Escher's mesmerizing artworks create a realm of enchantment and illusion, and tens of thousands of people everywhere have fallen under his spell. This exciting new book deepens our understanding of this artist, who has been the subject of some of the most successful books Abrams has published over the past half century.Brilliantly interweaving well-known prints with numerous unpublished drawings, incredible details, the artist's eloquent words, and observations by Escher expert J.L. Locher, this fresh presentation -- which includes 10 dynamic full-color gatefolds -- reveals Esther's tireless quest for new visual concepts of space and time. Here at last is a book that does justice to Escher's invention, which is, if anything, increasingly relevant in today's sophisticated world of 3-D computer graphics.

    Dozens died of radiation poisoning, fallout contaminated half the continent, and thousands fell ill.In Chernobyl, Serhii Plokhy draws on new sources to tell the dramatic stories of the firefighters, scientists, and soldiers who heroically extinguished the nuclear inferno. He lays bare the flaws of the Soviet nuclear industry, tracing the disaster to the authoritarian character of the Communist party rule, the regime's control over scientific information, and its emphasis on economic development over all else.Today, the risk of another Chernobyl looms in the mismanagement of nuclear power in the developing world. A moving and definitive account, Chernobyl is also an urgent call to action.

    It was the beginning of Hitler's Operation Barbarossa, one of the most brutal campaigns in the history of warfare. Four years later, the victorious Red Army has suffered a loss of seven million lives. Alan Clark's incisive analysis succeeds in explaining how a fighting force that in one two-month period lost two million men was nevertheless able to rally to defeat the Wehrmacht. The Barbarossa campaign included some of the greatest episodes in military history: the futile attack on Moscow in the winter of 1941-42, the siege of Stalingrad, the great Russian offensive beginning in 1944 that would lead the Red Army to the historic meeting with the Americans at the Elbe and on to victory in Berlin.Barbarossa is a classic of miltary history. This paperback edition contains a new preface by the author.

    The encounter changed Mühling’s life, triggering a number of journeys to Ukraine and deep into the Russian heartland on a quest for stories of ordinary and extraordinary people. Away from the bright lights of Moscow, Mühling met and befriended a Dostoevskian cast of characters, including a hermit from Tayga who had only recently discovered the existence of a world beyond the woods, a Ukrainian Cossack who defaced the statue of Lenin in central Kiev, and a priest who insisted on returning to Chernobyl to preach to the stubborn few determined to remain in the exclusion zone. Unveiling a portion of the world whose contradictions, attractions, and absurdities are still largely unknown to people outside its borders, A Journey into Russia is a much-needed glimpse into one of today’s most significant regions.

    Nicknamed by their mentor, the famous illustrator Howard Pyle, The Red Rose Girls lived and worked at a picturesque former inn of the same name in an idyllic suburb on Philadelphia's Main Line. In the course of their years together they formed intimate bonds of friendship and love and enriched each other's professional lives by sharing ideas and inspiration. Smith and Green were prolific illustrators, celebrated for their work in children's books and periodicals such as Scribner's, Collier's, Harper's; and Oakley was a painter and muralist of national reputation whose work graces the interior of the Pennsylvania State Capitol in Harrisburg. Full-color illustrations and wonderful period photographs bring their work and milieu to life.

    Starting with James Abbott McNeill Whistler and ending with Matthew Barney, nearly every prominent figure in Modern art is represented in vibrant double-page spreads that show how these artists continued to redefine norms and challenge tradition. Fascinating biographical and anecdotal information about each artist is provided alongside large reproductions of their most celebrated works, stunning details, and images of the artists themselves. A color-coded timeline spans the entire volume, showing overlapping careers and important historical dates. From the impressionists to the surrealists, the cubists to the pop-artists-readers will find a wealth of information as well as hours of enjoyment learning about this popular and prolific period in art history.

    From Félix Nadar to Nan Goldin, each of the photographers featured here represents an important aspect of photography's evolution. The artists are presented in double-page spreads that include reproductions of their most important works, concise biographies, informative sidebars, and a timeline that extends throughout the volume. The result is a fascinating overview of the way photographers continue to push the limits of their genre, offering their audiences new ways of seeing and understanding our world.

    Wracked by boundary disputes, political intrigue, myriad wars and shifting centers of power, Russia was maintained throughout by a ruling elite as diverse as the lands they governed. The story of these rulers, told wit clarity and style in Czars, is in many ways the story of Russia itself.From the birth of the Kievan state in the second half of the ninth century under the Varangian Oleg to the murder of Czar Nicholas II and his family in 1918, authors Duffy and Ricci trace the long and twisted line of czarist rule in Russia, offering many insights on the uses and abuses of absolute power, as well as a glimpse at world history through the eyes of those who made it.Key players includes: Saint Olga, appointed regent in 945, and the first of several strong czarinas Ivan I, prince of Moscovy 1328-1341, who centralized power in Moscow Boris Godunov, Fedor II, Dmitri the Impostor, Basil IV, Dmitri and Ladislaus of Poland, the six czars who ruled, sometimes simultaneously, during the aptly named Time of Troubles, 1598-1612 Peter the Great, perhaps Russia's most progressive ruler Catherine the Great, who led a successful revolt against her husband, Czar Peter III, to become the fourth woman monarch of Russia Seventeen portraits of czars through the ages, several historical maps, genealogical charts, a thorough bibliography and a detailed index bring the reader as close to Russia's erstwhile monarchy as one would want to get. Ideal for students, historians and general readers from serf to sovereign, Czars is a vital new page in the literature of Russian history.

    Over steaming samovars, in cramped flats, and on dirt-floors, he has spoken to peasants and bureaucrats, artists and officials. He has studied their customs and their governments and shares his fascinating insights and fresh perspectives with us.

    In The Anti-Aesthetic, preeminent critics such as Jean Baudrillard, Rosalind Krauss, Fredric Jameson, and Edward Said consider the full range of postmodern cultural production, from the writing of John Cage, to Cindy Sherman's film stills, to Barbara Kruger's collages. With a redesigned cover and a new afterword that situates the book in relation to contemporary criticism, The Anti-Aesthetic provides a strong introduction for newcomers and a point of reference for those already engaged in discussions of postmodern art, culture, and criticism. Includes a new afterword by Hal Foster and 12 black and white photographs.

     Its glittering Tsars and Tsarinas were autocratic despots, who between them embraced all the vices (and too few of the virtues) of absolute rulers. Their name has become a byword for excess, avarice and cruelty, they have aroused intrigue and horror in equal measure. Virginia Cowles offers a portrait gallery of the outstanding members of this incredible family — from Alexis (a Tartar in his wrath) and Peter the Great (a terrifying giant) to the nymphomaniac Catherine and the doomed Nicholas II, last of the Tsars. Their domination of Russia was brought to an end in March 1917, as a result of the February Revolution. Of the 65 family members, 18 were killed by the Bolsheviks and the remaining 47 were exiled abroad. Delving behind the mass of obscure and unfamiliar historical detail, she reveals the characters and personal ties behind these strange, and often daunting, figures. She looks beyond what is written about them in the history books and explores how their family lives and secrets affected the entirety of Russia and its many citizens. ‘Recounted at great speed, and with splendid life, vigour and readability’ – Antonia Fraser, Evening Standard Virginia Spencer Cowles OBE was a noted American journalist, biographer, and travel writer. During her long career, Cowles went from covering fashion, to covering the Spanish Civil War, the turbulent period in Europe leading up to World War II, and the entire war. After the war, she published a number of critically acclaimed biographies of historical figures. Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    Many theories have been advanced about the death of one of Russia's greatest artists, none of them wholly satisfactory. Serena Vitale has opened the archives and studies the case more closely, and more imaginatively, than anyone before her. Her brilliant detective work unearths fascinating, revealing details, including a button missing from Pushkin's Kamerjunker uniform. "Pushkin's Button will keep all constituencies of reader fastened to their seats, as they watch Petersburg's lofty denizens leave no moment of the hurtling Pushkin scandal unrecorded or not speculated on."—Monika Greenleaf,Los Angeles Times"[A] deliciously entertaining whydunit, a book in which every page seduces with a riddle. . . . Vivacious, seductive, original."—Michael Dirda, Washington Post"A delightful combination of retrograde pleasures (court balls, the demise of a doomed genius) and primary sources. . . . Illuminating."—Richard Lamb, New York Times Book Review"A book almost impossible to put down."—George Steiner, New Yorker

    Art in Theory, 1815–1900 provides the most wide-ranging and comprehensive collection of documents ever assembled on nineteenth-century theories of art.

    In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things.

    Marian Burleigh-Motley. When the original edition of this book was published, John Russell hailed it as a massive contribution to our knowledge of one of the most fascinating and mysterious episodes in the history of modern art. It still remains the most compact, accurate and reasonably priced survey of sixty years of creative dynamic activity that profoundly influenced the progress of Western art and architecture.