Best of
Mythology

1959

The Masks of God, Volume 1: Primitive Mythology


Joseph Campbell - 1959
    The author of such acclaimed books as Hero With a Thousand Faces and The Power of Myth discusses the primitive roots of mythology, examining them in light of the most recent discoveries in archaeology, anthropology, and psychology.

New Larousse Encyclopedia of Mythology


Félix Guirand - 1959
    from pre-biblical Egypt and pre-Homeric Greece to the farthest researches of Africa, the Orient, the Pacific and the Americas.. all gathered into one mammoth volume of unprecedented scope and beauty, and illustrated with an incomparable scope and beauty, and illustrated with an incomparable assemblage of authentic paintings, sculpture, symbols, idols, ritual and sacrificial objects, many rarely seen by modern Western eyes. This monumental work is the first complete encyclopedia of world anthology. Originally published in France by the famous house of Larousse, it contains of course all the well-loved myths of Classical Antiquity. But more than half the book is devoted to the strange and unfamiliar mythologies of civilizations...from Peru to Persia, from Tahiti to Togoland. Nearly 600 Illustrations.

Mythologies


W.B. Yeats - 1959
    Based on Irish country beliefs, traditions, and folk tales, the stories were first published at the height of Yeats' romantic period in three collections entitled The Celtic Twilight, The Secret Rose, and Stories of Red Hanrahan.

Prometheus: Archetypal Image of Human Existence


Karl Kerényi - 1959
    In punishment, Zeus chained him to a rock, where an eagle clawed unceasingly at his liver, until Herakles freed him. For the Greeks, the myth of Prometheus's release reflected a primordial law of existence and the fate of humankind. Carl Kerenyi examines the story of Prometheus and the very process of mythmaking as a reflection of the archetypal function and seeks to discover how this primitive tale was invested with a universal fatality, first in the Greek imagination, and then in the Western tradition of Romantic poetry. Kerenyi traces the evolving myth from Hesiod and Aeschylus, and in its epic treatment by Goethe and Shelly; he moves on to consider the myth from the perspective of Jungian psychology, as the archetype of human daring signifying the transformation of suffering into the mystery of the sacrifice.