No stranger to controversy, he'd already triggered a furious Twitter storm by mocking an exorcism he witnessed.Then there was that video: forty seconds of chilling footage that Jack repeatedly claimed was not of his making, yet was posted from his own YouTube account.Nobody knew what happened to Jack in the days that followed - until now.

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    His quest takes him from Dayzone into the permanent dark of Nocturna. As the vicious, seemingly invisible serial killer known only as Quicksilver haunts the streets, Nyquist starts to suspect that the runaway girl holds within her the key to the city’s fate. In the end, there’s only one place left to search: the shadow-choked zone known as Dusk.

    A dark magic will be unleashed by the Untainted...Unless a new hero can be found. Neverwhere's faster, smarter brother has arrived.Sixty-One Nails follows Niall Petersen, from a suspected heart attack on the London Underground, into the hidden world of the Feyre, an uncanny place of legend that lurks just beyond the surface of everyday life. The Untainted, the darkest of the Seven Courts, have made their play for power, and unless Niall can recreate the ritual of the Sixty-One Nails, their dark dominion will enslave all of the Feyre, and all of humankind too.

    A bluff high above the Pacific. A grand mansion full of beauty and tantalizing history set against a towering redwood forest.A young reporter on assignment from the San Francisco Observer. . . an older woman, welcoming him into her magnificent, historic family home that he has been sent to write about and that she must sell with some urgency . . . A chance encounter between two unlikely people . . . an idyllic night—shattered by horrific unimaginable violence. . .The young man inexplicably attacked—bitten—by a beast he cannot see in the rural darkness . . . A violent episode that sets in motion a terrifying yet seductive transformation as the young man, caught between ecstasy and horror, between embracing who he is evolving into and fearing who—what—he will become, soon experiences the thrill of the wolf gift.As he resists the paradoxical pleasure and enthrallment of his wolfen savagery and delights in the power and (surprising) capacity for good, he is caught up in a strange and dangerous rescue and is desperately hunted as “the Man Wolf,” by authorities, the media and scientists (evidence of DNA threaten to reveal his dual existence). . . As a new and profound love enfolds him, questions emerge that propel him deeper into his mysterious new world: questions of why and how he has been given this gift; of its true nature and the curious but satisfying pull towards goodness; of the profound realization that there are others like him who may be watching—guardian creatures who have existed throughout time and may possess ancient secrets and alchemical knowledge and throughout it all, the search for salvation for a soul tormented by a new realm of temptations, and the fraught, exhilarating journey, still to come, of being and becoming, fully, both wolf and man.

    While Billy walks away with Emily, Shawn takes Eagle Logic, which he uses to build a multi-billion-dollar company that eventually outshines Apple, Google, and Microsoft combined.Years later, Billy is a failure, beset by poverty and addiction, and Shawn is the most famous man in the world. Unable to let the past be forgotten, Shawn decides to resurrect his and Billy’s biggest failure: a next-generation computer program named Nellie that can control a house’s every function. He decides to set it up in the abandoned mansion they worked near all those years ago. But something about Nellie isn’t right—and the reconstruction of the mansion is plagued by accidental deaths. Shawn is forced to bring Billy back, despite their longstanding mutual hatred, to discover and destroy the evil that lurks in the source code.

    She sleeps through the morning, into the evening. Her roommate, Mei, cannot rouse her. Neither can the paramedics who carry her away, nor the perplexed doctors at the hospital. Then a second girl falls asleep, and then another, and panic takes hold of the college and spreads to the town. As the number of cases multiplies, classes are canceled, and stores begin to run out of supplies. A quarantine is established. The National Guard is summoned. Mei, an outsider in the cliquish hierarchy of dorm life, finds herself thrust together with an eccentric, idealistic classmate. Two visiting professors try to protect their newborn baby as the once-quiet streets descend into chaos. A father succumbs to the illness, leaving his daughters to fend for themselves. And at the hospital, a new life grows within a college girl, unbeknownst to her—even as she sleeps. A psychiatrist, summoned from Los Angeles, attempts to make sense of the illness as it spreads through the town. Those infected are displaying unusual levels of brain activity, more than has ever been recorded. They are dreaming heightened dreams—but of what?

    . . or not.Joining these haunting works are stories linked to Tremblay’s previous novels. The tour de force metafictional novella Notes from the Dog Walkers deconstructs horror and publishing, possibly bringing in a character from A Head Full of Ghosts, all while serving as a prequel to Disappearance at Devil’s Rock. “The Thirteenth Temple” follows another character from A Head Full of Ghosts—Merry, who has published a tell-all memoir written years after the events of the novel. And the title story, Growing Things, a shivery tale loosely shared between the sisters in A Head Full of Ghosts, is told here in full.From global catastrophe to the demons inside our heads, Tremblay illuminates our primal fears and darkest dreams in startlingly original fiction that leaves us unmoored. As he lowers the sky and yanks the ground from beneath our feet, we are compelled to contemplate the darkness inside our own hearts and minds.Growing things --Swim wants to know if it's as bad as swim thinks --Something about birds --The getaway --Nineteen snapshots of Dennisport --Where we all will be --The teacher --Notes for "The Barn in the Wild" --_______ --Our town's monster --A haunted house is a wheel upon which some are broken --It won't go away --Notes from the dog walkers --Further questions for the somnambulist --The ice tower --The society of the monsterhood --Her red right hand --It's against the law to feed the ducks --The thirteenth temple --Notes --Acknowledgments --Credits

    But the real reason she's there is to bear him and his barren wife a child, the consequences of which curse the tenement building that is their home for a hundred years. As we travel through the nine floors of the building and the next eight decades, the resident's lives entwine over the ages and in unpredictable ways. Along the way we encounter the city's most infamous Madam, a seance, a civil rights lawyer, a bone mermaid, a famous Beat poet, a notorious Edinburgh gang, a spy, the literati, artists, thinkers, strippers, the spirit world - until a cosmic agent finally exposes the true horror of the building's longest kept secret. No. 10 Luckenbooth Close hurtles the reader through personal and global history - eerily reflecting modern life today.

    This haunting and atmospheric novel opens with a heated discussion, as Shelley challenges the conventionally religious Frankenstein to consider his atheistic notions of creation and life. Afterward, these concepts become an obsession for the young scientist. As Victor begins conducting anatomical experiments to reanimate the dead, he at first uses corpses supplied by the coroner. But these specimens prove imperfect for Victor's purposes. Moving his makeshift laboratory to a deserted pottery factory in Limehouse, he makes contact with the Doomsday men—the resurrectionists—whose grisly methods put Frankenstein in great danger as he works feverishly to bring life to the terrifying creature that will bear his name for eternity. Filled with literary lights of the day such as Bysshe Shelley, Godwin, Lord Byron, and Mary Shelley herself, and penned in period-perfect prose, The Casebook of Victor Frankenstein is sure to become a classic of the twenty-first century.

    As the book opens, he is driving along a dark road when he is distracted by what seems to be a flight of arrows. He crashes into a ravine and suffers horrible burns over much of his body. As he recovers in a burn ward, undergoing the tortures of the damned, he awaits the day when he can leave the hospital and commit carefully planned suicide—for he is now a monster in appearance as well as in soul. A beautiful and compelling, but clearly unhinged, sculptress of gargoyles by the name of Marianne Engel appears at the foot of his bed and insists that they were once lovers in medieval Germany. In her telling, he was a badly injured mercenary and she was a nun and scribe in the famed monastery of Engelthal who nursed him back to health. As she spins their tale in Scheherazade fashion and relates equally mesmerizing stories of deathless love in Japan, Iceland, Italy, and England, he finds himself drawn back to life—and, finally, in love.He is released into Marianne's care and takes up residence in her huge stone house. But all is not well. For one thing, the pull of his past sins becomes ever more powerful as the morphine he is prescribed becomes ever more addictive. For another, Marianne receives word from God that she has only twenty-seven sculptures left to complete—and her time on earth will be finished.

    Just when she's sure the credits have rolled on her life story, she gets a second chance with the Arcadia Project: a secret organization that polices the traffic to and from a parallel reality filled with creatures straight out of myth and fairy tales.For her first assignment, Millie is tasked with tracking down a missing movie star, who also happens to be a nobleman of the Seelie Court. To find him, she'll have to smooth talk Hollywood power players and uncover the surreal and sometimes terrifying truth behind the glamour of Tinseltown. But stronger forces than just her inner demons are sabotaging her progress, and if she fails to unravel the conspiracy behind the noble's disappearance, not only will she be out on the streets, but the shattering of a centuries-old peace could spark an all-out war between worlds.No pressure.

    Both sides of Bradbury's vaunted childhood nostalgia are also on display, in the celebratory "Uncle Einar," and haunting "The Lake," the latter a fine elegy to childhood loss. This edition features a new introduction by Bradbury, an invaluable essay on writing, wherein the author tells of his "Theater of Morning Voices," and, by inference, encourages you to listen to the same murmurings in yourself. And has any writer anywhere ever made such good use of exclamation marks!? (Illustrated by Joe Mugnaini.)Contents:· The Dwarf · ss Fantastic Jan/Feb ’54 · The Next in Line · nv Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Watchful Poker Chip of H. Matisse · ss Beyond Fantasy Fiction Mar ’54 · Skeleton · ss Weird Tales Sep ’45 · The Jar · ss Weird Tales Nov ’44 · The Lake · ss Weird Tales May ’44 · The Emissary · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · Touched with Fire [“Shopping for Death”] · ss Maclean’s Jun 1 ’54 · The Small Assassin · ss Dime Mystery Magazine Nov ’46 · The Crowd · ss Weird Tales May ’43 · Jack-in-the-Box · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Scythe · ss Weird Tales Jul ’43 · Uncle Einar · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Wind · ss Weird Tales Mar ’43 · The Man Upstairs · ss Harper’s Mar ’47 · There Was an Old Woman · ss Weird Tales Jul ’44 · The Cistern · ss Mademoiselle May ’47 · Homecoming · ss Mademoiselle Oct ’46 · The Wonderful Death of Dudley Stone · ss Charm Jul ’54

    Chen has several problems: in addition to colleagues who don't trust him and his mystical ways, a patron goddess whom he has offended and a demonic wife who's tired of staying home alone, he's been paired with one of Hell's own vice officers, Seneschal Zhu Irzh, to investigate the illegal trade in souls. Political pressures both Earthly and otherworldly seek to block their investigations at every turn. As a plot involving both Singapore Three's industrial elite and Hell's own Ministry of Epidemics is revealed, it becomes apparent that the stakes are higher than anyone had previously suspected.

    She remains hopeful that a customer will soon choose her, but when the possibility emerges that her circumstances may change forever, Klara is warned not to invest too much in the promises of humans.In Klara and the Sun, Kazuo Ishiguro looks at our rapidly changing modern world through the eyes of an unforgettable narrator to explore a fundamental question: what does it mean to love?