Written as a catharsis in the months following the loss of her father in late 2016, Jessica has taken pen to page to say things he and others will never read, either because they can't, or just won't. Containing entirely new works, this is a can't miss release.

    Proposing models of hybridity, each of the book's major sequences develops a unique subject, rhythm, and form. Bringing to light the molten potential at the core of personality, the poems illuminate ways that language, as history read by anthropologists, discourse between lovers, gestures between parent and child, graffiti in temples, or even language as an event in itself (the very experience of words at play), incarnates presence. Addressing father and son relationships, and venerating erotic love, Gander's poems surge with vitality: the energy of active discovery.

    There is a new clarity to her work, a disquieting transparency, even in the midst of the wild thickets of language for which she is known. A poet “at the border of her own allegory,” Brock-Broido searches for a lexicon adequate to the extremities of experience–a quest that is as capricious as it is uncompromising. In the process, she reveals, unsparingly, things as they are. In “Pamphlet on Ravening” she recalls, “I was a hunger artist once, as well. / My bones had shone. / I had had rapture on my side.” The book is laced with sequences: haunted, odd self-portraits; a succession of poems provoked by discarded titles by Wallace Stevens; an intermittent series of fractured and beguiling lyrics that she variously refers to as fragments, leaflets, and apologues.Trouble in Mind is a book that astonishes us afresh at the agility and the uncanny will of language, which Brock-Broido is not afraid to follow where it may lead her: “That the name of bliss is only in the diminishing / (As far as possible) of pain. That I had quit / The quiet velvet cult of it, / Yet trouble came.” Even trouble, in Brock-Broido’s idiom, becomes something resplendent.From the Hardcover edition.

    Everytime, he looked at me, it broke my heart a little bit more.Everytime he went away, I wrote.When he came back, I lived again.And in the end it fell apart.

    It’s a book with the flow of poetry but the ebb of short stories – rightfully called “Shoetry”. This creation takes you to the roots of humanity - stripping back the veneers of life, society and interaction to see people and their ways in an entirely new light.

    Just beneath the surface of the phonemes, a gendered name rhythmically explodes into a founding variousness. And then the strictures of the text assert again themselves. I want to claim for this inconspicuousness a transformational agency that runs counter to the teleology of readerly intention. Syllables might call to gods who do and don't exist. That is, they appear in the text's absences and densities as a motile graphic and phonemic force that abnegates its own necessity. Overwhelmingly in my submission to reading's supple snare, I feel love.

    There was a woman.There was a cross. But in factthey have hung him too high to be touched.—from "A Woman Wipes the Face of Jesus"

    A REAL DESIRE. FRIENDS WITH NO BENEFITS HAS NEVER BEEN HOTTER! All Jazzed Up by Tracy Ellen is the first book in a brand new series Love, Lies, & Ninja Missions. A wickedly delicious, stand-alone, HEA romance you’ll want to read again and again! Jazy is freaking out. But waking up one day to the gut-wrenching realization she’s fallen in love with a player, who also happens to be her best guy friend, would be enough to freak any girl out. If that isn’t bad enough, Jazy knows the wealthy, incredibly sexy Max Byrd is just not into her that way. To Max, she’s his best, and only, platonic girl pal. But Max has problems, too. He suspects another woman is trying to trap him into marriage. Max naturally turns to Jazy and begs for her help. Reluctantly agreeing to Max’s idiotic scheme of a pretend marriage, Jazy soon perks up and decides to take control of her life. After all, she is a horse-whispering, Celtic Cursing, straight-shooting, potion-mixing, sex-loving Axelrod woman! And there’s nothing an Axelrod woman can't accomplish if she sets her mind to the task, and Jazy wants Max’s love. Armed with determination and her unique talents, can Jazy seduce the cynical womanizer Max to believe in “True Love” and happily-ever-after? Or will Jazy learn real love needs no convincing? Preorder your copy today of the tantalizing All Jazzed Up, Book One in the Love, Lies, & Ninja Missions series! (Psst…you don’t have to read The Adventures of Anabel Axelrod series first to enjoy Jazy’s story. But for those of you that have, All Jazzed Up is a spin-off novel from the series and takes place immediately after Coupled with Chance.) Note from the author: All Jazzed Up is meant to entertain 18+ adult audiences and contains swearing, sexual situations, and mild violence. Other Books by Tracy Ellen… The Adventures of Anabel Axelrod ongoing series A Date with Fate, Volume I Courted by Karma, Volume II In Love by Design, Volume III Adieu to Destiny, Volume IV Family & Fortune, Volume V Coupled with Chance, Volume VI The Kiss of Kismet, Volume VII (For Sale February 14, 2017!) Love, Lies, & Ninja Missions series All Jazzed Up (Preorder now! For Sale December 15, 2016!) Undying Love Series Acadia’s Law: Book One Acadia’s Revenge: Book Two Acadia’s Apocalypse: Book Three (Coming winter 2017!) Thank you! Let's stay in touch. Sign up for my newsletter at www.tracyellenink.com

    

    The poem started out as a simple observation of the snow in moonlight, and turned into a poem with more to offer. I'm offering it free to my readers. I've had it on my blog, where it's gotten much response, and wanted to give everyone another way to access it.

    104 pages of gossiping, loving and pestering of the British upper class, accompanied by illustrations, will definitely not disappoint.

    It tells the story of how Orbis Rex, Young Matt and his Circle of Friends, Queen Dido and the blind Dom'nic did battle with 'a wet and withered bat' from Wuhan.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    Edited by one of our most respected contemporary poets, Robert Creeley, who provides an informative introduction, George Oppen's Selected Poems includes Oppen's only known essay, "A Mind's Own Place," as well as "Twenty-Six Fragments" which Oppen wrote on envelopes and scraps of paper and posted to his wall, edited by Stephen Cope. Also incorporated is a helpful chronology and bibliography of his writings by Rachel Blau DuPlessis, celebrated editor of Oppen's letters. On his death, Hugh Kenner wrote, "George Oppen, gentlest of men...prized what took time, found the grain of materials, exacted accuracy." Oppen's Selected Poems is the perfect text for teaching and a remarkable window into a world of lasting light and clarity.

    Amazing in its thematic range and stylistic breadth, his poetry "leaps continents and covers war and peace, intolerance and human striving . . . a passionate and essential edition of his collected poems" ( The New York Times).