(Among other things, three major cast members—Schroeder, Lucy, and Linus—initially show up as infants and only "grow" into their final "mature" selves as the months go by. Even Snoopy debuts as a puppy!) Thus The Complete Peanuts offers a unique chance to see a master of the art form refine his skills and solidify his universe, day by day, week by week, month by month.This volume is rounded out with Garrison Keillor's introduction, a biographical essay by David Michaelis (Schulz and Peanuts) and an in-depth interview with Schulz conducted in 1987 by Gary Groth and Rick Marschall, all wrapped in a gorgeous design by award-winning cartoonist Seth.

    We'll never quite know why, but sometimes they decide they've just had enough of this world- and that's when they start getting inventive. The Book of Bunny Suicides follows over one hundred bunnies as they find ever more outlandish ways to do themselves in. From an encounter with the business end of Darth Vader's lightsaber, to supergluing themselves to a diving submarine, to hanging around underneath a loose stalactite, these bunnies are serious about suicide. Illustrated in a stark and simple style, The Book of Bunny Suicides is a collection of hilarious and outrageous cartoons that will appeal to anyone in touch with their evil side.

    But it's the most unlikely grouping of heroes you'll ever see! Batman, Blue Beetle, Martian Manhunter, Guy Gardner, Black Canary, Mister Miracle, Dr. Fate, Booster Gold, Doctor Light and the power of Shazam!Can this ragtag group of work as a functioning unit to stop terrorists at the United Nations, a brigade of Rocket Reds, the Royal Flush Gang, the mysterious Gray Man, and other threats- or will they succumb to in-fighting and bad jokes?

    Tank Girl!Join everybody’s favourite beer-swilling, chain-smoking, kangaroo-worrying lunatic as she blitzes her way through a dazzling array of bizarre adventures, including bounty hunting, delivering colostomy bags to Australian presidents, kangaroo boxing... and many more outrageous and mind-warping thrills! Marking the 20th anniversary of Tank Girl, with a new introduction from Alan Martin, and rarely seen material from Jamie Hewlett, this is the start of the ultimate collection. Presented for the first time, in chronological order and in glorious black and white - the way nature intended! Warning: Adults only!

    One night she meets John... who has the same gift. And so they do what any other sex-having, time-stopping, couple would do: they rob banks. In the vein of THE 40-YEAR OLD VIRGIN and BRIDESMAIDS, Image Comics invites you to come along with MATT FRACTION (Hawkeye, SATELLITE SAM) and CHIP ZDARSKY (Prison Funnies, Monster Cops) for the series that puts the "comic" back in “comics” and the "sexy" back in “sex crimes.”

    By which we mean: orderly, neat, contained and, moreover, beardless.Or at least it is until one famous day, when Dave, bald but for a single hair, finds himself assailed by a terrifying, unstoppable... monster*!Where did it come from? How should the islanders deal with it? And what, most importantly, are they going to do with Dave?The first book from a new leading light of UK comics, The Gigantic Beard That Was Evil is an off-beat fable worthy of Roald Dahl. It is about life, death and the meaning of beards.(*We mean a gigantic beard, basically.)

    Many Americans are outraged by liberal hostility to traditional religion. But as Ann Coulter reveals in this, her most explosive book yet, to focus solely on the Left's attacks on our Judeo-Christian tradition is to miss a larger point: liberalism "is" a religion--a godless one. And it is now entrenched as the state religion of this county. Though liberalism rejects the idea of God and reviles people of faith, it bears all the attributes of a religion. In "Godless," Coulter throws open the doors of the Church of Liberalism, showing us its sacraments (abortion), its holy writ ("Roe v. Wade"), its martyrs (from Soviet spy Alger Hiss to cop-killer Mumia Abu-Jamal), its clergy (public school teachers), its churches (government schools, where prayer is prohibited but condoms are free), its doctrine of infallibility (as manifest in the "absolute moral authority" of spokesmen from Cindy Sheehan to Max Cleland), and its cosmology (in which mankind is an inconsequential accident). Then, of course, there's the liberal creation myth: Charles Darwin's theory of evolution. For liberals, evolution is the touchstone that separates the enlightened from the benighted. But Coulter neatly reverses the pretense that liberals are rationalists guided by the ideals of free inquiry and the scientific method. She exposes the essential truth about Darwinian evolution that liberals refuse to confront: "it is bogus science." Writing with a keen appreciation for genuine science, Coulter reveals that the so-called gaps in the theory of evolution are all there is--Darwinism is nothing but a gap. After 150 years of dedicated searching into the fossil record, evolution's proponents have failed utterly to substantiate its claims. And a long line of supposed evidence, from the infamous Piltdown Man to the "evolving" peppered moths of England, has been exposed as hoaxes. Still, liberals treat those who question evolution as religious heretics and prohibit students from hearing about real science when it contradicts Darwinism. And these are the people who say they want to keep faith out of the classroom? Liberals' absolute devotion to Darwinism, Coulter shows, has nothing to do with evolution's scientific validity and everything to do with its refusal to admit the possibility of God as a guiding force. They will brook no challenges to the official religion. Fearlessly confronting the high priests of the Church of Liberalism and ringing with Coulter's razor-sharp wit, "Godless" is the most important and riveting book yet from one of today's most lively and impassioned conservative voices. "Liberals love to boast that they are not 'religious, ' which is what one would expect to hear from the state-sanctioned religion. Of course liberalism is a religion. It has its own cosmology, its own miracles, its own beliefs in the supernatural, its own churches, its own high priests, its own saints, its own total worldview, and its own explanation of the existence of the universe. In other words, liberalism contains all the attributes of what is generally known as 'religion.'" --From Godless

    Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes’s argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters—for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century.The book draws on a vast range of sources—from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed—and how even the ashes of the victims of the Holocaust have been preserved in culture.A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.

    In this dark rendition, a greedy Geppetto builds Pinocchio as a metallic weapon of war, while Jiminy Cockroach is a homeless squatter living the good life in Pinocchio's skull. Critically acclaimed, Pinocchio won the Grand Prize at France's Angouleme comics festival in 2009. Exquisite drawings by celebrated cartoonist Winshluss bring to life a rich tale of greedy fools, lust, sadness, redemption, and hope. Teamed with brilliant colorist Cizo, Winshluss creates an epic adventure through a lush world. As we follow Pinocchio along the way, the stories and vinettes intertwine, offering subtle political critiques and send ups of popular culture. We meet seven sleazy dwarves, follow Jiminy's struggles as a novelist, watch a blind tramp find God, and see the innocent, yet powerful Pinocchio encircled by those who would use him for their own ends. Winshluss has perfected the wordless comic. Each page is perfectly composed - not a panel is wasted. The artwork is primarily done in pen and ink, and watercolor but switches to paint for larger splash panels. The art also references a terrific range of illustrative styles and history in the story from late 18th century pen and ink, to early French film pioneer Georges Melies, through early Disney, and underground comix. Born in 1970, Winshluss is the creator of numerous comics and graphic novels that have garnered awards and acclaim across Europe. Winshluss is the pen name of Vincent Parronnaud, perhaps best known as co-director of the animated film Persepolis (with Marjane Satrapi), which won the Jury Prize at Cannes and was nominated for numerous awards, including the Academy Award, Golden Globe and Cannes' Palm d'Or. Currently, he and Satrapi are teaming up again to adapt Satrapi's 2006 book "Chicken with Plums.""

    This new collection brings together, for the first time in English, Lefebvre's reflections on the city and urban life written over a span of some twenty years. The selection of writings is contextualized by an introduction - itself a significant contribution to the interpretation of Henri Lefebvre's work - which places the material within the context of Lefebvre's intellectual and political life and times and raises pertinent issues as to their relevance for contemporary debates over such questions as the nature of urban reality, the production of space and modernity. Writings on Cities is of particular relevance to architects, planners, geographers, and those interested in the philosophical and political understanding of contemporary life.

    Now she's on a journey that takes her through urban and rural England along the same path that another Potter, Beatrix Potter, once took. Across the decades, two lives touch, and Helen discovers that the strength of two is far greater than one. She becomes the armored knight before her own personal demons in this story of heroism and courage.

    Fletcher Hanks worked for only a few years in the earliest days of the comic book industry (1939-1941). Because he worked in a gutter medium for second-rate publishers on third-rate characters, his work has been largely forgotten. But among aficionados he is legendary. At the time, comic books were in their infancy. The rules governing their form and content had not been established. In this Anything Goes era, Hanks' work stands out for its thrilling experimentation. At once both crude and visionary, cold and hot as hell, Hanks' work is hard to pigeon hole. One thing is for certain: the stuff is bent. Hanks drew in a variety of genres depicting science-fiction saviors, white women of the jungle, and he-man loggers. Whether he signed these various stories "Henry Fletcher" or "Hank Christy" or "Barclay Flagg" there is no mistaking the unique outsider style of Fletcher Hanks.Cartoonist Paul Karasik (co-adapter of Paul Auster's City of Glass, and co-author of The Ride Together: A Memoir of Autism in the Family) has spent years tracking down these obscure and hard to find stories buried in the back of long-forgotten comic book titles. Karasik has also uncovered a dark secret: why Hanks disappeared from the comics scene. This book collects 15 of his best stories in one volume followed by an afterword which solves the mystery of "Whatever Happened to Fletcher Hanks," the mysterious cartoonist who created a hailstorm of tales of brutal retribution...and then mysteriously vanished.2008 Eisner Award WINNER: Best Archival Collection/Project — Comic Books2008 Eisner Award Nominee: Best Short Story, "Whatever Happened to Fletcher Hanks?" by Paul Karasik

    Yu’s celebrated translation of The Journey to the West reinvigorated one of Chinese literature’s most beloved classics for English-speaking audiences when it first appeared thirty years ago. Yu’s abridgment of his four-volume translation, The Monkey and the Monk, finally distills the epic novel’s most exciting and meaningful episodes without taking anything away from their true spirit. These fantastic episodes recount the adventures of Xuanzang, a seventh-century monk who became one of China’s most illustrious religious heroes after traveling for sixteen years in search of Buddhist scriptures. Powerfully combining religious allegory with humor, fantasy, and satire, accounts of Xuanzang’s journey were passed down for a millennium before culminating in the sixteenth century with The Journey to the West. Now, readers of The Monkey and the Monk can experience the full force of his lengthy quest as he travels to India with four animal disciples, most significant among them a guardian-monkey known as “the Great Sage, Equal to Heaven.” Moreover, in its newly streamlined form, this acclaimed translation of a seminal work of world literature is sure to attract an entirely new following of students and fans. “A new translation of a major literary text which totally supersedes the best existing version. . . . It establishes beyond contention the position of The Journey to the West in world literature, while at the same time throwing open wide the doors to interpretive study on the part of the English audience.”—Modern Language Notes, on the unabridged translation

    In his first novel in ten years, Dennis Cooper writes about George Miles, love, loss, addiction, suicide, and how fiction can capture these things, and how it fails to capture them. Candid and powerful, I Wished is a radical work of shifting forms. It includes appearances by Santa Claus, land artist James Turrell, sentient prairie dogs, John Wayne Gacy, Nick Drake, and George, the muse for Cooper’s acclaimed novels Closer, Frisk, Try, Guide, and Period, collectively known as “The George Miles Cycle.” In revisiting the inspiration for the Cycle, Dennis has written a masterwork: the most raw, personal, and haunted book of his career.

    Peter Singer’s thoughts on the ethics of consumption are amplified against the backdrop of Fifth Avenue’s posh boutiques. Michael Hardt ponders the nature of revolution while surrounded by symbols of wealth and leisure. Judith Butler and a friend stroll through San Francisco’s Mission District questioning our culture’s fixation on individualism. And while driving through Manhattan, Cornel West — perhaps America’s best-known public intellectual — compares philosophy to jazz and blues, reminding us how intense and invigorating the life of the mind can be.Offering exclusive moments with great thinkers in fields ranging from moral philosophy to cultural theory, Examined Life reveals philosophy’s power to transform the way we see the world around us and imagine our place within it.