He weaves a great deal of speculation into the meaning of existence & the future of the species into the plot; so much so that the book at times seems as much a work of philosophy as of fiction. The story centers on the experiences of Howard Lester, an enterprising young intellectual whose work with fellow researcher Henry Littleway leads to the discovery that implanting a minute bit of a metallic alloy into the prefrontal cortex can introduce a higher state of conciousness. (As in the case with Carlos Castaneda in his thematically-similar Don Juan chronicles, the researchers later discover that the artificial catalyst is unnecessary, but rather a convenient means to overcome years of conditioning). Lester & Littleway perform the operation upon themselves & proceed to refine their new skills until they are able to employ a sort of time vision that allows them to tap into racial memories. With this knowledge comes the realization that there are shadowy periods in our species' past that have been kept hidden from us by more powerful beings. Lester relates his moment of insight: "I knew with certainty that there is something in the world's prehistory that cannot be found in any of the books on the past. & it was obscurely connected with [a] sense of evil..." In the course of discovering how the Earth & humankind truly evolved, this tale touches upon everything from Mayan civilization to Abraham Maslow to H.P. Lovecraft's elder Gods.--From Independent Publisher (edited)

    The original illustrations combine horror and humour in equal measure.

    Old R'lyeh rises out of the Pacific, ready to cast its damned shadow over the primitive human world. The first to see its peaks: an alcoholic, paranoid, and frightened Jack Kerouac, who had been drinking off a nervous breakdown up in Big Sur. Now Jack must get back on the road to find Neal Cassady, the holy fool whose rambling letters hint of a world brought to its knees in worship of the Elder God Cthulhu. Together with pistol-packin' junkie William S. Burroughs, Jack and Neal make their way across the continent to face down the murderous Lovecraftian cult that has spread its darkness to the heart of the American Dream. But is Neal along for the ride to help save the world, or does he want to destroy it just so that he'll have an ending for his book?

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Gonzo Lubitsch, professional hero and troubleshooter, is hired to put it out, but there's more to the fire, and the Pipe itself, than meets the eye. The job will take Gonzo and his best friend, our narrator, back to their own beginnings.

    Acclaimed editors Simon Strantzas and Michael Kelly bring their keen editorial sensibilities to the third volume of the Year's Best Weird Fiction. The best weird stories of 2015 features work from Robert Aickman, Matthew M. Bartlett, Sadie Bruce, Nadia Bulkin, Ramsey Campbell, Brian Conn, Brian Evenson, L.S. Johnson, Rebecca Kuder, Tim Lebbon, Reggie Oliver, Lynda E. Rucker, Robert Shearman, Christopher Slatsky, D.P. Watt, Michael Wehunt, Marian Womack, Genevieve Valentine No longer the purview of esoteric readers, weird fiction is enjoying wide popularity. Chiefly derived from early 20th-century pulp fiction, its remit includes ghost stories, the strange and macabre, the supernatural, fantasy, myth, philosophical ontology, ambiguity, and a healthy helping of the outre. At its best, weird fiction is an intersecting of themes and ideas that explore and subvert the Laws of Nature. It is not confined to one genre, but is the most diverse and welcoming of all genres.

    Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the many who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience. In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.Contents: Introduction (Book 1: The Hanged Man, Tales of Dread) • essay by Orson Scott Card Eumenides in the Fourth Floor Lavatory (1979) / novelette by Orson Scott Card Quietus (1979) / short story by Orson Scott Card Deep Breathing Exercises (1979) / short story by Orson Scott Card Fat Farm (1980) / short story by Orson Scott Card Closing the Timelid (1979) / short story by Orson Scott Card Freeway Games (1979) / short story by Orson Scott Card A Sepulchre of Songs (1981) / novelette by Orson Scott Card Prior Restraint (1986) / short story by Orson Scott Card The Changed Man and the King of Words (1982) / novelette by Orson Scott Card Memories of My Head (1990) / short story by Orson Scott Card Lost Boys (1989) / short story by Orson Scott Card Afterword (Book 1: The Hanged Man, Tales of Dread) • essay by Orson Scott Card Introduction (Book 2: Flux, Tales of Human Futures) • essay by Orson Scott Card A Thousand Deaths [Tales of Capitol] (1978) / novelette by Orson Scott Card Clap Hands and Sing (1982) / short story by Orson Scott Card Dogwalker (1989) / novelette by Orson Scott Card But We Try Not to Act Like It (1979) / short story by Orson Scott Card I Put My Blue Genes On (1978) / short story by Orson Scott Card In the Doghouse (1978) / short story by Orson Scott Card and Jay A. Parry The Originist [Foundation] (1989) / novella by Orson Scott Card Afterword (Book 2: Flux, Tales of Human Futures) • essay by Orson Scott Card Introduction (Book 3: Maps in a Mirror, Fables and Fantasies) • essay by Orson Scott Card Unaccompanied Sonata (1979) / short story by Orson Scott Card A Cross-Country Trip to Kill Richard Nixon (1980) / novelette by Orson Scott Card The Porcelain Salamander (1981) • short story by Orson Scott Card Middle Woman (1981) / short story by Orson Scott Card The Bully and the Beast (1979) / novella by Orson Scott Card The Princess and the Bear (1980) / novelette by Orson Scott Card Sandmagic [Mither Mages] (1979) / novelette by Orson Scott Card The Best Day (1984) / short story by Orson Scott Card A Plague of Butterflies (1981) / short story by Orson Scott Card The Monkeys Thought 'Twas All in Fun (1979) / novelette by Orson Scott Card Afterword (Book 3: Maps in a Mirror, Fables and Fantasies) • essay by Orson Scott Card Introduction (Book 4: Cruel Miracles, Tales of Death, Hope, and Holiness) • essay by Orson Scott Card Mortal Gods (1979) / short story by Orson Scott Card Saving Grace (1987) / short story by Orson Scott Card Eye for Eye (1987) / novella by Orson Scott Card St. Amy's Tale (1980) / novelette by Orson Scott Card Kingsmeat (1978) / short story by Orson Scott Card Holy (1980) / novelette by Orson Scott Card Afterword (Book 4: Cruel Miracles, Tales of Death, Hope, and Holiness) • essay by Orson Scott Card Introduction (Book 5: Lost Songs, The Hidden Stories) • essay by Orson Scott Card Ender's Game [Ender Wiggin] (1977) / novelette by Orson Scott Card Mikal's Songbird (1978) / novelette by Orson Scott Card Prentice Alvin and the No-Good Plow [The Alvin Maker Saga] (1989) • poem by Orson Scott Card Malpractice (1977) / short story by Orson Scott Card Follower (1978) / short story by Orson Scott Card Hitching (1978) / short story by Orson Scott Card Damn Fine Novel (1989) / short story by Orson Scott Card Billy's Box (1978) / short story by Orson Scott Card The Best Family Home Evening Ever (1978) / short story by Orson Scott Card Bicicleta (1977) / short story by Orson Scott Card I Think Mom and Dad Are Going Crazy, Jerry (1979) / short story by Orson Scott Card Gert Fram (1977) / short story by Orson Scott Card Afterword (Book 5: Lost Songs, The Hidden Stories) • essay by Orson Scott Card

    They unlock opportunities for wealth and travel, but also create incredible chaos--uprooting populations and blighting landscapes. Work on or around the rails leads to unwelcome discoveries and, in light of the Mythos, dire implications in the spread of the rail system as a whole. A certain path to uncovering unwelcome truths about the universe is to venture beyond our own "placid island of ignorance" and encounter foreign cultures. The Orient Express serves as the perfect vehicle for such excursions, designed as a bridge between West and East. Movement into mystery forms the central action for many stories in this volume. The only limitation placed upon writers for this collection was that their works somehow involve the Orient Express and the Mythos. The last warning whistle has blown, and we are getting underway. Have your tickets at the ready and settle in for a journey across unexpected landscapes to a destination that--well, we'll just let you see for yourself when you arrive. We promise this though: murder will be the least of your problems on this trip aboard the Orient Express!

    Smell the faint aroma of rich tobacco smoke from an old man’s pipe on a shady boulevard. Listen to the gossip of small towns where everyone knows everyone’s business.Or do they?Sometimes, deadly secrets lurk out in the barn. Sometimes, unimaginable evil awaits us in the root cellar. Sometimes, we fall under the sway of the Shadows Over Main Street.Come inside and sit for a spell…---Foreword by Ramsey Campbell.Cover illustration by Luke Spooner.Interior illustrations by Paul Carrick, Vincent Chong, John Coulthart, Galen Dara and M. Fersner.Table of Contents:(Alphabetical by author name)Gary Braunbeck, The Friendless Bodies of Unburied MenChesya Burke, MountaintownJames Chambers, Odd QuahogsTim Curran, The Thing with a Thousand LegsT. Fox Dunham, The Flesh or the FatherBrian Hodge, This Stagnant Breath of ChangeKevin Lucia, The Black PyramidAdrian Ludens, EstrangedJosh Malerman, A Fiddlehead Party on Carpenter’s FarmNick Mamatas, Χταπόδι ΣαλάταRena Mason, Red HillLisa Morton, The OgreAaron Polson, UndergroundersMary SanGiovanni, The Floodgates of Willow HillLucy A. Snyder, The Abomination of FensmereCameron Suey, The CrisisJohn Sunseri, HomecomingRichard Thomas, White Picket FencesJay Wilburn, Boss CthulhuStephanie Wytovich, The 21st Century Shadow

    An air of mystery and fear looms...waiting. Now you can return to Innsmouth in this second collection of short stories about the children of Dagon. Visit the undersea city of Y'ha-nthlei and discover the secrets of Father Dagon in this collection of stories. This anthology includes ten new tales and three classic reprints concerning the shunned town of Innsmouth.Contents:The One That Got Away by Robert M. PriceThe Weird Shadow Over Innsmouth by H.P. Lovecraft and John GlasbyUnderstudy by Gary MyersThe Doom That Came to Innsmouth by Brian McNaughtonReturn to Y'ha-nthlei by John GlasbyThe Old Ones' Signs by Pierre ComtoisFleas of the Dragon by C.J. HendersonMail Order Bride by Ann K. SchwaderThe Idol by Scott David AniolowskiThe Guardian of the Pit by Franklyn SearightTrust Me by Stanley C. SargentJust a Tad Beyond Innsmouth by Stanley C. SargentThe Deep End by Gregory LuceIt Was the Day of the Deep One by Peter Cannon

    . . or not.Joining these haunting works are stories linked to Tremblay’s previous novels. The tour de force metafictional novella Notes from the Dog Walkers deconstructs horror and publishing, possibly bringing in a character from A Head Full of Ghosts, all while serving as a prequel to Disappearance at Devil’s Rock. “The Thirteenth Temple” follows another character from A Head Full of Ghosts—Merry, who has published a tell-all memoir written years after the events of the novel. And the title story, Growing Things, a shivery tale loosely shared between the sisters in A Head Full of Ghosts, is told here in full.From global catastrophe to the demons inside our heads, Tremblay illuminates our primal fears and darkest dreams in startlingly original fiction that leaves us unmoored. As he lowers the sky and yanks the ground from beneath our feet, we are compelled to contemplate the darkness inside our own hearts and minds.Growing things --Swim wants to know if it's as bad as swim thinks --Something about birds --The getaway --Nineteen snapshots of Dennisport --Where we all will be --The teacher --Notes for "The Barn in the Wild" --_______ --Our town's monster --A haunted house is a wheel upon which some are broken --It won't go away --Notes from the dog walkers --Further questions for the somnambulist --The ice tower --The society of the monsterhood --Her red right hand --It's against the law to feed the ducks --The thirteenth temple --Notes --Acknowledgments --Credits

    She had to see the dark hole in the storage room down the hall. She had to make love to Nicholas beside it, and stare into its secretive, promising depths. Then Nakota began her experiments: First, she put an insect into the hole. Then a mouse...Now from down the hall, the black hole calls out to Nicholas every day and every night. And he will go to it. Because it has already seared his flesh, infected his soul, and started him on a journey of obsession - through its soothing, blank darkness into the blinding core of terror...

    . . Bradbury?You might see rockets to Mars. Or bizarre circuses where otherworldly acts whirl in the center ring. Perhaps you travel to a dystopian future, where books are set ablaze . . . or to an out-of-the-way sideshow, where animated illustrations crawl across human skin. Or maybe, suddenly, you're returned to a simpler time in small-town America, where summer perfumes the air and life is almost perfect . . . "almost."Ray Bradbury--peerless storyteller, poet of the impossible, and one of America's most beloved authors--is a literary giant whose remarkable career has spanned seven decades. Now twenty-six of today's most diverse and celebrated authors offer new short works in honor of the master; stories of heart, intelligence, and dark wonder from a remarkable range of creative artists.TABLE OF CONTENTSSam Weller and Mort Castle - IntroductionRay Bradbury - Second HomecomingNeil Gaiman - The Man Who Forgot Ray BradburyMargaret Atwood - HeadlifeJay Bonansinga - HeavySam Weller - The Girl In The Funeral ParlorDavid Morrell - The CompanionsThomas F. Monteleone - The ExchangeLee Martin - Cat on a Bad CouchJoe Hill - By The Silver Water Of Lake ChamplainDan Chaon - Little AmericaJohn McNally - The Phone CallJoe Meno - Young PilgrimsRobert McCammon - Children Of The Bedtime MachineRamsey Campbell - The Page Mort Castle - LightAlice Hoffman - ConjureJohn Maclay - MaxJacqueline Mitchard - Two Of A KindGary Braunbeck - Fat Man And Little BoyBonnie Jo Campbell - The TattooAudrey Niffenegger - Backwards In SevilleCharles Yu - Earth: (A Gift Shop)Julia Keller - Hayleigh's DadDave Eggers - Who Knocks?Bayo Ojikutu - Reservation 2020Kelly Link - Two HousesHarlan Ellison - Weariness

    With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, and fear. She is a writer obsessed with obsession, who makes nightmares come to life through the everyday: loneliness sinks in easily like a razor-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest—Dávila’s debut collection in English—you’ll wonder how this secret was kept for so long.