Matthew Arnold called Emerson’s essays “the most important work done in prose.”   INCLUDES A MODERN LIBRARY READING GROUP GUIDE

    . . . Carver is a writer of astonishing compassion and honesty. . . . his eye set only on describing and revealing the world as he sees it. His eye is so clear, it almost breaks your heart” (Jonathan Yardley, Washington Post Book World).From the eBook edition.

    Leaving behind a madcap, fishing-obsessed family, Gus decides to strike out on his own, taking refuge in a secluded cabin on a remote riverbank to pursue his own fly-fishing passion with unrelenting zeal. But instead of finding fishing bliss, Gus becomes increasingly troubled by the degradation of the natural world around him and by the spiritual barrenness of his own life. His desolation drives him on a reluctant quest for self-discovery and meaning, ultimately fruitful beyond his wildest dreams. Here, then, is a funny, sensitive, unforgettable story about the relationships among men, women, the environment, and the human soul.

    Our most eloquent champion of individualism, Emerson acknowledges at the same time the countervailing pressures of society in American life. Even as he extols what he called “the great and crescive self,” he dramatizes and records its vicissitudes.Here are the indispensable and most renowned works, including “The American Scholar” (“our intellectual Declaration of Independence,” as Oliver Wendell Holmes called it), “The Divinity School Address,” considered atheistic by many of his listeners, the summons to “Self-Reliance,” along with the more embattled realizations of “Circles” and, especially, “Experience.” Here, too, are his wide-ranging portraits of Montaigne, Shakespeare, and other “representative men,” and his astute observations on the habits, lives, and prospects of the English and American people.This volume includes Emerson’s well-known Nature; Addresses, and Lectures (1849), his Essays: First Series (1841) and Essays: Second Series (1844), plus Representative Men (1850), English Traits (1856), and his later book of essays, The Conduct of Life (1860). These are the works that established Emerson’s colossal reputation in America and found him admirers abroad as diverse as Carlyle, Nietzsche, and Proust.Emerson’s enduring power is apparent everywhere in American literature: in those, like Whitman and some of the major twentieth-century poets, who seek to corroborate his vision, and among those, like Hawthorne and Melville, who questioned, qualified, and struggled with it. Emerson’s vision reverberates also in the tradition of American philosophy, notably in the writings of William James and John Dewey, in the works of his European admirers, such as Nietzsche, and in the avant-garde theorists of our own day who write on the nature and function of language. The reasons for Emerson’s durability will be obvious to any reader who follows the exhilarating, exploratory movements of his mind in this uniquely full gathering of his work.Not merely another selection of his essays, this volume includes all his major books in their rich entirety. No other volume conveys so comprehensively the exhilaration and exploratory energy of perhaps America’s greatest writer.

    Combining mysticism, history, and humor, the stories in this collection span more than two decades, illuminating the development of Marquez's prose and exhibiting the themes of family, poverty, and death that resound throughout his fiction.

    Written in two versions, male and female (both available in Vintage International), which are identical save for seventeen crucial lines, Dictionary is the imaginary book of knowledge of the Khazars, a people who flourished somewhere beyond Transylvania between the seventh and ninth centuries. Eschewing conventional narrative and plot, this lexicon novel combines the dictionaries of the world's three major religions with entries that leap between past and future, featuring three unruly wise men, a book printed in poison ink, suicide by mirrors, a chimerical princess, a sect of priests who can infiltrate one's dreams, romances between the living and the dead, and much more.

    In 1983 Little, Brown and Company's posthumous publication of this book electrified the literary world with a force that still resounds across two decades. A collection of stories that depict the world of Pancake's native rural West Virginia with astonishing power and grace, The Stories of Breece D'J Pancake has remained continuously in print and is a perennial favorite among aspiring writers, participants in creative writing programs, and students of contemporary American fiction. "Trilobites", the first of Pancake's stories to be published in The Atlantic, elicited an extraordinary immediate response from readers and continues to be widely anthologized.

    The prospect of a summer job as a tour guide at the Pushkin Hills Preserve offers him hope of regaining some balance in life as his wife makes plans to emigrate to the West with their daughter Masha, but during Alikhanov’s stay in the rural estate of Mikhaylovskoye, his life continues to unravel.Populated with unforgettable characters—including Alikhanov’s fellow guides Mitrofanov and Pototsky, and the KGB officer Belyaev—Pushkin Hills ranks among Dovlatov’s renowned works The Suitcase and The Zone as his most personal and poignant portrayal of the Russian attitude towards life and art.

    Set on a Louisiana sugarcane plantation in the 1970s, A Gathering of Old Men is a powerful depiction of racial tensions arising over the death of a Cajun farmer at the hands of a black man.

    The darker comedy of The Clouds satirizes Athenian philosophers - Socrates in particular - and reflects the uncertainties of a generation in which all traditional religious and ethical beliefs were being challenged. The Birds takes place in a flawed utopia, with man's eternal flaws observed from up above. In Lysistrata a band of women use sex's manipulative power in order to try and end a war. In The Frogs, the god Dionysus visits the underworld, consulting the late Aeschylus and Euripides regarding whether or not classical Athens will ever have another great dramatist - and provoking an argument between both.Three of the leading Greek translators of the twentieth century - William Arrowsmith, Richmond Lattimore, and Douglas Parker - have created versions of the comedies that are at once contemporary, historically accurate, and funny. Also included are introductions to each play that describe the historical and literary background of the work.

    His formal innovation ranks with Beckett and Kafka, his outrageously cantankerous voice recalls Dostoevsky, but his gift for lacerating, lyrical, provocative prose is incomparably his own.One of Bernhard's most acclaimed novels, The Loser centers on a fictional relationship between piano virtuoso Glenn Gould and two of his fellow students who feel compelled to renounce their musical ambitions in the face of Gould's incomparable genius. One commits suicide, while the other—the obsessive, witty, and self-mocking narrator—has retreated into obscurity. Written as a monologue in one remarkable unbroken paragraph, The Loser is a brilliant meditation on success, failure, genius, and fame.

    These stories about love and death, truth and lies, myth and reality range across many epochs and settings. Brilliantly combining fact and fiction, epic and miniature, horror and comedy, this was Danilo Kiš final work, published in Serbo-Croatian in 1983.Kiš is one of the great European writers of the post-war period - GuardianCompulsively readable - Daily Telegraph Fantasy chases reality and reality chases fantasy. Pirandello and Borges are not far away. But these names are intended as approximate references. Kiš is a new, original writer - Times Literary Supplement Intense and exotic, his mysteries hint at unspeakable secrets that remain forever beyond the story-teller's grasp - Boyd TonkinDanilo Kiš was born in the then Kingdom of Yugoslavia in 1935. After an unsettled childhood during the Second World War, in which several of his family members were killed, Kiš studied literature at the University of Belgrade where he lived for most of his adult life. He wrote novels, short stories and poetry and went on to receive the prestigious NIN Award for his novel Pešcanik. He died in Paris in 1989.

    The tale revolves around three characters: two humans and one duck. Jim Dodge is the author of "Not Fade Away" and "Stone Junction".

    Illustrated with visual artifacts of the period. With the long-awaited publication of this book, we have for the first time in any modern literary form one of the most vital and important of ancient myths: that of Inanna, the world's first goddess of recorded history and the beloved deity of the ancient Sumerians.The stories and hymns of Inanna (known to the Semites as Ishtar) are inscribed on clay tablets which date back to 2,000 B.C. Over the past forty years, these cuneiform tablets have gradually been restored and deciphered by a small group of international scholars. In this groundbreaking book, Samuel Noah Kramer, the preeminent living expert on Sumer, and Diane Wolkstein, a gifted storyteller and folklorist, have retranslated, ordered, and combined the fragmented pieces of the Cycle of Inanna into a unified whole that presents for the first time an authentic portrait of the goddess from her adolescence to her completed womanhood and godship. We see Inanna in all her aspects: as girl, lover, wife, seeker, decision maker, ruler; we witness the Queen of Heaven and Earth as the voluptuous center and source of all fertile power and the unequaled goddess of love.Illustrated throughout with cylinder seals and other artifacts of the period, the beautifully rendered images guide the reader through Inanna's realm on a journey parallel to the one evoked by the text. And the carefully wrought commentaries providing an historical overview, textual interpretations, and aannotations on the art at once explicate and amplify the power, wonder, and mystery embedded in these ancient tales.Inanna--the world's first love story, two thousand years older than the Bible--is tender, erotic, frightening, and compassionate. It is a compelling myth that is timely in its rediscovery."A great masterpiece of universal literature."--Mircea Eliade

    Scott Fitzgerald was famous in the 1920s and 1930s as a short-story writer.  The nineteen stories in this volume were so popular that hardcover collections—Flappers and Philosophers and Tales of the Jazz Age—came out almost immediately after the stories had appeared in magazines. With stories like “The Ice Palace,” “Bernice Bobs Her Hair,” and “The Jelly Bean,” he portrayed the emotional depth of a society devoted to excess and racing heedlessly towards catastrophe that was only a few years ahead.

    Adapted time and time again for screen and stage, these enduring classics remain as enjoyable as ever, the perfect addition to every home library. This revised, elegant edition collects Austen's acclaimed novels Sense and Sensibility, Pride and Prejudice, Emma, and Northanger Abbey. New readers will be enchanted once they open the genuine leather cover, see the specially designed end papers, and read these brilliant stories, while readers familiar with Austen's genius will enjoy the introduction from an acclaimed Austen scholar that provides background and context for the works they've always loved. Just like Jane Austen's memorable characters, readers will fall in love--with this remarkable keepsake!

    This favorite of Percy fans continues to charm and beguile readers of all tastes and backgrounds. Lost in the Cosmos invites us to think about how we communicate with our world.

    A-qing, the adolescent hero, comes from an impoverished family. His father casts him out after learning that his son is gay. A-qing drifts into New Park, a gay hangout in Taipei, and begins his life as a hustler. He meets other boys living on the street, also forsaken by their families: Little Jade, who is constantly searching for his unknown father; Mousey, an orphan and petty thief; and Wu Min, a shy tender kid, who attempts suicide when discarded by a middle-aged man. These four boys become fast friends and are taken under the protection of Chief Yang, a fiftyish gay guru in the Park. The boys begin to build a family of their own. Meanwhile, A-qing meets Dragon Prince, whose passionate and faithful love for Phoenix Boy has become a legend of the Park...The second part of the novel deals with the Cozy Nest, a gay bar run by Chief Yang, where the boys and other homosexual exiles have found refuge. The bar is sponsored by Papa Fu, whose young soldier son had shot himself when his homosexuality was exposed.In Taiwan, the gay community is known as the buoliquan, literally "glass community," while the individuals are called "glass boys" or "Crystal Boys."Crystal Boys was first published in Taiwan and has since appeared in Hong Kong and in mainland China: two editions (Beijing and Harbin) were published in 1987. A film, Outcasts, based on the novel and directed by Yu Kan-Ping (1986) is currently available in the United States on video cassette (subtitled).

    In May of ‘82, Julio Cortázar, literary explorer of the highest order, set out with Carol Dunlop aboard their VW camper van (a.k.a. Fafner) to explore the uncharted territory of the Paris-Marseilles freeway. It was a route they’d driven before, usually in about ten hours. This time, they loaded up with supplies—food, water, wine, typewriters, cameras—and prepared for an arduous voyage of thirty-three days without leaving the autoroute, at a rate of two rest stops per day. Along the way they would uncover the hidden side of the freeway and take the notion of literature from a serious game to a logical, surreal extreme.

    This brief edition of the most widely adopted book of its kind offers all of the editorial features of the longer book with about half the stories and writer commentaries in a shorter, less expensive format.

    In these fourteen stories, Hemingway begins to examine the themes that would occupy his later works: the casualties of war, the often uneasy relationship between men and women, sport and sportsmanship. In "Banal Story," Hemingway offers a lasting tribute to the famed matador Maera. "In Another Country" tells of an Italian major recovering from war wounds as he mourns the untimely death of his wife. "The Killers" is the hard-edged story about two Chicago gunmen and their potential victim. Nick Adams makes an appearance in "Ten Indians," in which he is presumably betrayed by his Indian girlfriend, Prudence. And "Hills Like White Elephants" is a young couple's subtle, heartwrenching discussion of abortion. Pared down, gritty, and subtly expressive, these stories show the young Hemingway emerging as America's finest short story writer.

    Having rescued her father many years earlier she feels safe. But the long, bloody hand of the mob reaches out for her and her family, thrusting them into ever-increasing danger.Love, loyalty, friendship and even life itself are threatened in Charles Dickens' unforgetaable, most dramatic book.(back cover)

    Written in a richly suggestive style that seems remarkably contemporary, they are permeated by his own history as well as America’s.In The House of the Seven Gables, for example, Hawthorne alludes to his ancestor’s involvement in the Salem witch trials, as he follows the fortunes of two rival families, the Maules and the Pyncheons. The novel moves across 150 years of American history, from an ancestral crime condoned by Puritan theocracy to reconciliation and a new beginning in the bustling Jacksonian era.Considered Hawthorne’s greatest work, The Scarlet Letter is a dramatic allegory of the social consequences of adultery and the subversive force of personal desire in a community of laws. The transgression of Hester Prynne and Arthur Dimmesdale, the innate lawlessness of their bastard child Pearl, and the torturous jealousy of the husband Roger Chillingworth eventually erupt through the stern reserve of Puritan Boston. The Scarlet Letter engages the moral and romantic imagination of readers who ponder the question of sexual freedom and its place in the social world.Fanshawe is an engrossing apprentice work that Hawthorne published anonymously and later sought to suppress. Written during his undergraduate years at Bowdoin College, it is a tragic romance of an ascetic scholar’s love for a merchant’s daughter.The Blithedale Romance is a novel about the perils, which Hawthorne knew first-hand, of living in a utopian community. The utilitarian reformer Hollingsworth, the reticent narrator Miles Coverdale, the unearthly Priscilla, and the sensuous Zenobia (purportedly modeled on Margaret Fuller) act out a drama of love and rejection, idealism and chicanery, millennial hope and suicidal despair on an experimental commune in rural Massachusetts.The Marble Faun, Hawthorne’s last finished novel, uses Italian landscapes where sunlight gives way to mythological shadings as a background for mysteries of identity and murder. Its two young Americans, Kenyon and Hilda, become caught up in the disastrous passion of Donatello, an ingenuous nobleman, for the beautiful, mysterious Miriam, a woman trying to escape her past.

    The resulting volume is both an education in the history of fantastic literature and a rollercoaster ride of wonder and terror, vampires, ghosts, and the rebellious creatures of our own psyches. Selections include:E.T.A. Hoffmann--"The Sandman"G&#233rard de Nerval--"the Enchanted Hand"Nikolai Gogol--"The Nose"Edgar Allan Poe--"The Tell-Tale Heart"Hans Christian Andersen--"The Shadow"Ambrose Bierce--"Chickamauga"Robert Louis Stevenson--"The Bottle Imp"Henry James--"The Friends of the Friends"H.G. Wells--"The Country of the Blind"Comprising stories of the supernatural and narratives of the everyday uncanny, Fantastic Tales is a gallery of enchantments, deliciously entertaining yet more disturbing than our most persistent nightmares.CONTENTSIntroduction by Italo CalvinoI. The Visionary Fantastic of the Nineteenth CenturyThe Story of the Demoniac Pacheco by Jan PotockiAutumn Sorcery by Joseph von EichendorffThe Sandman by E. T. A. HoffmannWandering Willie’s Tale by Sir Walter ScottThe Elixir of Life by Honoré de BalzacThe Eye with No Lid by Phliarte ChaslesThe Enchanted Hand by Gérard de NervalYoung Goodman Brown by Nathaniel HawthorneThe Nose by Nikolai Vasilyevich GogolThe Beautiful Vampire by Théophile GautierThe Venus of Ille by Prosper MériméeThe Ghost and the Bonesetter by Joseph Sheridan Le FanuII. The Everday Fantastic of the Nineteenth CenturyThe Tell-Tale Heart by Edgar Allan PoeThe Shadow by Hans Christian AndersenThe Signal-Man by Charles DickensThe Dream by Ivan Sergeyevich TurgenevA Shameless Rascal by Nikolai Semyonovich LeskovThe Very Image by Auguste Villiers de l’Isle-AdamNight: A Nightmare by Guy de MaupassantA Lasting Love by Vernon LeeChickamauga by Ambrose BierceThe Holes in the Mask by Jean LorrainThe Bottle Imp by Robert Louis StevensonThe Friends of the Friends by Henry JamesThe Bridge-Builders by Rudyard KiplingThe Country of the Blind by H. G. Wells

    I had the urge to poison a monk.' Along the way, it touches on bad books, ideal readers, historical form, and the metaphysics of the detective story.

    

    The story of Sylvia Beach's love for Shakespeare and Company supplies the lifeblood of this book.

    Including his late poems in free rhythms from the years between 1801 and 1806, the period just prior to his hospitalization for insanity.

    

    From imperial Russia in 1825 they head towards Western Europe, returning finally to modern Russia, where the persecution of the Jews continues. The Bindel family are knit by unbreakable bonds of love and loyalty, bonds which survive conscription into the Tsarist army in the 1830s, the Odessa pogrom of 1871, emigration to the Welsh valleys and Germany, the Nazis, the concentration camps, and the Gulags.

    . . may be the most compelling and suspenseful work of fiction [Dubus] has written."--Joyce Carol Oates, The New York Times Book ReviewStories of men and women attempting to live together, to tell the truth as they see it (or don't see it), and to survive the crises, and sometimes the violence, of domestic life. Now included in Andre Dubus's Collected Short Stories & Novellas ) this original edition includes A Father's Story, as well as the novella The Pretty Girl. Upon its publication in 1991, Tobias Wolff wrote, "'It is a world of secrets, ' says the narrator of A Father's Story. Andre Dubus's fine new collection is made of those secrets, observed with an art that is luminous with honesty and generosity. Dubus is interested in essential things--in the shadowy powers that circle our lives and the slender resources of faith and love with which we try to keep them at bay."

    An inland expedition ends in disaster when the group is attacked by Indians.The Witness explores the relationship between existence and description, foreignness and cultural identity.Juan Jose Saer was born in Argentina in 1937 and is considered one of Argentina's leading writers of the post-Borges generation. He died in 2005.

    His familiar alter ego, Mr. Cogito, is the subject of a third of the poems in this collection, and these easily stand up as well as the Cogito poems we are familiar with from the earlier eponymous collection. The rest, often on classical subjects (Damastes, the Anabasis, Babylon, Beethoven), are an excellent contrast and complement. Herbert is on the top of his form in these poems which were largely written after Poland was again put under martial law. His concerns are always broad, though they are more politically oriented here. Herbert's precise moral vision is well conveyed in his verses, and it is certainly a voice worth paying attention to. The collection is highly recommended

    These two novels show Lessing returning to an earlier narrative style with fresh power.

    A highpoint of the collection is Thomas's Portrait of the Artist as a Young Dog, a vivid collage of memories from his Swansea childhood that combines the lyricism of his poetry with the sparkle and sly humor of Under Milk Wood. Also here is the fiction from Quite Early One Morning, a collection planned by Thomas shortly before his death.Altogether there are more than forty stories, providing a rich and varied literary feast and showing Dylan Thomas in all his intriguing variety-somber fantasist, joyous word-spinner, comedian of smalltown Wales. The book includes an entertaining, informative reflection on Thomas by another Welsh poet and storyteller, Leslie Norris, as well as a brief listing of publication details by Professor Walford Davies, editor of Dylan Thomas: Early Prose Works.After the fair --Tree --True story --Enemies --Dress --Visitors --Vest --Burning baby --Orchards --End of the river --Lemon --Horse's ha --School for witches --Mouse and the woman --Prospect of the sea --Holy six --Prologue to an adventure --Map of love --In the direction of the beginning --Adventure from a work in progress --Portrait of the artist as a young dog: Peaches --Visit to Grandpa's --Patricia, Edith and Arnold --Fight --Extraordinary little cough --Just like little dogs --Where Tawe flows --Who do you wish was with us? --Old Garbo --One warm Saturday --Adventures in the skin trade: Fine beginning --Plenty of furniture --Four lost souls --Quite early one morning --Child's Christmas in Wales --Holiday memory --Crumbs of one man's year --Return journey --Followers --Story --Appendix: early stories: Brember --Jarley's --In the garden --Gaspar, Melchior, Balthsar --List of sources

    In this long-awaited reissue, readers can again warm to this acutely absorbing story. According to Lydia Rowe’s friend George, a philosophizing psychotherapist, a "disturbance in the field" is anything that keeps us from realizing our needs. In the field of daily experiences, anything can stand in the way of our fulfillment, he explains—an interrupting phone call, an unanswered cry. But over time we adjust and new needs arise. But what if there’s a disturbance you can’t get past? In this look at a girl’s, then a wife and mother’s, coming of age, Schwartz explores the questions faced by all whose visions of a harmonious existence are jolted into disarray. The result is a novel of captivating realism and lasting grace.

    She proposes that these poems, usually read separately, are imperfectly seen unless seen together--that they form a sequence in which Keats pursued a strict and profound inquiry into questions of language, philosophy, and aesthetics.Vendler describes a Keats far more intellectually intent on creating an aesthetic, and on investigating poetic means, than we have yet seen, a Keats inquiring into the proper objects of worship for man, the process of soul making, the female Muse, the function of aesthetic reverie, and the ontological nature of the work of art. We see him questioning the admissibility of ancient mythology in a post Enlightenment art, the hierarchy of the arts, the role of the passions in art, and the rival claims of abstraction and representation. In formal terms, he investigates in the odes the appropriateness of various lyric structures. And in debating the value to poetry of the languages of personification, mythology, philosophical discourse, and trompe l'oeil description, Keats more and more clearly distinguishes the social role of lyric from those of painting, philosophy, or myth.Like Vendler's previous work on Yeats, Stevens, and Herbert, this finely conceived volume suggests that lyric poetry is best understood when many forms of inquiry--thematic, linguistic, historical, psychological, and structural--are brought to bear on it at once.

    The Annunciation follows the desires of Amanda McCarney: an unwed mother on a Mississippi Delta plantation at age fourteen, a wealthy New Orleans matron into her early forties, and now a divorced poetry student living in a university community in the Ozarks.

    Tolkien assembled in this new paperback edition were with one exception delivered as general lectures on particular occasions; and while they mostly arose out of Tolkien’s work in medieval literature, they are accessible to all. Two of them are concerned with Beowulf, including the well-known lecture whose title is taken for this book, and one with Sir Gawain and the Green Knight, given in the University of Glasgow in 1953.Also included in this volume is the lecture English and Welsh; the Valedictory Address to the University of Oxford in 1959; and a paper on Invented Languages delivered in 1931, with exemplification from poems in the Elvish tongues. Most famous of all is On Fairy-Stories, a discussion of the nature of fairy-tales and fantasy, which gives insight into Tolkien’s approach to the whole genre.The pieces in this collection cover a period of nearly thirty years, beginning six years before the publication of The Hobbit, with a unique ‘academic’ lecture on his invention (calling it A Secret Vice) and concluding with his farewell to professorship, five years after the publication of The Lord of the Rings.

    Together here with O Pioneers!, a classic American tale of pioneer life and the transformation of the frontier, this volume of Willa Cather’s works captures a time, a place, and a spirit that are part of our national heritage.

    It could not anticipate what was to come after, neither could it grasp what had happened in literary theory in the light of where it was to lead.

    Edited and translated by Paul Auster, this selection from Joubert's notebooks introduces a master of the enigmatic who seeks "to call everything by its true name" while asking us to "remember everything is double." "Joubert speaks in whispers," Auster writes. "One must draw very close to hear what he is saying."

    Author of Beginnings and the controversial Orientalism, Edward Said demonstrates that modern critical discourse has been impressively strengthened by the writings of Jacques Derrida and Michel Foucault, for example, and by such influences as Marxism, structuralism, linguistics, and psychoanalysis. He argues, however, that the various methods and schools have had a crippling effect through their tendency to force works of literature to meet the requirements of a theory or system, ignoring the complex affiliations binding the texts to the world.The critic must maintain a distance both from critical systems and from the dogmas and orthodoxies of the dominant culture, Said contends. He advocates freedom of consciousness and responsiveness to history, to the exigencies of the text, to political, social, and human values, to the heterogeneity of human experience. These characteristics are brilliantly exemplified in his own analyses of individual authors and works.Combining the principles and practice of criticism, the book offers illuminating investigations of a number of writers--Swift, Conrad, Lukacs, Renan, and many others--and of concepts such as repetition, originality, worldliness, and the roles of audiences, authors, and speakers. It asks daring questions, investigates problems of urgent significance, and gives a subtle yet powerful new meaning to the enterprise of criticism in modern society.

    He told tales of good and evil, of men struggling with the darkest parts of their souls. Acclaimed Scottish writer Robert Louis Stevenson was a master whose works offer compelling insight into our hearts and minds. His novels should be studied and treasured, kept in every home library. Featuring the full texts of Treasure Island, Prince Otto, Strange Case of Dr. Jekyll and Mr. Hyde, Kidnapped, The Black Arrow, The Master of Ballantrae, and David Balfour, this Canterbury Classics edition of Robert Louis Stevenson collects his greatest yarns in an elegant, leather-bound book. With gilded edges, a ribbon bookmark, and other exciting enhancements, as well as introduction by a renowned Stevenson scholar that illuminates his meanings and intentions, this new edition is the perfect gift or keepsake. Readers will want to keep Robert Louis Stevenson forever--and go on a never-ending adventure!

    In Europe, however (particularly in Germany, Italy, and France where he is published by the great publishing houses), he is critically recognized as one of America's greatest realist writers.

    Authors include Edmund Wilson, Vladimir Nabokov, Franz Kafka, Muriel Spark, Anne Tyler, Italo Calvino, Henry Green, Robert Pinget, L.E. Sissman, R.K. Narayan and Roland Barthes. He also writes of actresses Louise Brooks and Doris Day and golfers Sam Snead and Arnold Palmer.

    R. R. Tolkien is perhaps best known for The Hobbit and The Lord of the Rings, but it is in The Silmarillion that the true depth of Tolkien's Middle-earth can be understood. The Silmarillion was written before, during, and after Tolkien wrote The Hobbit and The Lord of the Rings. A collection of stories, it provides information alluded to in Tolkien's better known works and, in doing so, turns The Lord of the Rings into much more than a sequel to The Hobbit, making it instead a continuation of the mythology of Middle-earth. Verlyn Flieger's expanded and updated edition of Splintered Light, a classic study of Tolkien's fiction first published in 1983, examines The Silmarillion and The Lord of the Rings in light of Owen Barfield's linguistic theory of the fragmentation of meaning. Flieger demonstrates Tolkien's use of Barfield's concept throughout the fiction, showing how his central image of primary light splintered and refracted acts as a metaphor for the languages, peoples, and history of Middle-earth.

    The title esay consider's time's transforming effect on arrt, meditating on the erosion of a statue and the resulting production of a new, sublime work of art.

    With French statesman Tallyrand serving as the book's master of ceremonies, Calasso persuades us to see our civilization in an entirely new light.

    Written as a result of the author's Greek travels and studies, Cassandra speaks to us in a pressing monologue whose inner focal points are patriarchy and war. In the four accompanying pieces, which take the form of travel reports, journal entries, and a letter, Wolf describes the novel's genesis. Incisive and intelligent, the entire volume represents an urgent call to examine the past in order to insure a future.

    Now brought together for the first time in a single volume, these works show the many forms—fiction, poetry, philosophical and historical speculation, autobiography—in which Adams gave expression to his vision of the meaning of the unsettling changes in American life and values.Each of the two novels, Democracy and Esther, chooses a woman on whom to center the effects of social change. In Democracy, Madeleine Lee, an emancipated and idealistic young widow, moves to Washington to learn the nature of political power and is disillusioned upon discovering the intrigues of rampant corruption. The free-thinking heroine in Esther, caught in the warfare between science and religion, finds that she cannot surrender her moral independence, even to marry a clergyman.Adams, though a man of the modern world, remained in temperament a child of the eighteenth century, his political ideals shaped by his presidential ancestors, great-grandfather John Adams and grandfather John Quincy Adams. The failure of those ideals to withstand the challenges of an industrialized America drove him to seek refuge in the study of the medieval age of faith in France. Out of it came his skeptic’s “Prayer to the Virgin of Chartres.” Her presence dominates the book that followed—Mont Saint Michel and Chartres. In evocative and sensitive prose Adams moves from the architecture, sculpture, and stained glass of Chartres to the religion, literature, politics, social order, and crusades of the eleventh, twelfth, and thirteenth centuries. Adams translates the poetry of courtly love and recounts the drama of Eleanor of Aquitaine’s life and the timeless love of Abelard and Heloise. The narrative rises at the end to the brilliantly re-enacted drama of St. Thomas Aquinas’ victory over the rival philosophers.If Mont Saint Michel portrayed a world unified by a common faith, The Education of Henry Adams portrayed a world irresistibly moving toward chaos. The world once unified by the Virgin was now ruled by the impersonal Dynamo and was already confronted by the “metaphysical bomb” of radium and the prospect of infinite energy for man’s use. Adams balances, with extraordinary urbanity and wit, the rival claims he found as much in himself as in modern civilization. Together, these two works still pose an urgent question: can the human mind ultimately control the monstrous aggregates of power which it has wrung from nature?

    She describes a love between two women in its totality, experienced as both a physical presence, and a sense of infinity. The result is a stunning example of Pecriture feminine that won praise when first published in France in 1983. Its translation into English by Betsy Wing will extend the influence of a writer already famous for her novels and contributions to feminist theory. In her introduction Betsy Wing notes the contemporary emphasis on "fictions of presence." Cixous, in The Book of Promethea, works to "repair the separation between fiction and presence, trying to chronicle a very-present love without destroying it in the writing."

    From the special perspectives of "my corner of Europe," a classical and Catholic education, a serious encounter with Marxism, and a life marked by journeys and exiles, Milosz has developed a sensibility at once warm and detached, flooded with specific memory yet never hermetic or provincial.Milosz addresses many of the major problems of contemporary poetry, beginning with the pessimism and negativism prompted by reductionist interpretations of man's animal origins. He examines the tendency of poets since Mallarme to isolate themselves from society, and stresses the need for the poet to make himself part of the great human family. One chapter is devoted to the tension between classicism and realism; Milosz believes poetry should be "a passionate pursuit of the real." In "Ruins and Poetry" he looks at poems constructed from the wreckage of a civilization, specifically that of Poland after the horrors of World War II. Finally, he expresses optimism for the world, based on a hoped-for better understanding of the lessons of modern science, on the emerging recognition of humanity's oneness, and on mankind's growing awareness of its own history.

    When he dies, Yentyl feels that she no longer has a reason to remain in the village, and so, late one night, she cuts off her hair, dresses as a young man, and sets out to find a yeshiva where she can continue her studies and live secretly as a man.

    In those turbulent years, she gained a profound understanding of what it means to be black in America.While studying in America, she met Femi, an African man. They fell in love and she journeyed to Nigeria to become his wife. In Africa, plunged into a culture so very different from her own, but one she felt she should understand, Marita Golden learned about both her own new sprawling Nigerian family and Nigeria's large American community.But Femi, once her strength, began to insist she fit herself into the strict mold of his society and assume the submissive role of a Nigerian wife.In her new, strange surroundings, Marita Golden discovered that home is not simply a destination, but rather something you must carry always inside you."A marvelous journey . . . powerful imagery . . . distinctly drawn characters come alive, events pulsate with energy." -- The Washington Post Book World

    It is a kaleidoscopic collage that whirls about an indelible array of images and characters: perverted Winky, who opted for the army to stay off of welfare; eccentric Payne, who’s obsessed with the film he’s making of the war; bucolic Claypool, who’s irrevocably doomed to a fate worse than death. Just to mention a few. And floating at the center of this psychedelic spin is Spec. 4 James Griffin. In country, Griffin studies the jungle of carpet bomb photos as he fights desperately to keep his grip on reality. And battling addiction stateside after his tour, he studies the green of household plants as he struggles mightily to get his sanity back. With mesmerizing action and Joycean interior monologues, Stephen Wright has created a book that is as much an homage to the darkness of war as it is a testament to the transcendence of art.

    Described here are the emotionally disturbed architectural plan for a palace of emptiness; the experience of snowfall in a bed in the middle of a Finnish forest; the memory chambers that fuel the marvelous futility of the endeavor to write; the beautiful woodland church, built of warm air currents and fog, scattering in storms and taking renewed shape at dusk, that gives this book its title. The Cathedral of Mist offers the sort of ethereal narratives that might have come from the pen of a sorrowful, distinctly Belgian Italo Calvino. It is accompanied by two meditative essays on reading and writing that fall in the tradition of Marcel Proust and Julien Gracq. Paul Willems (1912-97) published his first novel, Everything Here Is Real, in 1941. Three more novels and, toward the end of his life, two collections of short stories bracketed his career as a playwright.

    Dealing with writers such as Nabokov, Barth, Coover, Pynchon, Borges, García Márquez, Beckett, and Calvino, Annie Dillard shows why fiction matters and how it can reveal more of the modern world and modern thinking than all the academic sciences combined. Like Joyce Cary's Art and Reality, this is a book by a writer on the issues raised by the art of literature. Readers of Pilgrim at Tinker Creek and Holy the Firm will recognize Dillard's vivid writing, her humor, and the lively way in which she tackles the urgent questions of meaning in experience itself.

    This delightful anthology demonstrates just how rewarding the aphorism can be and how brilliantly the aphorist can illuminate a hidden truth or reveal the ironies of life. Whatever the situation, whatever the mood, the reader will find in this international array of aphorisms just the right words to give his or her feeling pungent expression. The classic aphorists--La Bruy�re, Nietzsche, both Samuel Butlers, La Rochefoucault, Emerson--are here in abundance, as are the philosophers from the Greeks of Paul Val�ry, the social commentators from Edmund Burke to Walter Benjamin. Statesmen and scientists, Olympians and gadflies, mystics and boulevardiers--this collection brings together the most diverse figures, drawing freely on ancients and moderns, on the widsom of East and West, juxtaposing viewpoints as different as those of Jean Cocteau and George Orwell, Ambrose Bierce and Marcus Aurelius, Lord Chesterfield and Elias Canetti. Profound, provocative, and vastly entertaining, The Oxford Book of Aphorisms will lure the reader back to its pages time and again. The book is fully indexed, and wherever possible, sources, dates, and complete names are supplied.

    

    Set in the bleak Fen Country of East Anglia, and spanning some 240 years in the lives of its haunted narrator and his ancestors, Waterland is a book that takes in eels and incest, ale-making and madness, the heartless sweep of history and a family romance as tormented as any in Greek tragedy.

    As he grows older, explanations for many beloved Christmas traditions are woven into the story as the true spirit of Christmas is revealed.

    Morris's meticulous documentation traces prison corruption . . . proving the tragedy could have been avoided. I recommend this book without reservation.--Jack Anderson

    The book's first two parts, "Recollections" and "Interviews," provide autobiographical glimpses of the very private Larkin's childhood, his youth at Oxford, the genesis of his forty-year career as a librarian, and the influences that initially steered his poetry. The second half of the book reflects Larkin's literary standards and opinions in often witty and surprising, always beautifully wrought, essays and reviews. His subjects range from Emily Dickinson (were her first lines her best?) to the contemporary mystery novel. Required Writing concludes with a selection of pieces on jazz music."Larkin is a punctilious, honest critic. He prefers good clear writing to pretentious eyewash; he prefers tunes to discordant wailing; and he prefers home to abroad. Unlike the majority of critics, he is clear-sighted enough to say so." --A. N. Wilson, Sunday Telegraph"I read the collection with growing excitement, agreement and admiration. It is the best contemporary account of the writer's true aims I have encountered." --John Mortimer, Sunday Times (London)"Subtle, supple, craftily at ease, Required Writing is on a par with Larkin's poetry--which is just about as high as praise can go." --Clive James, Observer Philip Larkin was the author of poetry collections, including High Windows, The Whitsun Weddings, and The Less Deceived; a book of essays entitled All What Jazz: A Record Diary; and two novels, Jill, and A Girl in Winter, published early in his career. Required Reading was originally published by Farrar, Straus & Giroux.

    

    Beattie captures perfectly the profound longings that came to define an entire generation with insight, compassion, and humor.

    With his characteristic raw and minimalist style, Charles Bukowski takes us on a walk through his side of town in Hot Water Music.  He gives us little vignettes of depravity and lasciviousness, bite sized pieces of what is both beautiful and grotesque.The stories in Hot Water Music dash around the worst parts of town – a motel room stinking of sick, a decrepit apartment housing a perpetually arguing couple, a bar tended by a skeleton – and depict the darkest parts of human existence.  Bukowski talks simply and profoundly about the underbelly of the working class without raising judgement. In the way he writes about sex, relationships, writing, and inebriation, Bukowski sets the bar for irreverent art – his work inhabits the basest part of the mind and the most extreme absurdity of the everyday.

    The governor himself, Arthur Fenstemaker, a master politician, infinitely canny and seductive, remains the dominant figure throughout.Billy Lee Brammer—who served on Lyndon Johnson's staff—gives us here "the excitement of a political carnival: the sideshows, the freaks, and the ghoulish comedy atmosphere" (Saturday Review).Originally published in 1961, The Gay Place is at once a cult classic and a major American novel.

    Felisberto Hernández's extraordinary stories have been always greatly prized by other writers, and the two novellas and four stories collected in Lands of Memory show why. "Lands of Memory" and "In the Times of Clemente Colling" are two dreamlike novellas, which are carried along like pieces of otherworldly music by odd rhapsodic memories. Curiously haunting, the four stories also included in Lands of Memory turn upon small improbable events—small unpredictable, off-the-wall events which turn upside-down a first recital or a salesman's calling. These works have been long overdue for translation into English, and New Directions is pleased to have them in Esther Allen's stunning versions.

    He is simply seeking knowledge; 'it is only after you have come to know the surface of things that you can venture to seek what is underneath'. Whether contemplating a fine cheese, a hungry gecko, a woman sunbathing topless or a flight of migrant starlings, Mr Palomar's observations render the world afresh.

    Walker, physician to the Pine Ridge Sioux from 1896 to 1914, are noted for the information they have yielded about Lakota life and culture. This third volume of previously unpublished material from the Walker collection presents his work with Lakota myth and legend. Three categories of literature are represented: tales that are classic examples of Lakota oral literature, narratives that were known only to a few Oglala holy men, and Walker's literary cycle representing his attempts to systematize all he had learned about Lakota myth.In her extensive introduction, Elaine A. Jahner addresses the textual problems and critical questions posed by the material and assesses its place in Indian and in world literature. Of prime importance to students of comparative literature, religion, and mythology, Lakota Myth takes its place alongside Lakota Belief and Ritual (1980) and Lakota Society (1982), both available as Bison Books, as an indispensable source for Lakota traditions.

    Squeaky, off on an increasingly fantastic series of encounters and incidents in a dreary Boston...

    This novel was first published in 1983. The story of Hallaj is both fascinating and sad. Hallaj an anxious and curious spirit had questions unanswered, he was seeking some answers and wanted to get those like Hazrat Musa(Moses) got at Kohe Tur (Mount of Sanai). He wanted to reach to God like where there is no Hijab (veil) left, so he indulges himself into such prayers and meditation that were tough and beyond the capacity of normal human beings and they bring to him such awareness which he could not muster and in mystification said something that took him to the woods and was crucified. But that was not the only reason for his crucifixion, there is lot in between, a relations of hate and love. Love not only with the immortal and pristine but also with a mortal and beautiful princess. Which Love finally takes him to gallows is an interesting tale narrated in this novel.

    To Lisa Veta, Cesar remained as much of an enigma after two years of their nomadic exile together as he had that first day in Clapham when he took up his peculiar vigial in her mother's kitchen and showed no signs of shifting out of her life, ever.

    

    

    It will teach you something about yourself." This new edition features a beautiful new design incorporating Stockton's illustrations--including a new cover reflecting the book's Montana ranch landscape. This book is for all Western art aficionados, residents, and visitors to Montana.

    A classic account of Jane Austen in the context of eighteenth-century ideas and the current of contemporary thought.Margaret Kirkham shows that Jane Austen's views on the status of women, female education, marriage, the family and the representation of women in literature were remarkably similar to those of feminists in her own day.Margaret Kirkham was formerly a lecturer at Bristol Polytechnic.

    He's batting below .200 at the plate, and even worse in bed with his wife; and he secretly fears he's inherited his mother's insanity. Ordered to take a midseason rest, Suder instead takes his record of Charlie Parker's "Ornithology," his record player, and his new saxophone and flees, negotiating his way through madcap adventures and flashbacks to childhood ("If you folks believed more strongly in God, maybe you wouldn't be colored"). Pursued by a raging dope dealer, saddled with a mishandled elephant and an abused little white girl, he manages in the end to fly free, both transcending and inspired by the pull of so much life.

    Here is Bergman at his most revealing, in the scripts he calls his most passionate, personal work. From Marianne and Johan, the agonized couple in Scenes from a Marriage, to the embattled Charlotte and Eva, mother and daughter in Autumn Sonata, these closely rendered scenarios explore the most profound and basic of human relationships, providing at the same time a stunning window on one of the most uncommon artists of our time.

    

    Irving’s early writings earned the admiration of literary figures like Hawthorne, Poe, Coleridge, Byron, Scott, and Dickens. He was widely traveled, a connoisseur of the theater both at home and abroad, and an intimate of royalty and high society in Europe and America.Irving’s career as a writer began obscurely at age seventeen, when his brother’s newspaper published his series of comic reports on the theater, theater-goers, fashions, balls, courtships, duels, and marriages of his contemporary New York, called Letters of Jonathan Oldstyle, Gent. Written in the persona of an elderly gentleman of the old school, these letters captured his fellow townsmen at play in their most incongruous attitudes of simple sophistication. Irving’s next work, Salmagundi, written in collaboration with his brother William and James Kirke Paulding, and published at irregular intervals in 1805–06, continued this roguish style of satire and burlesque. Gossipy and current, filled with the latest news of the theater and other goings-on about town, or stirring up yet another literary squabble or scandal, Salmagundi is written with the innovativeness and energy of an accomplished new voice bursting upon a startled literary scene.A History of New York, publicized by an elaborate hoax in the local newspapers concerning the disappearance of the elderly “Diedrich Knickerbocker,” turned out to be a wild and hilarious spoof that combined real New York history with political satire. Quickly reprinted in England, it was admired by Walter Scott and Charles Dickens (who carried his copy in his pocket). In later years, as Irving revised and re-revised his History, he softened his gibes at Thomas Jefferson, the Dutch, and the Yankees of New England; this Library of America volume presents the work in its original, exuberant, robust, and unexpurgated form, giving modern readers a chance to enjoy the version that brought him immediate international acclaim.The Sketch Book contains Irving’s two best-loved stories, “Rip Van Winkle” and “The Legend of Sleepy Hollow.” It also includes many sketches of English country and city life, as well as nostalgic portraits of vanishing traditions, like the old celebrations of Christmas. One of Irving’s most captivating books, it reveals both the brilliance of his realistic depictions and his ability to appropriate European fables and themes to native purposes.A writer of great urbanity and poise, acutely sensitive to the nostalgia of a passing age, Washington Irving was a central figure in America’s emergence on the international scene.

    

    This book not only clarifies some of the more complex issues in the study of narrative but also provides a vivid tableau of the development of narratology over the decade between the two works.

    Here are dreamscapes compressed into razor-sharp prose, where a twelve inch girl lolls in her date's spaghetti, where a warrior steps out of the Iliadas an intruder in a backyard swimming pool, where a man climbs inside a cow on a bet.Hilarious, subversive, and uniquely entertaining, Yourgrau treats readers to a circus of surreal, impish beauty, poignant flashes of tragedy, and a headstand of everyday reality.

    Includes the well-known tales as well as less familiar ones such as "The Gardener and the Squire," "The Story of a Mother," "In a Thousand Years Time," and "The Shadow."

    . . . Schwartz starts with the sights, sound, and smells of the metropolis—a city of steeples, chimneys, coal smoke, and intolerable street noise—and surveys in succession Work and Money, Pastimes and Pleasures, Daily Routines and Domestic Life, Travel and Transportation, and Health and Hygiene and concludes with a gallery of street 'Londoners,' an independent and assertive lot, notably insolent to foreigners, especially those in French clothes."—Washington Post Book World "Outstanding. . . . The author packs a remarkable quantity of detail into a small space, even including a discussion of price and wage figures that will be intelligible to Americans [today]. . . . His prose is lucid, graceful, lively. Generously illustrated, the book also includes an extensive bibliography."—Choice "An excellent source for English Literature and history students studying this period or Samuel Johnson."—Booklist

    Born to modest circumstances in 1895 and trained in the military, he rose to power during a period of political uncertainty in Argentina. A shrewd opportunist who understood the needs and aspirations of the country's workers, Peron rode their votes to the presidency and then increased their share of the nation's wealth. But he also destroyed the independence of their unions and suppressed dissent. Ousted in a coup in 1955, he wandered about Latin America and finally settled in Spain, where he masterminded an astonishing political comeback that climaxed in his reelection as president in 1973. Joseph Page's engrossing biography is based upon interviews on 3 continents, never-before inspected Argentine and U.S. government documents and exhaustive research, Page's book spans Peron's formative years; his arrest and dramatic rescue by the 'descamisados' (workers) in 1945; his relationship with the now-mythic Evita; the violence and mysterious murders that punctuated his career; his tragic legacy, personified by his third wife, Isabel, who assumed the presidency after his death under the influence of a Rasputin-like astrologer; and the continuing appeal of Peronism in Argentina. Page's study of Argentine-American relations is particularly penetrating, esp. in its description of the struggle between Peron and U.S. ambassador Spruille Braden.

    An old-time poacher tells his story.

    Their adventures include rape by a walrus, murder by crossbow, and a tennis tournament played at gunpoint. Hannah's inventiveness sparkles and his prose shines.

    

    . . will prove of great assistance to a student of Japanese literature and thought from the eleventh century onwards."--Times Literary Supplement "A major contribution to the fields of Japanese studies, comparative literature, and history of religions . . . a book that begs for classroom use."--The Eastern Buddhist "Innovative and provocative . . . will be of interest not only to specialists in Japanese religion and Japanese culture, but also to literary critics and cultural historians."--Religious Studies Review "Rich and stimulating material . . . an important help and influence to all concerned with understanding the tradition that has shaped Japanese culture and religion."--History of Religions "Thought provoking, finely written . . . one of the more original and creative contributions to the study of medieval culture and religion to be produced by a Western scholar. . . . Can be read with profit by all Western students of Japanese culture . . . one of those rare books that has something to offer Japanese specialists in medieval studies."--Journal of Japanese Studies "A very important contribution to Japanese studies . . . a paradigm of the genre."--Pacific Affairs "This is an exciting, ground-breaking book."--Chanoyu Quarterly "I have been most impressed and even excited by what I have read."--Donald Keene, Professor Emeritus and Shincho Professor Emeritus of Japanese Literature at Columbia University "This is one of the most important books in Japanese studies in a long time and will influence the entire field."--Robert Bellah, former Elliott Professor of Sociology, Professor Emeritus at the University of California, Berkeley

    

    Bachofen's concepts of hetaerism, conjugal matriarchy, and patriarchy and upon basic theories of C.G. Jung. It enhances the understanding of the central theme: quest for self-fulfillment and reverence for the conjugal mother world. The author shows that Hesse, in this novel as in several earlier works, rejects the limitations of an illusionary and fictitious father world symbolized by Castalia and accepts Bachofen's principle of an all-encompassing conjugal world of the mother, which corresponds to the Jungian concept of the integration of the self, as the most perfect stage of human development.

    Harvard-trained in the law and a political moderate, Sanders is married to an upper-middle-class black woman who pushes him to "make something of himself" by becoming an Army officer. Given his credentials, he appears a shoo-in for Officer Candidate School, yet he rejects the opportunity as the vestiges of Jim Crow racism, the strains of war, and his interactions with disgruntled black troops thrust him into black activism. Forced to make common cause with his race rather than with the Army, he and some fellow soldiers write a letter to American newspapers about the poor treatment of blacks in the military. For this outcry, they encounter harassment and further discrimination, resulting in a full-scale battle between black and white troops and a blood-curdling climax to this second novel by acclaimed African American author John Killens.

    In addition to the classic novels Adventures of Tom Sawyer and Adventures of Huckleberry Finn, this set includes Humorous Stories and Sketches (featuring "Fenimore Cooper's Literary Offenses," "The Stolen White Elephant," and 5 other items) plus "The Mysterious Stranger" and Other Stories ("The Notorious Jumping Frog of Calaveras County" and 3 others).

    Until recently, much of his work was published by German small presses, and in fairly small editions. Translations into English have appeared sporadically in magazines, but precious little has been known of his stupendous graphic work, etchings and drawings; even in the German Federal Republic, recognition of his achievement as a writer-artist in the grand fantastic tradition has been quite slow in coming.[...] It seems that the German public of the last twenty-five years has tended to prefer astute father-figure writers to incorrigible son-figures like Meckel.

    In "The Poetics of Myth, " he explores the mythological inheritance of specific images, myth as a form of oral literature, and the formulas and structure of myth as the basis for literature. Translated from the Russian, this version of his classic work has been edited to reinstate omissions due to political censorship.

    Eliot, W.H. Auden, and C.S. Lewis, for example, were among his great admirers. But those books - which include 'The Place of the Lion', 'Descent into Hell', and 'All Hallows' Eve' - are also dense and perplexing, and even the writer's fondest devotees have found the meanings of his fiction elusive. Here at last is a clear and informed guide to the complexities and rich rewards of Charles Williams' novels. As Thomas Howard notes, Williams' tales might best be described as metaphysical thrillers, in which Williams used occult machinery in much the same way that Conrad used exotic locales and Joyce used the subconscious: to vivify human experience and awaken readers to its range and possibilities. One tale might feature a chase for the Holy Grail across Hertfordshire fields, while in another the picture may switch with no apology at all from a policeman at a crossroad to the Byzantine Emperor. As Howard lucidly demonstrates, the controlling factor behind Williams' work is an essentially Christian worldview in which heaven and hell seem to lurk under every bush and the constant theme is order versus disintegration. Concentrating on Williams' novels, Howard brilliantly illuminates the major concerns that informed all of Williams' thinking. Howard also considers Williams' work in the context of modern fictional practice and assesses its place in the tradition of the English language novel.

    But above all, 'Treasure Island' is a complex study of good and evil, as embodied by that hero-villain, Long John Silver: the merry unscrupulous buccaneer-rogue whose greedy quest for gold cannot help but win the heart of every soul who ever longed for romance, treasure, and adventure. Since its publication in 1883, 'Treasure Island' has provided an enduring literary model for such eminent writers as Anthony Hope, Graham Greene, and Jorge Luis Borges. As David Daiches wrote: "Robert Louis Stevenson transformed the Victorian boys' adventure into a classic of its kind."