Deflecting interference from the State Department and the Bureau of Alcohol, Tobacco, Firearms and Explosives, the story of Defense Distributed—where Wilson’s employees work against all odds to defend liberty and the right to access arms through the production of 3D printed firearms—takes us across continents, into dusty warehouses and high rise condominiums, through television studios, to the Texas desert, and beyond.Harkening to both Zen and the Art of Motorcycle Maintenance and The Anarchist Cookbook, Come and Take It follows a group of digital radicals as they navigate political subterfuge to create a technological miracle, against all odds. Combining elements of a modern-day thriller with a fascinating philosophical treatise, Wilson paints a scathing and timely portrait of an ideologically polarized America and his own struggle in the fight for liberty.

    M. Forster's Aspects of the Novel and Milan Kundera's The Art of the Novel, How Fiction Works is a scintillating study of the magic of fiction--an analysis of its main elements and a celebration of its lasting power. Here one of the most prominent and stylish critics of our time looks into the machinery of storytelling to ask some fundamental questions: What do we mean when we say we "know" a fictional character? What constitutes a telling detail? When is a metaphor successful? Is Realism realistic? Why do some literary conventions become dated while others stay fresh?James Wood ranges widely, from Homer to Make Way for Ducklings, from the Bible to John le Carré, and his book is both a study of the techniques of fiction-making and an alternative history of the novel. Playful and profound, How Fiction Works will be enlightening to writers, readers, and anyone else interested in what happens on the page.

    It's even bemoaned by poets: "I, too, dislike it," wrote Marianne Moore. "Many more people agree they hate poetry," Ben Lerner writes, "than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore."In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defense of the art. He examines poetry's greatest haters (beginning with Plato's famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible.

    At the turn of the millennium, we are witnessing the emergence of a vital--perhaps viral--new strain of female poetics: the "Gurlesque," a term that describes writers who perform femininity in their poems in a campy or overtly mocking manner, risking the grotesque to shake the foundations of acceptable female behavior and language. Built from the bric-a-brac of girl culture, these works charm and repel: this work is fun, subversive, and important. Poets include Brenda Coultas, Brenda Shaghnessy, Cathy Park Hong, Matthea Harvey, and Sarah Vap.

    What is spiritual direction and my spiritual direction? What are my “blind spots” and how can I uncover them? What keeps me from all the spiritual riches Christ has for me? How can I better understand where I am in my spiritual progress? Daniel Burke’s Navigating the Interior Life will give you the tools you need to understand how and why we grow and die in the spiritual life and what we can do about it.

    and bags of laughs too! A love story with a twist in its very waggy tail. I think Alice Wright is really Bridget Bones! Forget Hugh Grant or Colin Firth though, her dog is a much better love interest (and he’s a proper Boxer!)If you’re contemplating settling down with a good dog, read this first and if it doesn’t put you off then you’ll be fine. Already had your heart stolen by a dog? You’ll definitely recognise the dogification of your wardrobe, the permanent damage to your flooring and especially the gritty bed linen!What a page-turner. I Loved it.”Beverley Cuddy, Editor DOGS TODAY MAGAZINE"Incredibly honest, genuine and captivating... a real life take on modern day doggie living. It is brutally honest yet heart-warmingly brilliant. A must for all animal fans."Jessica Brown, PETS MAGAZINEWhat happens when you drop a big, bouncing Boxer dog into the life of a glamorous girl about town? Alice Wright reveals all in her dog-memoir with a difference...Alice's busy life consists of 'parties, premieres and private members clubs' and she loves it! She certainly doesn't want the responsiblity of a partner or a pooch but seems to end up with more than she bargained for in this very funny but incredibly personal memoir about modern dog ownership.Set in the streets of Soho and the parks of North London HANDBAGS AND POOBAGS reveals why you should never wear a long cashmere scarf when poop scooping and how to hide a dog under a barstool and in the back of a taxi-cab. A bit different from the traditional pet-memoir this warm, touching real life tale is full of embarrassing anecdotes and surprising discoveries as Alice realises that owning a dog changes not only her lifestyle but her life.See facebook.com/handbagsandpoobags for updates and photos!

    While Hollywood regularly cashes in on teenage anxiety through its Scream franchise, pharmaceutical companies churn out new drugs such as Paxil to combat newly diagnosed anxieties.On Anxiety takes a fascinating, psychological plunge behind the scenes of our panic stricken culture and into anxious minds, asking who and what is responsible. Putting anxiety on the couch, Renata Salecl asks some much-needed questions: Is anxiety about the absence of authority or too much of it? Do the media report anxiety or create it? Are drugs a cure for anxiety or its cause? Is anxiety about being yourself or someone else, and is anxiety really the ultimate obstacle to happiness? Drawing on vivid examples from films such as the X Files and Cyrano de Bergerac, drugs used on soldiers to combat anxiety, the anxieties of love and motherhood, and fake Holocaust memoirs, Renata Salecl argues that what really produces anxiety is the attempt to get rid of it. Erudite and compelling, On Anxiety is essential reading for anyone interested in philosophy, psychology and the cultural phenomenon of anxiety today.

    Myung Mi Kim's language is pure and commanding and brings us to a place of grieving we have needed to acknowledge" (Kathleen Fraser). In "Under Flag," winner of the 1991 Multicultural Publishers Book Award, Myung Mi Kim writes in a stark, unflinching voice that alternately drives to the core of painful subject matter and backs off to let beauty speak for itself: "Save the water from rinsing rice for sleek hair / This is what the young women are told, then they're told / Cut off this hair that cedar combs combed / Empty straw sacks and hide under them / Enemy soldiers are approaching..." ("Body As One As History"). The cumulative effect is, according to Ammiel Alcalay, "a poetics which resists being neutralized or categorized."

    One minute we were living life and doing our thing, the next, most of us were advised to stay at home for a month or more.

    The original structure of the book has been improved and new material has been added, including extracts from the writings of Marx, Freud, and de Beauvoir, and a new section devoted to contemporary critical debates and issues.

    But the truth is different: literature and art are pathways of feeling, and our encounter with them is social, inscribing us in a larger community.... Through art we discover that we are not alone.”So writes the esteemed Brown University professor Arnold Weinstein in this brilliant, radical exploration of Western literature. In the tradition of Harold Bloom and Jacques Barzun, Weinstein guides us through great works of art, to reveal how literature constitutes nothing less than a feast for the heart. Our encounter with literature and art can be a unique form of human connection, an entry into the storehouse of feeling.Writing about works by Sophocles, Shakespeare, Dickens, Charlotte Brontë, Munch, Proust, O’Neill, Burroughs, DeLillo, Tony Kushner, Toni Morrison, and others, Weinstein explores how writers and artists give us a vision of what human life is really all about. Reading is an affair of the heart as well as of the mind, deepening our sense of the fundamental forces and emotions that govern our lives, including fear, pain, illness, loss, depression, death, and love.Provocative, beautifully written, essential, A Scream Goes Through the House traces the human cry that echoes in literature through the ages, demonstrating how intense feelings are heard and shared. With intellectual insight and emotional acumen, Weinstein reveals how the scream that resounds through the house of literature, history, the body, and the family shows us who we really are and joins us together in a vast and timeless community.From the Hardcover edition.

    'Can't I be my own dream?' she asks. The answer is always yes and always no. With dizzying energy and intelligence, Zhang forages through familial, global, and even anatomical configurations vainly outlining an identity that manifests only to shift and move restlessly on. This book brings to mind a 21st century Whitman, only female, Chinese, and profoundly scatological."—Elizabeth RobinsonAuthor City: BROOKLYN, NY USAJenny Zhang was born in Shanghai and raised in New York. She is a graduate of Stanford University and The Iowa Writers' Workshop. DEAR JENNY, WE ARE ALL FIND is her first book.

    The tiny mountain town of Vesper Falls knows it, but more importantly, his son Kevin knows it. Haunted by soul-ripping guilt and fiercely despised by his son, Jack turns to the bottle while Kevin turns to crime. But three years behind bars does nothing to dull the hate he feels toward his father. Desperate to reconnect, Jack takes Kevin on a hunting trip to Scar Lake, arranged by a preacher with his own emotional scars. But there is something wicked in the woods that doesn’t care about emotions—it only cares about death and torment. The hunters become the hunted as small town secrets are dragged from the darkness and Jack finds himself facing an impossible choice as his son’s life hangs in the balance. Gristle is a brutal, bloody, briskly-paced novel of redemption, sacrifice, and backwoods horror in the classic tradition of The Hills Have Eyes and Wrong Turn.

    It is the story of a proper man, an upstanding citizen who comes to epitomize the decorous values of his New York suburban town. Yet as his story unfolds, precipitated by events that take place around him, we see his life begin to unravel. Courteous, honest, hardworking, and impenetrable, Franklin Hata, a Japanese man of Korean birth, is careful never to overstep his bounds. He makes his neighbors feel comfortable in his presence, keeps his garden well tended, bids his customers good-bye at the doorway to his medical supply shop, and ignores the taunts of local boys. Now facing his retirement years alone, Hata begins to reflect on the price he's had to pay for living this quiet "gesture life."After suffering minor injuries in an accidental fire, he remembers the painful, failed relationships of his past; with Mary Burns, a widow with whom he had an affair, and with Sunny, a Korean girl he adopted when she was seven, who is now a grown woman he hasn't spoken to or seen in years. As Hata recalls the strained, troubled relationship with Sunny, he begins to understand why his daughter, unlike himself, "felt no more at home in this town, or in this house of mine, or perhaps even with me, than when she first arrived at Kennedy Airport."Unknown to Sunny, there is a secret that has shaped the core of Hata's being; his terrible, forbidden love for a young Korean woman from his past. Serving as a medic in the Japanese army during World War II, Hata was assigned the task of overseeing the female "volunteers; women taken against their will to provide sexual favors for the men in the battalion. One of these "comfort women" he came to love. These remembrances, tinged with grief and regret, ultimately draw Hata once again to his daughter; and help him begin to attain a more truthful understanding of himself.

    Shields evokes his deeply divided personality (his “ridiculous” ambivalence), his character flaws, his woes, his serious despairs. Books are his life raft, but when they come to feel un-lifelike and archaic, he revels in a new kind of art that is based heavily on quotation and consciousness. And he shares with us a final irony: he wants “literature to assuage human loneliness, but nothing can assuage human loneliness. Literature doesn’t lie about this––which is what makes it essential.”