehensive translation to date, this critically acclaimed edition recaptures the fairy tales as the Brothers Grimm intended them to be: rich, stark, spiced with humor and violence, resonant with folklore and song.One of the world’s experts on children’s literature, Jack Zipes is a professor of German at the University of Minnesota and is the author of numerous books on folklore and fairy tales.From the Trade Paperback edition.

    Patrick battled the King of the Snakes, who hid his crown of gold and jewels in the hills near the village. But it is not only legend that haunts the town. The figure of the demonic money-lender Black Murdock looms over the village, as he searches for the lost treasure while manipulating the townsfolk to his own evil ends. Even more threatening than Murdock is the shifting bog, personified as a baneful "carpet of death," which will swallow up anything -- and anyone -- in its path. Art and his friend Dick will brave the dangers of the bog to seek out the treasure, but the sinister machinations of Murdock will lead to a deadly conclusion! Featuring a slow accumulation of terror worthy of Le Fanu, The Snake's Pass was Bram Stoker's first novel. A clear precursor to Dracula, The Snake's Pass was the only of Stoker's novels set in his native Ireland. This edition follows the text of the first edition published at New York in 1890.