Now it is easier and more enjoyable than ever before to read, study, and consult this classic work.Citations from Scripture, rabbinic sources, and the works of Philo and Josephus enhance the reader's understanding of the temple, kits sacrifices, ministry, personnel, and services. These materials complement Edersheim's discussion, clarify difficult passages, and illumine the reader as to the true, spiritual meaning of the temple and its services. This edition brings a wealth of information together in the margins, providing a unique entree into the primary sources of the ancient world.Jerusalem, the temple, priests, and worshippers all come alive through Edersheim's prose as well as through the more than 75 illustrations, charts, photos, and drawings. Enhanced both aesthetically and practically, this edition of "The Temple" has no rival.Edersheim's deep devotion to the authority of the Scriptures, his ability to make the Scriptures come alive in their ancient context, and his encyclopedic familiarity with ancient Jewish sources all enrich this classic and timeless work.

    Best known in this country for her theological writing, Weil wrote on a great variety of subjects ranging from classical philosophy and poetry, to modern labor, to the language of political discourse. The present anthology offers a generous collection of her work, including essays never before translated into English and many that have long been out of print. It amply confirms Elizabeth Hardwick's words that Simone Weil was "one of the most brilliant and original minds of twentieth-century France" and "a woman of transcendent intellectual gifts and the widest learning." A longtime Weil scholar, Sian Miles has selected essays representative of the wide sweep of Weil's work and provides a superb introduction that places Weil's work in context of her life and times.

    Drawing from the Bible, the Pseudepigrapha, the Talmud and Midrash, the kabbalistic literature, medieval folklore, Hasidic texts, and oral lore collected in the modern era, Schwartz has gathered together nearly 700 of the key Jewish myths. The myths themselves are marvelous. We read of Adams diamond and the Land of Eretz (where it is always dark), the fall of Lucifer and the quarrel of the sun and the moon, the Treasury of Souls and the Divine Chariot. We discover new tales about the great figures of the Hebrew Bible, from Adam to Moses; stories about God's Bride, the Shekhinah, and the evil temptress, Lilith; plus many tales about angels and demons, spirits and vampires, giant beasts and the Golem. Equally important, Schwartz provides a wealth of additional information. For each myth, he includes extensive commentary, revealing the source of the myth and explaining how it relates to other Jewish myths as well as to world literature (for instance, comparing Eves release of evil into the world with Pandoras). For ease of use, Schwartz divides the volume into ten books, Myths of God, Myths of Creation, Myths of Heaven, Myths of Hell, Myths of the Holy Word, Myths of the Holy Time, Myths of the Holy People, Myths of the Holy Land, Myths of Exile, and Myths of the Messiah.

    His single-volume biography has become a standard resource for those who wish to delve into the depths of the Reformer without drowning in a sea of scholarly concerns.

    It offers 180 pages of full-color Bible charts, maps, and time lines --all reproducible. A $250 value when items are purchased separately. Book measures 11.25 x 9.5 x 1. Special hard cover hides spiral binding. Looks great on a bookshelf and opens flat for ease of use and for photocopying. Copies are limited to 300 per original document, in one church only. Rose Book Of Bible Charts, Maps & Time Lines is an outstanding study, teaching and pastor reference resource for understanding biblical dates, geography, events, and much more. Compare Bible times and now at a single glance. Look inside the Tabernacle and Solomon's Temple. Compare religions. There are literally thousands of facts to enrich one's Bible study, understanding, and teaching. Here is a sampling of the content found in this bestselling book: Full-color Bible Charts Overviews of the Old and New Testaments The Creation Maps that compare Bible and modern times The Holy Land: The Middle East; Where Jesus Walked Paul's Journeys Detailed illustrations of the Tabernacle, Temple and High Priest The Tabernacle Palm Sunday to Easter Biblical and historical Time Lines Christian History Timeline Bible Time Line How We Got the Bible Christianity, Cults & Religions Denominations Comparison Islam & Christianity

    Some groups of Christians claimed that there was not one God but two or twelve or thirty. Some believed that the world had not been created by God but by a lesser, ignorant deity. Certain sects maintained that Jesus was human but not divine, while others said he was divine but not human.In Lost Christianities, Bart D. Ehrman offers a fascinating look at these early forms of Christianity and shows how they came to be suppressed, reformed, or forgotten. All of these groups insisted that they upheld the teachings of Jesus and his apostles, and they all possessed writings that bore out their claims, books reputedly produced by Jesus's own followers. Modern archaeological work has recovered a number of key texts, and as Ehrman shows, these spectacular discoveries reveal religious diversity that says much about the ways in which history gets written by the winners. Ehrman's discussion ranges from considerations of various "lost scriptures"--including forged gospels supposedly written by Simon Peter, Jesus's closest disciple, and Judas Thomas, Jesus's alleged twin brother--to the disparate beliefs of such groups as the Jewish-Christian Ebionites, the anti-Jewish Marcionites, and various "Gnostic" sects. Ehrman examines in depth the battles that raged between "proto-orthodox Christians"--those who eventually compiled the canonical books of the New Testament and standardized Christian belief--and the groups they denounced as heretics and ultimately overcame.Scrupulously researched and lucidly written, Lost Christianities is an eye-opening account of politics, power, and the clash of ideas among Christians in the decades before one group came to see its views prevail.

    He proposes that there is indeeda unifying center to the theology and message of the Bible that is indicated and affirmed byScripture itself. That center is the promise of God. It is one all-encompassing promise of lifethrough the Messiah that winds itself throughout salvation history in both the Old and NewTestaments, giving cohesiveness and unity to the various parts of Scripture.After laying out his proposal, Kaiser works chronologically through the books of both testaments,demonstrating how the promise is seen throughout, how the various sub-themesof each book relate to the promise, and how God’s plan to fulfill the promise progressivelyunfolds. Here is a rich and illuminating biblical theology that will stir the emotion and theintellect.

    This colourful, personal, anecdotal, indiscrete and admiring memoir charts the course of Muriel Spark's life revealing her as she really was. Once, she commented sitting over a glass of chianti at the kitchen table, that she was upset that the academic whom she had appointed her official biographer did not appear to think that she had ever cracked a joke in her life. In Appointment in Arezzo Alan Taylor sets the record straight about this and many other things.With sources ranging from notebooks kept from his very first encounter with Muriel and the hundreds of letters they exchanged over the years, this is an invaluable portrait of one of Edinburgh's premiere novelists. The book is published to celebrate the 100th anniversary of Muriel's birth in 2018.

    Wolpe blends the powerful personal story of his struggles with his own faith with a poignant response to the new atheists that reveals just how important faith in modern society. With a foreword by Rick Warren, New York Times bestselling author of The Purpose Driven Life, Why Faith Matters is an articulate and much-needed nondenominational defense of established religion in America by the man Newsweek magazine named the #1 Pulpit Rabbi in America.

    No book has been as widely read. But how did the bible become the book we know? Pelikan takes readers thru the book’s evolution from its earliest incarnation as oral tales to its modern existence in various iterations, translations & languages. From the earliest Hebrew texts & its appearance in Greek, then Latin, he explores the canonization of different bibles & why certain books were adopted by certain sects, as well as the development of the printing press, the translation into modern languages & varying schools of critical scholarship. Both a work of scholarship & a fascinating read, Whose Bible Is It? will be welcomed by the many fans of Elaine Pagels’s books & Adam Nicolson’s God’s Secretaries.PrefaceThe Bible, the whole Bible & nothing but the Bible?The God who speaks The truth in Hebrew-Moses speaking GreekBeyond written Torah: Talmud & continuing revelationThe law & the prophets fulfilled Formation of a second TestamentThe peoples of the Book Back to the sources The Bible only The Canon & the criticsA message for the whole human raceThe strange new world within the BibleAlternative canons of the Tanakh/Old Testament New TestamentNotes & Further Reading

    "Provocative."--Publishers Weekly.Collection: Religion and Postmodernism Series

    Try to write the truth. Try to get underneath all the sham, all the excuses, all the lies that you’ve been told. . . . If you’re gonna write fiction, you have to get right on down to it.""Harry Crews cannot refrain from storytelling. These conversations are blessed with countless insights into the creative process, fresh takes on old questions, and always, Crews’s stories: modern-day parables that tell us how it is to live, to work, and to hurt."--Jeff Baker, Oxford American"Harry Crews has indelible ways of approaching life and the craft of writing. This collection shows that he elevates both to a near-religious artform."--Matthew Teague, Oxford AmericanIn 26 interviews conducted between 1972 and 1997, novelist Harry Crews tells the truth--about why and how he writes, about the literary influences on his own work, about the writers he admires (or does not), about which of his own books he likes (or does not), about his fascination with so-called freaks, and about his love of blood sports. Crews reveals the tender side under his tough-guy image, discussing his beloved mother and his spiritual quest in a secular world.Crews also speaks frankly about his failed relationships, the role that writing played in them, and his personal struggles with alcohol and drugs and their impact on his life and work. Those seeking insights into his work will find them in these interviews. Those seeking to be entertained in Crewsian fashion will not be disappointed.Harry Crews on his tattoo and mohawk . . ."If you can’t get past my ‘too’--my tattoo--and my ‘do’--the way I got my hair cut--it’s only because you have decided there are certain things that can be done with hair and certain things that cannot be done with hair. And certain of them are right and proper and decent, and the rest indicate a warped, degenerate nature; therefore I am warped and degenerate. 'Cause I got my hair cut a different way, man? You gonna really live your life like that? What’s wrong with you?"On advice to young writers . . ."You have to go to considerable trouble to live differently from the way the world wants you to live. That’s what I’ve discovered about writing. The world doesn’t want you to do a damn thing. If you wait till you got time to write a novel or time to write a story or time to read the hundred thousands of books you should have already read--if you wait for the time, you’ll never do it. 'Cause there ain’t no time; world don’t want you to do that. World wants you to go to the zoo and eat cotton candy, preferably seven days a week."                                     On being "well-rounded" . . ."I never wanted to be well-rounded, and I do not admire well-rounded people nor their work. So far as I can see, nothing good in the world has ever been done by well-rounded people. The good work is done by people with jagged, broken edges, because those edges cut things and leave an imprint, a design." Harry Crews is the author of 23 books, including The Gospel Singer, Naked in Garden Hills, This Thing Don’t Lead to Heaven, Karate Is a Thing of the Spirit, Car, The Hawk Is Dying, The Gypsy’s Curse, A Feast of Snakes, A Childhood: The Biography of a Place, Blood and Grits, The Enthusiast, All We Need of Hell, The Knockout Artist, Body, Scar Lover, The Mulching of America, Celebration, and Florida Frenzy (UPF, 1982).Erik Bledsoe is an instructor of English and American studies at the University of Tennessee. He has published articles on southern writers and edited a special issue of the Southern Quarterly devoted to Crews. His 1997 interview with Harry Crews from that magazine is included in this collection.

    Through a blend of storytelling and scholarship, conversation and argument, father and daughter tell the tales behind Judaism’s most enduring names, adages, disputes, texts, and quips. These words, they argue, compose the chain connecting Abraham with the Jews of every subsequent generation.Framing the discussion within such topics as continuity, women, timelessness, and individualism, Oz and Oz-Salzberger deftly engage Jewish personalities across the ages, from the unnamed, possibly female author of the Song of Songs through obscure Talmudists to contemporary writers. They suggest that Jewish continuity, even Jewish uniqueness, depends not on central places, monuments, heroic personalities, or rituals but rather on written words and an ongoing debate between the generations. Full of learning, lyricism, and humor, Jews and Words offers an extraordinary tour of the words at the heart of Jewish culture and extends a hand to the reader, any reader, to join the conversation.

    The unique importance of his work lies rather in his discovery and treatment of religious, or potentially religious, factors in his investigation into the unconscious as a whole and in his general therapeutic practice. In Answer to Job, first published in Zurich in 1952, Jung employs the familiar language of theological discourse. Such terms as "God," "wisdom," and "evil" are the touchstones of his argument. And yet, Answer to Job, perhaps Jung's most controversial work, is not an essay in theology as much as it is an examination of the symbolic role that theological concepts play in a person's psychic life.

    The new Scholars Version translation captures the full spirit and vitality of the original texts. This gospel picture of early traditions and Christian origins gives the reader a fresh and exciting glimpse into the world of Jesus and his followers. Informative and highly-readable introductions, essays, notes, and annotations make this work a remarkably comprehensive one-volume library of all gospel texts.