Now Montanari has written an astounding novel that pits two besieged detectives against a fiercely intelligent serial killer.Sprawling beneath the statue of William Penn, Philadelphia is a city of downtrodden crack houses and upscale brownstones. Somewhere in this concrete crazy quilt, one teenage Catholic girl is writing in her diary, another is pouring her heart out to a friend, and yet another is praying. And somewhere in this city is a man who wants these young women to make his macabre fantasy become reality. In a passion play of his own, he will take the girls–and a whole city–over the edge.Kevin Byrne is a veteran cop who already knows that edge: He’s been living on it far too long. His marriage failing, his former partner wasting away in a hospital, and his heart lost to mad fury, Byrne loves to take risks and is breaking every rule in the book. And now he has been given a rookie partner. Jessica Balzano, the daughter of a famous Philly cop, doesn’t want Byrne’s help. But they will need each other desperately, since they’ve just caught the case of a lifetime: Someone is killing devout young women, bolting their hands together in prayer, and committing an abomination upon their otherwise perfect bodies.Byrne and Balzano spearhead the hunt for the serial killer, who leads them on a methodically planned journey. Suspects appear before them like bad dreams–and vanish just as quickly. And while Byrne’s sins begin to catch up with him, and Balzano tries to solve the blood-splattered puzzle, the body count rises. Meanwhile, the calendar is approaching Easter and the day of the resurrection. When the last rosary is counted, a madman’s methods will be revealed, and the final crime will be the one that hurts the most.Relentlessly paced and vividly told, The Rosary Girls is a smart, emotionally complex, fiercely gripping thriller from an author who takes chances, breaks new ground, and leaves readers haunted and moved long after the last page is turned.

    The detective who solves diabolical crimes using his “little grey cells” has enamored audiences not only in the original novels, short stories, and plays, but also across radio, television, and movies.From Agatha Christie’s earliest conceptions and publication history, to forays on the stage and screen, the story of Poirot is as fascinating as it is enduring. Mark Aldridge tells this story decade-by-decade, exploring and analyzing Poirot’s many and often wildly different appearances, following the detective to present day when he is enjoying a worldwide renaissance. Packed with original research, never-before-published correspondence, and images from the Agatha Christie archives.

     When 11 year-old Sally Horner steals a notebook from the local Woolworth's, she has no way of knowing that 52 year-old Frank LaSalle, fresh out of prison, is watching her, preparing to make his move. Accosting her outside the store, Frank convinces Sally that he’s an FBI agent who can have her arrested in a minute—unless she does as he says. This chilling novel traces the next two harrowing years as Frank mentally and physically assaults Sally while the two of them travel westward from Camden to San Jose, forever altering not only her life, but the lives of her family, friends, and those she meets along the way.

    There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.

    Twenty years ago, Jane Hudson left the Heart Lake School for Girls in the Adirondacks after a terrible tragedy. Now she has returned to the placid, isolated shores of the lakeside school as a Latin teacher, recently separated and hoping to make a fresh start with her young daughter. But ominous messages from the past dredge up forgotten memories that will become a living nightmare.Since freshman year, Jane and her two roommates, Lucy Toller and Deirdre Hall, were inseparable–studying the classics, performing school girl rituals on the lake, and sneaking out after curfew to meet Lucy’s charismatic brother Matt. However, the last winter before graduation, everything changed. For in that sheltered, ice-encrusted wonderland, three lives were taken, all victims of senseless suicide. Only Jane was left to carry the burden of a mystery that has stayed hidden for more than two decades in the dark depths of Heart Lake. Now pages from Jane’s missing journal, written during that tragic time, have reappeared, revealing shocking, long-buried secrets. And suddenly, young, troubled girls are beginning to die again . . . as piece by piece the shattering truth slowly floats to the surface.At once compelling, sensuous, and intelligent, The Lake of Dead Languages is an eloquent thriller, an intricate balance of suspense and fine storytelling that proves Carol Goodman is a rare new talent with a brilliant future.From the Hardcover edition.

    No one knew where she went - no note, no body. It was a mystery that was never solved and it tore her family apart.Now another girl has disappeared, with chilling echoes of the past. And it seems that she might not be the only one.Claire is convinced Julia's disappearance is linked.But when she begins to learn the truth about her sister, she is confronted with a shocking discovery, and nothing will ever be the same...

    Now updated with new material that brings the killer's picture into clearer focus.In the fall of 1888, all of London was held in the grip of unspeakable terror.  An elusive madman calling himself Jack the Ripper was brutally butchering women in the slums of London’s East End.  Police seemed powerless to stop the killer, who delighted in taunting them and whose crimes were clearly escalating in violence from victim to victim.  And then the Ripper’s violent spree seemingly ended as abruptly as it had begun.  He had struck out of nowhere and then vanished from the scene.  Decades passed, then fifty years, then a hundred, and the Ripper’s bloody sexual crimes became anemic and impotent fodder for puzzles, mystery weekends, crime conventions, and so-called “Ripper Walks” that end with pints of ale in the pubs of Whitechapel.  But to number-one New York Times bestselling novelist Patricia Cornwell, the Ripper murders are not cute little mysteries to be transformed into parlor games or movies but rather a series of terrible crimes that no one should get away with, even after death.  Now Cornwell applies her trademark skills for meticulous research and scientific expertise to dig deeper into the Ripper case than any detective before her—and reveal the true identity of this fabled Victorian killer.In Portrait of a Killer: Jack the Ripper, Case Closed, Cornwell combines the rigorous discipline of twenty-first century police investigation with forensic techniques undreamed of during the late Victorian era to solve one of the most infamous and difficult serial murder cases in history.  Drawing on unparalleled access to original Ripper evidence, documents, and records, as well as archival, academic, and law-enforcement resources, FBI profilers, and top forensic scientists, Cornwell reveals that Jack the Ripper was none other than a respected painter of his day, an artist now collected by some of the world’s finest museums: Walter Richard Sickert.It has been said of Cornwell that no one depicts the human capability for evil better than she.   Adding layer after layer of circumstantial evidence to the physical evidence discovered by modern forensic science and expert minds, Cornwell shows that Sickert, who died peacefully in his bed in 1942, at the age of 81, was not only one of Great Britain’s greatest painters but also a serial killer, a damaged diabolical man driven by megalomania and hate.  She exposes Sickert as the author of the infamous Ripper letters that were written to the Metropolitan Police and the press.  Her detailed analysis of his paintings shows that his art continually depicted his horrific mutilation of his victims, and her examination of this man’s birth defects, the consequent genital surgical interventions, and their effects on his upbringing present a casebook example of how a psychopathic killer is created.New information and startling revelations detailed in Portrait of a Killer include:- How a year-long battery of more than 100 DNA tests—on samples drawn by Cornwell’s forensics team in September 2001 from original Ripper letters and Sickert documents—yielded the first shadows of the 75- to 114 year-old genetic evid...

    I wonder if she knows that at least one of her books made a grown woman finally feel like she'd been a normal girl all along. . . ."" -- FROM Everything I Needed to Know About Being a Girl I Learned fromJudy BlumeWhether laughing to tears reading "Otherwise Known as Sheila the Great" or clamoring for more unmistakable "me too!" moments in "Are You There God? It's Me, Margaret," girls all over the world have been touched by Judy Blume's poignant coming-of-age stories. Now, in this anthology of essays, twenty-four notable female authors write straight from the heart about the unforgettable novels that left an indelible mark on their childhoods and still influence them today. After growing up from "Tales of a Fourth Grade Nothing" into "Smart Women," these writers pay tribute, through their reflections and most cherished memories, to one of the most beloved authors of all time.

    . . Eve Singer needs death. With her career as a TV crime reporter flagging, she’ll do anything to satisfy her ghoulish audience.The killer needs death too. He even advertises his macabre public performances, where he hopes to show the whole world the beauty of dying.When he contacts Eve, she welcomes the chance to be first with the news from every gory scene. Until she realizes that the killer has two obsessions.One is public murder. And the other one is her . . .

    Now, Gerritsen melds page-turning suspense with chilling realism as a small-town doctor races to unravel the roots of a violent outbreak—before it destroys everything she loves.Lapped by the gentle waters of Locust Lake, the small resort town of Tranquility, Maine, seems like the perfect spot for Dr. Claire Elliot to shelter her adolescent son, Noah, from the distractions of the big city and the lingering memory of his father's death. But with the first snap of winter comes shocking news that puts her practice on the line: a teenage boy under her care has committed an appalling act of violence. And as Claire and all of Tranquility soon discover, it is just the start of a chain of lethal outbursts among the town's teenagers. As the rash of disturbing behavior grows, Claire uncovers a horrifying secret: this is not the first time it has happened. Twice a century, the children of Tranquility lash out with deadly violence. Claire suspects that there is a biological cause for the epidemic, and she fears that the placid Locust Lake may conceal an insidious danger. As she races to save Tranquility—and her son—from harm, Claire discovers an even greater threat: a shocking conspiracy to manipulate nature and cause innocents to slaughter.

    But the search will take her into the dark underbelly of New York she thought she'd escaped—and a web of deceit that threatens to destroy her.

    Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted.As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces—more than forty of which have never been published before. Two of Jackson’s children co-edited this volume, culling through the vast archives of their mother’s papers at the Library of Congress, selecting only the very best for inclusion.Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson’s landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children’s games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community—the pressure of social norms, the veins of distrust in love, the constant lack of time and space.For the first time, this collection showcases Shirley Jackson’s radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist.This volume includes a foreword by the celebrated literary critic and Jackson biographer Ruth Franklin.

    Novelist Andrew Thomas finds his peaceful life transformed into a nightmare by a mysterious killer who has framed him for the murder of a young woman whose body is buried on his property, covered in Andrew's blood, and who threatens to turn Andrew over to the police unless he does what his unknown adversary wants.

    Zadie Smith brings to her essays all of the curiosity, intellectual rigor, and sharp humor that have attracted so many readers to her fiction, and the result is a collection that is nothing short of extraordinary. Split into four sections—"Reading," "Being," "Seeing," and "Feeling"—Changing My Mind invites readers to witness the world from Zadie Smith's unique vantage. Smith casts her acute eye over material both personal and cultural, with wonderfully engaging essays-some published here for the first time-on diverse topics including literature, movies, going to the Oscars, British comedy, family, feminism, Obama, Katharine Hepburn, and Anna Magnani. In her investigations Smith also reveals much of herself. Her literary criticism shares the wealth of her experiences as a reader and exposes the tremendous influence diverse writers—E. M. Forster, Zora Neale Hurston, George Eliot, and others—have had on her writing life and her self-understanding. Smith also speaks directly to writers as a craftsman, offering precious practical lessons on process. Here and throughout, readers will learn of the wide-ranging experiences—in novels, travel, philosophy, politics, and beyond—that have nourished Smith's rich life of the mind. Her probing analysis offers tremendous food for thought, encouraging readers to attend to the slippery questions of identity, art, love, and vocation that so often go neglected. Changing My Mind announces Zadie Smith as one of our most important contemporary essayists, a writer with the rare ability to turn the world on its side with both fact and fiction. Changing My Mind is a gift to readers, writers, and all who want to look at life more expansively.

    Anne’s College, Oxford. Her lectures took the shape of this set of discursive stories. Refusing to be tied down to either fiction or the essay form, Artful is narrated by a character who is haunted—literally—by a former lover, the writer of a series of lectures about art and literature.A hypnotic dialogue unfolds, a duet between and a meditation on art and storytelling, a book about love, grief, memory, and revitalization. Smith’s heady powers as a fiction writer harmonize with her keen perceptions as a reader and critic to form a living thing that reminds us that life and art are never separate.Artful is a book about the things art can do, the things art is full of, and the quicksilver nature of all artfulness. It glances off artists and writers from Michelangelo through Dickens, then all the way past postmodernity, exploring every form, from ancient cave painting to 1960s cinema musicals. This kaleidoscope opens up new, inventive, elastic insights—on the relation of aesthetic form to the human mind, the ways we build our minds from stories, the bridges art builds between us. Artful is a celebration of literature’s worth in and to the world and a meaningful contribution to that worth in itself. There has never been a book quite like it.