Wells, Conan Doyle, Washington Irving and many more. Hailing from different countries such as America, Ireland, the United Kingdom and India, this book is an entertaining consolidation of diverse stories which cover a broad range of topics and themes. While ‘The Gift of the Magi’ resonates with the sense of love and loss, ‘The Selfish Giant’ and ‘Rip Van Winkle’ relives our childhood. Some stories warm your heart, some make you think and some delight you with their magical language while at the same time they explore universal themes and arouse a gamut of responses. A must-have, this book offers a plethora of classics to read and enjoy for any lover of a good story.

    

    Divorced, retired, estranged from his only daughter, the former life insurance salesman seeks only solitude and anonymity. Then Glass encounters his long-lost nephew, Tom Wood, who is working in a local bookstore—a far cry from the brilliant academic career Tom had begun when Nathan saw him last. Tom's boss is the colorful and charismatic Harry Brightman—a.k.a. Harry Dunkel—once the owner of a Chicago art gallery, whom fate has also brought to the "ancient kingdom of Brooklyn, New York." Through Tom and Harry, Nathan's world gradually broadens to include a new circle of acquaintances. He soon finds himself drawn into a scam involving a forged page of The Scarlet Letter, and begins to undertake his own literary venture, The Book of Human Folly, an account of "every blunder, every pratfall, every embarrassment, every idiocy, every foible, and every inane act I have committed during my long and checkered career as a man." The Brooklyn Follies is Paul Auster's warmest, most exuberant novel, a moving, unforgettable hymn to the glories and mysteries of ordinary human life.

    

    

    He is opposed by Niels Nielsen, a melancholy intellectual who hurls invective at the dictator and the hypocrisy and moral bankruptcy of society. Barutanski himself despises the sycophants beneath him and recognizes in Nielsen a genuine foe; but Nielsen, haunted by his own lapses of conscience, struggles to escape both the regime and the role of opposition leader that is thrust upon him.Miroslav Krleza is considered one of the most important Central European authors of the twentieth century. In his career he was a poet, playwright, screenwriter, novelist, essayist, journalist, and travel writer. He also suffered condemnation as a leftist and a practitioner of modernism and his books were proscribed in the 1930s. The first two books of the trilogy The Banquet in Blitva were written in the thirties and their comments on political, psychological, artistic, and ethical issues earned him the enmity of Yugoslavia's increasingly fascist government. He did not write and publish the third book in the trilogy until 1962.

    In Europe, however (particularly in Germany, Italy, and France where he is published by the great publishing houses), he is critically recognized as one of America's greatest realist writers.

    This is edge-of-the-seat, page-turning reading.

    Drawing upon the history of literature and art from the mid-nineteenth century to the present, Bourdieu develops an original theory of art conceived as an autonomous value. He argues powerfully against those who refuse to acknowledge the interconnection between art and the structures of social relations within which it is produced and received. As Bourdieu shows, art’s new autonomy is one such structure, which complicates but does not eliminate the interconnection.The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.

    A practicing physician for more than 40 years, Williams worked in the idiom of modern American speech ― unlike his friend and mentor, Ezra Pound ― and his poems are redolent with a warmth and generosity of spirit. The Beat poets were particularly impressed with the accessibility of his language, and Williams's widely quoted dictum, "No ideas but in things," influenced a generation of American poets.This fine selection offers readers the opportunity to study and enjoy the richness and variety of Williams's early work. More than 70 poems, published between 1917 and 1921, include "Peace on Earth," "Tract," "El Hombre," "Danse Russe," "Keller Gegen Dom," "Willow Poem," "Queen-Anne's-Lace," "Portrait of a Lady," "The Widow's Lament in Springtime," and many others.

    

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

     The second tale, "The Candle in the Cloud", is a novella of dark fantasy which follows three children who discover a magical candle that transports them to a world where a plague-cloud is destroying everything in its wake. These two tales, the first ever written by Clive, are offered here for the very first time. Their production has been lovingly supervised by Clive himself to ensure that these are not mere books, but works of art to be cherished. Complete with original illustrations and appendices on select editions, First Tales is sure to delight everyone from longtime fans to new readers. In his own words: "These two stories represent the two essential structures of fantastique literature. ’The Wood on the Hill’ is about an incursion of unearthly elements into an approximation of our world. ’The Candle in the Cloud’ is about a journey taken by people from our world into another reality. Yin and Yang, if you like. Forces pulling in opposing directions but to achieve the same end: Revelation." Clive Barker (2013)

    The Bourgeois Gentleman, Moliere's classic treatment of snobbery, presents Monsieur Jordain's obsessive desire to move up out of the ranks of the middle class and associate with the gentry.

    But his more characteristic work was found in such novels as "The Gentleman from Indiana" (1899), "The Conquest of Canaan" (1905), and the trilogy consisting of "Turmoil" (1915), "The Magnificent Ambersons" (1918) and "The Midlander" (1921). He won two Pulitzer Prizes for novels, for "The Magnificent Ambersons" and for "Alice Adams" (1921). "The Magnificent Ambersons" was memorably filmed by Orson Welles in 1942. Tarkington is also noted for several charming, idealized novels about childhood and adolescence, such as "Penrod" (1914) and "Seventeen" (1916), which occur squarely in the middle of the line of literary development that leads from Mark Twain's "Tom Sawyer" up to Ray Bradbury's "Dandelion Wine." They are classics of period Americana.