In addition to the natural danger of destruction by Cossacks, she must deal with a demon plaguing her family.

    You'll have a blast reading this and then date...or not date anyone because you are living your best single life with new best friend Roberson by your side." - Phoebe Robinson, New York Times bestselling author of You Can't Touch My Hair

    You have sung your last ho, ho, ho, for I am coming for your head. . . . I am coming to take back what is mine, to take back Yuletide . . .—from KrampusThe author and artist of The Child Thief returns with a modern fabulist tale of Krampus, the Lord of Yule and the dark enemy of Santa ClausOne Christmas Eve in a small hollow in Boone County, West Virginia, struggling songwriter Jesse Walker witnesses a strange spectacle: seven devilish figures chasing a man in a red suit toward a sleigh and eight reindeer. When the reindeer leap skyward, taking the sleigh, devil men, and Santa into the clouds, screams follow. Moments later, a large sack plummets back to earth, a magical sack that thrusts the down-on-his-luck singer into the clutches of the terrifying Yule Lord, Krampus. But the lines between good and evil become blurred as Jesse's new master reveals many dark secrets about the cherry-cheeked Santa Claus, including how half a millennium ago the jolly old saint imprisoned Krampus and usurped his magic.Now Santa's time is running short, for the Yule Lord is determined to have his retribution and reclaim Yuletide. If Jesse can survive this ancient feud, he might have the chance to redeem himself in his family's eyes, to save his own broken dreams, . . . and to help bring the magic of Yule to the impoverished folk of Boone County.

    He did not claim he was God’s agent. Did he believe in God? Did he look for a sign when he was desperate? Did he follow the Divine Will? Many believers are not followers; many followers are not believers. Is he a believer or a follower or both?

    John's, Antigua; Oranjestad, Aruba; Bridgetown, Barbados; Belize City, Belize; Bermuda; Kralendijk, Bonaire; Calica (Playa del Carmen), Mexico; Cartagena, Colombia; Colon, Panama; Costa Maya, Mexico; Willemstad, Curacao; Roseau, Dominica; Falmouth, Jamaica; Freeport-Lucaya, Bahamas; Grand Cayman, Cayman Islands; Grand Turk, Turks and Caicos Islands; St. George's, Grenada; Pointe-a-Pitre, Guadeloupe; Key West, Florida; La Romana, Dominican Republic; Fort-de-France, Martinique; Montego Bay, Jamaica; Nassau, Bahamas; Charlestown, Nevis; Ocho Rios, Jamaica; Progreso, Mexico; Puerto Limon, Costa Rica; Roatan, Honduras; Samana (Cayo Levantado), Dominican Republic; San Juan, Puerto Rico; Santo Domingo, Domican Republic; Santo Tomas de Castilla, Guatemala; Gustavia, St. Barthelemy; Fredericksted, St. Croix; Cruz Bay, St. John; Basseterre, St. Kitts; Castries, St. Lucia; Philipsburg, St. Maarten; Charlotte Amalie, St. Thomas; Kingstown, St. Vincent; Road Town, Tortola; and The Valley, Virgin Gorda· Covered ports of embarkation: Baltimore, Maryland; Charleston, South Carolina; Fort Lauderdale, Florida; Galveston, Texas; Houston, Texas; Jacksonville, Florida; Miami, Florida; New Orleans, Louisiana; New York, New York; Port Canaveral, Florida; San Juan, Puerto Rico; Tampa, Florida

    Donald Trump. Ivanka Trump. Hillary Clinton. Oprah. Barack Obama. Paul Ryan. Joe Biden. John Kerry. And a cast of thousands as the story behind the headlines you can't believe is exposed. Part political thriller, part soap opera, partially insane. The Deepest State was a viral hit - and this edition has the EXCLUSIVE, never before seen short story, "Enter the Bidenverse." Here's what they're saying about The Deepest State: "One of the greatest threads in Twitter history" – Richard Metzger "An amazing read" – A. Whitney Brown "Just keeps getting more amazing" – Jon Cryer "Amazing well written and riveting" – Merrill Markoe "This… is glorious" – Joy Reid "Epic, epic thread" – Jill Lawrence "A Twitter thread for the ages" – Marsha Warfield "Fucking brilliant" – Jeff Jarvis "Fantastic." – Steven Boyer "The most gorgeous thing I have read in a long time" – Penelope Patsuris "Good times" – Eliza Skinner "Comedy gold" – PJ Manney

    Reprinted here for the first time is Franzen's controversial l996 investigation of the fate of the American novel in what became known as "the Harper's essay," as well as his award-winning narrative of his father's struggle with Alzheimer's disease, and a rueful account of his brief tenure as an Oprah Winfrey author.

    She draws from her own experiences of illness and bodily injury to engage in an exploration that extends far beyond her life, spanning wide-ranging territory—from poverty tourism to phantom diseases, street violence to reality television, illness to incarceration—in its search for a kind of sight shaped by humility and grace.

    Offering bold new ways of conceiving the present, Lauren Berlant describes the cruel optimism that has prevailed since the 1980s, as the social-democratic promise of the postwar period in the United States and Europe has retracted. People have remained attached to unachievable fantasies of the good life—with its promises of upward mobility, job security, political and social equality, and durable intimacy—despite evidence that liberal-capitalist societies can no longer be counted on to provide opportunities for individuals to make their lives “add up to something.”Arguing that the historical present is perceived affectively before it is understood in any other way, Berlant traces affective and aesthetic responses to the dramas of adjustment that unfold amid talk of precarity, contingency, and crisis. She suggests that our stretched-out present is characterized by new modes of temporality, and she explains why trauma theory—with its focus on reactions to the exceptional event that shatters the ordinary—is not useful for understanding the ways that people adjust over time, once crisis itself has become ordinary. Cruel Optimism is a remarkable affective history of the present.

    In this intimate history, Valerie Paradiz tells the real story of the greatest literary collaboration of the nineteenth century, and gives the long-lost narrators of these beloved tales their due. Jacob and Wilhelm Grimm were major German intellects of their time, contemporaries of both Goethe and Schiller. But as Paradiz reveals here, the romantic image of the two brothers traveling the countryside, transcribing tales told to them by peasants, is far from the truth. More than half of the tales the Grimm brothers collected were contributed by women friends from the upper classes. Set against the backdrop of the Napoleonic wars and the high years of German romanticism, Clever Maids chronicles this most fascinating enterprise in literary history, and illuminates the ways the Grimm tales-with their mythic portrayals of courage, sacrifice, and betrayal-still resonate so powerfully today.

    Funny, moving and inspirational, it is just as delightful as Canfor-Dumas’ first novel, ‘The Buddha, Geoff and Me’. When we catch up with our hero Ed, he’s abandoned his Buddhist practice and is stuck in a rut – no career, no love life and no cash.Plunged unwittingly into a world of street crime and dodgy property deals, Ed finds himself dusting down his beads and reluctantly picking up his Nichiren Buddhist practice to guide him through a series of dramas, dilemmas and big decisions. Spiritual insights then emerge from the grit, grime and SNAFUs of Ed’s everyday life. By turns unsettling and uplifting, this is a book that will also get you thinking about complex issues of our time such as depression, racism, bereavement, suicide and youth crime.And it gives possibly the best ever explanation of the wisdom that comes from chanting Nam Myoho Renge Kyo: “Like sending a truffle hound to root around in the leaf-litter of my subconscious and dig up what’s bothering me.” The description by the publisher is spot on – this absolutely is a book “for everyone who's ever wondered whether enlightenment really is compatible with the daily commute.” Welcome back Ed, lovin' yer truffles…

    Here, collected in one volume, are tales and legends that range from the misty dawn of Gaelic history and the triumph of St Patrick to the Ireland of the present day - tales as beautiful, mystical, and enchanting as the ancient land itself.

    Seuss and J. K. Rowling. In analysing these and many other authors, Alison Lurie shows how these gifted writers have used children's literature to transfigure sorrow, nostalgia and the struggles of their own experience.

    Anne’s College, Oxford. Her lectures took the shape of this set of discursive stories. Refusing to be tied down to either fiction or the essay form, Artful is narrated by a character who is haunted—literally—by a former lover, the writer of a series of lectures about art and literature.A hypnotic dialogue unfolds, a duet between and a meditation on art and storytelling, a book about love, grief, memory, and revitalization. Smith’s heady powers as a fiction writer harmonize with her keen perceptions as a reader and critic to form a living thing that reminds us that life and art are never separate.Artful is a book about the things art can do, the things art is full of, and the quicksilver nature of all artfulness. It glances off artists and writers from Michelangelo through Dickens, then all the way past postmodernity, exploring every form, from ancient cave painting to 1960s cinema musicals. This kaleidoscope opens up new, inventive, elastic insights—on the relation of aesthetic form to the human mind, the ways we build our minds from stories, the bridges art builds between us. Artful is a celebration of literature’s worth in and to the world and a meaningful contribution to that worth in itself. There has never been a book quite like it.

    Flax Hill, Massachusetts, isn’t exactly a welcoming town, but it does have the virtue of being the last stop on the bus route she took from New York. Flax Hill is also the hometown of Arturo Whitman—craftsman, widower, and father of Snow. SNOW is mild-mannered, radiant and deeply cherished—exactly the sort of little girl Boy never was, and Boy is utterly beguiled by her. If Snow displays a certain inscrutability at times, that’s simply a characteristic she shares with her father, harmless until Boy gives birth to Snow’s sister, Bird. When BIRD is born Boy is forced to re-evaluate the image Arturo’s family have presented to her, and Boy, Snow and Bird are broken apart. Sparkling with wit and vibrancy, Boy, Snow, Bird is a deeply moving novel about three women and the strange connection between them. It confirms Helen Oyeyemi’s place as one of the most original and dynamic literary voices of her generation.