Filled with slang and obscenities and written in raw, colloquial language, Journey to the End of the Night is a literary symphony of violence, cruelty and obscene nihilism. This book shocked most critics when it was first published in France in 1932, but quickly became a success with the reading public in Europe, and later in America where it was first published by New Directions in 1952. The story of the improbable yet convincingly described travels of the petit-bourgeois (and largely autobiographical) antihero, Bardamu, from the trenches of World War I, to the African jungle, to New York and Detroit, and finally to life as a failed doctor in Paris, takes the readers by the scruff and hurtles them toward the novel's inevitable, sad conclusion.

    To comprehend Joyce's masterpiece fully, to gain insight into its significance and structure, the serious reader will find this analytical and systematic guide invaluable. In this exegesis, written under Joyce's supervision, Stuart Gilbert presents a work that is at once scholarly, authoritative and stimulating.

    They bring alive her family and friends, her surroundings and contemporary events with a freshness unparalleled in modern biographies. Above all we recognize the unmistakable voice of the author of such novels as Pride and Prejudice and Sense and Sensibility. We see the shift in her writing from witty and amusing descriptions of the social life of town and country, to a thoughtful and constructive tone while writing about the business of literary composition. R.W. Chapman's ground-breaking edition of the collected Letters first appeared in 1932, and a second edition followed twenty years later. Now in this third edition of Jane Austen's Letters, Deirdre Le Faye has added new material that has come to light since 1952, and re-ordered the letters into their correct chronological sequence. She has provided discreet and full annotation to each letter, including its provenance, and information on the watermarks, postmarks, and other physical details of the manuscripts, together with new biographical, topographical, and general indexes. Teachers, students, and fans of Jane Austen, at all levels, will find remarkable insight into one of the most popular novelists ever.

    Through the Battle of Solferino, to the entombment of the last Hapsburg emperor, Roth's intelligent compassionate narrative illuminates the crumbling of a way of life.

    Steinbeck tackles two important literary traditions here; American naturalism, with its focus on the conflict between natural instincts and the demand to conform to society's norms, and the short story cycle. Set in the heart of 'Steinbeck land', the lush Californian valleys.

    Chekhov’s sensibility was radically human and thoroughly modern: write not how you think things should be, but rather as they are. Universally recognized as one of the greatest short story writers of all time, he revolutionized the form and had a profound influence on his successors from Flannery O’Connor to Alice Munro.As the celebrated Russian-immigrant author Boris Fishman writes in his bold, incisive, and delightfully counterintuitive introduction to this Restless Classics collection, Chekhov is funny, optimistic, ceaselessly curious, and undogmatic—a significant break from the bleak and morally rigid tradition of his contemporaries Dostoevsky and Tolstoy. Unlike those peers born to privilege, Chekhov was raised in the peasantry and worked as a doctor. In his writing, he portrays the complexity of human beings as changeable and contingent, neither saints nor sinners—an approach intimately linked with his work as a clinician and humanitarian.Chekhov’s humanity, just as much as his mastery of the writing craft, is potent medicine in times that seem so divided, riven by ideology and antipathy for groups seen as “other.” The first new selection of his work in over a decade, the Restless Classics edition of Chekhov: Stories for Our Time pairs beloved favorites with lesser known gems, all stunningly illustrated by Matt McCann: a perfect introduction for novices and a must-have for Chekhov devotees.

    Louis writes a journal to explain to them—and to himself—why his soul has been deformed, why his heart seems like a foul nest of twisted serpents. Mauriac’s novel masterfully explores the corruption caused by pride, avarice, and hatred, and its opposite—the divine grace that remains available to each of us until the very moment of our deaths. It is the unforgettable tale of the battle for one man’s soul.

    In his Josephus Trilogy (Josephus, 1932; The Jew of Rome, 1935; & Josephus & the Emperor, or The Day Will Come, 1942) he deals with the theme of nationalism versus cosmopolitanism by describing the development of Flavius Josephus, a Jewish historian of the first century. Toward the his life's end he took up the theme by writing about Raquel, the Jewess of Toledo (1955), who for seven years prevented Alfonso VIII of Castile from warring against the Moors. In Jefta & His Daughter (1957) he wrote about a man from the Hebrew bible who kept an oath to god by sacrificing his daughter.

    Largely set in a futuristic World State, inhabited by genetically modified citizens and an intelligence-based social hierarchy, the novel anticipates huge scientific advancements in reproductive technology, sleep-learning, psychological manipulation and classical conditioning that are combined to make a dystopian society which is challenged by only a single individual: the story's protagonist.

    Even as he grounded his narratives in the intimate daily life of Germany, Broch was identifying the oceanic changes that would shortly sweep that life into the abyss.Whether he is writing about a neurotic army officer The Romantic, a disgruntled bookkeeper and would-be assassin The Anarchist, or an opportunistic war-deserter The Realist, Broch immerses himself in the twists of his characters psyches, and at the same time soars above them, to produce a prophetic portrait of a world tormented by its loss of faith, morals, and reason.

    He was rich, respectable, happy; one day he abandoned his wife for the sake of a youthful mistress; he loved; was not loved; and his life ended in disaster." Thus begins Vladimir Nabokov's Laughter in the Dark; this, the author tells us, is the whole story except that he starts from here, with his characteristic dazzling skill and irony, and brilliantly turns a fable into a chilling, original novel of folly and destruction. Amidst a Weimar-era milieu of silent film stars, artists, and aspirants, Nabokov creates a merciless masterwork as Albinus, an aging critic, falls prey to his own desires, to his teenage mistress, and to Axel Rex, the scheming rival for her affections who finds his greatest joy in the downfall of others. Published first in Russian as Kamera Obskura in 1932, this book appeared in Nabokov's own English translation six years later. This New Directions edition, based on the text as Nabokov revised it in 1960, features a new introduction by Booker Prize-winner John Banville.

    It provides a vivid, poignant picture of life in Germany just before Hitler's takeover and focuses on a young married couple struggling to survive in the country's nightmarish inflation.

    The stories in this collection tackle great events and figures of history, myth, and literature in unexpected ways, questioning views on such basic concepts as justice, progress, wisdom, belief, and patriotism.

    Light in August, a novel that contrasts stark tragedy with hopeful perseverance in the face of mortality, which features some of Faulkner’s most memorable characters: guileless, dauntless Lena Grove, in search of the father of her unborn child; Reverend Gail Hightower, a lonely outcast haunted by visions of Confederate glory; and Joe Christmas, a desperate, enigmatic drifter consumed by his mixed ancestry.

    These three stories, “Neighbour Rosicky,” “Old Mrs. Harris,” and “Two Friends,” reflected her return to the well of memory that had inspired the books that made her reputation. The Willa Cather Scholarly Edition presents for the first time the three stories in their historical and biographical context, with an interpretive historical essay and detailed explanatory notes. The textual essay and apparatus establish the definitive text and trace Cather’s changes through newly discovered prepublication versions.

    Filled with humor, pathos and a strange kind of beauty, it is a combination of artistry, poetry and simplicity that plumbs the soul of Saint Francis.Here is the whole Francis, the poet, the ascetic, the stigmatist, the servant of the poor and the lepers, the miracle worker. But above all, here is the spirit of St. Francis "told as lyrically and simply as the hymns and words of Francis himself in a book that communicates the joy of St. Francis."

    His novel Virgin Soil Upturned, dealing with the collectivization of countryside in the USSR, has been translated into 75 languages and published in over thirty million copies. In 1932 the journal Novy Mir Published the first part of the novel, and that same year Sholokhov announced that he had begun work on the second part. Due to war-time disruptions, including destruction of the near-complete manuscript during World War II, the second part did not appear until 1960.

    

    Jünger’s analyses, written in critical dialogue with Marx, are inspired by a profound intuition of the movement of history and an insightful interpretation of Nietzsche’s philosophy. Martin Heidegger considered Jünger “the only genuine follower of Nietzsche,” singularly providing “an interpretation which took shape in the domain of that metaphysics which already determines our epoch, even against our knowledge; this metaphysics is Nietzsche's doctrine of the ‘will to power.’” In The Worker, Jünger examines some of the defining questions of that epoch: the nature of individuality, society, and the state; morality, justice, and law; and the relationships between freedom and power and between technology and nature. This work, appearing in its entirety in English translation for the first time, is an important contribution to debates on work, technology, and politics by one of the most controversial German intellectuals of the twentieth century. Not merely of historical interest, The Worker carries a vital message for contemporary debates about world economy, political stability, and equality in our own age, one marked by unsettling parallels to the 1930s.

    Scott Moncrieff and Stephen HudsonMarcel Proust (1871-1922) spent the last fourteen years of his life writing A la recherche du temps perdu. It is an intimate epic, an excavation of the self, and a comedy of manners by turns and all at once. Proust is the twentieth century's Dante, presenting us with a unique, unsettling picture of ourselves as jealous lovers and unmitigated snobs, frittering our lives away, with only the hope of art as a possible salvation. He offers us a form of redemption for a sober and secular age.Scott Moncrieff's delightful translation was for many years the only access to Proust in English. A labour of love that took him nearly as many years as Proust spent writing the original. Moncrieff's translation strives to capture the extraordinary blend of muscular analysis with poetic reverie that typifies Proust's style. It remains a justly famous classic of translation.

    John Laux's timeless text thoroughly explains the philosophical and theological foundations of Catholic doctrine regarding God's inspired Word as well as a book-by-book analysis of the Bible. In Introduction to the Bible, readers uncover the truths of Sacred Scripture and associated commentaries covering the Historical, Doctrinal, and Prophetic books of the Old and Testaments. Recommended for 11th-grade students enrolled in TAN Academy.

    On a visit to England he meets and marries Ethel. They then travel around the world for three years before going home to Australia in the first year of a drought. After two more years of drought and a failed marriage that spawns an orgy of entertainment and other costs, Frank faces ruin.

    Lawrence's renowned creativity is conspicuous in his letters. He wrote to aristocrats, fellow authors, painters, publishers, and others from the intelligentsia—but with equal concern to his sisters, a childhood friend suffering from tuberculosis, a post office clerk or an Italian servant-girl. Lawrence reveled in the act of communication, using a direct, unvarnished but invariably vivid style appropriate to each correspondent. In this book, over 330 of Lawrence's letters, carefully chosen from the authoritative seven-volume Cambridge Edition exemplify Lawrence's artistry and humanness. In his introductory essay James T. Boulton provides a rare critical assessment of Lawrence's epistolary achievement. There are annotations to the letters, a biographical list of correspondents, brief chronological and descriptive introductions to each section and a full general index. This selection will appeal to Lawrence aficionados and will make good companion reading to his works.