With characteristic vigor and iconoclasm, Pound illustrates his precepts with exhibits meticulously chosen from the classics, and the concluding “Treatise on Meter” provides an illuminating essay for anyone aspiring to read and write poetry. The ABC of Reading emphasizes Pound's ability to discover neglected and unknown genius, distinguish originals from imitations, and open new avenues in literature for our time.

    A new reality—a "horror reality”—has taken hold. David Peak’s The Spectacle of the Void examines the boundaries of the irreal and the beyond, exploring horror’s singular ability to communicate the unknown through language and image. It is also a speculative work that gazes unflinchingly at the inevitable extinction of mankind, questioning whether or not the burden of our knowing we will someday cease to exist is a burden after all, or rather the very notion that will set us free.

    Beginning with its first publication as a cautionary tale on the perils of seduction, written in reaction to the licentiousness of the court of Louis XIV, Orenstein traces the many lives the tale has lived since then, from its appearance in modern advertisements for cosmetics and automobiles, the inspiration it brought to poets such as Anne Sexton, and its starring role in pornographic films. In Little Red Riding Hood Uncloaked, Red appears as seductress, hapless victim, riot grrrrl, femme fatale, and even she-wolf, as Orenstein shows how through centuries of different guises, the story has served as a barometer of social and sexual mores pertaining to women. Full of fascinating history, generous wit, and intelligent analysis, Little Red Riding Hood Uncloaked proves that the story of one young girl's trip through the woods continues to be one of our most compelling modern myths.

    The series of essays that follow, on figures central to Zambreno’s thinking, including Kathy Acker, David Wojnarowicz, and Barbara Loden, are manifestos about art that ingeniously intersect and chime with the stories that came before them.

    How does the spectacle of the sufferings of others (via television or newspapers) affect us? Are viewers inured--or incited--to violence by the depiction of cruelty? In Regarding the Pain of Others, Sontag takes a fresh look at the representation of atrocity--from Goya's The Disasters of War to photographs of the American Civil War, lynchings of blacks in the South, and the Nazi death camps, to contemporary horrific images of Bosnia, Sierra Leone, Rwanda, Israel and Palestine, and New York City on September 11, 2001. In Regarding the Pain of Others Susan Sontag once again changes the way we think about the uses and meanings of images in our world, and offers an important reflection about how war itself is waged (and understood) in our time.Features an analysis of our numbed response to images of horror. This title alters our thinking about the uses and meanings of images, and about the nature of war, the limits of sympathy, and the obligations of conscience.

    The art of fiction is considered under a wide range of headings, such as the Intrusive Author, Suspense, the Epistolary Novel, Time-shift, Magic Realism and Symbolism, and each topic is illustrated by a passage or two taken from classic or modern fiction. Drawing on writers as diverse as Henry James and Martin Amis, Jane Austen and Fay Weldon and Henry Fielding and James Joyce, David Lodge makes accesible to the general reader the richness and variety of British and American fiction. Technical terms, such as Interior Monologue, Metafiction, Intertextuality and the Unreliable Narrator, are lucidly explained and their applications demonstrated.Bringing to criticism the verve and humour of his own novels, David Lodge has provided essential reading for students of literature, aspiring writers, and anyone who wishes to understand how literature works.Beginning (Jane Austen, Ford Madox Ford) --The intrusive author (George Eliot, E.M. Forster) --Suspense (Thomas Hardy) --Teenage Skaz (J.D. Salinger) --The epistolary novel (Michael Frayn) --Point of view (Henry James) --Mystery (Rudyard Kipling) --Names (David Lodge, Paul Auster) --The stream of consciousness (Virginia Woolf) --Interior monologue (James Joyce) --Defamiliarization (Charlotte Bronte) --The sense of place (Martin Amis) --Lists (F. Scott Fitzgerald) --Introducing a character (Christopher Isherwood) --Surprise (William Makepeace Thackeray) --Time-shift (Muriel Spark) --The reader in the text (Laurence Sterne) --Weather (Jane Austen, Charles Dickens) --Repetition (Ernest Hemingway) --Fancy prose (Vladimir Nabokov) --Intertextuality (Joseph Conrad) --The experimental novel (Henry Green) --The comic novel (Kingsley Amis) --Magic realism (Milan Kundera) --Staying on the surface (Malcolm Bradbury) --Showing and telling (Henry Fielding) --Telling in different voices (Fay Weldon) --A sense of the past (John Fowles). Imagining the future (George Orwell) --Symbolism (D.H. Lawrence) --Allegory (Samuel Butler) --Epiphany (John Updike) --Coincidence (Henry James) --The unreliable narrator (Kazuo Ishiguro) --The exotic (Graham Greene) --Chapters etc. (Tobias Smollett, Laurence Sterne, Sil Walter Scott, George Eliot, James Joyce) --The telephone (Evelyn Waugh) --Surrealism (Leonora Carringotn) --Irony (Arnold Bennett) --Motivation (George Eliot) --Duration (Donald Barthelme) --Implication (William Cooper) --The title (George Gissing) --Ideas (Anthony Burgess) --The non-fiction novel (Thomas Carlyle) --Metafiction (John Barth) --The uncanny (Edgar Allen Poe) --Narrative structure (Leonard Michaels) --Aporia (Samuel Beckett) --Ending (Jane Austen, William Golding)

    Through three distinct yet interconnected sequences, Cathy Park Hong explores the collective consciousness of fictionalized boomtowns in order to explore the myth of prosperity. The first sequence, called "Ballad of Our Jim," draws inspiration from the Old West and follows a band of outlaw fortune seekers who travel to a California mining town during the 1800s. In the second sequence, "Shangdu, My Artful Boomtown!" a fictional industrialized boomtown draws its inspiration from present-day Shenzhen, China. The third and last section, "The World Cloud," is set in the far future and tracks how individual consciousness breaks up when everything—books, our private memories—becomes immediately accessible data. One of our most startlingly original poets, Hong draws together individual voices at odds with the world, voices that sing their wonder and terror.

    She invites us behind the scenes of novel-writing, sharing her own habits and spilling the secrets of her craft. And she offers priceless advice to aspiring authors. As she works her way through one hundred novels–from classics such as the thousand-year-old Tale of Genji to recent fiction by Zadie Smith and Alice Munro–she infects us anew with the passion for reading that is the governing spirit of this gift to book lovers everywhere.

    In this fast-paced world in which we live, things are set up for maximum speed and efficiency. Technology is now moving faster than ever before. Smartphones are so cutting edge that they allow news events to arrive seconds after they actually occur. We are so used to everything moving at lightning speed, that we have a very hard time adjusting to the slower pace that God likes to work things out. Dazed and confused we look for answers in all the wrong places. Our life becomes directed by fear instead of faith. We grow disheartened. Our faith can weaken. If you watch a seed grow you will not see much change from one day to the next. Although without water and care it will die. Faith is no different. There are perfect times in your future. When your life will blossom. All that God asks is for you to wait for them to be revealed. Thing is, we do not like to wait. Many times when life is not going as we like, we force things to happen. God's timing is not good enough for us. Pushing life is like digging up a seed to check if it has germinated, this may sound crazy but this is exactly what people do when they don't wait for Gods timing. We pray. We have faith. But, we lack an essential ingredient? Often we need to be reminded of the fruits that come from waiting. If you learn to wait for God’s timing, your life will overflow with grace. Surely that is not for me? Yes, it can be. Within these pages, I will share with you what scripture says about waiting for Gods timing. Powerful. Stories of those that listened and also those that did not. Enlightening. It is so easy to get carried away with life. Forgetting what is important. Casting the truth to one side. I welcome you to take this journey with me and leave your stressful life behind. Surrender. Trust Gods perfect timing, and you will be given the desires of your heart.

    Here, he contributes a new epilogue to his collection of classic lectures on the relationship of fiction to age-old concepts of apocalyptic chaos and crisis. Prompted by the approach of the millennium, he revisits the book which brings his highly concentrated insights to bear on some of the most unyielding philosophical and aesthetic enigmas. Examining the works of writers from Plato to William Burrows, Kermode shows how they have persistently imposed their "fictions" upon the face of eternity and how these have reflected the apocalyptic spirit. Kermode then discusses literature at a time when new fictive explanations, as used by Spenser and Shakespeare, were being devised to fit a world of uncertain beginning and end. He goes on to deal perceptively with modern literaturewith "traditionalists" such as Yeats, Eliot, and Joyce, as well as contemporary "schismatics," the French "new novelists," and such seminal figures as Jean-Paul Sartre and Samuel Beckett. Whether weighing the difference between modern and earlier modes of apocalyptic thought, considering the degeneration of fiction into myth, or commenting on the vogue of the Absurd, Kermode is distinctly lucid, persuasive, witty, and prodigal of ideas.

    It's the art of anticipating your opponent's next moves, knowing full well that your rival is trying to do the same thing to you. Though parts of game theory involve simple common sense, much is counterintuitive, and it can only be mastered by developing a new way of seeing the world. Using a diverse array of rich case studies—from pop culture, TV, movies, sports, politics, and history—the authors show how nearly every business and personal interaction has a game-theory component to it. Are the winners of reality-TV contests instinctive game theorists? Do big-time investors see things that most people miss? What do great poker players know that you don't? Mastering game theory will make you more successful in business and life, and this lively book is the key to that mastery.

    Drawing from his unique cultural vision, Žižek brings new light to the Paris riots of 2005; he questions the permissiveness of violence in philanthropy; in daring terms, he reflects on the powerful image and determination of contemporary terrorists.Violence, Žižek states, takes three forms--subjective (crime, terror), objective (racism, hate-speech, discrimination), and systemic (the catastrophic effects of economic and political systems)--and often one form of violence blunts our ability to see the others, raising complicated questions.Does the advent of capitalism and, indeed, civilization cause more violence than it prevents? Is there violence in the simple idea of "the neighbour"? And could the appropriate form of action against violence today simply be to contemplate, to think?Beginning with these and other equally contemplative questions, Žižek discusses the inherent violence of globalization, capitalism, fundamentalism, and language, in a work that will confirm his standing as one of our most erudite and incendiary modern thinkers.

    She has won many literary awards, her work has been translated into twenty-two languages, her novel The Handmaid'sTale was adapted for the screen by Harold Pinter, and her most recent book, The Robber Bride, was on the New York Times bestseller list (in cloth and paper) for months. In Strange Things, Atwood turns to the literary imagination of her native land, as she explores the mystique of the Canadian Northand its impact on the work of writers such as Robertson Davies, Alice Munroe, and Michael Ondaatje. Here readers will delight in Atwood's stimulating discussion of stories and storytelling, myths and their recreations, fiction and fact, and the weirdness of nature. In particular, she looks at three legends of the Canadian North. She describes the mystery of the disastrous Franklin expedition inwhich 135 people disappeared into the uncharted North. She examines the Grey Owl syndrome of white writers who turn primitive. And she looks at the terrifying myth of the cannibalistic, ice-hearted Wendigo--the gruesome Canadia snow monster who can spot the ice in your own heart and turn you intoa Wendigo. Atwood shows how these myths have fired the literary imagination of her native Canada and have deeply colored essential components of its literature. And in a moving, final chapter, she discusses how a new generation of Canadian women writers have adapted the imagery of the North toexplore contemporary themes of gender, the family, and sexuality. Written with the delightful style and narrative grace which will be immediately familiar to all of Atwood's fans, this superbly crafted and compelling portrait of the mysterious North is at once a fascinating insight into the Canadian imagination, and an exciting new work from an outstandingliterary presence.

    Sometimes we tell these stories to make people laugh. Sometimes we tell them to make people think. Sometimes we tell them so we can increase the chances we'll see the other person naked.Paul Shirley's stories are about an adulthood spent all over the world: living in Spain, playing in the NBA, and having his heart (and spleen) broken. But they're also stories about growing up in small-town Kansas: triumphant spelling bees, catastrophic middle school dances, and a Sex Ed. class taught by his mother.They're funny stories. They're vulnerable stories. Most of all, they're universal stories, just as the stories we tell on dates should be.

    He reveals that the key to manifesting God’s power is understanding this one essential key—how to let God’s anointing rest upon you! In this exciting book, featuring previously unpublished material, Wigglesworth shares Bible secrets that will help unlock the anointing within you and show you how to operate in a greater expression of God’s miraculous power!  You will learn how to: release God’s anointing to bring healing, deliverance, and miracles. live a lifestyle that hosts the Holy Spirit and operates in His gifts. access the infinite resources of God within you and draw strength, power, and faith. make the supernatural natural in your everyday life. Receive revelatory insights from this respected pioneer of the miraculous. Discover how this anointing will impact your life and change your world through releasing the Holy Spirit’s supernatural power!