In lucid, persuasive prose, Brownmiller has created a definitive, devastating work of lasting social importance.Chosen by THE NEW YORK TIMES BOOK REVIEW as One of the Outstanding Books of the Year

    In this stunning work of resarch, Ms. French creates a devastating portrait of today's male-dominated global society, with its underlying aim of destroying, subjugating, or mutilating women. Here is a devastating indictment of our values and an important step toward an urgent public discussion of human morality.

    In her groundbreaking book, New York magazine writer Ariel Levy argues that, if male chauvinist pigs of years past thought of women as pieces of meat, Female Chauvinist Pigs of today are doing them one better, making sex objects of other women – and of themselves. Irresistibly witty and wickedly intelligent, Female Chauvinist Pigs makes the case that the rise of raunch does not represent how far women have come; it only proves how far they have left to go.

    Written for the mainstream audience and not necessarily curious magicians or psychic entertainers, the inquiring reader will quickly find themselves on the inside track of such grandiose scams as talking to the dead for fun and profit, the psychic radio business, spiritualist churches and their New Age offspring, psychic infomercials, Hollywood and the celebrity scene, the agents who ply the psychic’s wares, very private readings and numerous twisted and weirdly bizarre trips I have taken and taken others on for the last twenty five years. It’s all here and laid bare with an eye towards finding the humor in it all, not just another expose or debunking bore. This is a dark comedy narrative taken from true experiences that rips open the cracks in the crystal ball. If you are a mentalist, psychic or just a wannabe charlatan, you can find a lifetime of nefarious tricks of the trade sandwiched in-between the LOLs and stranger-than-any fiction tales of a bumpy career traveling the slick underbelly of the professional soothsayer.

    Reserved and quiet, she didn't set out to be a trailblazer, but there was something in her way: the law. Hundreds of years of legal precedent, a line of devastating Supreme Court cases, and countless statutes depriving women of equal citizenship and keeping them from full participation in the legal and political process.Mixing social and legal history with a moving and intimate biography, award-winning author Teri Kanefield captures a turbulent era and tells the story of how Ruth Bader Ginsburg defied expectations to become one of the most influential and powerful women in America."We hear many voices in this wonderfully engaging biography of Ruth Bader Ginsburg and come away with a far richer understanding of Ruth Bader Ginsburg and of what the rise of feminism has meant for all of us, whatever our gender, whatever our politics."--Kathleen Vanden Heuvel, Law Library Director, Adjunct Professor of Law, University of California, Berkeley School of Law"An absorbing personal biography of Ruth Bader Ginsburg that is also equal parts legal history and political philosophy. Like Ginsburg herself, Kanefield's narrative is precise, candid, logical, yet filled with humor and irony. She shows the reader the warmth and humility behind a serious legal mind. Free to Be Ruth Bader Ginsburg will appeal to a wide range of readers and is a valuable addition to all types of libraries."--Suzy Szasz Palmer, Past President, Virginia Library Association"An engrossing biography of Ruth Bader Ginsburg that doubles as a primer on how America's champions for gender equality pressed their cause in the courts. Recommended for every law student, lawyer, and lay reader looking for an authoritative yet readable treatment of how the law shapes women's lives, and vice-versa."--Kathleen Morris, Associate Professor of Law, Golden Gate Law School"Free to Be is a richly detailed biography offering fascinating insights into the groundbreaking career of Ruth Bader Ginsberg and at the same time charting for readers a thorough and engaging history of the law of sex discrimination and equal protection jurisprudence that she helped to shape. Kanefield's book is a must read, not only for fans of RBG but for anyone interested in a more complete understanding of the evolution of women's rights and legal status in the U.S."--Sharmilla Lodhia, Associate Professor, Women's and Gender Studies, Santa Clara University"Free to Be is a must read for those who love history, want to know more about the women's rights movement, or have an interest in modern politics and culture. I highly recommend it!"--Kristi Jensen, Librarian, University of Minnesota

    In x + y, Cheng argues that her mathematical specialty -- category theory -- reveals why. Category theory deals more with context, relationships, and nuanced versions of equality than with intrinsic characteristics. Category theory also emphasizes dimensionality: much as a cube can cast a square or diamond shadow, depending on your perspective, so too do gender politics appear to change with how we examine them. Because society often rewards traits that it associates with males, such as competitiveness, we treat the problems those traits can create as male. But putting competitive women in charge will leave many unjust relationships in place. If we want real change, we need to transform the contexts in which we all exist, and not simply who we think we are.

    Murphy is a superb storyteller, and her fast-paced narrative captures the intrigue, the scandal, the romantic affairs, and the violence that were commonplace in the Florentine court. She brings to life an extraordinary woman, fluent in five languages, a free-spirited patron of the arts, a daredevil, a practical joker, and a passionate lover. Isabella, in fact, conducted numerous affairs, including a ten-year relationship with the cousin of her violent and possessive husband. Her permissive lifestyle, however, came to an end upon the death of her father, who was succeeded by her disapproving older brother Francesco. Considering Isabella's ways to be licentious and a disgrace upon the family, he permitted her increasingly enraged husband to murder her in a remote Medici villa. To tell this dramatic story, Murphy draws on a vast trove of newly discovered and unpublished documents, ranging from Isabella's own letters, to the loose-tongued dispatches of ambassadors to Florence, to contemporary descriptions of the opulent parties and balls, salons and hunts in which Isabella and her associates participated. Murphy resurrects the exciting atmosphere of Renaissance Florence, weaving Isabella's beloved city into her story, evoking the intellectual and artistic community that thrived during her time. Palaces and gardens in the city become places of creativity and intrigue, sites of seduction, and grounds for betrayal. Here then is a narrative of compelling and epic proportions, magnificent and alluring, decadent and ultimately tragic.

    But while these workers, who leave their rural towns to find jobs in China's cities, are the driving force behind China's growing economy, little is known about their day-to-day lives or the sociological significance of this massive movement. In Factory Girls, Leslie T. Chang tells the story of these workers primarily through the lives of two young women whom she follows over the course of three years. Chang vividly portrays a world where you can lose your boyfriend and your friends with the loss of a cell phone; where lying about your age, your education, and your work experience is often a requisite for getting ahead; where a few computer or English lessons can catapult you into a completely different social class. Throughout this affecting portrait of migrant life, Chang also interweaves the story of her own family's migrations, within China and to the West, providing a historical frame of reference for her investigation. At a time when the Olympics will have shifted the world's focus to China, Factory Girls offers a previously untold story about the immense population of unknown women who work countless hours, often in hazardous conditions, to provide us with the material goods we take for granted. A book of global significance, it demonstrates how the movement from rural villages to cities is remaking individual lives and the fates of families, transforming our world much as immigration to America's shores remade our own society a century ago.

    In terms that draw from feminist and queer theory, Butler considers the norms that govern and fail to govern gender and sexuality as they relate to the constraints on recognizable personhood. The book constitutes a reconsideration of her earlier view on gender performativity from Gender Trouble. In this work, the critique of gender norms is clearly situated within the framework of human persistence and survival. And to "do" one's gender in certain ways sometimes implies "undoing" dominant notions of personhood. She writes about the "New Gender Politics" that has emerged in recent years, a combination of movements concerned with transgender, transsexuality, intersex, and their complex relations to feminist and queer theory.

    At first, she toughed it out through searing pain, taking sick days from work, unable to leave the bathroom or her bed. But when it became undeniable that something was seriously wrong, Miller gave in to family pressure and went to the hospital—beginning a yearslong nightmare of procedures, misdiagnoses, and life-threatening infections. Once she was finally correctly diagnosed with Crohn’s disease, Miller faced another battle: accepting that she will never get better.Today, an astonishing three in five adults in the United States suffer from a chronic disease—a percentage expected to rise post-Covid. Whether the illness is arthritis, asthma, Crohn's, diabetes, endometriosis, multiple sclerosis, ulcerative colitis, or any other incurable illness, and whether the sufferer is a colleague, a loved one, or you, these diseases have an impact on just about every one of us. Yet there remains an air of shame and isolation about the topic of chronic sickness. Millions must endure these disorders not only physically but also emotionally, balancing the stress of relationships and work amid the ever-present threat of health complications.Miller segues seamlessly from her dramatic personal experiences into a frank look at the cultural realities (medical, occupational, social) inherent in receiving a lifetime diagnosis. She offers hard-earned wisdom, solidarity, and an ultimately surprising promise of joy for those trying to make sense of it all.

    She’s Not There is the story of a person changing genders, the story of a person bearing and finally revealing a complex secret; above all, it is a love story.By turns funny and deeply moving, Jennifer Finney Boylan explores the remarkable territory that lies between men and women, examines changing friendships, and rejoices in the redeeming power of family. She’s Not There is a portrait of a loving marriage—the love of James for his wife, Grace, and, against all odds, the enduring love of Grace for the woman who becomes her "sister," Jenny.To this extraordinary true story, Boylan brings the humorous, fresh voice that won her accolades as one of the best comic novelists of her generation. With her distinctive and winning perspective, She’s Not There explores the dramatic outward changes and unexpected results of life as a woman: Jenny fights the urge to eat salad, while James consumed plates of ribs; gone is the stability of "one damn mood, all the damn time." While Boylan’s own secret was unusual, to say the least, she captures the universal sense of feeling uncomfortable, out of sorts with the world, and misunderstood by her peers. Jenny is supported on her journey by her best friend, novelist Richard Russo, who goes from begging his friend to "Be a man" (in every sense of the word) to accepting her as an attractive, buoyant woman. "The most unexpected thing," Russo writes in his Afterword to the book, "is in how Jenny’s story we recognize our shared humanity."As James evolves into Jennifer in scenes that are by turns tender, startling, and witty, a marvelously human perspective emerges on issues of love, sex, and the fascinating relationship between our physical and our intuitive selves. Through the clear eyes of a truly remarkable woman, She’s Not There provides a new window on the often confounding process of accepting ourselves.

    In the early 1800s, women were dying in large numbers from treatable diseases because they avoided receiving medical care. Examinations performed by male doctors were often demeaning and even painful. In addition, women faced stigma from illness—a diagnosis could greatly limit their ability to find husbands, jobs or be received in polite society.Motivated by personal loss and frustration over inadequate medical care, Elizabeth Blackwell, Elizabeth Garrett Anderson and Sophia Jex-Blake fought for a woman’s place in the male-dominated medical field. For the first time ever, Women in White Coats tells the complete history of these three pioneering women who, despite countless obstacles, earned medical degrees and paved the way for other women to do the same. Though very different in personality and circumstance, together these women built women-run hospitals and teaching colleges—creating for the first time medical care for women by women.With gripping storytelling based on extensive research and access to archival documents, Women in White Coats tells the courageous history these women made by becoming doctors, detailing the boundaries they broke of gender and science to reshape how we receive medical care today.

    A fighter. And a public servant who has dedicated her life to the pursuit of equality.When Ruth was a young girl, her mother encouraged her to read, be independent, and stand up for what she thought was right. Ruth graduated first in her class at Cornell University and tied for top of her graduating class at Columbia Law School. But she faced prejudice as both a woman and a Jew, making it difficult to get a job. Ruth eventually found work as a law clerk, and her determination, diligence, and skill led to a distinguished career as a lawyer. In 1993, she became the second woman ever appointed to the United States Supreme Court. As a Supreme Court justice, Ruth has inspired fierce admiration and faced fervent opposition for her judgments in high-profile cases, many of which have involved discrimination. She has been lauded for her sharp wit and boldness, even when her opinions differ from that of the majority.As a student, teacher, lawyer, and judge, Ruth often experienced unfair treatment. But she persisted, becoming a cultural icon, championing equality in pay and opportunity. Her brilliant mind, compelling arguments, and staunch commitment to truth and justice have convinced many to stand with her, and her fight continues to this day.This installment of the award-winning Big Words series brings a legendary figure into focus with Doreen Rappaport's incisive prose combined with Ruth's own words. Eric Velasquez's dynamic illustrations infuse every scene with life in a moving tribute that will inspire young justice seekers everywhere.

    On one side, her legacy was cast by the media and public in the shadow of her sanctified ex-husband. Winnie was history’s loser. She was damaged goods; Nelson Mandela was whole and pure.A younger generation, in particular women, took a different view and so a battle of ideas began that sought to reframe Winnie’s career and reclaim her identity as an extraordinary woman and fierce political activist.Sisonke Msimang, an acclaimed author and public commentator, wasted little time in jumping into the fray. And when the dust settled, what emerged is this short but razor-sharp book which reflects critically on the turbulent yet remarkable life of Winnie. Msimang situates her political career and legacy in the contemporary context, what she means today in social and political terms, by exploring different aspects of her iconic persona.The Resurrection of Winnie Mandela is an astute examination of one of South Africa’s most controversial political figures, of the rise and fall – and rise, again, – of a woman who not only battled the apartheid regime, but the patriarchal character of the struggle itself. In telling Winnie’s story, Msimang shows us that activism matters, and that the meaning of women’s lives can be reclaimed.