Everyone knows it, from her dearest friends within the Spinsters’ Sewing Circle to her most distant acquaintances within the parish.So when the beloved new curate turns up dead the night before Valentine’s Day, stabbed through the heart with Lydia’s own knitting needle, not even Lydia’s closest friends expect her to do more than cry and perhaps arrange a luncheon after the funeral service. After all, the tragedy was only a robbery gone wrong, and how could any vicar’s daughter hope to bring the long-gone thief to justice?
But Lydia can’t shake the feeling that this crime was somehow personal. The clues suggest the curate was murdered for some terrible purpose, and everyone at the house party seems to have a motive. Was it the high-born lady whose charitable endeavors are at risk? The beautiful young lady of the house who's hiding an agonizing secret? Her mother, who had every reason to want the curate gone? Or even the butler, whose private life is more scandalous than it seems?
And that’s to say nothing of handsome Mr. Pemberton, a notorious gambler and infuriating flirt from London who seems equally likely to have killed the curate and to drive Lydia to commit a murder herself.
This cozy, romantic Regency murder mystery—full of strong female friendships, gripping twists and turns, and witty repartee sharper than a knitting needle—is sure to delight fans of Jane Austen, Lynn Messina, and Patricia C. Wrede.

    Bess Hardemon, a tough and canny young teacher living in the mid-nineteenth century, is determined to make a difference at her new school, Priors Heath. Under the austere gaze of the Reverend Carnegie and his deputy, Miss Simms, the young girls remain underfed and unstimulated -- until the arrival of the bright, motivated young Bess.At the cost of her own chance of finding love, Bess remains trapped by her duty, a confinement echoed a century later by Sarah, a teacher at the modern-day Priors Heath who must make her own choice between her duty to her pupils and her efforts to save a broken marriage.

    Harriett doesn’t want proper. She wants passion. And the prospect of a passionate marriage is becoming increasingly unlikely, judging by the men she meets. When she and her family visit a dying relative at his country mansion in Kent, Pendleton Manor, everything appears normal on the surface, until Harriet is suddenly embroiled in murder, intrigue, and lust. A man determined to live life on his own terms Gentleman farmer, Gerard Everard, Earl of Foxworth, has inherited an estate deep in debt. While he toils to save Foxworth from creditors, he becomes embroiled in a dangerous mission. Together, Harriett and Gerard work to uncover a murderer, while Harriett, expecting Gerard to succumb to the charms of her younger, beautiful sister, Leonora, tries unsuccessfully to guard her heart. Originally titled Murder at Pendleton Manor

    From punk to mod to New Romantic, and eventually to acclaimed poet, Simon Armitage writes about a life where music and poetry have been core.

    Chilton Dacy, to nurse, she can't help but wonder what sort of scoundrel he might be. Her uncle has a long and sad history of befriending miscreants of the worst sort. Then she finds a lost necklace and her worries only increase. The necklace bears a curse promising a hideous death to anyone who possesses it, and it seems as if it might come true when she's blamed for the murder of a virtual stranger.Can Chilton prove her innocence, or is Oriana destined for a personal relationship with the hangman's noose?

    For Lucy Ashton and Edgar Ravenswood, acts of heroism are thwarted and love is doomed by social, political and historical division. This edition restores the action to the years of uncertainty and political flux before the Union of Scotland and England in 1707, rather than after, as Scott's later revision had placed it.

    A mock elegy for the heady joys of old-time Soho, 'The Song of Lunch' displays the full range of Reid's wit, craft and human sympathy.

    He references his own contributions to the canon of popular music, and he provides fascinating insider portraits of the industry and its protagonists. But above all, he questions our ideas of music and our attitude to sound, introducing us throughout this provocative and superbly written book to his current work, The17.

    A highpoint of the collection is Thomas's Portrait of the Artist as a Young Dog, a vivid collage of memories from his Swansea childhood that combines the lyricism of his poetry with the sparkle and sly humor of Under Milk Wood. Also here is the fiction from Quite Early One Morning, a collection planned by Thomas shortly before his death.Altogether there are more than forty stories, providing a rich and varied literary feast and showing Dylan Thomas in all his intriguing variety-somber fantasist, joyous word-spinner, comedian of smalltown Wales. The book includes an entertaining, informative reflection on Thomas by another Welsh poet and storyteller, Leslie Norris, as well as a brief listing of publication details by Professor Walford Davies, editor of Dylan Thomas: Early Prose Works.After the fair --Tree --True story --Enemies --Dress --Visitors --Vest --Burning baby --Orchards --End of the river --Lemon --Horse's ha --School for witches --Mouse and the woman --Prospect of the sea --Holy six --Prologue to an adventure --Map of love --In the direction of the beginning --Adventure from a work in progress --Portrait of the artist as a young dog: Peaches --Visit to Grandpa's --Patricia, Edith and Arnold --Fight --Extraordinary little cough --Just like little dogs --Where Tawe flows --Who do you wish was with us? --Old Garbo --One warm Saturday --Adventures in the skin trade: Fine beginning --Plenty of furniture --Four lost souls --Quite early one morning --Child's Christmas in Wales --Holiday memory --Crumbs of one man's year --Return journey --Followers --Story --Appendix: early stories: Brember --Jarley's --In the garden --Gaspar, Melchior, Balthsar --List of sources

    The poetry includes such early masterpieces as “The Seafarer,” “Homage to Sextus Propertius,” “Hugh Selwyn Mauberley,” and the first eight of Pound’s incomparable “Cantos.” The prose includes a series of articles and critical pieces, with essays on Imagism, Vorticism, Joyce, and the well-known “Chinese Written Character as a Medium for Poetry.”First time in Penguin ClassicsIncludes generous selections of Pound's poetry, as well as an assortment of prose

    Rebellious in spirit, conservative in philosophy, Nashe's brilliant and comic invective earned him a reputation as the 'English Juvenal' who 'carried the deadly stockado in his pen.' In its mingling of the devout and the bawdy, scholarship and slang, its brutality and its constant awareness of the immanence of death, his work epitomizes the ambivalence of the Elizabethans. Above all, Nashe was a great entertainer, 'his stories are told for pleasure in telling, his jokes are cracked for the fun of them, and his whole style speaks of a relish for living.'In addition to The Unfortunate Traveller, this volume contains Pierce Penniless, The Terrors of the Night, Lenten Stuff, and extracts from Christ's Tears over Jerusalem, The Anatomy of Absurdity, and other works.

    "Criticism" provides readers with a wide chronological and thematic range of scholarly interpretations, divided into two sections. The first, "1745-1940," includes assessments by Henry Fielding, Samuel Johnson, Samuel Taylor Coleridge, William Makepeace Thackeray, D. H. Lawrence, W. B. Yeats, F. R. Leavis, and Andr� Breton, among others. The second, "After 1940," is by subject and collects critical discussions of A Tale of the Tub, the poems, the English and Irish politics, and Gulliver's Travels, by Hugh Kenner, Marcus Walsh, Irvin Ehrenpreis, Penelope Wilson, Derek Mahon, S. J. Connolly, George Orwell, R. S. Crane, Jenny Mezciems, Ian Higgins, and Claude Rawson. A Chronology and Selected Bibliography are also included.

    The massage therapist who struggles to help a veteran who's biggest regret is tattooed in living detail across his back. The retired CIA operative, now a mother of two, who is still packing heat for the just-in-case scenario that has her trigger finger itching...With award-winning reportage, memoir, fiction and photography, Granta has illuminated the most complex issues of modern life through the refractory light of literature. Feel the sting of betrayal via new writing by Ben Marcus, Janine di Giovanni, Karen Russell, Samantha Harvey, Colin Robinson, Jennifer Vanderbes, Callan Wink, John Burnside and a host of others, including debut author Lauren Wilkinson, whose heroine moves through decades with the forward lean of Richard Yates and the grace of Garcia Marquez.

    MacCarthy casts a fresh eye on Byron's childhood in Scotland, his embattled relations with his mother and his series of relationships with adolescent boys.

    Instead, Nicholas Roe reveals the real flesh-and-blood poet: a passionate man driven by ambition but prey to doubt, suspicion, and jealousy; sure of his vocation while bitterly resentful of the obstacles that blighted his career; devoured by sexual desire and frustration; and in thrall to alcohol and opium. Through unparalleled original research, Roe arrives at a fascinating reassessment of Keats's entire life, from his early years at Keats's Livery Stables through his harrowing battle with tuberculosis and death at age 25. Zeroing in on crucial turning points, Roe finds in the locations of Keats's poems new keys to the nature of his imaginative quest.Roe is the first biographer to provide a full and fresh account of Keats's childhood in the City of London and how it shaped the would-be poet. The mysterious early death of Keats's father, his mother's too-swift remarriage, living in the shadow of the notorious madhouse Bedlam—all these affected Keats far more than has been previously understood. The author also sheds light on Keats's doomed passion for Fanny Brawne, his circle of brilliant friends, hitherto unknown City relatives, and much more. Filled with revelations and daring to ask new questions, this book now stands as the definitive volume on one of the most beloved poets of the English language.