Brown.From its inception in California in 1974 to its Broadway revival in 2022, the Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country for nearly fifty years. Passionate and fearless, Shange’s words reveal what it meant to be a woman of color in the 20th century. First published in 1975, when it was praised by The New Yorker for “encompassing…every feeling and experience a woman has ever had,” for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Now with new introductions by Jesmyn Ward and Broadway director Camille A. Brown, and one poem not included in the original, here is the complete text of a groundbreaking dramatic prose poem that resonates with unusual beauty in its fierce message to the world.

    It is a strident critique of logocentrism and phallogocentrism, having much in common with Jacques Derrida's earlier thought. The essay also calls for an acknowledgment of universal bisexuality or polymorphous perversity, a precursor of queer theory's later emphases, and swiftly rejects many kinds of essentialism which were still common in Anglo-American feminism at the time. The essay also exemplifies Cixous's style of writing in that it is richly intertextual, making a wide range of literary allusions.(From Wikipedia)

    In lucid, persuasive prose, Brownmiller has created a definitive, devastating work of lasting social importance.Chosen by THE NEW YORK TIMES BOOK REVIEW as One of the Outstanding Books of the Year

    We say it is unwaged work.They call it frigidity. We call it absenteeism.Every miscarriage is a work accident.Homosexuality and heterosexuality are both working conditions…but homosexuality is workers’ control of production, not the end of work.More smiles? More money. Nothing will be so powerful in destroying the healing virtues of a smile.Neuroses, suicides, desexualization: occupational diseases of the housewife.

    In it, Hélène Cixous and Catherine Clément put forward the concept of écriture feminine, exploring the ways women’s sexuality and unconscious shape their imagination, their language, and their writing. Through their readings of historical, literary, and psychoanalytic accounts, Cixous and Clément explore what is hidden and repressed in culture, revealing the unconscious of history.

    A simple idea with profound revolutionary consequences. If the workers of the world are not all in the factory, and are not all men, where does that leave us?

    In this book Anaïs Nin speaks with warmth and urgency on those themes which have always been closest to her: relationships, creativity, the struggle for wholeness, the unveiling of woman, the artist as magician, women reconstructing the world, moving from the dream outward, and experiencing our lives to the fullest possible extent.

    In its aftermath, Angela Davis, an African American activist-scholar who had campaigned vigorously for prisoners' rights, was placed on the FBI's "ten most wanted list." Captured in New York City two months later, she was charged with murder, kidnapping, and conspiracy. Her trial, chronicled in this "compelling tale" (Publishers Weekly), brought strong public indictment. The Morning Breaks is a riveting firsthand account of Davis's ordeal and her ultimate triumph, written by an activist in the student, civil rights, and antiwar movements who was intimately involved in the struggle for her release. First published in 1975, and praised by The Nation for its "graphic narrative of [Davis's] legal and public fight," The Morning Breaks remains relevant today as the nation contends with the political fallout of the Sixties and the grim consequences of institutional racism. For this edition, Bettina Aptheker has provided an introduction that revisits crucial events of the late 1960s and early 1970s and puts Davis's case into the context of that time and our own—from the killings at Kent State and Jackson State to the politics of the prison system today. This book gives a first-hand account of the worldwide movement for Angela Davis's freedom and of her trial. It offers a unique historical perspective on the case and its continuing significance in the contemporary political landscape.

    Assesses women's leading and still largely unknown contributions to the development of human civilization and refutes the myth that women have always been subordinate to men.

    Neumann recommended a cultural therapy that he thought would redress a fundamental ignorance about feminine and masculine psychology, and he looked for societal healing to a matriarchal consciousness that forms the bridge between the feminine and the creative.Brought together here for the first time, the essays in the book discuss the psychological stages of woman's development, the moon and matriarchal consciousness, Mozart's Magic Flute, the meaning of the earth archetype for modern times, and the fear of the feminine. In Mozart's fantastic world, Neumann saw a true Auseinandersetzung--the conflict and coming-to-terms with each other of the matriarchal and the patriarchal worlds. Developing such a synthesis of the feminine and the masculine in the psychic reality of the individual and of the collective was, he argued, one of the fundamental, future-oriented tasks of both the society and the individual.

    Our divine journey -- 2. God and eternity -- 3. Prayer -- 4. Growth and self-development -- 5. Life's little lessons -- 6. Friends and relationships -- 7. Women -- 8. Men and women -- 9. Motherhood, pregnancy and birth -- 10. Adoption -- 11. Parenthood and childraising -- 12. Adversity -- 13. Service -- 14. Healing and comfort -- 15. Old age -- 16. Death and beyond -- Indexes.

    Archaic beliefs in magic and ecstasy meet current notions of the power of the spoken word. Waldman writes, "The poem is a textured energy field or modal structure. The poems for performance seem to manifest as psychological states of mind. They come together in a mental, verbal, physical, and emotional form, making their particular demands on my voice and body. I am the ‘energumen.’ The poem is the experience." Also included in this book are three essays on the oral tradition in poetry. One essay discusses the history and occasion of the title poem. The others treat such topics as performance art and poetic tradition, ethnopoetics, intoxication and transformation, Tibetan Buddhism, and the renewed ascendency of feminine energy in writing. Anne Waldman, world renowned for her high-energy poetry performances, is the author of over thirty books and chapbooks of poetry. She is the co-founder and director of The Jack Kerouac School of Disembodied Poetics at the Naropa Institute in Boulder, Colorado."Anne Waldman is one of the fastest, wisest women to run with the wolves in some time." — The New York Times Book ReviewAnne Waldman, world renowned for her high-energy poetry performances, is the co-founder and director of The Jack Kerouac School of Disembodied Poetics at the Naropa Institute in Boulder, Colorado. She is the author of over thirty books and chapbooks of poetry including The Iovis Trilogy: Colors in the Mechanism of Concealment, Voice's Daughter of a Heart Yet to be Born, and Manatee/Humanity (Penguin Poets).

    A remarkable book of the history of women convicts transported to Australia to keep company with the many more males convicts.

    Though much debated, its position as the basic textbook on women's history in Greece and Rome has hardly been challenged."--Mary Beard, Times Literary Supplement. Illustrations.

    Kate Chopin (1851-1904): The Story of an HourEdith Wharton (1862-1937): The Other TwoWilla Cather (1873-1947): A Wagner MatinéeColette (1873-1947): The Secret WomanGertrude Stein (1874-1946): Miss Furr and Miss SkeeneVirginia Woolf (1882-1941): The New DressContentsKatherine Mansfield (1888-1923): The Garden PartyKatherine Anne Porter (1890-1980): RopeKay Boyle (1902-1992): Winter NightEudora Welty (1909-2001): A Worn PathHortense Calisher (1911- ): The Scream on Fifty-Seventh StreetAnn Petry (1911-1997): Like a Winding SheetMary Lavin (1912-1996): In a CaféTillie Olsen (1913- ): I Stand Here IroningMaeve Brennan (1917-1993): The Eldest ChildCarson McCullers (1917-1967): WunderkindDoris Lessing (1919- ): To Room NineteenGrace Paley (1922- ): An Interest in LifeFlannery O'Connor (1925-1964): RevelationJean Stubbs (1926- ): Cousin LewisEdna O'Brien (1930- ): A JourneyAlice Munro (1931- ): The OfficeJoyce Carol Oates (1938- ): In the Region of IceMargaret Drabble (1939- ): The Gifts of WarJulie Hayden (1939-1981): Day-Old Baby RatsAlice Walker (1944- ): Everyday Use

    It is the tragic monologue of a woman speaking with the child she carries in her womb. This letter confronts the burning theme of abortion, and the meaning of life, by asking difficult questions: Is it fair to impose life even if it means suffering? Would it be better not to be born at all?Letter to a Child Never Born touches on the real meaning of being a woman: the power to give life or not. When the book begins, the protagonist is upset after learning she is pregnant. She knows nothing about the child, except that this creature depends totally and uniquely on her own choices. The creation of another person directly within one’s own body is a very shocking thing. The sense of responsibility is huge; it is a heavy burden that gives life to endless reflections, from the origin of our existence to the shame of our selfishness. If the child could choose, would he prefer to be born, to grow up, and to suffer, or would he return to the joyful limbo from which he came? A woman’s freedom and individuality are also challenged by a newborn—should she renounce her freedom, her job, and her choice? What should she do at this point?

    The editor has added a new introduction and prefatory material."Mary Helen Washington has had a greater impact upon the formation of the canon of Afro-American literature than has any other scholar." —The New York Times Book Review

    1)

    Honors the 70th anniversary of women's suffrage. Photos.

    Gaylor spares no one in her trenchant analysis of where the responsibility lies for the suffering, degradation and death caused by anti-abortion laws.

    Collected studies explore sexual equality and inequality in various societies and provide a foundation for social change.