Dalloway, To the Lighthouse, and Between the Acts—portray the essential experiences of life.For Edward Mendelson—a professor of English and comparative literature at Columbia University—these classic novels tell life stories that are valuable to readers who are thinking about the course of their own lives. Looking beyond theories to the individual intentions of the authors and taking into consideration their lives and times, Mendelson examines the sometimes contradictory ways in which the novels portray such major passages of life as love, marriage, and parenthood. In Frankenstein's story of a new life, we see a searing representation of emotional neglect. In Wuthering Heights and Jane Eyre the transition from childhood to adulthood is portrayed in vastly different ways even though the sisters who wrote the books shared the same isolated life. In Mrs. Dalloway we see an ideal and almost impossible adult love. Mendelson leads us to a fresh and fascinating new understanding of each of the seven novels, reminding us—in the most captivating way—why they matter.The Things That Matter is a book that will delight all passionate readers.

    With characteristic vigor and iconoclasm, Pound illustrates his precepts with exhibits meticulously chosen from the classics, and the concluding “Treatise on Meter” provides an illuminating essay for anyone aspiring to read and write poetry. The ABC of Reading emphasizes Pound's ability to discover neglected and unknown genius, distinguish originals from imitations, and open new avenues in literature for our time.

    

    In 1980s Miami, he was the middle man between the Colombians and the domestic cartels flooding America's streets with cocaine. 'The Laundry Man' is the story of an ordinary man caught up in an extraordinary life.

    Taber shares memories of her childhood in the Southwest and Mexico as well as her married life and early pursuit of a writing career.

     The Hidden Oracle: After angering his father Zeus, the god Apollo is cast down from Olympus. Weak and disorientated, he lands in New York City as a regular teenage boy. The Burning Maze: My way out? A series of scary and dangerous trials, of course.For my third mission, I must:Journey through the Labyrinth to free an Oracle who only speaks in puzzles. Magnus Chase: The Hammer of Thor: Thor's hammer is missing again. The thunder god has a disturbing habit of misplacing his weapon - the mightiest force in the Nine Worlds. But this time the hammer isn't just lost, it has fallen into enemy hands. The Sword of Summer: My day started out normally enough. I was sleeping under a bridge when some guy kicked me awake and said, 'They're after you.' Next thing I know, I'm reunited with my obnoxious uncle, who casually informs me that my long-lost father is a Norse god. The Ship of the Dead: Loki the trickster god is free from his chains. Now he's readying Naglfar, the Ship of the Dead, armed with a host of giants and zombies.

    After giving birth to a son, John, Bridie's child was taken away from her, and she was sent to one of Ireland's infamous Magdalene Laundries. This was only the beginning... They took her freedom. They took her innocence. They took her child. But they couldn't take her spirit.

    Cited as an influence by such envelope-pushing directors as Spike Jonze and P. T. Anderson, Altman has created a genre all his own, notable for its improvised, overlapping dialogue and creative cinematography. One of the key moviemakers of the 1970s--commonly considered the heyday of American film--Altman's irrepressible combination of unorthodox vision and style is most clearly evidenced in the fourteen movies he released across that decade. By fine-tuning his talent in a diverse array of genres, including westerns, thrillers, and loopy, absurdist comedies--all subtly altered to fit his signature métier--he cemented his place as one of our most esteemed directors.In these conversations with David Thompson, Altman reflects on his start in industrial filmmaking, as well as his tenure in television directing Alfred Hitchcock Presents and Bonanza, and his big break in feature films as the director of the enormously popular M*A*S*H, a project for which he was the last possible resort behind fourteen other directors. The resulting portrait reveals a quixotic man whose films continue to delight and challenge audiences, both in the United States and beyond.

    Moving away from the Marxist/Freudian approaches that had concerned him earlier, Baudrillard developed in this book a theory of contemporary culture that relies on displacing economic notions of cultural production with notions of cultural expenditure.Baudrillard uses the concepts of the simulacra—the copy without an original—and simulation. These terms are crucial to an understanding of the postmodern, to the extent that they address the concept of mass reproduction and reproduceability that characterizes our electronic media culture.Baudrillard's book represents a unique and original effort to rethink cultural theory from the perspective of a new concept of cultural materialism, one that radically redefines postmodern formulations of the body.Sheila Glaser is an editor at Artforum magazine.

    From Mary Pickford and Charlie Chaplin to Archie Leach (a.k.a. Cary Grant) and Marion Morrison (a.k.a. John Wayne), Tom Cruise and Julia Roberts, and such no-cal stars of today as the Kardashians and the new online celebrity (i.e., you and me), Burr takes us on an insightful and entertaining journey through the modern fame game at its flashiest, most indulgent, occasionally most tragic, and ultimately, its most revealing.

    She writes of the human condition with precision, in language that is both grave and conversational. Her characters step out of the real world onto the page, where she develops them quietly, but with compassionate fullness. This writer grips the reader with her keen knowledge of the psyche of individuals-—their motives and secrets—and also with the surprising things that happen to them.”—Laura Kasischke, judge, Michigan Literary Fiction AwardsOf Elaine Ford’s novel, Missed Connections, the Washington Post wrote that it is a work “of small episodes, of precise sentences, of unusual clarity.” That same clarity proves an unsettling force in Ford’s stories, where precision of prose often belies uncertainties hidden beneath. In the title piece, an American woman in England, embroiled in a relationship doomed to fail, discovers how little she understands about her own desires and impulses. In another story, another American wife, abandoned in Greece by her archaeologist husband, struggles to solve a crime no one else believes to have been committed.Throughout her stories Ford touches on the mysteries that make up our lives. Each story in itself is a masterpiece of such detail and power as to transform the way we see the world.

    Tolkien's creativity and the sources of his inspiration. Shippey shows in detail how Tolkien's professional background led him to write "The Hobbit" and how he created a timeless charm for millions of readers.

    Cain's hard-nosed observation that "writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational," to Joan Didion's account of how she composes a book--"I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets me into a rhythm"--The Paris Review has elicited some of the most revelatory and revealing thoughts from the literary masters of our age. For more than half a century, the magazine has spoken with most of our leading novelists, poets, and playwrights, and the interviews themselves have come to be recognized as classic works of literature, an essential and definitive record of the writing life. They have won the coveted George Polk Award and have been a contender for the Pulitzer Prize. Now, Paris Review editor Philip Gourevitch introduces an entirely original selection of sixteen of the most celebrated interviews. Often startling, always engaging, these encounters contain an immense scope of intelligence, personality, experience, and wit from the likes of Elizabeth Bishop, Ernest Hemingway, Truman Capote, Rebecca West, and Billy Wilder. This is an indispensable book for all writers and readers.

    So which does he choose? Despite his love of basalt, he chooses the career that teaches him how to kill... and sh*t in plastic bags.Knowing his weak body will have to shape up to complete thirty weeks of commando training, Mark prepares for the Royal Marines by sleeping in his shed wearing only plastic bags. He braves pain by ordering his mate to attack him while trapped in a sleeping bag. He starves himself in a stupid urban survival exercise, turning down the offer of crispy pancakes from his bewildered mother.He is ready.Some might say for the nut house...Often hilarious and yet shockingly sobering, this is the true story of a boy who joins one of the world's most elite military units with only naivety and incompetence equalling his will to succeed.'A cover to cover laughathon' - SOLDIER MAGAZINE

    It premiered 37 years ago, in 1973, and, after 31 series it finally came to an end last year – even though all its original protagonists – Compo, Foggy, even Nora Batty – are now dead. Remarkably, for a series of such longevity and international appeal, it is all about elderly people, has little action or plot, and is set and filmed in and around the small Yorkshire town of Holmfirth. Now, Andrew Vine, the deputy editor of Yorkshire’s daily newspaper, has written the definitive history of this television phenomenon. It covers the show’s inauspicious beginnings, with low ratings, its endless reinvention as participants like Bill Owen, Michael Bates, Brian Wilde and Kathy Staff retired or died, the appearance of a string of guest stars from John Cleese and Norman Wisdom to Thora Hird and Russ Abbott (both of whom soon found themselves fixtures in the cast), and the ingenious plot contrivances as the protagonists became too old and frail to attempt any of the slapstick stunts with runaway prams – indeed any outdoor action. Holmfirth is now a year-round tourist attraction, and endless repeats and new DVD box sets will ensure a readership for this book for years to come.