This 1960's French farce adapted for the English-speaking stage features self-styled Parisian lothario Bernard, who has Italian, German, and American fiancees, each beautiful airline hostesses with frequent "layovers." He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    The tables turn when Marjorie is able to subdue Raul and keep him tied up in her fireplace. When Terry and Patricia, Marjorie's roommates, come home, they are shocked and begin discussing how to handle the situation: call the police or take matters into their own hands?

    They sailed far out to sea. The blue one returned to the harbor. The red one sailed home too. But the yellow boat sailed up to the sun." Benjamin always concluded his bedtime ritual by saying, "Mom, you can be the red boat or the blue boat, but I am the yellow boat." This remarkable voyage of Benjamin was extensively developed and widely produced in America for several years, always to ovations. Cast of 4 men and 3 women.THE YELLOW BOAT is based on the true story of David and Sonja Saar's son, Benjamin, who was born with congenital hemophilia, and died in 1987 at the age of 8 of AIDS related complications. A uniquely gifted visual artist, Benjamin's buoyant imagination transformed his physical and emotional pain into a blaze of colors and shapes in his fanciful drawings and paintings. The story of THE YELLOW BOAT Is a glorious affirmation of a child's life, and the strength and courage of all children. Recommended for children of age 8 and older, parents, families and adults.

    Six-year-old Birdie Adams wants to run away and join the circus but guesses she’ll have to go to the first grade and hang around with her new baby brother instead. Maybe her big sister needs a little help, too. The circus will have to wait.Twelve-year-old Melanie Adams wants her friend to stop bugging her to get her first kiss. Melanie’s already had her first kiss, but won’t spoil the special secret by talking about it. Norah Adams is a good mother and wife who wants to keep her family safe and happy, but tucking the order form for dogtags in her daughters’ lunch boxes is a big change from the everyday bologna sandwiches.Lola Carter wants the life her sister, Norah, has. Instead she has a factory job, an alcohol and prescription drug addiction, and an abusive boyfriend. Even if President Kennedy prevents World War III, these women’s lives will be changed forever.

    As the teachers struggle daily to nurture and groom, the students prefer to hang out and “chillax”. With upskirting and Facebooking, griping and politicking, school takes on a whole new meaning as the colourful characters struggle to prove that those who can, teach.Written by Singapore’s most prolific playwright Haresh Sharma, Those Who Can’t, Teach was first staged by The Necessary Stage in 1990 to critical acclaim. Twenty years later, Sharma revisits this classic to revitalise it for the Singapore Arts Festival 2010, transforming it into a powerful portrayal of the pressures and challenges facing teachers (and students) in schools in the 21st century.“The play throws up questions on the roles of parents, students and teachers, but does not collapse into an impotent tirade against society. The script is joyous. The laughter is warmly wry, not caustic.” —The Straits Times“Those Who Can’t, Teach does much to do away with the stereotypes and fallacies of the teaching profession.” —The Business Times

    Now, one half of the duo, Ethan Coen, adds playwriting to his eclectic bio. In these three short plays that ran to sold-out audiences Off-Broadway in 2008, the theme is hell–both on earth and in the hereafter.In “Waiting,” a man faces an uncertain future in an uncertain location that seems to be some kind of waiting room. The anxiety and despair hark back to dramas of the fifties–Sartre, Beckett, Pinter.“Four Benches” depicts an unlikely meeting in a steam room between a straight-talking Texan and an uptight Brit. Both men learn from the encounter, though only one survives it.In “Debate,” the cantankerous god of the Old Testament roundly abuses the mealymouthed god of the New. His profanity and ill humor receive a startling comeuppance, and further reversals and changes of point of view lead to a denouement that is no more preposterous than anything else in the play.Clever, provocative, and as engaging as the best fiction, these plays showcase yet another talent of one of our most celebrated contemporary writers.

    Hairspray (978-1-5578-3514-7); Rent (978-1-5578-3737-0); Fiddler on the Roof (978-0-8791-0136-7)

    Take in the atmosphere of the Great White Way in its heyday at a little speakeasy called Good Time Charley's. Here are thirty-two of Damon Runyon's best-loved, most "Runyonesque" stories, each woven around the mobsmen, chorus girls, gamblers, and racetrack hustlers of the Broadway he knew and loved. Runyon captures with an acute eye and ear the colorful lives and language of a bygone era, one that lives on in our imagination—and on stage.

    A composer coming to terms with his genius. And, even though they're separated by 200 years, these two people share an obsession that might, even just for a moment, make time stand still. Drama, memory and music combine to transport you from present-day New York to nineteenth-century Austria in this extraordinary American play about passion, parenthood and the moments of beauty that can transform a life.

    A serial killer is on the loose in Detroit, murdering men and leaving her mark, and each of these women has a motive to kill. Simone, a sexual abuse survivor and advocate for young girls, has begun to heal her wounds over the past ten years, but she is still trying to reclaim her life. Her mother, Jessica, thinks it’s unhealthy for Simone to immerse herself into a world of pain and jaded love when she has yet to fully heal herself. A new, unexpected love interest only complicates things further. Ryan is willing to do whatever it takes to become a mother, even if it means betrayal. With her biological clock screaming and a shameful ten-year secret bubbling to the surface, Ryan is determined to get what she wants, but she may lose her husband—and her mind—in the process. Lauren, one of Detroit’s most prominent defense attorneys, redefines justice and seeks a way out of the career that has left her feeling trapped and torn. She can’t set her moral standards aside for a $400,000 salary, winning acquittal after acquittal for the demonstratively guilty. But how far will she go to rid Detroit of its criminal filth? As Lauren, Ryan, and Simone’s lives collide yet again, forcing them to deal with the tragedies of their pasts, the three women regretfully learn that no one is safe behind the thin shield of a Smoke Screen.

    Her characters suffer and survive against the enormous weight of the times with a dignity that inspires. Her work challenges the audience and reader to reexamine the conflicts and meaning of our everyday lives through her singular, poetic imagery and language.Includes: One Flea SpareIn the Heart of AmericaSlaughter CityThe War BoysThe Trestle at Pope's Creek

    Since her viscount father passed away, the family’s resources have dwindled, and she dreads becoming a destitute spinster. But when she’s invited to the Duke of Mumshire’s country estate—where she’ll be considered for the heir’s hand—hope returns.A trip to the country will also take her mind off the crime she’d witnessed at the last event of the season—an unbearably handsome stranger stealing a lady’s purse. Catherine and the thief locked gazes in the middle of the act, and while she was quickly been swept away by the crowd, later that night she was introduced to the thief, Henri LaFleur. Now he knows her name and can force her silence.Catherine shakes the memory…until LaFleur shows up as a fellow guest at the Duke of Mumshire’s estate. This time, though, she finds herself terribly, inexplicably drawn to this thief. But is LaFleur who he seems?

    

    The furthest thing from Yatta’s mind is love and relationships. He’s focused on providing for his family, hitting licks with his day one niggas, Alaric and Zamir, and staying out of the way of the law. But, as fate has it, he meets the alluring Erin Hughes and his perception of love shifts in a new direction. Erin is a born and raised Detroit city girl with dreams as big as her heart. Her love for drawing and painting made her a bit of an out cast. But with the support of her cousin Dreka, her best friend Cassidy and her father, she has never known the feeling of not being loved, despite the lack of it it she received from her distant mother. Erin doesn’t let anything discourage her from living life and being happy. Lately, the one thing that would truly make her happy is being with Yatta. But its easier said than done as many things get on the way of them being together. One of them being Yatta’s baby mama, Cleo. Things slowly unravel and before you know it love, secrets, and deadly decisions causes great turmoil in their lives. Will Erin regret the day she gave her heart to a bad boy? Or will Yatta sweep her off her feet, showing her that bad boys fall in love, too?