This collection of three screenplays displays his defiantly unorthodox approach to film form, as well as the unclassifiable imaginative energy that drives all of his work.

    Yet the fiction books in the Borealis imprint certainly belong to a world other than our own. This line encompasses our science fiction, fantasy and horror novels and anthologies.

    Includes detailed scene notes by Paul Oosterhouse, assistant to the Wachowskis throughout the making of the movie.

    Marcus Hubbard, rich, despotic and despised, made a fortune during the Civil War by running the blockade and worse. In his family life he is equally injurious: one son he bulldozes while the other he holds in contempt for his frailty. By Marcus's side stands his mentally deranged wife and, finally, Regina, the adored daughter amoral, conniving, and beautiful as an evil flower. Marcus, it would seem, has been on the top of the heap long enough and someone must depose him. Turning the tables on a tyrant has always made for high drama, and when Hellman puts her brilliant talents to work on such a theme the result is a play of great theatrical intensity.

    But they re shocked to hear his reason for premature retirement: John claims he must move on because he does not age, and cannot stay in one place for more than ten years without his secret being discovered. Tempers rise and emotions flow as John s fellow professors attempt to poke holes in his story, but it soon becomes clear that his tale is as impossible to disprove as it is to verify. What starts out as a friendly gathering soon builds to an unexpected and shattering climax. Acclaimed science fiction writer Jerome Bixby, writer of the original Star Trek and The Twilight Zone, originally conceived this story back in the early 1960 s. It would come to be his last great work."

    O’Bannon also includes his insights on subjects such as the logic of the three-act structure, the role of the producer in screenplay development, and the psychological principle known as “hedonic adaptation,” which has a unique effect on the structuring of screen stories.

    Banks learns that one of the young men he has seen occasionally about the house is about to become his son-in-law. Daughter Kay announces the engagement out of nowhere. Mrs. Banks and her sons are happy, but Mr. Banks is in a dither. The groom-to-be, Buckley Dunstan, appears on the scene and Mr. Banks realizes that the engagement is serious. Buckley and Kay don't want a "big" wedding just a simple affair with a few friends! We soon learn, however, that the "few" friends idea is out. Then trouble really begins. The guest list grows larger each day, a caterer is called in, florists, furniture movers and dressmakers take over, and the Banks household is soon caught in turmoil.

    The doctors who worked in the Mobile Army Surgical Hospitals (MASH) during the Korean War were well trained but, like most soldiers sent to fight a war, too young for the job. In the words of the author, "a few flipped their lids, but most of them just raised hell, in a variety of ways and degrees."For fans of the movie and the series alike, here is the original version of that perfectly corrupt football game, those martini-laced mornings and sexual escapades, and that unforgettable foray into assisted if incompleted suicide--all as funny and poignant now as they were before they became a part of America's culture and heart.

    So begins William Broyles, Jr.'s fascinating introduction, written exclusively for this book, about the process and challenges inherent in writing a screenplay that was not, by design, going to have a lot of dialogue in it, and about his collaboration with two extraordinarily gifted artists, actor Tom Hanks and director Robert Zemeckis.Broyles's introduction shows how a movie and its story evolve, shift, and shape while the creators grapple with all manner of internal and external choices: from developing what was Tom Hanks's idea into a story, and building a narrative structure and thematic threads into a screenplay, to researching the details of the specific—and ironic—situation of a FedEx executive stranded on a desert island.Also included in this unique Newmarket Shooting Script® edition is the complete shooting script, a preface to the script by Academy Award®-winning filmmaker Robert Zemeckis (Forrest Gump, Contact), movie stills, and complete cast and crew credits.

    The Globe and Mail describes THE MEMORY OF WATER as "both gloriously funny and deeply felt Indeed, THE MEMORY OF WATER is so funny that it appears at first to be pure black comedy, with the newly bereaved sisters indulging wildly in witty bickering and dope-induced dress-ups Their quarrels over the fu-neral arrangements, their well-worn family roles, their unsatisfactory men and their mixed memories of a highly feminine working-class mother are hilarious In THE MEMORY OF WATER, [Shelagh Stephenson] skillfully charts the joyous and painful territory of family relationships with insight and compassion."

    Spike Lee burst full formed into the screen world with his award-winning, commercially successful independent film She's Gotta Have It. In the few short years following this stellar debut he has established himself as a force to be reckoned with in the film industry and in American popular culture. This book reveals Spike Lee as a Hollywood iconoclast and gifted visionary and takes us though the dramatic sequence of events that brought the movie Do The Right Thing to fruition. It is a testimonial to his developing genius, written in the stingingly funny and informed language of Spike Lee.

    

    Zany, thought-provoking, and always original, this anthology brings together all the one-acts from the Off-Broadway hit Mere Mortals and from the all-new Lives of the Saints, as well as several new and uncollected plays, including Bolero, Arabian Nights (which premiered at the celebrated Humana Festival in Louisville), The Green Hill, and Captive Audience.

    Thievery and survival soon forced him into the Indian camp, where he began a dangerous adventure that changed his life forever. Relive the adventure and beauty of the incredible movie, Dances with Wolves.

    One that looks human and exemplifies the ideal world he comes from, a world free from human nature's greed and cruelty. That creature would be "prot", as he calls himself, the newest patient at the Manhattan Psychiatric Institute.Prot seems to know more than he should about faster-than-the-speed-of-light-travel. And besides drawing constellations as viewed from K-PAX, the name of his home planet, "prot" can describe its orbit around double suns in unpublished detail. Who is "prot" and where did he really come from? Why does he have the ability to cure severe mental cases? And to disappear at will? And to charm everyone he comes into contact with?Bizarre delusion or reality? Listen in as a psychiatrist who specializes in delusional behavior documents his sessions with the man from K-PAX.(P)2004 Brilliance Audio, Inc.