In this exquisite anthology, Editor in Chief Carolyn Turgeon and the editors of Faerie Magazine welcome you into an enchanted realm rich with myth, mystery, romance, and abundant natural beauty. Organized into four sections—Flora and Fauna, Fashion and Beauty,  Arts and Culture, and Home, Food, and Entertaining—this gorgeous volume offers an array of exquisite vintage4 and contemporary fine art and photography, literature, essays, do-it-yourself projects, and recipes that provide hours of reading, viewing, and dreaming pleasure, along with a multitude of ideas for modern-day living and entertaining with a distinctive fairy touch.

    Containing paintings they have produced in the last decade, this book also contains a cornucopia of never-before-seen artwork. Featuring the apocalyptic scenes of the OK Computer album, the startling, sinister shadow of memory cast onto the present in the Kid A paintings, and the overwhelming information overload of Hail to the Thief's landscapes of conflict, Dead Children Playing presents some of the most iconic artwork of our time.

    As always, Gorey's painstakingly cross-hatched pen and ink drawings are perfectly suited to his oddball verse and prose. The first book of 15, "The Unstrung Harp," describes the writing process of novelist Mr. Clavius Frederick Earbrass: "He must be mad to go on enduring the unexquisite agony of writing when it all turns out drivel." In "The Listing Attic," you'll find a set of quirky limericks such as "A certain young man, it was noted, / Went about in the heat thickly coated; / He said, 'You may scoff, / But I shan't take it off; / Underneath I am horribly bloated.' "Many of Gorey's tales involve untimely deaths and dreadful mishaps, but much like tragic Irish ballads with their perky rhythms and melodies, they come off as strangely lighthearted. "The Gashlycrumb Tinies," for example, begins like this: "A is for AMY who fell down the stairs, B is for BASIL assaulted by bears," and so on. An eccentric, funny book for either the uninitiated or diehard Gorey fans.Contains: The Unstrung Harp, The Listing Attic, The Doubtful Guest, The Object Lesson, The Bug Book, The Fatal Lozenge, The Hapless Child, The Curious Sofa, The Willowdale Handcar, The Gashlycrumb Tinies, The Insect God, The West Wing, The Wuggly Ump, The Sinking Spell, and The Remembered Visit.

    It is packed with more than 1,000 images of concept artwork, photographs and development paintings by the artists working behind the scenes to bring Middle-earth to life, who each provide detailed and entertaining commentary that reveals the story behind the vision. Compiled by Weta Workshop senior concept designer Daniel Falconer, this is the first in a series of lavish hardback books written and designed by the award-winning team at Weta, who are working closely with the production team to guarantee that these books will be bursting with insider information and stunning visual imagery.

    The nature of her work inherently draws the eye inwards, as each element has to be connected to the one next to it in some way, creating a fragile network of shapes and lines. Nikki McClure makes serene pictures of nature and her lilting portraits of animals offer a peaceful oasis from the visual overload of city life. Her work also depicts the virtues of hard labour and patience, which is inherent in her process as well as in the images themselves: weathered hands, washing dishes, people sweeping, mothers caring for their babies and farmers working the land. There is also a large element of celebration. McClure encourages taking the time to roll around in the grass and getting wet from the early morning dew; sitting down on the ground and grabbing hold of the earth; and looking up at the stars to dream. In Collect Raindrops, McClure magnifies the importance of simple things, like the change of seasons. parenting and appreciating both the urban and rural landscape, undoubtedly influenced by her home in the Northwest and specifically Olympia.

    Learn Stephanie's secrets for calling forth maidens, mermaids and bewitching moonlight, for evoking dragons, enchantresses and tricksters, for turning seeds of legend and lore into spellbinding characters, creatures and settings.Follow along with 13 full step-by-step demonstrations to create unicorns, tree spirits, witches and other iconic fantasy figures.Discover a wealth of techniques for painting mermaid scales, Phoenix feathers, glowing dragon eyes, flowing gowns, silken hair and a host of other dazzling effects.Get inspired by the ancient origins and folktales behind each mystical being.

    Now comes Greg and Tim Hildebrandt -- The Tolkien Years, Expanded Edition featuring 12 new pages of original Tolkien drawings and paintings, plus a brand-new pullout poster A fascinating behind-the-scenes look at the work of two renowned fantasy artists, written through the eyes of their closest family member The million-selling Lord of the Rings calendars created during the '70s by renowned fantasy artists Greg and Tim Hildebrandt are now considered artistic masterpieces. Greg and Tim Hildebrandt -- The Tolkien Years tells the untold story behind the creation of these cherished illustrations, written by an author with real firsthand knowledge of the creative genius behind these paintings.Written by Greg Hildebrandt, Jr., Greg Hildebrandt's son, this fascinating book tells the story through the eyes of young Gregory when, at ages five, six, and seven he posed for the various "little people" characters known as the Hobbits. Gregory reminisces about his key role in the development of these calendar paintings and the unique creative ingenuity of his father and uncle.This updated and expanded edition of the best-selling Greg and Tim Hildebrandt -- The Tolkien Years provides Tolkien-lovers with a fantastic treasury of Lord of the Rings art. Not only is all the artwork from the first edition here, but this new edition also features 28 new, exclusive Hildebrant drawings and paintings; a fabulous new cover; and a brand-new pull-out poster of an original painting specifically commissioned by the Hildebrandts for this book.

    Deeper inside, an ancient, decrepit vampire rises from his coffin; a lycanthrope is caught in the light of the full moon and transforms; and Bigfoot hides behind a tree, ducking his human pursuer. Master paper engineers Matthew Reinhart and Robert Sabuda unfold the legends and lore of cultures around the world to reveal these stunning creatures and many more. Pop-up fans and fantasy lovers will be equally enthralled by the dynamic creatures depicted in this astonishing volume, the climax of the Encyclopedia Mythologica trilogy. In a breathtaking grand finale, the world’s mythical pop-up masters unleash monsters and dragons that have prowled countrysides and imaginations for centuries.

    A superb draftsman and colorist, he has another, even more enviable gift - a singular rapport with animals. In the text and pictures of this book, the artist and the naturalist speak with equal eloquence. Living as he does in a rustic cottage, Poorvliet has long been a close observer of the comings and goings of wild creatures. He has his favorites, and he presents them here in full color and entrancing detail. Accompanying the charming and sensitive drawings and paintings are essays and captions that express Poortvliet's special feeling for forest-dwelling animals. With gentle wit, unabashed love, and exceptional knowledge he explains the customs, habitats, physical features, and mating habits of boars, ducks, deer, rabbits, partridges, pheasants and foxes (a special favorite). As we meet Reynard the Fox, Poorvliet confides that his friend's reputation for slyness and cunning is greatly exaggerated. Rather, the fox is discovered to be "terribly cautious and suspicious!" Revelations about the duck are even more sensational: in regard to mallards we are told that "no female duck is safe when she is outnumbered by a troop of drakes." A compendium of enlightened natural history, delicate observation, and creative fantasy, The Living Forest cannot fail to instruct and delight anyone who has the preservation and survival of wild creatures at heart and is sensitive to their beauty. Poorvliet is currently working on a book about horses; other books by him include He Was One of Us and The Dutch Farm. His world-famous illustrations for Abrams' best-seller Gnomes also explore the world of forest animals. Robert Elman, who contributed the Introduction, is an American authority on the outdoors. The Wildlife Editor of Outdoor Life magazine, he has written several books and numerous articles. 160 pages of illustrations, 139 in color

    Although technically Norman Rockwell was an academic painter, he had the eye of a photographer and, as he became a mature artist, he used this eye to give us a picture of America that was famliar�astonishingly so�and at the same time unique. Rockwell best expressed this vision of America in his justly famous cover illustrations for magazines like The Saturday Evening Post. 332 of these cover paintings, from beloved classics like "Marbles Champion" to lesser-known gems like "Feeding Time," are reproduced in stunning full color in this large-format volume, which is sure to be treasured by art lovers everywhere.

    Those seminal books in feline aesthetics are now offered in new pocket-size editions filled with the best from each volume, making purrfect gifts for cat lovers and art lovers alike.Reviews"A collection of the world'¬?s most fabulously decorated felines."-National Examiner

    This is not a step-by-step technique book--rather, the stylized animals are simplified, modernized, and reduced to the most basic elements, showing you how simple abstract shapes and forms meld to create the building blocks of any item that you want to draw. Each of the 20 interpretations provides a different, interesting approach to drawing a single item, providing loads of inspiration for your own drawing. Presented in the author’s uniquely creative style, this engaging and motivational practice book provides a new take on the world of sketching, doodling, and designing.

    . .981 A.D.: Brogan Mac Lochlainn has heard of a magical stone that bestows great powers. Now the slaying of his father, the chieftain, has placed the clan's protection in Brogan's hands—and he will brave any danger to possess the stone. But only the strongest sorcery will carry the fearless Scottish warrior to the talisman—for it is hidden in Ravenfield, an English estate . . . 900 years in the future!1813: Sarah Granger is wary . . . yet shamelessly intrigued by the near-naked stranger she discovers washed upon the beach. His tale is one the beautiful governess can scarcely fathom—yet never have her passions been so stirred by any man. Sarah knows in her heart and soul her destiny lies with this seductive barbarian.But an unrelenting evil has followed Brogan from ancient times—and he must battle it to the death to save the breathtaking beauty who is becoming more precious to him than the magic he crossed centuries to claim.

    Two girls quite accidentally crossed paths: one, pretty and popular; the other smart and . . . green. The story of how these two unlikely friends became Glinda the Good and the Wicked Witch of the West has made for the most spellbinding musical in years: WickedWicked: The Grimmerie is the behind-the-scenes story of the hit that has captivated Broadway—and now the world. Designed to resemble the ancient book of spells that changes Ozian history, Wicked: The Grimmerie includes profiles of the cast and creative team, the complete, illustrated lyrics to all the songs, and more than 200 full-color photographs. Packed with thrillifying details, Wicked: The Grimmerie is also full of bonus features that will delight fans of the show, from an Ozian Glossararium and an Oz travelogue to a step-by-step look at how Elphaba gets green. No need for innuendo or outuendo: This is a must-have for Wicked fans of all ages.

    Master portraitist and specialist in nudes, Freud uses impasto to create depth and intensity while restraining his color palate to mostly muted hues. His portraits may be physically unflattering to their subjects, but they are honest, frank, and unapologetic. I paint people, Freud has said, not because of what they are like, not exactly in spite of what they are like, but how they happen to be.