These true tales of animals and human mammals (generally the smaller sizes, but here and there elders and jumbos) delightfully blur the line between the two.In these short vignettes, Doyle explores the seethe of life on this startling planet, the astonishing variety of our riveting companions, and the joys available to us when we pause, see, savor, and celebrate, the small things that are not small in the least.Doyle’s trademark quirky prose is at once lyrical, daring, and refreshing; his essays are poignant but not pap, sharp but not sermons, and revelatory at every turn. Throughout there is humor, and humility, and a palpable sense of wonder, with passages of reflection so true, and hard earned, they make you stop and reread a line, a paragraph, a page.Children and Other Wild Animals gathers previously unpublished work with selections that have appeared in Orion, The Sun, Utne Reader, High Country News, and The American Scholar, as well as Best American Essays and Best American Nature and Science Writing (“Fishering”).“The Creature Beyond the Mountain,” Doyle’s paean to the mighty and mysterious sturgeon of the Pacific Northwest, won the John Burroughs Award for Outstanding Nature Essay. As he notes in that tribute to all things 'sturgeonness': “Sometimes you want to see the forest, and not the trees. Sometimes you find yourself starving for what’s true, and not about a person, but about all people. This is how religion, and fascism, were born, but it’s also why music is the greatest of arts, and why stories matter, and why we all cannot help staring at fires and great waters.”

    They've become obsessed with Viator to the point that the world beyond seems of consequence only as it relates to the ship. When their putative leader, Thomas Willander, is afflicted by a series of disturbing dreams, he concludes that something on board may be responsible for their erraticism. He seeks the help of a woman in the nearby village of Kaliaska and together they initiate an investigation into the history of Viator, hoping to learn, among other things, why the ship was run aground and who was the mysterious man who hired the four. But their efforts may be too late. The men, whose eccentrities are now verging on the insane, show no sign of intending to abandon their new home, compelled by Viator's eerie allure. To make matters worse, winter will soon be setting in, ominous incidences of sound and light are issuing from the forest surrounding the ship, and Willander's dreams may be coming true...Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

    That's what Harriet and Arthur Bloomsbury think, but that comforting feeling is a fiction. Hiding among the stone walls, picturesque barns, and hay bales is a horror they can't imagine. It's deadly, impossible -- maybe even paranormal. This short story isn’t your average murder mystery, because this time, the threat isn’t quite so clear. Is it the serial killers hunting you? Your own paranoia? Or the very laws of nature? The suspense is free.

    Here is a literary love song that will entrance anyone who has lived in—or spent time—in the greatest of American cities. A masterful evocation of the city that never sleeps, The Colossus of New York captures the city’s inner and outer landscapes in a series of vignettes, meditations, and personal memories. Colson Whitehead conveys with almost uncanny immediacy the feelings and thoughts of longtime residents and of newcomers who dream of making it their home; of those who have conquered its challenges; and of those who struggle against its cruelties. Whitehead’s style is as multilayered and multifarious as New York itself: Switching from third person, to first person, to second person, he weaves individual voices into a jazzy musical composition that perfectly reflects the way we experience the city. There is a funny, knowing riff on what it feels like to arrive in New York for the first time; a lyrical meditation on how the city is transformed by an unexpected rain shower; and a wry look at the ferocious battle that is commuting. The plaintive notes of the lonely and dispossessed resound in one passage, while another captures those magical moments when the city seems to be talking directly to you, inviting you to become one with its rhythms. The Colossus of New York is a remarkable portrait of life in the big city. Ambitious in scope, gemlike in its details, it is at once an unparalleled tribute to New York and the ideal introduction to one of the most exciting writers working today.From the Hardcover edition.

    From Spenser's The Fairie Queene to Wells's The Time Machine to Murakami's 1Q84 it explores the timeless and captivating features of fiction's imagined worlds including the relevance of the writer's own life to the creation of the story, influential contemporary events and philosophies, and the meaning that can be extracted from the details of the work. With hundreds of pieces of original artwork, illustration and cartography, as well as a detailed overview of the plot and a "Dramatis Personae" for each work, Literary Wonderlands is a fascinating read for lovers of literature, fantasy, and science fiction.

    Now, as I write this, you know nothing about anything, about what awaits you, the kind of world you will be born into. And I know nothing about you...I want to show you our world as it is now: the door, the floor, the water tap and the sink, the garden chair close to the wall beneath the kitchen window, the sun, the water, the trees. You will come to see it in your own way, you will experience things for yourself and live a life of your own, so of course it is primarily for my own sake that I am doing this: showing you the world, little one, makes my life worth living.Autumn begins with a letter Karl Ove Knausgaard writes to his unborn daughter, showing her what to expect of the world. He writes one short piece per day, describing the material and natural world with the precision and mesmerising intensity that have become his trademark. He describes with acute sensitivity daily life with his wife and children in rural Sweden, drawing upon memories of his own childhood to give an inimitably tender perspective on the precious and unique bond between parent and child. The sun, wasps, jellyfish, eyes, lice—the stuff of everyday life is the fodder for his art. Nothing is too small or too vast to escape his attention.This beautifully illustrated book is a personal encyclopaedia on everything from chewing gum to the stars. Through close observation of the objects and phenomena around him, Knausgaard shows us how vast, unknowable and wondrous the world is.

    These beautifully produced, pocket-sized books will provide exactly what is missing in ordinary travel guides: insights and imagination that lead the reader into those parts of a city no other guide can reach.A flaneur is a stroller, a loiterer, someone who ambles through a city without apparent purpose but is secretly attuned to the history of the place and in covert search of adventure, esthetic or erotic. Edmund White, who lived in Paris for sixteen years, wanders through the streets and avenues and along the quays, taking us into parts of Paris virtually unknown to visitors and indeed to many Parisians. Entering the Marais evokes the history of Jews in France, just as a visit to the Haynes Grill recalls the presence-festive, troubled-of black Americans in Paris for a century and a half. Gays, Decadents, even Royalists past and present are all subjected to the flaneur's scrutiny. Edmund White's The Flaneur is opinionated, personal, subjective. As he conducts us through the bookshops and boutiques, past the monuments and palaces, filling us in on the gossip and background of each site, he allows us to see through the blank walls and past the proud edifices and to glimpse the inner, human drama. Along the way he recounts everything from the latest debates among French law-makers to the juicy details of Colette's life in the Palais Royal, even summoning up the hothouse atmosphere of Gustave Moreau's atelier.

    A Slip of the Keyboard brings together for the first time the finest examples of Pratchett's non fiction writing, both serious and surreal: from musings on mushrooms to what it means to be a writer (and why banana daiquiris are so important); from memories of Granny Pratchett to speculation about Gandalf's love life, and passionate defences of the causes dear to him.With all the humour and humanity that have made his novels so enduringly popular, this collection brings Pratchett out from behind the scenes of the Discworld to speak for himself - man and boy, bibliophile and computer geek, champion of hats, orang-utans and Dignity in Dying.

    Join Clara at the rat pit. Relax with Mr Bodley as he is lulled to sleep by Mrs Tremain and her girls. Find out what became of Sophie.Michel Faber revisits the world of his bestselling novel The Crimson Petal and the White, conjuring tantalising glimpses of its characters, their lives before we first met them and their intriguing futures. You'll be desperate for more by the time you reluctantly re-emerge into the twenty-first century.

    Zadie Smith brings to her essays all of the curiosity, intellectual rigor, and sharp humor that have attracted so many readers to her fiction, and the result is a collection that is nothing short of extraordinary. Split into four sections—"Reading," "Being," "Seeing," and "Feeling"—Changing My Mind invites readers to witness the world from Zadie Smith's unique vantage. Smith casts her acute eye over material both personal and cultural, with wonderfully engaging essays-some published here for the first time-on diverse topics including literature, movies, going to the Oscars, British comedy, family, feminism, Obama, Katharine Hepburn, and Anna Magnani. In her investigations Smith also reveals much of herself. Her literary criticism shares the wealth of her experiences as a reader and exposes the tremendous influence diverse writers—E. M. Forster, Zora Neale Hurston, George Eliot, and others—have had on her writing life and her self-understanding. Smith also speaks directly to writers as a craftsman, offering precious practical lessons on process. Here and throughout, readers will learn of the wide-ranging experiences—in novels, travel, philosophy, politics, and beyond—that have nourished Smith's rich life of the mind. Her probing analysis offers tremendous food for thought, encouraging readers to attend to the slippery questions of identity, art, love, and vocation that so often go neglected. Changing My Mind announces Zadie Smith as one of our most important contemporary essayists, a writer with the rare ability to turn the world on its side with both fact and fiction. Changing My Mind is a gift to readers, writers, and all who want to look at life more expansively.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Now, in Stay Awake, Chaon returns to that form for the first time since his masterly Among the Missing, a finalist for the National Book Award.In these haunting, suspenseful stories, lost, fragile, searching characters wander between ordinary life and a psychological shadowland. They have experienced intense love or loss, grief or loneliness, displacement or disconnection—and find themselves in unexpected, dire, and sometimes unfathomable situations.A father’s life is upended by his son’s night terrors—and disturbing memories of the first wife and child he abandoned; a foster child receives a call from the past and begins to remember his birth mother, whose actions were unthinkable; a divorced woman experiences her own dark version of “empty-nest syndrome”; a young widower is unnerved by the sudden, inexplicable appearances of messages and notes—on dollar bills, inside a magazine, stapled to the side of a tree; and a college dropout begins to suspect that there’s something off, something sinister, in his late parents’ house.Dan Chaon’s stories feature scattered families, unfulfilled dreamers, anxious souls. They exist in a twilight realm—in a place by the window late at night when the streets are empty and the world appears to be quiet. But you are up, unable to sleep. So you stay awake.

    With Great Apes, Self takes readers into a sort of "Planet of the Apes" with a twist. Simon Dykes is a London painter whose life suddenly becomes Kafkaesque. After an evening of routine debauchery, traipsing from toilet to toilet and partaking in a host of narcotics, the middle-aged painter wakes to discover that his girlfriend, Sarah, has turned into a chimpanzee. Simon is also a chimp, but he does not accept this fact—he is convinced that he is still human.He is then confined to an emergency psychiatric ward and placed under the care of alpha-psychiatrist Dr. Zack Busner. Simon finds chimp behavior a bit unnatural; he can't bring himself to use gestures rather than speech to communicate. He also finds it difficult to mate publicly or accept social grooming. Dr. Zack Busner—also a medical doctor, radical psychoanalyst, maverick axiolytic drug researcher, and former television personality—is prepared to help Simon get used to "chimpunity". It is during Simon's gradual simianization that Self's true satirical genius shines, as he examines anthropology, the trendy art world, animal rights, and much more.

    They're so ridiculous you may think they're fiction. Like the time I went to a drive-in X-rated movie without realizing my parents were in the next car. Or the time I let my kid throw a rock through our living room window. There's the time I bought a camouflage thong in a bait shop and the time I ruined a kid's birthday party. And the other time I ruined a kid's birthday party. I can't guarantee that these stories will make you laugh, but I can guarantee that I didn't make them up.

    It was a shock to Williams to discover that her mother had kept journals. But not as much of a shock as what she found when the time came to read them.  “They were exactly where she said they would be: three shelves of beautiful cloth-bound books . . . I opened the first journal. It was empty. I opened the second journal. It was empty. I opened the third. It too was empty . . . Shelf after shelf after shelf, all of my mother’s journals were blank.” What did Williams’s mother mean by that? In fifty-four chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams creates a lyrical and caring meditation of the mystery of her mother's journals. When Women Were Birds is a kaleidoscope that keeps turning around the question “What does it mean to have a voice?”