A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a through and readable analysis of each of the novels in question. The books in the series all follow the same structure: a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or television adaptations, literary prizes, and so forth; a wide range of suggestions for further reading, including web sites and discussion forums; and a list of questions for reading groups to discuss.

    Burke contributes an introductory and summarizing remark, "What is involved, when we say what people are doing and why they are doing it? An answer to that question is the subject of this book. The book is concerned with the basic forms of through which, in accordance with the nature of the world as all men necessarily experience it, are exemplified in the attributing of motives. These forms of though can be embodied profoundly or trivially, truthfully or falsely. They are equally present in systematically elaborated or metaphysical structures, in legal judgments, in poetry and fiction, in political and scientific works, in news and in bits of gossip offered at random."

    There is no other guide like this; a user-friendly and enticing entry into the marvelously enjoyable world of Proust.At seven volumes, three thousand pages, and more than four hundred characters, as well as a towering reputation as a literary classic, Proust's novel can seem daunting. But though begun a century ago, in 1909, it is in fact as engaging and relevant to our times as ever. Patrick Alexander is passionate about Proust's genius and appeal--he calls the work "outrageously bawdy and extremely funny"--and in his guide he makes it more accessible to the general reader through detailed plot summaries, historical and cultural background, a guide to the fifty most important characters, maps, family trees, illustrations, and a brief biography of Proust. Essential for readers and book groups currently reading Proust and who want help keeping track of the huge cast and intricate plot, this Reader's Guide is also a wonderful introduction for students and new readers and a memory-refresher for long-time fans.

    I’ll never forget that day. The Vietnam War had ended with the fall of Saigon that April, and the world was mired in one of its worst recessions ever. Unemployment in the United States was nearly nine percent, inflation even higher, and leadership lacking. The Watergate scandal had cast a smear across American politics, resulting in Richard Nixon’s resignation in August 1974 to avoid impeachment, and his successor’s immediately pardoning him to close the book on an unhappy chapter in U.S. history.It was not a good time for anyone and a particularly hard time for the old Victorian town of Cape May. The crown jewel of the New Jersey shore had fallen into neglect and disrepair and was dying a slow death. Once the elegant summer home to presidents and kings, it had become the last refuge of the deposed.That’s where I met Tom Ryan. Tom was a king, or so he would have you believe, but unlike Richard Nixon, when Tom was dethroned, he wasn’t sent home with a slap on the wrist. He was sent to prison. He was a convicted draft dodger, but one of the lucky ones released early by President Ford as part of his mass clemency after Nixon’s pardon. The problem was, Tom had nowhere to go when he got out, so he took the money his dad mailed to him and spent it on a bus ticket to get as far away as possible to a place where nobody cared who he was or what he had done, a place where nobody cared about anything. That place was Cape May.As hard a time as it was for everyone, it was harder for me because that was the day I met Tom Ryan. I should have turned and walked away. I knew it when he first looked at me, but I didn’t, not my first mistake, but one that would make Monday, May 19th, 1975 the hardest day of my life. This is the story of how Tom Ryan and I met and how things never quite work out the way you think. You might find a love story in here somewhere. You might not. You might find a message hidden in one of the nickel pop bottles collected by the beachcombers from some of the most beautiful white sand beaches in the world. You might even find a little mystery, but life is a mystery, isn’t it?

    But this is not just a diary for theatre lovers, although his insider’s ear on the arts world is well-attuned and unmissable. Bennett’s life is broader. His accounts of theatre troubles and even more troublesome critics are combined with his memories of a writer’s tour of Russia, life in New York and Camden, filming in Egypt and tales of a Yorkshire village. He also covers the big events of his time: the Falklands War, Mrs Thatcher and the assassination of John Lennon. Taken from Alan Bennett’s bestselling book, Writing Home, this keenly viewed history of the decade confirms Bennett as one of life’s great observers – clear-eyed, compassionate and funny.2 CDs. 1 hr 59 mins.

    Through poetry we tell the world who we are, where we're from, what we love, what we think, how we feel, and why we hope. With a foreword by hip-hop artist and celebrated urban poet Common, Tell the World is a stunning collection of poems by teens who have taken part in workshops run by WritersCorps, a national alliance of literary arts programs for youth.Their words represent the thoughts, hopes, and dreams of teens everywhere, offering both insight and empathy.

    He is sucked into a silent war which hinges on an incriminating data file. Finding it is Travis’s only hope for surviving a deadly chase across America. But to find its location, Travis must discover the link between the biggest medical cover-up in history and the greatest assassination conspiracy of the twentieth century. The key lies within a secret underground of doctors sworn to an ancient oath.When the solution is the problem, which side will you be on?

    In each of her stories, Danielle Evans explores the non-white American experience with honesty, wisdom, and humor. They are striking in their emotional immediacy, based in a world where inequality is a reality, but the insecurities of young adulthood and tensions within family are often the more complicating factors. One of the most lauded debuts of the year, Before You Suffocate Your Own Fool Self announces a major new talent in Danielle Evans.

    The volume includes recent essays from Alastair Duckworth, Marilyn Butler, D.A. Miller, Isobel Armstrong and Karen Newman.

    The result is an extraordinary, complex portrait of "white girls," as Als dubs them—an expansive but precise category that encompasses figures as diverse as Truman Capote and Louise Brooks, Malcolm X and Flannery O’Connor. In pieces that hairpin between critique and meditation, fiction and nonfiction, high culture and low, the theoretical and the deeply personal, Als presents a stunning portrait of a writer by way of his subjects, and an invaluable guide to the culture of our time.

    Belief is a technology for softening the landscape. The world becomes more beautiful when God is in it. Here is what happens inside a person's body when they starve.Written in the shadow of Georg Buchner's Lenz at razor pitch, Aliens & Anorexia, first published in 2000, defines a female form of chance that is both emotional and radical. The book unfolds like a set of Chinese boxes, using stories and polemics to travel through a maze that spirals back into itself. Its characters include Simone Weil, the first radical philosopher of sadness, the artist Paul Thek, Kraus herself, and "Africa," her virtual S&M partner who's shooting a big-budget Hollywood film in Namibia while Kraus holes up in the Northwest Woods for the winter to chronicle the failure of Gravity & Grace, her own low-budget independent film.In Aliens & Anorexia, Kraus argues for empathy as the ultimate perceptive tool, and reclaims anorexia from the psychoanalytic girl-ghetto of poor "self-esteem." Anorexia, Kraus writes, could be an attempt to leave the body altogether: a rejection of the cynicism this culture hands us through its food.

    Told in the simple and powerful prose that is a hallmark of his craft, these writings by Ernest J. Gaines faithfully evoke the sorrows and joys of rustic Southern life. From his depiction of his childhood move to California — a move that propelled him to find books that conjured the sights, smells, and locution of his native Louisiana home — to his description of the real-life murder case that gave him the idea for his masterpiece, this wonderful collection is a revelation of both man and writer.

    Including classic pieces such as Postcard from Rome, and his observations on Margaret Thatcher, it contains funny examinations of characters like Barry Humphries, while elsewhere showcasing James's more reflective and analytical style.

    Ripley. Coming from Miramax Films in December 2003, Cold Mountain stars Jude Law, Nicole Kidman, Renée Zellweger, Natalie Portman, Giovanni Ribisi and Philip Seymour Hoffman. Directed by Academy Award®-winner Anthony Minghella who also wrote the screenplay, Cold Mountain is based on Charles Frazier's best-selling Civil War novel of the same name and tells the story of Inman (Law), a wounded confederate soldier who is on a perilous journey home to his mountain community, hoping to reunite with his pre-war sweetheart, Ada (Kidman). In his absence, Ada struggles to survive, and revive her father's farm with the help of intrepid young drifter Ruby (Zellweger).The Newmarket Pictorial Moviebook is annotated with illustrations, movie stills, production design sketches keyed to the screenplay, costume designs, sidebars, and commentary from the cast and crew.

    It tells the story of William Stoner, who attends the state university to study agronomy, but instead falls in love with English literature and becomes an academic. The novel narrates the many disappointments and struggles in Stoner's academic and personal life, including his estrangement from his wife and daughter, set against the backdrop of the first half of the twentieth century.In his entry in the Bookmarked series, author Steve Almond writes about why Stoner has endured, and the manner in which it speaks to the impoverishment of the inner life in America. Almond will also use the book as a launching pad for an investigation of America’s soul, in the process, writing about his own struggles as a student of writing, as a father and husband, and as a man grappling with his own mortality.