Despite their mortality, heroes, like the gods, were objects of cult worship. Nagy examines this distinctively religious notion of the hero in its many dimensions, in texts spanning the eighth to fourth centuries bce: the Homeric Iliad and Odyssey; tragedies of Aeschylus, Sophocles, and Euripides; songs of Sappho and Pindar; and dialogues of Plato. All works are presented in English translation, with attention to the subtleties of the original Greek, and are often further illuminated by illustrations taken from Athenian vase paintings.The fifth-century bce historian Herodotus said that to read Homer is to be a civilized person. In twenty-four installments, based on the Harvard University course Nagy has taught and refined since the late 1970s, The Ancient Greek Hero in 24 Hours offers an exploration of civilization s roots in the Homeric epics and other Classical literature, a lineage that continues to challenge and inspire us today.

    This unique selection of illustrations with commentaries and source texts guides us on a fascinating journey through the representations of the secret arts.

    They were life's fruitfulness and all the generations of mankind, both those who are to come and those already born.The Hawaiian gods were like great chiefs from far lands who visited among the people, entering their daily lives sometimes as humans or animals, sometimes taking residence in a stone or wooden idol. As years passed, the families of gods grew and included the trickster Maui, who snared the sun, and fiery Pele of the volcano.Ancient Hawaiian lived by the animistic philosophy that assigned living souls to animals, trees, stones, stars, and clouds, as well as to humans. Religion and mythology were interwoven in Hawaiian culture; and local legends and genealogies were preserved in song, chant, and narrative.Martha Beckwith was the first scholar to chart a path through the hundreds of books, articles, and little-known manuscripts that recorded the oral narratives of the Hawaiian people. Her book has become a classic work of folklore and ethnology, and the definitive treatment of Hawaiian mythology.With an introduction by Katherine Luomala.

    Its greatest treasures were discovered in royal tombs and were inevitably connected with the cult of the dead.But the picture of a gloomy march to the grave is a false one. It results from the accident of survival--the royal tombs were built like fortresses and their spectacular contents overshadowed by the evidence of everyday life. This book shows the truer picture: it demonstrates the remarkable diversity of the gods of Egypt and tells the stories that were told about them, and shows how profound and complete were the beliefs which covered the span of life of the ordinary man, no less than that of Pharaoh, who was regarded as a god on earth.

    Father of Lies. Harbinger of Destruction. Exiled and tortured by the gods, Loki swears vengeance. He will summon the mighty Fenris Wolf and the legendary Midgard Serpent, and they will lead an army of giants and all the dead in Niflheim. Brimming with the power of the most destructive being in the Nine Worlds, he will not rest till Asgard is in ashes and all the gods are dead under his heel.

    from pre-biblical Egypt and pre-Homeric Greece to the farthest researches of Africa, the Orient, the Pacific and the Americas.. all gathered into one mammoth volume of unprecedented scope and beauty, and illustrated with an incomparable scope and beauty, and illustrated with an incomparable assemblage of authentic paintings, sculpture, symbols, idols, ritual and sacrificial objects, many rarely seen by modern Western eyes. This monumental work is the first complete encyclopedia of world anthology. Originally published in France by the famous house of Larousse, it contains of course all the well-loved myths of Classical Antiquity. But more than half the book is devoted to the strange and unfamiliar mythologies of civilizations...from Peru to Persia, from Tahiti to Togoland. Nearly 600 Illustrations.

    Recognize themes that appear in the myths of other lands (such as the story of Tristan and Iseult), and find the amazing reasons behind the parallels.

    Otto recreates the theological world of ancient Greek religion. Otto's provocative starting point is to accept the immanent reality of the gods. To understand the cult of Dionysus, it is necessary to reimagine the original vision of the god. Otto challenges us to understand the power of this vision not as a bloodless abstraction but as a force animating belief, to see the myth and art of Dionysus as a passionate search to regain the power of the lost god.

    The 26 stories of "Guleesh," "The Horned Women," "King O'Toole and His Goose," "The Sea-Maiden," "The Shee An Gannon and the Gruagach Gaire," "The Lad with the Goat-Skin," the legendary "Dierdre," "Beth Gellert," and the other wonderful characters, the curses and hexes, the broken promises and granted wishes are accompanied by eight full-page plates, 37 drawings, and decorated capitals and endpieces that help make this book the charming one that generations of youngsters have proclaimed it to be.

    You think you know Greek mythology? Mount Olympus was one rough zip code! Here is the gods'-honest truth about these lying lovers, beast-bearing dads, brawling bros, and evil shape-shifters, who ate their young with relish--and their siblings for dessert. WHAT'S INSIDE OH MY GODS? Olympians take on the Titans to rule the world!A dad swallows his kids to keep the peace!The original party animal rocks it like it's 1999 BCE!Hades welcomes you to the Underworld, where guests stay for eternity.

    Illustrated with woodcuts.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    The War Nerd takes on Homer in a new translation; a classic gory, funny, tragic story in today's language.

    Lavinia herself never speaks a word. Now, Ursula K. Le Guin gives Lavinia a voice in a novel that takes us to the half-wild world of ancient Italy, when Rome was a muddy village near seven hills. Lavinia grows up knowing nothing but peace and freedom, until suitors come. Her mother wants her to marry handsome, ambitious Turnus. But omens and prophecies spoken by the sacred springs say she must marry a foreigner--that she will be the cause of a bitter war--and that her husband will not live long. When a fleet of Trojan ships sails up the Tiber, Lavinia decides to take her destiny into her own hands. And so she tells us what Virgil did not: the story of her life, and of the love of her life. Lavinia is a book of passion and war, generous and austerely beautiful, from a writer working at the height of her powers.

    The author introduces the complex pantheon of Olympian gods and goddesses, describing their attributes, genealogies, and often comic relationships, and illustrates the personalities and their stories by drawing upon the artistry of the ancient culture which created them. A concluding chapter reviews the powerful and continuing imaginative legacy of Greek myth, from Botticelli to Freud.

    This magnificent book is a collection of stories, anecdotes, and legends from all six of the regions where celtic ways have persisted in the modern world.