Best of all, he's packed us in his suitcase. He represents an ever-changing population of those raised elsewhere who find themselves beckoned by the history, mystique, and magic-makers of New York City. These poems inhabit their own contradictions, and exquisitely navigate the many complicated sides of what it means to be alive. About The Author: Jon Sands has been a professional teaching and performing artist since 2007. He's a recipient of the 2009 NYC-LouderARTS fellowship grant, and has represented New York City multiple times at the National Poetry Slam. He is the Director of Poetry and Arts Education Programming at the Positive Health Project, as well as a Youth Mentor with Urban Word-NYC. His work has appeared in decomP magazine, The Millions, Suss, The Literary Bohemian, Danse Macabre, The November 3rd Club, and others. He lives in New York City, where he makes better tuna salad than anyone you know.

     As usual, Maupin’s tone is both bittersweet and achingly funny in this tale of a post-catastrophic San Francisco and a young man’s resilient love for his mother. Cover Design by Darryl Vance

    . . . Each poem adds its incisive particulars to the general stoic wreck; but what startles, then reassures in all this canon of the inconsolable, the unsanctified, the dispossessed, is Hugo’s poetics, the analogy of language to experience. . . . Richard Hugo is such an important poet because the difficulties inherent in his art provide him a means of saying what he has to say. It is no accident that he must develop a negative in order to produce a true image.”

    As he entered the middle period of his career, with volumes such as The Continuous Life (1990), Strand was already well-known for his ability to capture the subtle music of consciousness, and for creating painterly physical landscapes that could answer to the inner self: “And here the dark infinitive to feel, / Which would endure and have the earth be still / And the star-strewn night pour down the mountains / Into the hissing fields and silent towns.” In his later work, from Blizzard of One (1998) which won the Pulitzer Prize, through the sly, provocative riddles of his recent Almost Invisible (2012), Strand has delighted in reminding us that there is no poet quite like him for a dose of dark wit that turns out to be deep wisdom and self-deprecation. He has given voice to our collective imagination with a grandeur and comic honesty worthy of his great Knopf forebear Wallace Stevens. With this volume, we celebrate his canonical work.

    The poet who drew such unusual attention has a surprising background: for many years he has worked for Brooks Brothers, a fact that lends particular nuance to the title of his collection. The Clerk's Tale pays homage not only to Chaucer but to the clerks' brotherhood of service in the mall, where "the light is bright and artificial, / yet not dissimilar to that found in a Gothic cathedral." The fifty poems in The Clerk's Tale are exquisitely restrained, shot through with a longing for permanence, from the quasi-monastic life of two salesmen at Brooks Brothers to the poignant lingering light of a Miami dusk to the weight of geography on an empty Minnesota farm. Gluck describes them as having "an effect I have never quite seen before, half cocktail party, half passion play . . . We do not expect virtuosity as the outward form of soul-making, nor do we associate generosity and humanity with such sophistication of means, such polished intelligence . . . Much life has gone into the making of this art, much patient craft."

    All books included in this collection feature a hyperlinked table of contents and footnotes. The collection is complimented by an author biography. Table of Contents T. S. Eliot BiographyList of Works in Alphabetical OrderPoetryPrufrock and Other Observations:The Love Song of J. Alfred Prufrock Portrait of a Lady Preludes Rhapsody on a Windy NightMorning at the Window The Boston Evening Transcript Aunt Helen Cousin Nancy Mr. Apollinax Hysteria Conversation Galante La Figlia Che PiangePoems:GerontionBurbank with a Baedeker: Bleistein with a CigarSweeney ErectA Cooking EggLe DirecteurMelange Adultere De ToutLune De MielThe HippopotamusDans Le RestaurantWhispers of ImmortalityMr. Eliot's Sunday Morning ServiceSweeney Among the NightingalesThe Waste LandShort StoryEeldrop and AppleplexEssayEzra Pound: His Metric and Poetry

    In an essay on his career, Edward Hirsch describes They Feed They Lion as his "most eloquent book of industrial Detroit . . . The magisterial title poem--with its fierce diction and driving rhythms--is Levine's hymn to communal rage, to acting in unison." Of The Names of the Lost: "In these poems Levine explicitly links the people of his childhood whom 'no one remembers' with his doomed heroes from the Spanish Civil War."

    It's a poetry book, from the perspective of a journal entry in the National Archives. The National Archives live in a building in Seattle behind barbed wire, directly next door to the Center for Spiritual Living. This is no accident. Gentleman Practice is a disarming de-haunting of accidents. There are no stunt doubles performing the honesty in this book. Head raised and victorious, he has crafted a translation of the human spirit on a small, practical patch, with a very fine tooth indeed. And, while many poetry books read like a thick epic series of sections, Gentleman Practice will no doubt rest in your hands like a well-oiled novel.

    Born to Die is the acclaimed breakthrough album by American singer-songwriter Lana Del Rey. This matching folio songbook features all the songs from the Paradise Edition of the album. All the songs are arranged for piano, voice and guitar with full lyrics and guitar chord boxes. Songs include: American * Blue Velvet * Born to Die * Carmen * Dark Paradise * Diet Mountain Dew * Gods and Monsters * Lucky Ones * National Anthem * Off to the Races * Ride * Summertime Sadness * Video Games * and more.

    They have become one of the most influential British rock bands of their generation, sharing with their fans a belief that music can inspire change. Dear Future Historians features front-man Rou Reynolds own song interpretations and social commentary alongside all of their lyrics to date.

    A raw, honest and heartfelt poetry collection from Taz Alam – for the tough times, the great times, and everything in between.Depressed, but it’s fine.Anxious, but it’s fine.Heartbroken, but it’s fine.When you’re ready to embrace how you really feel,I hope this book helps you connect, reflect, and be seen.What matters is that you’re here.Maybe we can be fine, together.

    Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

    In a momentary reflection in her eyeglasses she thinks she may have seen Robert changing into a monster. She soon discovers that not only does Robert change, but he may not be the only one of his kind. Sidley must get rid of them before it's too late.

    Don Marquis' creations have been constantly in print since 1934.

    In six long poems, Schnackenberg's rhyme-rich blank verse, with its densely packed images, shifts effortlessly between the lyric and the epic, setting passion to a verbal music that is recognizably her own.An exceptional and moving new collection from one of the most talented American poets of our time, Heavenly Questions is a work of intellectual, aesthetic, and technical innovation—and, more than that, a deeply compassionate and strikingly personal work.