Steinbeck tackles two important literary traditions here; American naturalism, with its focus on the conflict between natural instincts and the demand to conform to society's norms, and the short story cycle. Set in the heart of 'Steinbeck land', the lush Californian valleys.

    Chekhov’s sensibility was radically human and thoroughly modern: write not how you think things should be, but rather as they are. Universally recognized as one of the greatest short story writers of all time, he revolutionized the form and had a profound influence on his successors from Flannery O’Connor to Alice Munro.As the celebrated Russian-immigrant author Boris Fishman writes in his bold, incisive, and delightfully counterintuitive introduction to this Restless Classics collection, Chekhov is funny, optimistic, ceaselessly curious, and undogmatic—a significant break from the bleak and morally rigid tradition of his contemporaries Dostoevsky and Tolstoy. Unlike those peers born to privilege, Chekhov was raised in the peasantry and worked as a doctor. In his writing, he portrays the complexity of human beings as changeable and contingent, neither saints nor sinners—an approach intimately linked with his work as a clinician and humanitarian.Chekhov’s humanity, just as much as his mastery of the writing craft, is potent medicine in times that seem so divided, riven by ideology and antipathy for groups seen as “other.” The first new selection of his work in over a decade, the Restless Classics edition of Chekhov: Stories for Our Time pairs beloved favorites with lesser known gems, all stunningly illustrated by Matt McCann: a perfect introduction for novices and a must-have for Chekhov devotees.

    Take in the atmosphere of the Great White Way in its heyday at a little speakeasy called Good Time Charley's. Here are thirty-two of Damon Runyon's best-loved, most "Runyonesque" stories, each woven around the mobsmen, chorus girls, gamblers, and racetrack hustlers of the Broadway he knew and loved. Runyon captures with an acute eye and ear the colorful lives and language of a bygone era, one that lives on in our imagination—and on stage.

    These fairy tales bear Čapek's combination of the fantastic and the satirical, offering fairies, elves, and talking animals alongside references to detectives, secret police agents, luxury automobiles, and Hollywood starlets. Filled with the delight of language, dazzling wordplay, a sense of absurdity about the so-called adult world, and a deeply humane vision, these witty stories will appeal to readers of all ages.

    This short story is taken from one of Steinbeck's early works, "The Pastures of Heaven."

    The stories in this collection tackle great events and figures of history, myth, and literature in unexpected ways, questioning views on such basic concepts as justice, progress, wisdom, belief, and patriotism.

    Each book in the series has been designed with today's young reader in mind. As the words come to life, students will develop a lasting appreciation for great literature.The humor of Mark Twain...the suspense of Edgar Allan Poe...the danger of Jack London...the sensitivity of Katherine Mansfield. Creative Short Stories has it all and will prove to be a welcome addition to any library.

    These three stories, “Neighbour Rosicky,” “Old Mrs. Harris,” and “Two Friends,” reflected her return to the well of memory that had inspired the books that made her reputation. The Willa Cather Scholarly Edition presents for the first time the three stories in their historical and biographical context, with an interpretive historical essay and detailed explanatory notes. The textual essay and apparatus establish the definitive text and trace Cather’s changes through newly discovered prepublication versions.

    

    In Cruise of Shadows, Jean Ray began to fully explore the trappings of the ghost story to produce a new brand of horror tale: one that described the lineaments to a universe adjacent to this one, an extradimensional space beyond space in which objects sweat hatred and fear, and where the individual must face the unknown in utter isolation. First published in 1931, two years after he served his prison sentence for embezzling funds for his literary magazine, Jean Ray’s second story collection failed to find the success of his first one, Whiskey Tales, but has emerged over the years as a key publication in the Belgian School of the Strange. This staple volume of weird literature has remained unavailable in its integral form even in French until recently, however, even though it contains some of Ray’s most anthologized and celebrated stories, including two of his best known, “The Mainz Psalter” and “The Shadowy Alley.” This is the book’s first English translation, and the second of the volumes of Ray’s books to be published by Wakefield Press.Jean Ray (1887–1964) is the best known of the multiple pseudonyms of Raymundus Joannes Maria de Kremer. Alternately referred to as the “Belgian Poe” and the “Flemish Jack London,” Ray delivered tales and novels of horror under the stylistic influence of his most cherished authors, Charles Dickens and Gregory Chaucer. A pivotal figure in what has come to be known as the “Belgian School of the Strange,” Ray authored some 6,500 texts in his lifetime, not including his own biography, which remains shrouded in legend and fiction, much of it his own making. His alleged lives as an alcohol smuggler on Rum Row in the prohibition era, an executioner in Venice, a Chicago gangster, and hunter in remote jungles in fact covered over a more prosaic, albeit ruinous, existence as a manager of a literary magazine that led to a prison sentence, during which he wrote some of his most memorable tales of fantastical fear.

    Both characterslive in ancient Pompeii, the Romancity that was buried by the eruption ofMount Vesuvius in A.D. 79.

    It begins one evening when the group gathers at Miss Marple’s house and the conversation turns to unsolved crimes. Over the weeks, we learn about the case of the dripping bloodstains, the thief who committed his crime twice over, the message from the death-bed of a poisoned man who talked of a 'heap of fish’, the strange case of the missing will, and a spiritualist who warned that ‘Blue Geraniums’ meant death.Pit your wits against the powers of deduction of the ‘Tuesday Night Club’. But don't forget that Miss Marple is present. Sometime later, many of the same people are present at a dinner given by Colonel and Dolly Bantry. Another set of six problems. Even later there's a thirteenth. Can you match Miss Marple's performance?The 13 stories are: 1. The Tuesday Night Club, 2. The Idol House of Astarte, 3. Ingots of Gold, 4. The Bloodstained Pavement, 5. Motive v. Opportunity, 6. The Thumbmark of St. Peter, 7. The Blue Geranium, 8. The Companion, 9. The Four Suspects, 10. A Christmas Tragedy, 11. The Herb of Death, 12. The Affair at the Bungalow, and 13. Death by Drowning.Librarian's note: this entry is for the collection of short stories, "The Thirteen Problems." Entries for each of the stories are located elsewhere in Goodreads. There are 12 Miss Marple novels and 20 short stories, thirteen of which are in this collection. The 20 short stories about Miss M can be found by searching Goodreads for: "a Miss Marple Short Story."

    A simple farm girl is abducted by an escapee from the mental institution and has her life changed forever.

    

    She acted not as a detached observer, but a co-participant in the women's misery and a fighter for their survival. This small pamphlet sold over 10,000 copies in its first decade of publication in the 1970s.