From relationships, religion, and the rise of ISIS, to porn, fatherhood and the oppression of office life. Nothing is taboo: Is it less serious when a man has an affair? Why don’t new parents want boys?Who Stole My Spear? is an inspiring rallying call for men and ‘good masculinity’ which cannot be ignored – that will leave you rethinking much about life’s big questions. And for women who wonder what’s on a man’s mind, this is the book that offers the entertainingly explosive answer.

    His tiny museum in Bramber, Sussex, was crammed full of multi-legged kittens, two-headed lambs and a bewildering assortment of curios.Closed in the '70s, the museum was variously re-established before being auctioned off in 2003. It was reported that a £1M bid by Damien Hirst to keep the collection intact was refused, but in 2010 many of Potter's key pieces were exhibited by the artist Sir Peter Blake at London's 'Museum of Everything', attracting over 30,000 visitors in 6 weeks. The subsequent dispersal of Potter's works has meant the loss of a truly unique Victorian legacy. Here, perhaps for the last time, the collection is preserved and celebrated with new photographs of Potter's best-loved works.

    Another nail was driven into the coffin of South Africa's fight against sexual violence. Vilified by Zuma's many supporters, Khwezi was forced to flee South Africa and make a life in the shadows, first in Europe and then back on the African continent.A decade after Zuma's acquittal, Khwezi died. But not before she had slipped back into South Africa and started work with journalist Redi Tlhabi on a book about her life. About how, as a young girl living in exile in ANC camps, she was raped by the 'uncles' who were supposed to protect her. About her great love for her father, Judson Kuzwayo, an ANC activist who died when Khwezi was almost ten. And about how, as a young adult, she was driven once again into exile, suffering not only at the hands of Zuma’s devotees but under the harsh eye of the media.In sensitive and considered language, Red Tlhabi breathes life into a woman for so long forced to live in hiding. In telling the story of Khwezi, Tlhabi draws attention to the sexual abuse that abounded during the struggle years, abuse that continues to plague women and children in South Africa today.

    An award-winning war correspondent for twenty-five years (she’s never had a female editor) Lamb reports two wars—the “bang-bang” war and the story of how the people behind the lines live and survive. At the same time, since men usually act as the fighters, women are rarely interviewed about their experience of wartime, other than as grieving widows and mothers, though their experience is markedly different from that of the men involved in battle. Lamb chronicles extraordinary tragedy and challenges in the lives of women in wartime. And none is more devastating than the increase of the use of rape as a weapon of war. Visiting warzones including the Congo, Rwanda, Nigeria, Bosnia, and Iraq, and spending time with the Rohingya fleeing Myanmar, she records the harrowing stories of survivors, from Yazidi girls kept as sex slaves by ISIS fighters and the beekeeper risking his life to rescue them; to the thousands of schoolgirls abducted across northern Nigeria by Boko Haram, to the Congolese gynecologist who stitches up more rape victims than anyone on earth. Told as a journey, and structured by country, Our Bodies, Their Battlefields gives these women voice. We have made significant progress in international women’s rights, but across the world women are victimized by wartime atrocities that are rarely recorded, much less punished. The first ever prosecution for war rape was in 1997 and there have been remarkably few convictions since, as if rape doesn’t matter in the reckoning of war, only killing. Some courageous women in countries around the world are taking things in their own hands, hunting down the war criminals themselves, trying to trap them through Facebook. In this profoundly important book, Christina Lamb shines a light on some of the darkest parts of the human experience—so that we might find a new way forward. Our Bodies, Their Battlefields is as inspiring and empowering is as it is urgent, a clarion call for necessary change.

    Over the years, it has used flattery, seduction, science and shame to persuade consumers that they'll have to invest if they want to look their best. In "Branded Beauty," Mark Tungate delves into the history and evolution of the beauty business. From luxury boutiques in Paris to tattoo parlors in Brooklyn, he talks to the people who've made skin their trade. He analyzes the marketing strategies used by those creating and selling beauty products. He visits the labs where researchers seek the key to eternal youth. Tungate covers a vast array of topics including: the origins of beauty, the importance of scent, designer fashion and beauty, using marketing to find a niche, celebrity marketing, masculine beauty, beauty around the world, cosmetic surgery becoming mainstream, tattoo artists, organic and sustainable beauty, the future of beauty and, ultimately, the price of beauty. Full of fascinating detail on great names such as Revlon, Estee Lauder, L'Oreal and Max Factor, "Branded Beauty" looks at the history of the beauty industry and considers its future.

    50-black-and-white photos.

    In typical Acker fashion, he's including a text exchange with one of Acker's fictional heroines, Janey Smith, along with stories of their friendship and what Acker would think of everything now, today, "as the world begins to burn."

    Having worked with homeless prostitutes in Times Square, Albert was intimate with human devastation cause by the sex trade, and curious to see if Nevada’s brothels offered a less harmful model for a business that will always be with us. The Mustang Ranch has never before given an outsider such access, but fear of AIDS was hurting the business, and the Ranch was eager to get publicity for its rigorous standards of sexual hygiene. Albert was drawn into the lives of the women of the Mustang Ranch, and what began as a public-health project evolved into something more intimate and ambitious, a six-year study of the brothel ecosystem, its lessons and significance. The women of the Mustang Ranch poured their stories out to Albert: how they came to be there, their surprisingly deep sense of craft and vocation, how they reconciled their profession with life on the outside. Dr. Albert went as far into this world as it is possible to go — some will say too far — including sitting in on sessions with customers, and the result is a book that puts an unforgettable face on America’s maligned and caricatured subculture.From the Hardcover edition.

    Driving this revolutionary publication were two improbable newcomers united by single-minded ambition. S. S. McClure was an Irish immigrant, who, despite bouts of mania, overthrew his impoverished upbringing and bent the New York media world to his will. His steadying hand and star reporter was Ida Tarbell, a woman who defied gender expectations and became a notoriously fearless journalist.The scrappy, bold McClure's group—Tarbell, McClure, and their reporters Ray Stannard Baker and Lincoln Steffens—cemented investigative journalism’s crucial role in democracy. From reporting on labor unrest and lynching, to their exposés of municipal corruption, their reporting brought their readers face to face with a nation mired in dysfunction. They also introduced Americans to the voices of Willa Cather, Arthur Conan Doyle, Robert Louis Stevenson, Joseph Conrad, and many others.Tracing McClure’s from its meteoric rise to its spectacularly swift and dramatic combustion, Citizen Reporters is a thrillingly told, deeply researched biography of a powerhouse magazine that forever changed American life. It’s also a timely case study that demonstrates the crucial importance of journalists who are unafraid to speak truth to power.

    This is a book about the French Revolution in taste and of the table--a book about how Parisians invented the modern culture of food, thereby changing their own social life and that of the world.During the 1760s and 1770s, those who were sensitive and supposedly suffering made public show of their delicacy by going to the new establishments known as restaurateurs' rooms and there sipping their bouillons. By the 1790s, though, the table was variously seen as a place of decadent corruption or democratic solidarity. The Revolution's tables were sites for extending frugal, politically correct hospitality, and a delicate appetite was a sign of counter-revolutionary tendencies. The restaurants that had begun as purveyors of health food became symbols of aristocratic greed. In the early nineteenth century, however, the new genre of gastronomic literature worked within the strictures of the Napoleonic police state to transform the notion of restaurants and to confer star status upon oysters and champagne. Thus, the stage was set for the arrival of British and American tourists keen on discovering the mysteries of Frenchness in the capital's restaurants. From restoratives to Restoration, Spang establishes the restaurant at the very intersection of public and private in French culture--the first public place where people went to be private.

    Rothenberg deftly and consistently helps students analyze each phenomena, as well as the relationships among them, thereby deepening their understanding of each issue surrounding race and ethnicity.

    What cannot be done by men, or by individual women, can be done by women together. Earth is Home. Jean Shinoda Bolen's life's work -- her Jungian-inspired insights in The Tao of Psychology, the blockbuster Goddesss in Every Woman, the empowering Crones Don't Whine and The Millionth Circle -- all lead up to this book. It is an urgent message and an empowering one. When women are strong together, women can be fiercely protective of what we love. Bolen's poetic polemic explores the psychological, spiritual, and scientific aspects of women as collaborators for change. She begins with a Jungian examination of the idea of the Holy Grail archetype as every woman's secret and the transformative power of the sacred feminine -- the Goddess, Gaia, Earth Mother. Bolen explains Rupert Sheldrake's Theory of Morphic Resonance, which describes how societies and even species can undergo rapid evolution when they reach a tipping point. She explains that we've learned that women gathering together in groups and telling the truth of their lives can actually change the world. She points to a fascinating UCLA study proving that women react to stress differently than their male counterparts. Instead of the fight or flight reaction, women have a tend and befriend response as a result of an increase in oxytocin, the maternal bonding hormone. While men become more adrenalized and aggressive, women nurture and protect -- biologically. From this and other compelling evidence Bolen makes a strongly convincing case that now is the time for women to lead -- to fiercely protect all that we love. Urgent Message from Mother offers a unique combination of visionary thinking and practical how-to and is Jean Shinoda Bolen's most activist work to-date. Written in a lyrical language that inspires, this book seeks to galvanize the still untapped power of women coming together to change our world. Listen to your mother; she is calling.

    If women are more liberated than ever before, why aren't they happier? In this shocking, funny, and bluntly honest tour of today’s gender discontents, Andrea Tantaros, one of Fox News' most popular and outspoken stars, exposes how the rightful feminist pursuit of equality went too far, and how the unintended pitfalls of that power trade have made women (and men!) miserable.In a covetous quest to attain the power that men had, women were advised to work like men, talk like men, party like men, and have sex like men. There’s just one problem: women aren’t men. Instead of feeling happy with their newfound freedoms, females today are tied up in knots, trying to strike a balance between their natural, feminine and traditional desires and what modern society dictates—and demands—through the commandments of feminism. Revealing the mass confusion this has caused among both sexes, Tantaros argues that decades of social and economic progress haven’t brought women the peace and contentedness they were told they'd gain from their new opportunities. The pressure both to have it all and to put forth the perfectly post-worthy, filtered life for social media and society at large has left women feeling twisted. Meanwhile, in their rightful quest for equality, women have promoted themselves at the expense of their male counterparts, leaving both genders frayed and frustrated. In this candid and humorous romp through the American cultural landscape, Tantaros reveals how gaining respect in the office - where women earned it - made them stop demanding it where they really wanted it: in their love lives. The impact of this power trade has been felt in every way, from sex to salaries, to dating and marriage, to fertility and female friendships, to the personal details they share with each other.  As a result, we've lost the traditional virtues and values that we all want, regardless of our politics: intimacy, authenticity, kindness, respect, discretion, and above all commitment. With scathing wit -- and insights born of personal experience -- Tantaros explores how women have taken guys off the hook in dating (much to their own detriment) and exposes how we’ve become a nation averse to intimacy and preoccupied with porn, one that has traded kindness for control, intimacy for sexting, and monogamy for polygamy.  Sorry romance. Sorry decency and manners. Long talks over the telephone have been supplanted by the "belfie."  All this indicates a culture that's devolving, not evolving.  And it’s only getting worse. Tied Up in Knots is a no-holds-barred gut check for the sexes and a wake-up call for a society that has decayed -- faster than anyone thought possible.  It’s time to remember what we all really want out of work, love and life. Only then can we finally begin untying those knots.

    With her husband, Albert, she has made a home in London, and has a promising career when Albert decides they should return to Nigeria. Kehinde is loath to do so, and joins him later, reluctantly, only to discover that he has taken a second, younger wife. Her years in England have left Kehinde unwilling and unprepared to reembrace Nigerian social mores; and unable to accept the situation, she returns to London.

    But after Roe v. Wade, their determination to develop a respectable, nonconfrontational movement encouraged many of them to use the word choice--an easier concept for people weary of various rights movements. At first the distinction in language didn't seem to make much difference-the law seemed to guarantee both. But in the years since, the change has become enormously important.In Beggars and Choosers, Solinger shows how historical distinctions between women of color and white women, between poor and middle-class women, were used in new ways during the era of "choice." Politicians and policy makers began to exclude certain women from the class of "deserving mothers" by using the language of choice to create new public policies concerning everything from Medicaid funding for abortions to family tax credits, infertility treatments, international adoption, teen pregnancy, and welfare. Solinger argues that the class-and-race-inflected guarantee of "choice" is a shaky foundation on which to build our notions of reproductive freedom. Her impassioned argument is for reproductive rights as human rights--as a basis for full citizenship status for women.