Step into a world of star-crossed lovers, magical winds, mischievous giants, and trolls, through some of the most exquisite illustrations in publishing history. In this gorgeous reprint, TASCHEN revives the most ambitious publication project of beloved Danish artist Kay Nielsen, one of the most famous children’s book illustrators of all time.First published in 1914, East of the Sun and West of the Moon is a celebrated collection of fifteen fairy tales, gathered by legendary Norwegian folklorists Peter Christen Asbjørnsen and Jørgen Engebretsen Moe on their journeys across Norway in the mid-nineteenth century. Nielsen’s illustration edition of Asbjørnsen and Moe’s tales is considered a jewel of early 20th-century children's literature, highly sought-after by art and book collectors worldwide. An original signed copy of the book sold at auction in 2008 commanded the highest price ever paid for an illustrated children’s book.This finely crafted reprint restores the stunning detail and artistry of Nielsen’s images to their original splendor. Featuring 46 illustrations, including many enlarged details from Nielsen’s rare original watercolors, the book is printed in five colors with a lovingly designed slipcase. Three accompanying essays, illustrated with dozens of rare and previously unseen artworks by Nielsen, explore the history of Norwegian folktales, Nielsen’s life and work, and how this masterpiece came to be.

    This collection includes Elsa Beskow's "When Mother Troll Took in the King's Washing"; "The Magician's Cape" by Anna Wahlenberg; "The Seven Wishes" by Alfred Smedberg; "The Ring" by Helena Nyblom; "Stalo and Kauras" by PA. Lindholm; and "The Maiden in the Castle of Rosy Clouds" by Harald Ostenson.

    Illustrated with woodcuts.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    This reissue of a favorite classic, with the original story and illustrations as they first appeared in 1922, will work its magic for all who read it.

    What would you do if you were invited to the princess’s tenth birthday party but didn’t have money for a gift? Well, clever Jack decides to bake the princess a cake.Now he just has to get it to the castle in one piece. What could possibly go wrong?Candace Fleming and G. Brian Karas, creators of the bestselling picture book Muncha! Muncha! Muncha!, have teamed up again to bring us a modern fairy tale starring a determined boy and a story-loving princess with a good sense of humor. While girls will fall for a story featuring a princess’s birthday party, Jack’s adventures with trolls, bears, and gypsies make this the perfect read for young boys as well—and ideal for storytime.

    Ganesha is just like any other kid, except that he has the head of an elephant and rides around on a magical mouse. And he loves sweets, especially the traditional dessert laddoo. But when Ganesha insists on biting into a super jumbo jawbreaker laddoo, his tusk breaks off! Ganesha is terribly upset, but with the help of the wise poet Vyasa, and his friend Mr. Mouse, he learns that what seems broken can actually be quite useful after all. With vibrant, graphic illustrations, expressive characters, and offbeat humor, this is a wonderfully inventive rendition of a classic tale.

    On her way to deliver a basket of food to her sick grandmother, Elisabeth encounters a sly wolf.Book Details: Format: Library Binding Publication Date: 6/1/1982 Pages: 32 Reading Level: Age 5 and Up

    The spunky girls in these ten entertaining and inspiring stories are much too busy saving the day to wait around for Prince Charming.

    Humorous, finely detailed pen-and-ink illustrations bring this timeless tale to life.

    Illuminated by Star’s rays, Fox forages for food, runs with the rabbits, and dances in the rain—until Star suddenly goes out and life changes, leaving Fox huddling for warmth in the unfamiliar dark. To find his missing Star, Fox must embark on a wondrous journey beyond the world he knows—a journey lit by courage, newfound friends, and just maybe, a star-filled new sky. Inspired by the Arts and Crafts movement and the art of William Blake, The Fox and the Star is a heartwarming, hopeful tale which comes alive through Bickford-Smith’s beloved illustrations, guiding readers both young and grown to “look up beyond your ears.”

    Creation myths tell us how the land, its animals, and its people all came into existence under a punishing sun or against the backdrop of a spectacularly beautiful mountain landscape. Whether warning children about the dangers of disobedience or demonstrating that the underdog can, and often does, win, these stories, through their depiction of wise animals as well as evil monsters, are universal in their portrayal of humanity, beasts, and the mystical. Translated from their original languages—Karanga, Nguni, Xhosa, and many others—these folktales are a testament to the craft of storytelling and the power of myth.

    Aesop was reputedly a tongue-tied slave who miraculously received the power of speech; from his legendary storytelling came the collections of prose and verse fables scattered throughout Greek and Roman literature. First published in English by Caxton in 1484, the fables and their morals continue to charm modern readers: who does not know the story of the tortoise and the hare, or the boy who cried wolf?

    This witty and charming collection of ten short fantasies includes a story, set in the Enchanted Forest, about Queen Cimorene's Frying Pan of Doom; a zany yarn about a magical blue chipmunk with a passion for chestnuts; and an eerie tale of a caliph who turns his vizier's daughter into a wolf.

    Enjoy the rich mythical history of Ireland from the arrival of the Tuatha De Danann on the island and their great battles with the Fomorians, right up to the modern day fairy tales of Irish storytelling. Including the Ulster Cycle, The Fenian Cycle and featuring heroes such as Cúchulainn and Fionn Mac Cumhaill and many traditional favourites such as The Children of Lir.