Here, he contributes a new epilogue to his collection of classic lectures on the relationship of fiction to age-old concepts of apocalyptic chaos and crisis. Prompted by the approach of the millennium, he revisits the book which brings his highly concentrated insights to bear on some of the most unyielding philosophical and aesthetic enigmas. Examining the works of writers from Plato to William Burrows, Kermode shows how they have persistently imposed their "fictions" upon the face of eternity and how these have reflected the apocalyptic spirit. Kermode then discusses literature at a time when new fictive explanations, as used by Spenser and Shakespeare, were being devised to fit a world of uncertain beginning and end. He goes on to deal perceptively with modern literaturewith "traditionalists" such as Yeats, Eliot, and Joyce, as well as contemporary "schismatics," the French "new novelists," and such seminal figures as Jean-Paul Sartre and Samuel Beckett. Whether weighing the difference between modern and earlier modes of apocalyptic thought, considering the degeneration of fiction into myth, or commenting on the vogue of the Absurd, Kermode is distinctly lucid, persuasive, witty, and prodigal of ideas.

    Rainey, Henry Kuttner, Lin Carter, Ramsey Campbell, Thomas Ligotti, Richard L. Tierney, Gary Myers, Donald R. Burleson, C.J. Henderson, Stephen Studach, John Glasby, Allen Mackey and Robert M. Price. introduced and edited by Robert M. Price originals copyright 1939-1994.Contents:Contents:The Mad God: An Introduction to The Azathoth Cycle by Robert M. PriceAzathoth by Edward Pickman DerbyAzathoth in Arkham by Peter CannonThe Revenge of Azathoth by Peter CannonThe Pit of the Shoggoths by Stephen Mark RaineyHydra by Henry KuttnerThe Madness Out of Time by Lin CarterThe Insects from Shaggai by Ramsey CampbellThe Sect of the Idiot by Thomas LigottiThe Throne of Achamoth by Robert M. Price and Richard L. TierneyThe Last Night of Earth by Gary MyersThe Daemon-Sultan by Donald R. Burleson.Idiot Savant by C.J. HendersonThe Space of Madness by Stephen StudachThe Nameless Tower by John GlasbyThe Plague Jar by Allen MackeyThe Old Ones’ Promise of Eternal Life by Robert M. Price

    From the authors of Weird N.J.--with more than 125,000 copies sold--comes asecond amazing collection of the wonderful weirdness that fills every inch ofthe Garden State.

    "Wired" magazine sent him to Singapore to report on one of the world's most buttoned-up states. "The New York Times Magazine" asked him to describe what was wrong with the Internet. Rolling Stone published his essay on the ways our lives are all "soundtracked" by the music and the culture around us. And in a speech at the 2010 Book Expo, he memorably described the interactive relationship between writer and reader.These essays and articles have never been collected-until now. Some have never appeared in print at all. In addition, "Distrust That Particular Flavor" includes journalism from small publishers, online sources, and magazines no longer in existence. This volume will be essential reading for any lover of William Gibson's novels. "Distrust That Particular Flavor" offers readers a privileged view into the mind of a writer whose thinking has shaped not only a generation of writers but our entire culture.

    Howard's Conan the Cimmerian stories published during his lifetime, contextualized with biographical details of their author. The hardcover, a Multimedia Bundle Edition, includes the e-book and audiobook editions as downloadable bonus content.Excerpt from Introduction:"When the first Conan of Cimmeria story appeared in the pages of Weird Tales magazine in December 1932, nothing quite like it had ever before appeared in print.Author Robert E. Howard had been writing stories broadly similar to it for half a decade; but it was with Conan, and the Hyborian Age storyworld in which he was placed, that Howard finally fully doped out the sub-genre that would become known as “sword and sorcery,” of which Howard is today considered the founding father."Conan’s origins date back to an experiment in 1926 titled “The Shadow Kingdom,” featuring the character Kull, exile of Atlantis. The idea — Howard’s great innovation — was, at its core, historical fiction set in a pre-historical period. That pre-historical period — being, of course, lost in the mists of time — could contain anything Howard might like to include: evil races of sentient snake-things, sorcerers, undead creatures, demons walking upon the earth, anything."In other words, Howard was creating a secular mythology."And as with any mythology, secular or no, there would be a hero, a Ulysses or a Theseus, an exceptional man of legend striding through that myth-world, sword in hand, righting wrongs and slaying supernatural monsters and, along the way, providing metaphorical insight onto his world and ours."At the same time, he was finding success with another historical-fiction-fusion innovation: The grim, savage English Puritan Solomon Kane. Kane’s world was the skull-strewn chaos of Europe and north Africa during the Thirty Years War, in the early 1600s. Little enough is known about specific events during that dark time that it was possible to take historical liberties with it as a storyworld, so that it could accommodate dark magic, walking skeletons, vampires, magic staffs, and, of course, N’Longa the witch-doctor."Howard quickly realized he was onto something with Solomon Kane. The first Solomon Kane story, “Red Shadows,” appeared in August 1928 in Weird Tales, and readers loved it. Here was a dark, brooding world of menace and witchcraft connected pseudo-genealogically to their own. It was easy for readers to “take the ride” — to suspend their disbelief and envision Kane’s adventures as a part of the real world."But, perhaps the connection with the real world was too close. The countries of 1630s Europe are well known; the causes of the conflict fully understood. There was only so much Howard could do in Solomon Kane’s world. Moreover, Solomon Kane is just a hard character to root for. Unlike Kull, he is, not to put too fine a point on it, really not a sane man."So it makes perfect sense that after the shadowy, prehistoric world of Kull and the dark, necromantic world of Solomon Kane, Howard would combine these two precursors to develop a world that was far enough into the distant past to be free of actual historical constraints — like Kull’s — yet close enough to the present to still exist as echoes and legends in the world’s mythologies."And so Howard created The Hyborian Age, circa 10,000 B.C. And to play the role of our avatar as we explore this shadowy, almost-historical  world, he gave us Conan the Cimmerian - to tread the jeweled thrones of the Earth under his sandalled feet."

    But he's keeping a secret that may unlock a darker destiny. FINAL REPORT “Entry One has been breached. Time to get this show on the road. They have no idea the kind of Hell I've prepared for them. May God have mercy on my soul.” MY FATHER’S SON A Delta Green agent with a mysterious past may learn more than he ever wanted to know when his current case leads where he never dared to go. THE DARK ABOVE In the face of madness and horror, two lonely Delta Green agents reach out to each other. Can they really afford such fragile bonds when the secrets of the night surf roll in? THE RULES OF ENGAGEMENT An agent’s disappearance pulls a Delta Green team into a vortex of horror in this novel of personal apocalypse. The secrets they uncover threaten to ignite a war between the Delta Green conspiracy and its bitterest enemy, Majestic-12 — secrets buried within time itself. Foreword by Kenneth Hite.

    His chilling mythology established a gateway between the known universe and an ancient dimension of otherworldly terror, whose unspeakable denizens and monstrous landscapes - dread Cthulhu, Yog-Sothoth, the Plateau of Leng, the Mountains of Madness - have earned him a permanent place in the history of the macabre.In Tales of the Cthulhu Mythos, a pantheon of horror and fantasy's finest authors pay tribute to the master of the macabre with a collection of original stories set in the fearsome Lovecraft tradition.Contents:- Iä! Iä! Cthulhu Fhtagn! (1990) by Jim Turner [as by James Turner] - The Call of Cthulhu (1928) by H.P. Lovecraft- The Return of the Sorcerer (1931) by Clark Ashton Smith- Ubbo-Sathla (1933) by Clark Ashton Smith- The Black Stone (1931) by Robert E. Howard- The Hounds of Tindalos (1929) by Frank Belknap Long- The Space-Eaters (1928) by Frank Belknap Long- The Dweller in Darkness (1944) by August Derleth- Beyond the Threshold (1941) by August Derleth- The Shambler from the Stars (1935) by Robert Bloch- The Haunter of the Dark (1936) by H.P. Lovecraft- The Shadow from the Steeple (1950) by Robert Bloch- Notebook Found in a Deserted House (1951) by Robert Bloch- The Salem Horror (1937) by Henry Kuttner- The Terror from the Depths (1976) by Fritz Leiber- Rising with Surtsey (1971) by Brian Lumley- Cold Print (1969) by Ramsey Campbell- The Return of the Lloigor (1969) by Colin Wilson- My Boat (1976) by Joanna Russ- Sticks (1974) by Karl Edward Wagner- The Freshman (1979) by Philip José Farmer- Jerusalem's Lot (1978) by Stephen King- Discovery of the Ghooric Zone (1977) by Richard A. LupoffCover illustration by John Jude Palencar

    Now from this brilliant young writer comes a groundbreaking collection of stories, many of them previously unavailable in the United States, and including four never-before-published tales–one set in Miéville’s signature fantasy world of New Crobuzon. Among the fourteen superb fictions are“Jack”–Following the events of his acclaimed novel Perdido Street Station, this tale of twisted attachment and horrific revenge traces the rise and fall of the Remade Robin Hood known as Jack Half-a-Prayer. “Familiar”–Spurned by its creator, a sorceress’s familiar embarks on a strange and unsettling odyssey of self-discovery in a coming-of-age story like no other.

    This title reveals the endless stuggle between the forces of darkness and its opponents, from the vampires and werewolves of old England, to villains in pop culture and serial killers who prowl the streets.

    Kiernan’s first SF novella since 2004’s The Dry Salvages. Certainly one of her most ambitious tales to date, a narrative spanning one hundred and eighty-six years exposes a labyrinthine underworld of global conspiracy, secret societies, synchronicity, chaos theory, and interdimensional apocalypse. As a horrific plague unfolds on the shores of New England, two shadowy agencies are pitted against one another in a race to understand the consequences of a psychiatrist’s bizarre experiment involving a pair of albino twins. In this “game of chess,” even the most minute act sends infinite ripples through eternity, the struggle shaping the history of the future.

    A photograph of a gravely joyful crowd gathered on a Prague street in November 1989 provokes reflection on the meaning of democracy and the reunion of a people with long-banished hopes and dreams.With the luminous essays in Keeping a Rendezvous, we are given to see the world as Berger sees it -- to explore themes suggested by the work of Jackson Pollock or J. M. W. Turner, to contemplate the wonder of Paris. Rendezvous are manifold: between critic and art, artist and subject, subject and the unknown. But most significant are the rendezvous between author and reader, as we discover our perceptions informed by John Berger's eloquence and courageous moral imagination.

    Here are twenty-three original tales—stories of the Old West infused with elements of the fantastic—produced specifically for this volume by many of today’s finest writers. Included are Orson Scott Card’s first “Alvin Maker” story in a decade, and an original adventure by Fred Van Lente, writer of Cowboys & Aliens. Other contributors include Tobias S. Buckell, David Farland, Alan Dean Foster, Jeffrey Ford, Laura Anne Gilman, Rajan Khanna, Mike Resnick, Beth Revis, Fred Van Lente, Walter Jon Williams, Ben H. Winters, Christie Yant, and Charles Yu, with an introduction by editor John Joseph Adams.CONTENTS:01 - Joe R. Lansdale, The Red-Headed Dead02 - Ben H. Winters, The Old Slow Man and his Gold Gun from Space03 - David Farland, Hellfire on the High Frontier04 - Mike Resnick, The Hell-Bound Stagecoach05 - Seanan McGuire, Stingers and Strangers06 - Charles Yu, Bookkeeper, Narrator, Gunslinger07 - Alan Dean Foster, Holy Jingle08 - Beth Revis, The Man With No Heart09 - Alastair Reynolds, Wrecking Party10 - Hugh Howey, Hell from the East11 - Rajan Khanna, Second Hand12 - Orson Scott Card, Alvin and the Apple Tree13 - Elizabeth Bear, Madam Damnable's Sewing Circle14 - Tad Williams, Strong Medicine15 - Jonathan Maberry, Red Dreams16 - Kelley Armstrong, Bamboozled17 - Tobias S. Buckell, Sundown18 - Jeffrey Ford, La Madre del Oro19 - Ken Liu, What I Assume You Shall Assume20 - Laura Anne Gilman, The Devil's Jack21 - Walter Jon Williams, The Golden Age22 - Fred Van Lente, Neversleeps23 - Christie Yant, Dead Man's Hand

    Science rules the dayside of the globe. Magic rules the World of Night, and Jack of Shadows, Shadowjack the Thief, who broke the Compact and duped the Lord of High Dudgeon, walks in silence and in shadows to seek vengeance upon his enemies.

    War has existed in one form or another since the dawn of human civilization, and before then, Elder terrors battled it out across this planet and this known universe in ways unimaginable.It has always been a losing battle for our side since time began. Incidents like the Innsmouth raid, chronicled by H.P. Lovecraft, mere blips of victory against an insurmountable foe. Still we fight, against these incredible odds, in an unending nightmare, we fight, and why? For victory, for land, for a political ideal? No, mankind fights for survival.Our authors, John Shirley, Mark Rainey, Wilum Pugmire, William Meikle, Tim Curran, Jeffrey Thomas and many others have gathered here to share war stories from the eternal struggle against the darkness. This book chronicles these desperate battles from across the ages, including Roman Britain, The American Civil War, World War Two, The Vietnam Conflict, and even into the far future.Table of ContentsLoyalty by John ShirleyThe Game Changers by Stephen Mark RaineyWhite Feather by T.E. GrauTo Hold Ye White Husk by W.H. PugmireSea Nymph’s Son by Robert M. PriceThe Boonieman by Edward M. ErdelacThe Turtle by Neil BakerThe Bullet and the Flesh by David Conyers & David KernotBroadsword by William MeikleThe Ithiliad by Christine MorganThe Sinking City by Konstantine ParadiasShape of a Snake by Cody GoodfellowMysterious Ways by C.J. HendersonMagna Mater by Edward MorrisDark Cell by Brian M. Sammons and Glynn Owen BarrassCold War, Yellow Fever by Pete RawlikStragglers from Carrhae by Darrell SchweitzerThe Procyon Project by Tim CurranWunderwaffe by Jeffrey ThomasA Feast of Death by Lee Clark ZumpeLong Island Weird by Charles ChristianThe Yoth Protocols by Josh Reynolds

    They do not know if the desert has an end, and if it does, what they might find there. Sometimes they come across perfectly-preserved cities, but without a single inhabitant, and never a drop of rain. Worse still, they have no memory of their lives before the desert. Only at night, in dreams, do they recall fragments of their past identities.But night also brings the madness of the sandstorms, which jolt them out of one body and into another in a game of metaphysical musical chairs. In their disorientation and dysfunction, they have killed each other dozens of times, but they cannot die. Where are they? How can they escape?