Providing an example to Christians today of strong service to Christ and His church, these influential, godly women were devoted to Reformation truth, in many cases provided support for their husbands, practiced hospitality, and stewarded their intellectual abilities.An updated text based on James I. Good's Famous women of the Reformed Church.Anna Reinhard, Anna Adlischweiler, Katharina Schutz, Margarethe Blaurer, Marguerite de Navarre, Jeanne d'Albret, Charlotte Arbaleste, Charlotte de Bourbon, Louise de Coligny, Katherine Willoughby, Renee of Ferrara, Olympia Morata

    This new collection brings together, for the first time in English, Lefebvre's reflections on the city and urban life written over a span of some twenty years. The selection of writings is contextualized by an introduction - itself a significant contribution to the interpretation of Henri Lefebvre's work - which places the material within the context of Lefebvre's intellectual and political life and times and raises pertinent issues as to their relevance for contemporary debates over such questions as the nature of urban reality, the production of space and modernity. Writings on Cities is of particular relevance to architects, planners, geographers, and those interested in the philosophical and political understanding of contemporary life.

    Convened at Rouen and directed by bishop Pierre Cauchon, the trial culminated in Joan's public execution for heresy. The trial record, which sometimes preserves Joan's very words, unveils her life, character, visions, and motives in fascinating detail. Here is one of our richest sources for the life of a medieval woman.This new translation, the first in fifty years, is based on the full record of the trial proceedings in Latin. Recent scholarship dates this text to the year of the trial itself, thereby lending it a greater claim to authority than had traditionally been assumed. Contemporary documents copied into the trial furnish a guide to political developments in Joan's career--from her capture to the attempts to control public opinion following her execution.Daniel Hobbins sets the trial in its legal and historical context. In exploring Joan's place in fifteenth-century society, he suggests that her claims to divine revelation conformed to a recognizable profile of holy women in her culture, yet Joan broke this mold by embracing a military lifestyle. By combining the roles of visionary and of military leader, Joan astonished contemporaries and still fascinates us today.Obscured by the passing of centuries and distorted by the lens of modern cinema, the story of the historical Joan of Arc comes vividly to life once again.

    Rauan Klassnik's HOLY LAND is not a book for the faint of heart. His poems--dreamlike fables that conflate the domestic and quotidian with the dangerous and the perverse--are bathed in tears and blood: a trip to the bank becomes a journey to Auschwitz; bullets and gore find equivalence in rivers, birds and lush grass. In Klassnik's startling vision, 'the world knows what you want, and it knows what you need. It brings you bodies. And it brings you a gun.--Gary Young

    As a result, many Roman Catholics are quick to allege that the Reformation understanding of the gospel simply did not exist before the 1500s. They assert that key Reformation doctrines, like sola fide, were nonexistent in the first fifteen centuries of church history. Rather, they were invented by Martin Luther, John Calvin, and others.That is a serious charge, and one that evangelicals must be ready to answer. If an evangelical understanding of the gospel is only 500 years old, we are in major trouble. However, if it can be demonstrated that Reformers were not inventing something new, but instead were recovering something old, then key tenets of the Protestant faith are greatly affirmed. Hence, the need for this book.After reading Long Before Luther, readers will:Possess a greater understanding of church history and the role it plays in the church today.Have a deeper appreciation for the hard-won victories of the Reformation.Be equipped to dialogue with Catholic friends about the presence of Reformed doctrines throughout church history.Feel renewed gratefulness for the unearned nature of grace and the power of the gospel.

    Through an astute and devastating critique of Hinduphobia in today’s academia, media and popular culture, Vamsee Juluri shows us that what the Hinduphobic worldview denies virulently is not only the truth and elegance of Hindu thought, but the very integrity and sanctity of the natural world itself. By boldly challenging some of the media age’s most popular beliefs about nature, history, and pre-history along with the Hinduphobes' usual myths about Aryans, invasions, and blood-sacrifices, Rearming Hinduism links Hinduphobia and its hubris to a predatory and self-destructive culture that perhaps only a renewed Hindu sensibility can effectively oppose. It is a call to see the present in a way that elevates our desa and kala to the ideals of the sanathana dharma once again. “For a civilization is not just buildings and machines, but its people, their thought, and their culture. It is a way of knowing the world, a way of giving meaning and value to the contents of life. It is a resource, most of all, for living intelligently.”

    Do you like it?” Without waiting for a reply, she pulls me into her squishy, round tummy for a hug. I’m trying not to cry. Pharaoh’s daughters don’t cry.When we make our way down the tiled hall, I try to stop at ummi Kiya’s chamber. I know her spirit has flown yet I long for one more moment. Amenia pushes me past so I keep walking and don’t look back. Like the waters of the Nile, I will flow.   Anippe has grown up in the shadows of Egypt’s good god Pharaoh, aware that Anubis, god of the afterlife, may take her or her siblings at any moment. She watched him snatch her mother and infant brother during childbirth, a moment which awakens in her a terrible dread of ever bearing a child. Now she is to be become the bride of Sebak, a kind but quick-tempered Captain of Pharaoh Tut’s army. In order to provide Sebak the heir he deserves and yet protect herself from the underworld gods, Anippe must launch a series of deceptions, even involving the Hebrew midwives—women ordered by Tut to drown the sons of their own people in the Nile.      When she finds a baby floating in a basket on the great river, Anippe believes Egypt’s gods have answered her pleas, entrenching her more deeply in deception and placing her and her son Mehy, whom handmaiden Miriam calls Moses, in mortal danger.   As bloodshed and savage politics shift the balance of power in Egypt, the gods reveal their fickle natures and Anippe wonders if her son, a boy of Hebrew blood, could one day become king. Or does the god of her Hebrew servants, the one they call El Shaddai, have a different plan—for them all?

    

    It deftly combines historical fiction and a tale of adventure and intrigue.At the center of this story is the Cathedral. Its design and construction in the 12th and 13th centuries in the town of Hagenburg unites a vast array of unforgettable characters whose fortunes are inseparable from the shifting political factions and economic interests vying for supremacy. Around this narrative center, Ben Hopkins has constructed his own monumental edifice, a novel that is rich with the vicissitudes of mercantilism, politics, religion, and human enterprise.Fans of Umberto Eco, Hilary Mantel, and Ken Follett will delight at the atmosphere, the beautiful prose, and the vivid characters of Ben Hopkins’s Cathedral.

    Although the names Ra, Anubis, and Isis still linger today in modern fiction, the truth about these gods reveals the ancient Egyptians themselves. Inside you will read about... ✓ Osiris ✓ Anubis ✓ Isis ✓ Ra ✓ Maat ✓ Hathor ✓ Wadjet ✓ Nefertum And many more! A look at the principal gods of Ancient Egypt gives insight into the culture of world's first great civilization. Even today, their moments, their obelisks, and their pyramids endure and remind us that people can leave lasting marks on the world that humble and inspire us all.

    In Heaven in Stone and Glass, Catholic priest and professor of theology at Mundelein Seminary in Chicago teaches us how to read these secrets, with beautiful reflections on aspects such as light and darkness, the labyrinth, the meaning of gargoyles and demons, and the imagery of vertical space. whether you are preparing for a pilgrimage to York Cathedral of Notre Dame in Paris, or looking ahead to inspirational bedside reading, this book is the perfect guide.

    This approach does not neglect one dimension of the religion in favor of another and allows instructors to choose what they wish to emphasize in the classroom. The book also covers the development of Buddhism in a wide variety of geographical and cultural areas (India, Southeast Asia, Tibet, China, and Japan), and gives a sense of the historical evolution of the tradition in these areas.

    

    It is not surprising that, as a Christian, von Balthasar finds the meaning of history in Christ, its Center and Lord. What may surprise--as it will surely stimulate--is the theological mastery with which von Balthasar traces the effects of Christ's lordship upon the daily life of the Christian. In this book we have one of the indispensable sources for understanding Balthasar's Catholic Christocentrism. Here we find elaboration of the striking statement that Jesus Christ is "the Idea made concrete, personal, historical: universale concretum et personale"--which, put otherwise, means that Christ is the universally valid in the here and now. Characteristic of Balthasar, the book inspires as much spiritually as it informs theologically.

    But what makes The Pillars of the Earth extraordinary is the time the twelfth century; the place feudal England; and the subject the building of a glorious cathedral. Follett has re-created the crude, flamboyant England of the Middle Ages in every detail. The vast forests, the walled towns, the castles, and the monasteries become a familiar landscape. Against this richly imagined and intricately interwoven backdrop, filled with the ravages of war and the rhythms of daily life, the master storyteller draws the reader irresistibly into the intertwined lives of his characters into their dreams, their labors, and their loves: Tom, the master builder; Aliena, the ravishingly beautiful noblewoman; Philip, the prior of Kingsbridge; Jack, the artist in stone; and Ellen, the woman of the forest who casts a terrifying curse. From humble stonemason to imperious monarch, each character is brought vividly to life.The building of the cathedral, with the almost eerie artistry of the unschooled stonemasons, is the center of the drama. Around the site of the construction, Follett weaves a story of betrayal, revenge, and love, which begins with the public hanging of an innocent man and ends with the humiliation of a king.For the TV tie-in edition with the same ISBN go to this Alternate Cover Edition