Imagine Hunter S. Thompson finding a time machine and traveling to future and you have Transmetropolitan.Originally released as a 60-issue miniseries, since collected in a 10-volume series of trade paperbacks.

    Bonus features include lost strips, sketches, and a behind-the-scenes interview by "Wondermark"'s David Malki. Also includes an introduction by Diablo Cody.

    Now, for the first time, the hilarious cartoons of Nicholas Gurewitch are being collected in this handsome hardcover edition.

    But don't worry, it's never too late to join the party. First up, the Nextwave Squad faces an army of Mindless Ones. Yes, insanely powerful stone men without faces. You cannot miss it.Collecting Nextwave: Agents of H.A.T.E. #7-12.

    Now, for the first time, DC collects these four series -- The New Gods, The Forever People, Mister Miracle and Superman's Pal Jimmy Olsen -- in chronological order as they originally appeared. These comics spanned galaxies, from the streets of Metropolis to the far-flung worlds of New Genesis and Apokolips, as cosmic-powered heroes and villains struggled for supremacy. Volume 1 features the debuts of Orion of the New Gods, the evil Darkseid, super-escape artist Mister Miracle and many others. It also features numerous appearances by Superman.

    An old king seeks to set aside his crown and divide his realm among his three daughters. But treachery and madness lie ahead for King Lear

    Older teens.

    Now, for the first time in over thirty years, these primal tales, featuring Robert E. Howard's most popular character, are available in this, the first in a series of massive trade paperbacks, collecting all Savage Sword Conan stories beginning with issue one.Included in this volume are tales by Roy Thomas, featuring the breathtaking art of such legends as Barry Windsor-Smith, John Buscema, Alfredo Alcala, Jim Starlin, Al Milgrom, Pablo Marcos, Walter Simonson and more.But that's not all. Also included in this tome are Conan's few appearances in the title Savage Tales - for the complete Conan collection!

    A traumatic...see site for more info.

    More significantly, he created much of the visual language for fantasy and adventure comics. There were comics before Kirby, but for the most part their page layout, graphics, and visual dynamic aped what was being done in syndicated newspaper strips. Almost everything that was different about comic books began in the forties on the drawing table of Jack Kirby. This is his story by one who knew him well—the authorized celebration of the one and only “King of Comics” and his groundbreaking work.“I don’t think it’s any accident that . . . the entire Marvel universe and the entire DC universe are all pinned or rooted on Kirby’s concepts.” —Michael Chabon

    It is an appreciation of the time they shared together, and a heartbreaking account of the progression of her illness. Including early love notes, simple and poetic postcards, tales of their travels together in written and comics form, journal entries and drawings done in the hospital during her final days, and a beautifully rendered tear-jerking account of Weaver's memorial, Don't Go Where I Can't Follow is a deeply personal romance, and a universal reminder of our mortality and the significance of the relationships we build.

    Featured in McSweeney's and on NPR's This American Life, and praised by comic luminaries Chris Ware and Daniel Clowes, Brown's work has always paid tribute to felines as they curl up on couches and purr on the peripheries of his autobiographical stories. Cat Getting Out of a Bag follows his cat Misty -really, any cat- as she goes about her everyday activities and adventures. In a series of drawings, Brown perfectly captures the universal charm of cats in a lovely book sure to please fans and cat lovers of any stripe.

    His spare approach with words and pictures focuses on the smallest of details, revealing a wealth of meaning and emotion in everyday events that most of us overlook in our daily hustle and bustle. Since 1989, he has released more than sixty-five issues of his self-published comic King-Cat Comics and Stories. This large collection focuses on the first fifty issues, with extensive endnotes and an index, along with selections of all the extra ephemera that makes an individual issue of King-Cat its own unique experience—essays, articles, stories, and letters from friends. Included are more than two hundred and fifty pages of comics, ranging from Porcellino's earliest scrawls to his later, perfectly minimalist delineations. The comics range through all of his concerns—family, family pets, the natural world, work, music, romance. This book presents an artist who always knew what he wanted to do. King-Cat Classics shows Porcellino's confidence and skill as it grows steadily through the past fifteen years.

    They want to revolutionize space travel. Schlock just wants to hurt people and break things. This 240-page volume takes the reader back to the very start of Schlock Mercenary, and then some. It opens with nine pages of all-new strips telling the story of how Schlock came to enlist, and then forges onward chronologically from the very first strip. It also includes concept sketches, commentary, excellent guest art, deck plans for the Kitesfear. If you've been waiting to devour this Schlock Mercenary from the very beginning, the wait is over: grab your big spoon and dig into the Tub of Happiness.

    When her famous brother-in-law falls prey to a crazed fan's bullet, Francine is forced to confront her own doubts and fears about the life she has chosen. In a bold move, she leaves her cheating husband and tries to reconnect with the only person she ever truly loved, Katchoo. But things have changed since Francine left, Katchoo has changed, and it soon becomes apparent that if Francine wants her friend back she's going to have to fight for her.

    The gorgeous evolution continues in our second color volume. Which includes the Sunday strips from all of 1939 and 1940. The color format opens the floodgates for a massive amount of spectacular rare color art from series editor Bill Blackbeard and designer Chris Ware's files, including an unpublished Herriman painting from the 1920s and other surprises.Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse simply tolerated Krazy Kat, except for recurrent onsets of targeted tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy Co.'s unique dialogue. Most of these strips in this volume have not seen print since originally running in Hearst newspapers over 70 years ago.

    All phone numbers, references to ex-girlfriends, "false starts," and embarrassing experiments with unfamiliar drawing media have been generously excised to present the reader with the most pleasant and colorful sketchbook reading experience available. Included are Ware's frustrated doodles for his book covers, angry personal assaults on friends, half-finished comic strips, and lengthy and tiresome fulminations of personal disappointments both social and sexual, as well as his now-beloved drawings of the generally miserable inhabitants of the city of Chicago. All in all, a necessary volume for fans of fine art, water-based media, and personal diatribe. This hardcover is attractively designed and easy to resell.

    It chronicles the adventures of Skeeve, a hapless apprentice magician, and his demonic teacher, Aahz, who has been stripped of his powers, as they battle with an insane wizard who is determined to drain the world of magic. Long out of print, this fantasy classic is fondly remembered by and greatly sought after by a wide audience of comics fans, gamers and fantasy readers. It was also the first professional comics work by both Phil Foglio and his inker, Tim Sale. Also available in a hardcover edition (ISBN-13: 978-1-8908-5643-4).

    might be the best choice." This first book by C.F. (also known in the East Coast underground music scene as Kites) is perhaps the most anticipated graphic novel debut of the year. Coming out of the fabled Providence, Rhode Island, art and noise scene, "Powr Mastrs" is an intense fantasy story projected to run to 10 volumes. In it, C.F. narrates the story of a tribe of mystical warriors whose power relations are constantly in flux. As power shifts, so do physical and psychological identities. In this first volume, we are introduced to the central characters and the complex geographies in which they wander. Overflowing with graphic ideas, from the intricately designed costumes each character wears to C.F.'s exacting architectural detail, "Powr Mastrs" is rendered in a distinctive pencil line that has already attracted much attention in sources like the groundbreaking comics anthology, "Kramers Ergot,"

    On the island of Tenedos, just off the coast of Troy, Achilles leads the attack. When the dust settles, Achilles finds himself one step closer to his tragic fate. Meanwhile, the Trojans prepare their defenses and gather allies. Agamemnon's offer of a peace embassy to King Priam reassures few. War appears inevitable. Even Helen dreads to face what lies ahead for her and everyone she loves or once loved.

    The gorgeous evolution continues in Fantagraphics's fourth color volume (subtitled "A Ragout of Raspberries"), which includes the Sunday strips from all of 1941 and 1942. The color format opens the floodgates for a massive amount of spectacular, rare color art from series editor Bill Blackbeard and designer Chris Ware's files. Most of these strips in this volume have not seen print since originally running in Hearst newspapers over 60 years ago.For this volume, critic Jeet Heer contributes an essay about the history and precedents of Herriman's unique use of language, exploring his characters' loquacious lexicography.

    A unique, stand-alone collection of some of the most graphic and brilliantly conceived daily strips ever created, along with many other gems, including the very first stand-alone Krazy & Ignatz strips and more rarities.

    Torres Art by Mike Norton, Todd Nauck, Lary Stucker and others Cover by Nauck A new full-size collection featuring TEEN TITANS GO #27-32!

    Collected for the first time, here are the best Gasoline Alley Sunday comics, starting from the very first Sunday in 1921. King's innovations in art, layout and storytelling brought a new warmth and style to the medium at the dawn of the Golden Age of newspaper comic strips. This book is designed by Chris Ware with an introduction by Jeet Heer. As with the Sunday Press editions of Little Nemo in Slumberland, these incredible Sunday pages are shown digitally restored to their original colorful brilliance and reproduced at full size (16 by 21 inches). The book is filled with images of comics memorabilia and photographs of King's life. It also includes texts on King's life and work by journalist Tim Samuels and comics historian/critic Donald Phelps.Included in the book is a full-sheet cardboard insert replica of a 1920's Skeezix cut-out toy.

    Leif Haraldson adopts him and gives him the names of his gods: Thorgal Aegirsson, son of Thor (god of lightning) and son of Aegir (master of the sea). Upon Leif’s death, the Viking chief Gandalf the Insane isolates Thorgal from others. Only the friendship of Aaricia, the daughter of Gandalf, brightens Thorgal’s solitary childhood. Their mutual affection quickly turns into true love. This two-volume book includes "Child of the Stars" & “Aaricia”

    Containing many unseen pieces of art and comics from the creator who has brought us THB, Heavy Liquid and 100%.

    Guera for an intense crime drama that mixes organized crime with current Native American culture. Fifteen years ago, Dashiell "Dash" Bad Horse ran away from a life of abject poverty and utter hopelessness on the Prairie Rose Indian Reservation in hopes of finding something better. Now he's come back home armed with nothing but a set of nunchucks, a hell-bent-for-leather attitude and one dark secret, to find nothing much has changed on "The Rez" -- short of a glimmering new casino, and a once-proud people overcome by drugs and organized crime. Is he here to set things right or just get a piece of the action?Cover by JockCollects Scalped #1–5

    Fletcher Hanks worked for only a few years in the earliest days of the comic book industry (1939-1941). Because he worked in a gutter medium for second-rate publishers on third-rate characters, his work has been largely forgotten. But among aficionados he is legendary. At the time, comic books were in their infancy. The rules governing their form and content had not been established. In this Anything Goes era, Hanks' work stands out for its thrilling experimentation. At once both crude and visionary, cold and hot as hell, Hanks' work is hard to pigeon hole. One thing is for certain: the stuff is bent. Hanks drew in a variety of genres depicting science-fiction saviors, white women of the jungle, and he-man loggers. Whether he signed these various stories "Henry Fletcher" or "Hank Christy" or "Barclay Flagg" there is no mistaking the unique outsider style of Fletcher Hanks.Cartoonist Paul Karasik (co-adapter of Paul Auster's City of Glass, and co-author of The Ride Together: A Memoir of Autism in the Family) has spent years tracking down these obscure and hard to find stories buried in the back of long-forgotten comic book titles. Karasik has also uncovered a dark secret: why Hanks disappeared from the comics scene. This book collects 15 of his best stories in one volume followed by an afterword which solves the mystery of "Whatever Happened to Fletcher Hanks," the mysterious cartoonist who created a hailstorm of tales of brutal retribution...and then mysteriously vanished.2008 Eisner Award WINNER: Best Archival Collection/Project — Comic Books2008 Eisner Award Nominee: Best Short Story, "Whatever Happened to Fletcher Hanks?" by Paul Karasik

    A stunning art book which unfolds into a 24 foot long cartoon landscape in which . A paradoxical mix of terrifying social commentary and cartooning fun! A single drawing: a world overflowing with hundreds of mini-narratives with armed maniacs, rampaging crowds, chaotic policemen, a tree-house of women, a forest of literal tree-huggers, and hordes of shoppers, frenzied, inspired, and dense. 8,433 characters, 3,546 vehicles, 1,847 buildings, 763 cartoon icons, 526 corporate billboards, 189 religious figures, 25 parade floats, 1 super-dildo, a junkyard purgatory, a porno strip-mall, and more. . . A free-flowing visual fantasia. Corporate culture and the mass media have finally come unglued.

    18 1/2, contains all four "Thanksgiving" covers drawn by cartoonist and cultural commentator F. C. Ware for the November 27th, 2006 issue of the New Yorker, as well as the additional fifth comic strip which heretofore only appeared in digital form, all carefully printed in full color at an oversized 15" x 20" size on heavy paper and folded in half for easy recycling.As if this wasn't dreary enough, included is a new supplementary folded comic strip, measuring 16" x 11," which is also folded in half. Presented as the "Lower East Side" version of the even more ridiculously priced signed "Upper East Side" portfolio (which is, however, not folded in half) the consumer is asked to carefully weigh whether purchase of this object is truly necessary, and to act accordingly.

    But not everything's fun and firearms, as an old enemy reappears and Dawn experiences some serious growing pains . . .Buffy creator Joss Whedon brings Buffy back to Dark Horse in this direct follow-up to season seven of the smash-hit TV series.

    This lavishly illustrated book features over 280 of Steig’s drawings, many of them previously unpublished, and examines every aspect of his work, from the “Small Fry” cartoons—his earliest submissions to the New Yorker— and haunting symbolic drawings of the late 1930s and 1940s, to his later, bitingly funny cartoons and celebrated books for children. In the seventy-three years that Steig worked for the New Yorker, the magazine published over 120 of his covers and more than 1,600 of his drawings in a wide range of styles, including classic cartoons, psychologically fraught pen-and-ink renderings, and Picasso-esque representations. He brought a new voice to the magazine by creating cartoons that drew on his experience as a son of immigrant Eastern European Jews. In his sixties, Steig embarked on a second career as a writer and illustrator of children’s books, including Sylvester and the Magic Pebble and Shrek! These remarkable projects bring together numerous key elements of Steig’s work: his evocative use of reverie, his interest in cranks and complainers, and his belief in the redeeming power of love, nature, and art. The story of Steig’s work is told by Claudia J. Nahson and the cartoonist’s fellow artists and writers, and his family members. Together they create a portrait of a penetrating social observer with a restless imagination and a love for his craft.

    If the history of the world had turned out differently from what we know today, men would live according to different sets of values and different aesthetics It would be a civilization completely alien to ours." This first U.S. book on Yokoyama's work combines two of the artist's central themes: fighting and building. One set of graphic stories, "Public Works," details massive structures being erected across a landscape. Plot is pushed aside in favor of sheer formal verve as we watch buildings, about which we know nothing, come into being. The other set of stories, "Combats," is one sequence after another of elegantly choreographed battles. Manga comics have never seen a talent that combines this level of formal ambition with such exquisitely drawn depictions of fashion, art and architecture.

    Chiaki is the orphaned daughter of a human woman and the Archangel Michael. Ororon is a demon with a bounty on his head. Sworn enemies, their lives change forever when their hatred is transformed into love--for one another. Bound together by passion but torn apart by the world around them, their love becomes a struggle for survival as the battle between demons and the angelic order rages around them.

    The stories they tell reflect the political and social issues of their times as well as the broader issues that are still relevant today.Frans Masereel (1899-1972) was born in Belgium and is considered the father of the wordless graphic novel. Graphic Witness includes the first reprint of his classic work, The Passion of a Man, since its 1918 publication in Munich. American Lynd Ward (1905-85), author of the provocative Wild Pilgrimage, is considered among the most important of wordless novelists. Giacomo Patri (1898-1978) was born in Italy and lived in the United States. His White Collar featured an introduction by Rockwell Kent and was used a promotional piece by the labor movement. Southern Cross by Canadian Laurence Hyde (1914-87) was controversial for its criticism of U.S. H-bomb testing in the South Pacific.An introduction by George A. Walker places each wordless novel in its context and examines the influence of these works on contemporary culture, including film, comic books and contemporary graphic novels.Graphic Witness will appeal to readers interested in social issues, printmaking, art history and contemporary culture.

    Farr presents his choice of the dozen most important and colorful characters from "The Adventures of Tintin." This handsome, lavishly-illustrated volume takes a closer look at the remarkable cast that enriches the adventures.

    They fight crime, befriend monster aliens and find love in Snap City! Spun off from the pages of Madman, Frank "Madman" Einstein also appears alongside the Mutant Street Beatniks turned Super-Heroes.Contains: The Atomics #1-15

    With a simple injection, Joe's cat can be anything: a weapon, a tool, or even a cuddly companion. But what--if anything--can transform Joe? Whatever it is, it can probably be found in King City, an outrageous semi-futuristic city full of spy gangs, alien porn, and reasonably priced diners.

    Now, take a step inside one of the most daring comic book projects ever created as Matt Wagner guides you through the artwork that changed contemporary comics forever. As beautiful and graceful as it is thrilling and surprising, each piece - many seen for the first time or previously long out of print - brings you deeper into the seductive mystery that is Grendel.

    Following on the heels of the well-received HEROES & MONSTERS and A BLAZING WORLD, this new companion is the invaluable book length analysis of THE LEAGUE OF EXTRAORDINARY GENTLEMEN: BLACK DOSSIER, containing panel-by-panel annotations, as well as exclusive interview and commentary with award-winning creators Alan Moore and Kevin O'Neill.

    Perfectly blending caricature and cinematic pacing, humor and high-octane action, he delivers an exuberant graphic novel ode to men and women chasing each other, and to the bonds of friendship that tie together three unforgettable cowboys.

    Craig Russell! This book offers readers and fans a chance to witness his immense and phenomenal career from start to present, offering glimpses of previously never-before-seen material from Russell's files and sketchbooks, as well as beautifully reproduced images of his personal favorites.

    Beautifully reproduced images from Street Fighter, Darkstalkers, Rival Schools, Mega Man, Devil May Cry and more are showcased in this lush 300-page art book. Included are rare book covers, pin-ups, sketches, and merchandising artwork by Alvin Lee, Arnold Tsang, Jo Chen, Omar Dogan, and the whole Udon crew! Plus, you'll get interviews with the Capcom staff and the Udon creative crew, tutorials showcasing the development process, and all-new, never-before-seen artwork created exclusively for this collection!

    Edie Fake confronts the reader with violent and unexpected manifestations of sexual connection and romantic possession as the Gaylord Phoenix searches for his lost love, his origins and his place in the world.

    Milk Teeth was one of the first books in D+Q's petit livre art book series, and quickly sold out.

    Today we know that the baby undergoes three stages of embryonic development while it is in the mother's womb. But this information, which it has taken long years of research to attain with the help of modern technology, was made known in the Qur'an 1400 years ago. These scientific facts are revealed in this verse: ... He creates you stage by stage in your mothers' wombs in a threefold darkness. That is God, your Lord. Sovereignty is His. There is no god but Him. So what has made you turn away from Him? (Qur'an, 39: 6)read it online at:http://www.harunyahya.com/creation.php

    Yin versus yang. Good versus...wait, they’re both evil. Or are they both good? Discuss. Everyone knows and loves Spy vs. Spy, the two MAD magazine spies locked in eternal, existential battle. In the rich tradition of Spy vs. Spy oneupsmanship, Spy vs. Spy 2: The Joke and Dagger Files is the follow-up to Spy vs. Spy: The Complete Casebook. This full-color sequel (only the spies are still black and white) takes up where the first volume left off and includes a foreword by J.J. Abrams, 230 Spy strips by Spy artist Peter Kuper, 56 Spy strips by Bob Clarke, 85 Spy strips and Sunday newspaper strips by Dave Manak, and material from the popular Spy Mountain Dew commercials, MAD TV spots, and MAD Kids Spy vs. Spy Jr. More colorful than the Casebook, evenmore packed with international intrigue, this is the one spy book to buy when you've already got the first one on your bookshelf.

    The legendary hitman known as The Blind Man is after Detective Kane. When Kane goes missing, his partner Kate Felix has to turn to Darke for help...

    This new hardcover edition is a facsimile of the original edition, published in 1951. Laurence Hyde was infuriated with the United States' continued testing in the Bikini Atoll, following the mass destruction and unthinkable horrors resulting from the atomic bombs dropped onHiroshima and Nagasaki in August 1945. Hyde's graphic novel involves a Polynesian island and the islanders' idyllic and secure life that is forever lost after American sailors arrive and evacuate the islanders from their homes. During the evacuation, a fisherman kills a sailor who attempts to rape his wife. The couple flees with their child into the jungle to avoid capture. After the other islanders have evacuated, the Americans detonate an atom bomb on the ocean floor. The islandreceives the brunt of the bomb's destructive force, which annihilates all flora and fauna. The fisherman and his family are subjected to horrific suffering and pain before dying from the resulting blast and radiation.Southern Cross includes the original introduction by Rockwell Kent and two essays by Hyde in which he provides the idea for his book, a detailed description of the process of wood engraving, and a short history of the woodcut novel. A new introduction is provided by the woodcut novel historian David A. Beronä.

    Passing Periods deals with the trials and tribulations of being a teenager while Absolute Power does the same for super (or not so super) heroes. Thus Teen Power!. All the comics in Teen Power! were drawn in 5 minutes or less and that speaks volumes as to the comic genius that is Joey. She has this uncanny ability to put the perfect, slightly bent twist to the most simple of even one-panel comics. Passing Periods was featured in the Best American Non-Required Reading 2005. Teen Power! is printed on 100% post-consumer recycled paper with soy-based inks by 1984 Printing in Oakland, CA. The book measures 4.25 inches x 7 inches with a 2-color cover and blue ink interior.

    Rollick with Sammy and his pals Puppy Boy, H. G. Feekes and Him as they walk around, have epileptic seizures, talk to disembodied voices, drink liquor in a bar the shape of a giant baby, and scare the living hell out of each other. The artwork on Sammy the Mouse will be created using a sophisticated two-color process Sally already showed off to fine effect in a recent MOME, making it one of the most visually arresting of the Ignatzes.

    Only twenty-one at the time, she had years ahead of her to kick the habit. And then she turned twenty-eight, took a good, hard look in the mirror, and knew something had to be done.These Things Ain't Gonna Smoke Themselves is a hilarious, illustrated account of her love/hate relationship with cigarettes, from her first glorious drag to her not-so-final last puff, and everything she goes through to try to quit. It is a funny, candid exploration of the rise and fall of cigarettes, both within Emily's own life and in society at large, tracing how smoking mutated from an encouraged form of recreation to what it is today—a nasty, unpardonable habit.

    Now Dark Horse is delighted to participate in the revival of Casper who remains among the most beloved of cartoon and comic book icons. Casper the Friendly Ghost made his first appearance as a star of Paramount's Famous Cartoons in 1947 and entered the comics in 1949. But after five issues, publisher St. John's gave up the title. That's when Harvey Comics stepped in, and where this book begins. Harvey breathed life into Casper, and from the very first issue, the cover designs, stories and artwork - drawn by the same animators who worked on the cartoons - were a cut above.

    Also included are explorations of Bat-lore such as the effects of the 1966 Batman TV show upon comics, a Batmobile timeline, and Batman's colorful rogues' gallery.

    and weirdest thinkers! IMMANUEL KANT Epistemological Attorney! Six Degrees of FRANCIS BACON! ACTION PHILOSOPHERS Vol. 3 details the lives and thoughts of twenty-four of history's A-list brain trust in a hip and humorous comic book fashion. Reprints 7-9 of the award-winning series.

    

    It is a concept album in different styles, a meditation on paying attention, an abstracted autobiography and a travelogue, blending Nilsen’s disparate styles, from the iconic simplicity of his Monologues for the Coming Plague to the finely rendered Dogs and Water and Big Questions. This is the future of comics.

    Walker creates a modern-day, secular devotional that captures in narrative imagery what is too devastating for words: the individual moments of innocence and routine life that ended with the onslaught of 9/11.

    So what happens to the 75 percent of cartoons that don't make the cut? Some go back in a drawer, others go up on the refrigerator or into the filing cabinet...but the very best of all the rejects can be found right here in these pages. "The Rejection Collection Vol. 2: The Cream of the Crap" is the ultimate scrap heap of creative misfires -- from the lowbrow and the dirty to the politically incorrect and the weird, these rejects represent the best of the worst...in the best possible sense of the word. Handpicked by editor Matthew Diffee, these hilarious cartoons are accompanied by handwritten questionnaires and photographed self-portraits, providing a rare glimpse into the minds of the artists behind the rejection. With appendices that explore the top ten reasons why cartoons are rejected and examine the solitary nature of the job of cartooning -- plus a special bonus section of questions asked of and answered by cartoon editor Robert Mankoff -- this sequel to "The Rejection Collection" offers even deeper insight into the exercise in frustration, patience, and amusement that is being a "New Yorker" cartoonist. Warped, wicked, and wildly funny, "The Rejection Collection Vol. 2 "will appeal to every "New Yorker" fan -- and everyone with a taste for the absurd.

    Now, after a long drought, Marti is finally back in the U.S.A. with a vengeance in the all-new "Ignatz" title Calvario Hills. The eponymous main story, set in a not-very-fictionalized American big city that mashes together elements of Chicago, New York, Los Angeles and Washington D.C., is a conspiracy fantasia in which the sinister NRA (spearheaded by Charlton "Preston") is attempting to sabotage the election to mayor of Marion "Parry," while an imprisoned gangster kingpin, working the other side, schemes to enlist an army of crackheads to put him over the top. Can you say... "entrapment"? The back-up is the first chapter of an all-new "Cabbie" story in which our naively heroic protagonist's fare turns out to be the disgraced President of the nation; the Cabbie, loyal to the end, tries to assist him in his flight out of the country, with the help of the Cardinal who's said to have the inside track on being the next Pope... but an out-of-control gay parade, a garbage truck, and an infestation of lice abort the escape in a most disagreeable fashion.