You will do everything the Devil requires. Whatever it takes, you will maintain the transfer of Jews from Germany to Israel. Remember not to fear him. After all, he thinks it is you who is the Devil." 1937. In a fictional turn of historical events, the British Cabinet accepts the recommendations of the Peel Commission, establishing a Jewish State in the Land of Israel. Dan Lavi is a young diplomat sent by Ben-Gurion to serve as the country’s first ambassador to Berlin, in an effort to save as many Jews as possible under the controversial Transfer Agreement. Surrounded by the terror and atrocities of the Third Reich, Dan struggles to uphold good relations and diplomatic protocol with those who want him dead, to negotiate Nazi party politics and Allied pressures, to reconcile his love for his family with his loyalty to his country, and to stop the Final Solution – even if it costs him everything. Yehuda Avner’s political insight meets Matt Rees’s novelistic skill in this fast-paced counter-historical thriller about a diplomatic mission to the Devil.

    Not in our school system, not in our synagogues, and not in our media. Nor do we have easy access to the New Testament. Jesus has been studiously avoided, and hidden from our people. Today in Israel, 99.7% of the Jewish population, reject Jesus as the Messiah. How did our country, where the gospel first took place, come to be so adamantly against it? Within Judaism over the last two millennia, any kind of spiritual message had to go through the “gate keepers”, the Orthodox Jewish Rabbis. The Rabbinic Judaism of the Orthodox comes directly from the sect of the “Pharisees”, whom Jesus rebuked: “Woe to you, scribes and Pharisees, hypocrites, because you shut off the kingdom of heaven from people; for you do not enter in yourselves, nor do you allow those who are entering to go in.” (Matthew 23:13) Ever since the days of Messiah, the Rabbis have set themselves in opposition to the gospel, blocking the message of Jesus from Israel. They deliberately prevent Jewish people from hearing about the free salvation offered to them in the death and resurrection of their own Jewish Messiah. They have gone to great lengths to conceal Jesus, and keep him the best kept secret in Judaism., keeping our people in spiritual darkness. But now the secret is out! After almost 2000 years, Jesus, or as we call him in Hebrew, Yeshua, can no longer be hidden from the people! Today, our ministry, ONE FOR ISRAEL, reaches Jewish and Arab Israelis exactly where they are – online. We no longer need the rabbis’ permission for anything. We can go straight into the smartphones, tablets, and computers of every Israeli, sharing the saving good news of Yeshua the Messiah! In the past, the message of the gospel came to Israel from outside our borders, delivered by people who didn’t understand our language, our culture, our heritage or our way of thinking. Today the messengers look very different. Now it is Jewish and Arab Israelis who are bringing the gospel back to where it started – back to our own people Israel. We can explain the gospel to our people in a way that makes sense to them, in our own native tongues of Hebrew and Arabic as only Israelis can, and help our people understand who Yeshua really is. The Orthodox rabbis in Israel operate an “anti missionary” organization called Yad L'Achim, specifically to fight against the spread of the gospel among the Jewish people. This very well-funded organization, works very closely with the Minister of Interior in the Israeli government. They seek to prevent Jewish people from leaving the confines of Rabbinic Judaism by any means necessary (not always legally), and relentlessly persecute us, the Jewish believers in Jesus in Israel. With over 90% of the names, photos and addresses of all the Messianic Jews in Israel on file, Yad L’Achim began sending a magazine called “Searching” to the homes of believers in Israel back in 2014. The magazine contains objections and refutations from Orthodox rabbis about the messiahship of Jesus, the credibility of the New Testament, and trying to ridicule and destroy the belief in Jesus. This caused several Jewish believers, even including some who had been missionaries, to deny their faith in Jesus and revert to rabbinic Judaism. Over the past five years, I decided to go over all of their magazines, books and videos, in order to answer their arguments and prove their objections false. Since 2015 we have released about 150 short videos where we share the gospel and directly refute these rabbinic objections to Jesus, New Testament and Christianity.

    And you can claim it beginning now. The well know Bible story of David and Goliath is the back drop that Steven A. Cramer uses to show how we can enlist the aid of the Lord in overcoming any of our problems. In our day, we do not have to face nine-foot giants physically, but often our Goliaths come in the form of spiritual giants that will not yield to a stone or sword.

    He begins with a fresh, insightful reading of the Hebrew Bible, revealing the profound mystery and significance of the disappearance of God there. Why does the God who is known through miracles and direct interaction at the beginning of the Bible gradually become hidden, leaving humans on their own by the Bible's end? How is it possible that the Bible, written over so many centuries by so many authors, depicts this diminishing visible presence of God - and the growing up of humankind - so consistently? Why has this not been common knowledge? Friedman then investigates this phenomenon's place in the formation of Judaism and Christianity.But this is not only the study of an ancient concept. Friedman turns to the forms this feeling of the disappearance of God has taken in recent times. Here, too, he focuses on a mystery: an eerie connection between Nietzsche and Dostoevsky, who each independently developed the idea of the death of God.Friedman then relates all of this to a contemporary spiritual and moral ambivalence. He notes the current interest in linking discoveries in modern physics and astronomy to God and creation, reflecting a yearning for concrete answers in an age of divine hiddenness. And here the focus is on another mystery, intriguing parallels between Big Bang cosmology and the mysticism of the Kabbalah, which points to a territory in which religion and science are complementary rather than antagonistic.This inspiring work is grounded in learned research. It is a brilliantly original exploration of the Bible that also shows how the Bible is much more than "ancient history." In the Bible the hiding of the face of God is a literary and theological development, but in the twentieth century it is a spiritual crisis, and Friedman aims to apply solutions to this quandary. Moving through rich and provocative examinations of world literature, history, theology, and physics, The Disappearance of God is as readable and exciting as a good detective story, with a conclusion that offers real hope in a time of spiritual longing.

    In Ruchama King's skillful hands, Seven Blessings maps out the complicated lives of five expatriate women and men whose search for a soul mate, in many ways, mirrors their search for God.At the center of this fascinating novel is Beth, who at age thirty-nine longs to be married but despairs she ever will be. When she finally meets the man of her dreams, he has what she believes to be an insurmountable flaw. Can she overcome her repugnance in order to forge a new life? Binyamin, a talented painter and student, lacks the humility to identify a worthy wife. He strains the matchmakers' patience until his search for perfect love finally becomes ridiculous, even to himself. Tsippi and Judith, the matchmakers, are stumbling themselves, with marriages that need propping up. In this land of miracles, seeking the right match, whether between singles, husband and wife, student and teacher, or man and God, becomes a quest that opens the Bible to us in a new way.Rich characters, an intriguing setting, writing that offers unique nuances, and ultimately a story that keeps you turning the pages all combine to introduce a remarkable newcomer. Seven Blessings redefines the Jewish experience, with a story that will ring with truth for anyone who's ever considered getting married.

    Doughty’s poems are at once absurdist and matter-of-fact; the images he conjures are thrown into high relief through cutting wordplay. In a series of prose poems about showbiz, he reimagines Cookie Monster as a burned-out suicide, and cheesy talk-show host Joe Franklin as a cross-dressing witness to the apocalypse. And in “For Charlotte, Unlisted,” he wrenchingly tracks the elusive memory of a faded romance.

    They have become one of the most influential British rock bands of their generation, sharing with their fans a belief that music can inspire change. Dear Future Historians features front-man Rou Reynolds own song interpretations and social commentary alongside all of their lyrics to date.

    But I wrote a lot of good poems.”So maintains Anita Liberty, the caustically funny New York City performance artist who was going along happily healing her hurt by hating and humiliating her detestable ex-boyfriend on stage and in print until the unthinkable happened: she had a good date. And one good date deserves another. And another. And another. And, all of the sudden, Anita Liberty finds herself in a predicament. Getting dumped launched Anita’s career–Will falling in love finish it? Who’s more important: her devoted audience or her newly devoted boyfriend? And on top of everything, Hollywood won’t stop calling and Anita can’t figure out if It wants a serious commitment or just a little bit of no-strings-attached fun. From digging mercilessly into the minutiae of her new relationship to dramatically torching every professional bridge she crosses in L.A., Anita refuses to let a big load of bliss get dumped right in the middle of her career path.“He said that my work was amazing and hilarious and smart and that he can’t wait to see me perform.So I had sex with him.”“My boyfriend asked me to change my look.To something other than contemptuous.”{BARGAIN} Whatever Hollywood ends up paying me for the rights to the story of my life.“It’s easier to go back to fantasizing about perfection . . .than to accept that perfection is just a fantasy.”“Boyfriend thinks I’d rather be right than happy.Boyfriend’s right.But I’m not telling him that.”Through blog entries, film scenes, poems, and to-do lists, Anita Liberty documents the perils and pitfalls of dating, sex, relationships, artistic success, and the kind of true love that sucks the creative life out of you to the point where you just end up staring at a blank computer screen and thinking gooey thoughts about your new boyfriend even though you should be writing.

    Unlike other books on the law of attraction, the Author has successfully used the VisualFestation System to manifest miracles in his own life, and he shares them with you in VisualFestation. When you are finished with this book, you will have all the tools you need to create miracles in your life through practicing the VisualFestation System.

    

    It is a response of the life force to the longing for Truth, Liberation, Self-realization or God. Kundalini may awaken following spiritual or energy practices, trauma or near-death experience, a transmission by an awakened person, deep devotion, or even within a dream. It can arise spontaneously like a sudden explosive blessing, or gradually over many months. This guidebook, based on 30 years of research and dialogues with over 2000 people, describes the energetic, emotional and transpersonal phenomena that are triggered when kundalini arises, and provides direction that will help you understand this process, and live this life-altering journey more comfortably and joyously. The author is a non-dual teacher and a transpersonal psychologist, who previously published "Energies of Transformation: A Guide to the Kundalini Process", and has specialized for many years in consultations with people going through a spiritual awakening. She was a founder of the Kundalini Research Network and has taught therapists internationally to effectively help people in the kundalini process. This is the first of two companion volumes dedicated to the shifts in energy and consciousness that facilitate awakening and the embodiment of self-realization.

    Reflecting his talent for combining history and theology, B. H. Roberts considered the parallels between the Book of Mormon and Ethan Smith's View of the Hebrews, which predated publication of the Latter-day Saint scripture by seven years. If the Book of Mormon reflects misconceptions current in Joseph Smith's day regarding Indian origins are its theological claims suspect, Roberts wondered.In this and other research, it was Roberts's proclivity to go wherever the evidence took him -- in this case to anticipate and defend against potential future problems but also to discover for himself the truth of the matter. Yet the manuscript was poorly received by his colleagues. For other church leaders, institutional priorities overshadowed epistemological integrity; the questions Roberts raised would remain unaddressed.Roberts's path-breaking work has been judged by editor Brigham D. Madsen to be methodologically sound and as relevant today as when it was first penned. Madsen includes the documents' provenances, a biographical essay, correspondence to and from Roberts relating to the manuscript, and other scholarly apparata.

    Illustrated with visual artifacts of the period. With the long-awaited publication of this book, we have for the first time in any modern literary form one of the most vital and important of ancient myths: that of Inanna, the world's first goddess of recorded history and the beloved deity of the ancient Sumerians.The stories and hymns of Inanna (known to the Semites as Ishtar) are inscribed on clay tablets which date back to 2,000 B.C. Over the past forty years, these cuneiform tablets have gradually been restored and deciphered by a small group of international scholars. In this groundbreaking book, Samuel Noah Kramer, the preeminent living expert on Sumer, and Diane Wolkstein, a gifted storyteller and folklorist, have retranslated, ordered, and combined the fragmented pieces of the Cycle of Inanna into a unified whole that presents for the first time an authentic portrait of the goddess from her adolescence to her completed womanhood and godship. We see Inanna in all her aspects: as girl, lover, wife, seeker, decision maker, ruler; we witness the Queen of Heaven and Earth as the voluptuous center and source of all fertile power and the unequaled goddess of love.Illustrated throughout with cylinder seals and other artifacts of the period, the beautifully rendered images guide the reader through Inanna's realm on a journey parallel to the one evoked by the text. And the carefully wrought commentaries providing an historical overview, textual interpretations, and aannotations on the art at once explicate and amplify the power, wonder, and mystery embedded in these ancient tales.Inanna--the world's first love story, two thousand years older than the Bible--is tender, erotic, frightening, and compassionate. It is a compelling myth that is timely in its rediscovery."A great masterpiece of universal literature."--Mircea Eliade

    Diamant anticipates all the questions, doubts, and concerns, and provides a comprehensive explanation of the rules and rituals of conversion.

    Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.