From ghosts of mind and spirit to exotic paranormal tales, each story in this volume has never before appeared in an anthology. Included are:The Silent Man, by Henry Fothergill ChorleyThe Strange Ormonds, by Leitch RitchieThe Mysterious Wedding: A Danish Story, by Heinrich SteffansThe Burial by Fire, by Louisa Medina HamblinThe Vampyre, by Elizabeth ElletThe Sleepless Woman, by William JerdanA Peep At Death, by Peter Von GeistKillcrop the Changeling, by Richard ThompsonCarl Bluven and the Strange Mariner, by Henry David InglisThe Prediction, by George Henry BorrowThe Story of the Unfinished Picture, by Charles HootenEule: The Emperor’s Dwarf, by John Rutter ChorleyThe Green Huntsman, by Joseph Holt IngrahamA Revelation of a Previous Life, by Nathaniel Parker WillisMoods of the Mind: The Old Portrait, by Emma EmburyA Night on the Enchanted Mountain, by Charles Fenno HoffmanThe Living Apparition, by G.P.R. JamesThe Three Souls, by Alexander Chatrian and Emile ErckmannThe Death Watch, by Luise MuhlbackAn Evening of Lucy Ashton’s, by Letitia Elizabeth LandonThe Haunted Homestead, by Henry William HerbertThe Withered Man, by William Leete StoneLa Malroche, by Louisa Stuart CostelloThe Three Visits, by Auguste VituLieutenant Castenac, by Erckman-ChatrianTorture by Hope, by Villiers de L’isle-AdamsThe Black Cupid, by Lafcadio HearnThe Bundle of Letters, by Moritz JokaiNissa, by Albert DelpitThe Dream, by John GaltAnd don't forget to search for "Megapack" in this ebook store for other volumes in the series, covering such subjects as ghost stories, vampire stories, science fiction, horror, adventure, and much, much more!

    From unicorns, salamanders, satyrs, giants, elves and trolls, to dragons, nymphs, mermaids, werewolves and griffins — take an enchanting journey through the history, folklore, and mythology of these beasts from virtually every culture in the world. With stories and amazing facts on even the most obscure mythological creature, this is a cornucopia of magic and folklore.

    from pre-biblical Egypt and pre-Homeric Greece to the farthest researches of Africa, the Orient, the Pacific and the Americas.. all gathered into one mammoth volume of unprecedented scope and beauty, and illustrated with an incomparable scope and beauty, and illustrated with an incomparable assemblage of authentic paintings, sculpture, symbols, idols, ritual and sacrificial objects, many rarely seen by modern Western eyes. This monumental work is the first complete encyclopedia of world anthology. Originally published in France by the famous house of Larousse, it contains of course all the well-loved myths of Classical Antiquity. But more than half the book is devoted to the strange and unfamiliar mythologies of civilizations...from Peru to Persia, from Tahiti to Togoland. Nearly 600 Illustrations.

    Kansas rider Dodge Mercer is an ex-gunslinger hungry for the quiet life and seeking only a little corner of peace in Arizona, so he drifts west looking for a spread of his own, but he runs up against the Southwest's three most dangerous things: a beautiful young woman, sorghum booze runners, and hot-flying lead!

    The forms they take, and the means by which they appear in the physical world, are cataloged. How they correspond to actual phenomena, such as death and pestilence, is likewise noted. Conway draws upon various writings within the Biblical scriptures, together with later works published in the Middle Ages and subsequent centuries, to arrive at his own comprehensive treatment of the subject. The second volume of the work concerns devils. Various figures such as Ahriman and Viswámitra receive chapters, in which the writings about them are quoted to form a complete image of their behavior and meanings. Appearances of devils in later works, such as the diabolical Mephistopheles in Goethe's Faust, are also cataloged. The overarching aim of Conway's thesis is to draw parallels between the various demonic and devilish phenomena, while noting their overall influence across the history of Christianity. The text is informative in tone and does not stray to dogmatism; Conway instead provides sourced information in a factual, studied tone. For his part, Conway was not a believer in the lore of demons. Although he served variously as a Methodist, Unitarian and Freethought minister in life, he had little time for the supernatural elements of Christianity. It is thus that Demonology and Devil-lore is an effort toward debunking and discounting what Conway viewed as the fantastical elements of a faith he otherwise identified with spiritually and morally. Today, Demonology and Devil-lore is somewhat archaic in terms of tone owing to its age. However, it still counts among the most thorough, in-depth and wide-ranging treatments of a subject which has fascinated religious and non-religious persons alike for centuries.

    All is not lost though as this unlikely pair may have more in common than you think.

    A leading figure in the early twentieth century's Golden Age of Illustration, Rackham interpreted scenes from such diverse material as fairy tales, Wagnerian opera, and Shakespearean comedy. His memorable images, which combine whimsy, romance, and sophistication, continue to enchant children and adults alike.Magnificently reprinted from more than 25 rare early editions, these 86 illustrations were selected from hundreds of possibilities and include many plates that have not been reproduced in decades. They span Rackham's career — from his landmark 1905 edition of Rip Van Winkle to masterworks such as Undine and A Midsummer Night's Dream and his final publication, Wind in the Willows, in 1939. Art lovers, book collectors, and anyone with an appreciation for imaginative visual storytelling will prize this marvelous treasury.

    (See extended summary.)

    Andrew DeGraff's stunningly detailed artwork takes readers deep into the landscapes from The Odyssey, Hamlet, Pride and Prejudice, Invisible Man, A Wrinkle in Time, Watership Down,A Christmas Carol, and more. Sure to reignite a love for old favorites and spark fresh interest in more recent works as well, Plotted provides a unique new way of appreciating the lands of the human imagination.

    A disused London Underground lift goes way beyond the bottom floor.A psychic boy discovers what terrors are buried in the fallow field.A handshake seals a midnight fate in an old farming dispute.A corpse must be buried by dawn.BLACK GATE TALES: Fourteen short stories of dread, hope, death and wonder.

    Romero released his seminal cult classic movie, Night of the Living Dead, in 1968 he had little idea of the vast cultural impact it would have. Over the past 40 years zombie culture has steadily grown in popularity--until the legions of the undead have infected every aspect of pop culture from movies and novels to comic books, television, music, toys, and even fashion. What are they? Where did they come from? What do they want? Zombies!: An Illustrated History of the Undead celebrates the living's enduring fascination with the ever popular undead. From its earliest cultural origins in African folklore and the Voodoo religion that emerged in Haiti through its colorful pedigree in cinema, right up to the contemporary mass zombie walks, their prevalence in New York Times bestselling fiction lists, and even the video game market. Zombies! examines and celebrates with fully illustrated text the many manners in which the undead have been portrayed since their inception.

    Travel to ancient Troy with the irrepressible angel Mercury as he masterminds the most unnecessarily complicated sneak attack in history! Never read any of the Mercury books? Start here! Already read one or more of the books? Also OK! There's no wrong way to read this story, unless you're using a spatula and a bowl full of goose feathers.

    In the 1st edition, published in 1962, he spoke to that perennial reader he gently called "the troubled layman." His opening paragraph revealed his sympathy: "Why is this supposed to be art?" he quoted rhetorically. "How often have we heard this question asked--or asked it ourselves, perhaps--in front of one of the strange, disquieting works that we are likely to find nowadays in the museum or art exhibition?" Keeping that curious, questioning perspective in mind, he wrote a history of art from cave painting to Picasso that was singularly welcoming, illuminating & exciting. Sojourning thru this book, a reader is offered every amenity for a comfortable trip. Because he never assumes knowledge on the part of the reader, a recent immigrant from Mars could comprehend Western art from this text. The only assumption the Jansons have made is that with a little guidance everyone can come to understand the artifacts that centuries of architecture, sculpture, design & painting have deposited in our paths. Countless readers have proven the Jansons right & found their lives enriched in the process.

    Drawing on newly examined archival sources, it provides a fascinating in-depth examination of the making of the photographs and the book's construction, using vintage contact sheets, work prints and letters that literally chart Frank's journey around the country on a Guggenheim grant in 1955-56. Curator and editor Sarah Greenough and her colleagues also explore the roots of The Americans in Frank's earlier books, which are abundantly illustrated here, and in books by photographers Walker Evans, Bill Brandt and others. The 83 original photographs from The Americans are presented in sequence in as near vintage prints as possible. The catalogue concludes with an examination of Frank's later reinterpretations and deconstructions of The Americans, bringing full circle the history of this resounding entry in the annals of photography. This volume is a reprint of the 2009 edition.