Owen shares his new perspective on Wall Street and how the Code of the West can and should be applied to business practices and the corporate world. The book is beautifully illustrated with David Stoecklein's western photography

    During this period Harrison wrote Legends of the Fall--a collection of novellas--and two novels: Farmer and Warlock. He evolved a new approach to his poetry, hoping to avoid both academic formalism and the vogue of hygienic confessions. The voice of the selected poems speaks with the courage, intelligence, and wit that is Harrison's alone."Jim Harrison grew up in northern Michigan and shares with that other Michigan poet, Theodore Roethke, not only the longing to be part of the instinctual world, but also the remarkable knowledge of plant and animal life that comes only with long familiarity and close observation. This raises an incidental question: How many more poets of this kind will we see in the United States? It is a melancholy thought that Mr. Harrison may be the last of the species."--Poetry

    For more than four decades success‐oriented readers have turned to the no‐nonsense, time‐tested motivational techniques described in 'The Magic of Believing' to achieve their long and short term goals. Millions have benefited from these visualization techniques, which show how to turn your thoughts and dreams into effective actions that can lead to enhanced income, happier relationships, increased effectiveness, heightened influence and improved peace of mind.

    In this collection, you will find images and poems that relate to life, love, loss, gain, realisation and the final thing called Moksha. The poems may sound philosophical, intellectual and emotional from time to time. You will also find a surprise at the end of this wonderful poetry collection if you read everything carefully. And, like the previous poetry collection by Alok Mishra, this book will also not take more than 15 minutes from your daily routine. However, you may want to read the book at least twice or maybe thrice to understand what do the poems mean. Alok has devised a style of his own to communicate his thoughts to the readers of Indian English poetry. A 4-3-6 style has perfectly settled with this collection having 14 wonderful poems. Here are some reviews for Moving for Moksha:The collection of poems takes us on a journey to ponder the truth and fallacies of life that come our way. The poems are mostly mystic in nature, having more than what it seems to be... you will certainly love it if you have a taste for English poetry.by: Amit Mishra (founder of The Indian Authors & Indian Book Lovers)...beauty, truth, eternity.... a very close observation of life, these poems sneak into nothing but the philosophy of life that people confront during life-span.by: Ravi Kumar, Research Scholar with expertise in Indian English Literature, a writer for many online literary platformsThe poems reflect disillusion, rejection, realisation and answer to the final call – Moksha, as called in Indian philosophy. The innovative form with a 4-3-6 pattern looks very apt for the emotional and intellectual and also cryptic nature of the poems in this collection.The Last Critic

    The workouts are simple – no gimmicks, trends, or fancy gear – and participants take turns leading. No one pays a dollar, yet every man involved will tell you that F3 keeps him in the best shape of his adult life. In Freed To Lead, F3 co-founders Dredd and OBT tell the story of how F3 began on New Year’s Day 2011 at a Charlotte, N.C., middle school and how its dramatic growth showed they had launched something more than just a workout group. Through anecdote and metaphor, they show how F3’s Three Fs – Fitness, Fellowship, and Faith – cure the “SadClown Syndrome” that plagues too many men and offer a solution to our society’s leadership vacuum.

    The authors seek to explain the unique moral role of the minister and the ethical responsibilities of the vocation and to provide "a clear statement of the ethical obligations contemporary clergy should assume in their personal and professional lives." Trull and Carter deal with such areas as family life, confidentiality, truth-telling, political involvement, working with committees, and relating to other church staff members. First published in 1993, this edition has been thoroughly updated throughout and contains expanded sections on theological foundations, the role of character, confidentiality, and the timely topic of clergy sexual abuse. Appendices describing various denominational ministerial codes of ethics are included.

    It will then be about them only. It will be all about the one they loved like thunder, about the one they struggled hard to keep, about the one who had left them in the middle of their 'forever', about their world shattering into pieces, about them gluing together every piece, and about them falling in love one more time.And if you still think it is about you and me, you haven't loved someone like thunder, yet.

    Latter-day Saints have long been encouraged to stay on the covenant path—but what is that path, and how do we stay the course? In God Will Prevail: Ancient Covenants, Modern Blessings, and the Gathering of Israel, BYU Professor of Religion Dr. Kerry Muhlestein encourages readers to take hold of God’s promise to gather His covenant people by recognizing the connection between covenant making and the eternal and transformative love of the Savior. Discover the obligations and blessings of making and keeping sacred covenants, as outlined in the standard works, with insights on topics ranging from temple work and family history to covenant language, the gathering of Israel, and the equalizing power of Christ’s Atonement. With clarity and hope, this groundbreaking book speaks to this powerful truth: promised blessings and gatherings are available to all who truly seek to be covenant keepers.

    The semi-autobiographical book is divided into two parts and takes place between two countries; Part I, “is a cloud a living thing?”, takes place during the Author’s tumultueuse teen years with tropical Florida as a backdrop. Part II, “Inside my Shell”, explores themes of transformation as the Author creates a new life in Paris, France. ​The poems in this collection explore the surreal rollercoaster of youth, the performance of identity, being an outsider and the tension between romantic idealism and the dystopic world in which the author finds herself. Her approach to her work as a visual artist is mirrored in her poetry style, which is accompanied by all original illustrations by the Author.

    His fear of commitment doesn’t allow him to settle in one place until he loses everything.Whether it’s lost love, finding yourself or seeking companionship in lonely places ― this is for you.Delivered with witty metaphors, Malanda allows for his readers to embark on a journey with him. Every page is a layer of truth as he fights to understand himself and his counterparts redefining what it is to be a man in a ‘stoic-male’ society.

    Selected poetry and prose from 1986.

    Ben Belitt, a distinguished poet in his own right, is widely regarded as the leading translator of Neruda into English. Here he has given us a Neruda as fecund and engaged as ever, ceaselessly spinning the strands of his great, seamless life's work.

    In his quest for the means to liberate his boat, he takes any work he can get.

    . . a contemporary genius with the language itself . . . There is simply no contemporary poet like him.” —David Baker, The Kenyon Review Albert Goldbarth has created an unmistakable signature style—learned, copious, hilarious, and heartbreaking—which has so far spanned an award-winning career of thirty-five years. The Kitchen Sink brings together forty new poems with a rich selection of earlier poetry, ranging from the brief, flickering lyric to the long, narrative sequence. In both forms, Goldbarth exerts a wild showmanship and an ever-widening scope to illustrate the complex character and interconnectedness of humanity, history, and art. The Kitchen Sink is the definitive book by one of America’s most original and entertaining poets.

    Like a literal road atlas, the poems carry lines and themes from one to the next. Like Atlas holding up the world, they hold patterns of all kinds aloft with an attention that transforms. The poems also are an atlas of the known world, capturing the way events repeat across time and place, as in one poem that links the image of her sister, pausing in her work as housekeeper, with the contours of a maid in a Vermeer painting and a woman just "made over" on that day's episode of Oprah. Vandenberg's poems use family artifacts, memory, and imagination to plot the intersections of love, death, history, art, and desire. In the first section, "Trade Routes," about connections, each poem moves back one generation to investigate the ways events reverberate across time. The second section, "The Red Fields of Lisse (A Love Story)," focuses on a former partner, a hemophiliac with AIDS, and tulips. The third section, "Catalog of Want," contains poems about desire in various guises. The last section, "A Place Ten Years Away," reexamines the themes of the first three sections.