It all began one horrific night in 1993, when Arab raiders swept through her Nuba village, murdering the adults and rounding up thirty-one children, including Mende. Mende was sold to a wealthy Arab family who lived in Sudan's capital city, Khartoum. So began her dark years of enslavement. Her Arab owners called her "Yebit," or "black slave." She called them "master." She was subjected to appalling physical, sexual, and mental abuse. She slept in a shed and ate the family leftovers like a dog. She had no rights, no freedom, and no life of her own. Normally, Mende's story never would have come to light. But seven years after she was seized and sold into slavery, she was sent to work for another master—a diplomat working in the United Kingdom. In London, she managed to make contact with other Sudanese, who took pity on her. In September 2000, she made a dramatic break for freedom.Slave is a story almost beyond belief. It depicts the strength and dignity of the Nuba tribe. It recounts the savage way in which the Nuba and their ancient culture are being destroyed by a secret modern-day trade in slaves. Most of all, it is a remarkable testimony to one young woman's unbreakable spirit and tremendous courage.

    David Livingstone? The New York Times bestselling coauthor of Survivor: The Ultimate Game investigates in this thrilling account.With the utterance of a single line--"Doctor Livingstone, I presume?"--a remote meeting in the heart of Africa was transformed into one of the most famous encounters in exploration history. But the true story behind Dr. David Livingstone and journalist Henry Morton Stanley is one that has escaped telling. Into Africa is an extraordinarily researched account of a thrilling adventure--defined by alarming foolishness, intense courage, and raw human achievement.In the mid-1860s, exploration had reached a plateau. The seas and continents had been mapped, the globe circumnavigated. Yet one vexing puzzle remained unsolved: what was the source of the mighty Nile river? Aiming to settle the mystery once and for all, Great Britain called upon its legendary explorer, Dr. David Livingstone, who had spent years in Africa as a missionary. In March 1866, Livingstone steered a massive expedition into the heart of Africa. In his path lay nearly impenetrable, uncharted terrain, hostile cannibals, and deadly predators. Within weeks, the explorer had vanished without a trace. Years passed with no word.While debate raged in England over whether Livingstone could be found--or rescued--from a place as daunting as Africa, James Gordon Bennett, Jr., the brash American newspaper tycoon, hatched a plan to capitalize on the world's fascination with the missing legend. He would send a young journalist, Henry Morton Stanley, into Africa to search for Livingstone. A drifter with great ambition, but little success to show for it, Stanley undertook his assignment with gusto, filing reports that would one day captivate readers and dominate the front page of the New York Herald.Tracing the amazing journeys of Livingstone and Stanley in alternating chapters, author Martin Dugard captures with breathtaking immediacy the perils and challenges these men faced. Woven into the narrative, Dugard tells an equally compelling story of the remarkable transformation that occurred over the course of nine years, as Stanley rose in power and prominence and Livingstone found himself alone and in mortal danger. The first book to draw on modern research and to explore the combination of adventure, politics, and larger-than-life personalities involved, Into Africa is a riveting read.

    In this daring novel, the author gives a startling account of the inner workings of contemporary South African urban culture. In doing so, he ventures into unexplored areas and takes local writing in English to places it hasn't been before. The Quiet Violence of Dreams is set in Cape Town's cosmopolitan neighbourhoods - Observatory, Mowbray and Sea Point - where subcultures thrive and alternative lifestyles are tolerated. The plot revolves around Tshepo, a student at Rhodes, who gets confined to a Cape Town mental institution after an episode of 'cannabis-induced psychosis'. He escapes but is returned to the hospital and completes his rehabilitation, earns his release - and promptly terminates his studies. He now works as a waiter and shares an apartment with a newly released prisoner. The relationship with his flatmate deteriorates and Tshepo loses his job at the Waterfront. Desperate for an income, he finds work at a male massage parlour, using the pseudonym Angelo. The novel explores Tshepo-Angelo's coming to consciousness of his sexuality, sexual orientation, and place in the world. lifestyle and set of experiences are explored - that of a young black woman who gets involved with a disabled German student who does not want to commit to marriage, despite Mmabatho's unplanned pregnancy.

    As a child she witnessed the upheavals of post-colonial Africa, danger, flight, the bitterness or exile in Britain and the terrible consequences of her dissident father’s stand against tyranny.Mohamed Forna was a man of unimpeachable integrity and enchanting charisma. As Sierra Leone faced its future as a fledgling democracy, he was a new star in the political firmament, a man who had been one of the first black students to come to Britain after the war. He stole the heart of Aminatta’s mother to the dismay of her Presbyterian parents and returned with her to Sierra Leone. But as Aminatta Forna shows with compelling clarity, the old Africa was torn apart by new ways of western parliamentary democracy, which gave birth only to dictatorships and corruption of hitherto undreamed-of magnitude. It was not long before Mohamed Forna languished in jail as a prisoner of conscience, and worse to follow.Aminatta’s search for the truth that shaped both her childhood and the nation’s destiny began among the country’s elite and took her into the heart of rebel territory. Determined to break the silence surrounding her father’s fate, she ultimately uncovered a conspiracy that penetrated the highest reaches of government and forced the nation’s politicians and judiciary to confront their guilt. The Devil that Danced on the Water is a book of pain and anger and sorrow, written with tremendous dignity and beautiful precision: a remarkable, and important, story of Africa.

    We wish to be the heirs of all the revolutions of the world, of all the liberation struggles of the peoples of the Third World. We draw the lessons of the American revolution. The French revolution taught us the rights of man. The great October revolution brought victory to the proletariat and made possible the realization of the Paris Commune's dreams of justice. --Thomas Sankara, October 1984. Thomas Sankara led the revolution of 1983 to 1987 in Burkina Faso. In the five speeches contained in this pamphlet, he explains how the peasants and workers of this West African country established a popular revolutionary government and began to fight the hunger, illiteracy and economic backwardness imposed by imperialist domination, and the oppression of women inherited from millennia of class society. In so doing, they have provided an example not only to the workers and small farmers of Africa, but to those of the entire world.

    This "entertaining and enchanting" work (Washington Post Book World) chronicles how Watson's fascination grew into a lifelong quest to understand the nature and behavior of this impressive creature.From that moment on, Watson's fascination grew into a lifelong obsession with understanding the nature and behavior of this impressive creature. Around the world, the elephant—at once a symbol of spiritual power and physical endurance—has been worshipped as a god and hunted for sport."Watson's insights and speculations are dazzling, but what lends them power is his extraordinary knowledge of evolutionary biology and animal behavior, ethnography and South African history" (Wade Davis, National Geographic Society). "Like a shaman, Watson conjures up the spirit of the massive beast" (Publishers Weekly), documents the animal's wide-ranging capabilities to remember and to mourn, and reminds us of its rich mythic origins, its evolution, and its devastation in recent history. Part meditation on an elusive animal, part evocation of the power of place, Elephantoms presents an alluring mix of the mysteries of nature and the wonders of childhood.

    policy toward the continent. Piero Gleijeses's fast-paced narrative takes the reader from Cuba's first steps to assist Algerian rebels fighting France in 1961, to the secret war between Havana and Washington in Zaire in 1964-65--where 100 Cubans led by Che Guevara clashed with 1,000 mercenaries controlled by the CIA--and, finally, to the dramatic dispatch of 30,000 Cubans to Angola in 1975-76, which stopped the South African advance on Luanda and doomed Henry Kissinger's major covert operation there. Based on unprecedented archival research and firsthand interviews in virtually all of the countries involved--Gleijeses was even able to gain extensive access to closed Cuban archives--this comprehensive and balanced work sheds new light on U.S. foreign policy and CIA covert operations. It revolutionizes our view of Cuba's international role, challenges conventional U.S. beliefs about the influence of the Soviet Union in directing Cuba's actions in Africa, and provides, for the first time ever, a look from the inside at Cuba's foreign policy during the Cold War."Fascinating . . . and often downright entertaining. . . . Gleijeses recounts the Cuban story with considerable flair, taking good advantage of rich material.--"Washington Post Book World""Gleijeses's research . . . bluntly contradicts the Congressional testimony of the era and the memoirs of Henry A. Kissinger. . . . After reviewing Dr. Gleijeses's work, several former senior United States diplomats who were involved in making policy toward Angola broadly endorsed its conclusions.--"New York Times""With the publication of "Conflicting Missions," Piero Gleijeses establishes his reputation as the most impressive historian of the Cold War in the Third World. Drawing on previously unavailable Cuban and African as well as American sources, he tells a story that's full of fresh and surprising information. And best of all, he does this with a remarkable sensitivity to the perspectives of the protagonists. This book will become an instant classic.--John Lewis Gaddis, author of "We Now Know: Rethinking Cold War History"Based on unprecedented research in Cuban, American, and European archives, this is the compelling story of Cuban policy in Africa from 1959 to 1976 and of its escalating clash with U.S. policy toward the continent. Piero Gleijeses sheds new light on U.S. foreign policy and CIA covert operations, revolutionizes our view of Cuba's international role, and provides the first look from the inside at Cuba's foreign policy during the Cold War.

    Once the tourists were out of sight, their leader rose and gestured that the others should follow. Their destination lay thirteen kilometres to the east–Logans Island Lodge.' As the last guests of summer are welcomed to a luxury lodge in Etosha National Park, Namibia, thoughts are predominantly on the three-month break ahead.Camping in the park nearby, Professor Eben Kruger has his work cut out keeping the attention of the university students in his charge on the behavioural habits of the cunning jackal. Not one could ever be prepared for the horrendous events about to take place.Each will be pushed to breaking point as the quest for survival becomes the only thing that matters.

    But word has come that the slavers are on their way! Abikanile looks to her mother and her grandmother for strength and guidance. These two brave women come up with a plan to fool the slavers and protect their tribe. But as the villagers retreat into the forest, Abikanile finds that she too has the courage to help her people stay safe and free.

    In the course of his epic and enlightening journey, he endures danger, delay, and dismaying circumstances.Gauging the state of affairs, he talks to Africans, aid workers, missionaries, and tourists. What results is an insightful mediation on the history, politics, and beauty of Africa and its people.In a new postscript, Theroux recounts the dramatic events of a return to Africa to visit Zimbabwe.

    Tony, a senior police officer in Maputo, has apparently been supporting four other families for many years. Rami remains calm in the face of her husband's duplicity and plots to make an honest man out of him. After Tony is forced to marry the four other women--as well as an additional lover--according to polygamist custom, the rival lovers join together to declare their voices and demand their rights. In this brilliantly funny and feverishly scathing critique, a major work from Mozambique's first published female novelist, Paulina Chiziane explores her country's traditional culture, its values and hypocrisy, and the subjection of women the world over.

    

    Covering all resident, migrant, and vagrant birds of Kenya, Tanzania, Uganda, Rwanda, and Burundi, this small and compact guide describes and illustrates a remarkable 1,388 species in convenient facing-page layout. Featuring 287 new color plates with 3,400 images painstakingly rendered by three experienced artists, the guide illustrates all the plumages and major races likely to be encountered. Set opposite the plates are range maps and concise accounts describing identification, status, range, habits, and voice for each species. Introductory sections provide notes on how to use the species accounts, the nomenclature adopted, conservation issues, where to send records, and maps of protected and other important bird areas.Between them, Terry Stevenson and John Fanshawe have more than 40 years' experience leading bird tours and conducting conservation work in East Africa. The region shelters a remarkable diversity of birds, including many seriously threatened species with small and vulnerable ranges. The region's birds form a constantly colorful, noisy, and highly extroverted part of the landscape. The book is sure to become an indispensable guide for anyone interested in studying or conserving birds in East Africa, as well as the many visitors who simply want to enjoy the sheer beauty of its birds.First comprehensive field guide to the countries of Kenya, Tanzania, Uganda, Rwanda, and BurundiCovers 1,388 species, with 3,400 color images on 287 platesConcise species accounts facing the plates describe appearance, status, range, habits, and voiceA color distribution map is given for each speciesInformation on habitats, protected areas, and conservation issuesThe essential guide to the birds of this spectacular region

    The illustrations have labels highlighting diagnostic features, and many birds are depicted in flight as well as still. Special attention is given to plumage variation by age, sex, and season.The informative text, written by eminent ornithologists, is fully integrated with the color plates to facilitate use in the field. Detailed species accounts emphasize the essential characteristics of each bird, including information on behavior, calls, and habitat preferences.All species names and divisions are in line with the latest recommendations of the International Ornithological Committee, while well-known and local common names are also included. Both beginners and advanced birders will appreciate the regional checklist, quick reference guides, and excellent family summaries. Up-to-date distribution maps feature dual shading to indicate areas of low and high abundance, while cross-referencing is made easy with color coding and a simple numbering system.Absolutely up-to-date and both beautifully and comprehensively illustrated, this field guide is a terrific reference as well as a superb visual record of the rich variety of a region that is home to one-tenth of all bird species.

    It is in the heart of the southern midlands of KwaZulu-Natal, Alan Paton country, and it is true that “… from there, if there is no mist, you look down on one of the fairest scenes of Africa.” Later I will tell you more about that landscape, and of how it changed during the course of my investigations; a spectacular backdrop of giant shapes and colours when I first saw it, a myriad dramas of human anger and violence when I left …’In the spring of 1999, in the beautiful hills of the Kwa-Zulu-Natal midlands, a young white farmer is shot dead on the dirt road running from his father’s farmhouse to his irrigation fields. The murder is the work of assassins rather than robbers; a single shot behind the ear, nothing but his gun stolen, no forensic evidence like spent cartridges or fingerprints left at the scene.Journalist Jonny Steinberg travels to the midlands to investigate. Local black workers say the young white man had it coming. The dead man’s father says that the machinery of a political conspiracy has been set into motion, that he and his neighbours are being pushed off their land.Initially thinking that he is to write about an event in the recent past, Steinberg finds that much of the story lies in the immediate future. He has stumbled upon a festering frontier battle, the combatants groping hungrily for the whispers and lies that drift in from the other side. Right from the beginning, it is clear that the young white man is not the only one who will die on that frontier, and that the story of his and other deaths will illuminate a great deal about the early days of post-apartheid South Africa.Sifting through the betrayals and the poisoned memories of a century-long relationship between black and white, Steinberg takes us to a part of post-apartheid South Africa we fear to contemplate.Midlands is about the midlands of the heart and mind, the midlands between possession and dispossession, the midlands between the past and present, myth and reality. Midlands is a tour de force of investigative journalism.

    Featuring full-color photos of 475 common species of bird, mammal, snake, lizard, insect, tree, and flower, Wildlife of East Africa takes us on an exquisite one-volume tour through the living splendor of the main national parks and game reserves of Kenya, Tanzania, and Uganda. Many of the species included--from pelicans to plovers, ostriches to elephants, from the daintiest of antelopes to cattlelike giants, from leopards to lions, baboons to gorillas, chameleons to crocodiles, acacias to aloes--also inhabit neighboring countries. The selection was based on the personal experiences of the authors, wildlife experts who have been leading safaris in the region for more than twenty years.Each species is illustrated with a photo and a detailed entry on the facing page; the text is commendably rich for such a compact guide. This information enables the particular animal or plant to be identified by such traits as size, plumage or pelage, color, and shape. An opening section on wildlife photography provides helpful tips on the best type of camera, film, and lenses to use, techniques, and codes of conduct. Wildlife of East Africa is a must for anyone considering a first-hand look at, or simply daydreaming of, the elegant, enormous, or exotic wildlife of East Africa. Covers the main parks and reserves of Kenya, Tanzania, and Uganda, plus surrounding countries 475 common species of bird, mammal, snake, lizard, insect, tree, and flower--from ostriches to elephants, leopards to lions, baboons to gorillas, chameleons to crocodiles, acacias to aloes Full-color photographs and detailed entries describing each species Written and illustrated by wildlife experts who have been leading safaris in East Africa for more than 20 years Tips on wildlife photography, techniques, and codes of conduct

    Her brilliance was so dazzling and her gifts so exceptional that the villagers called her Sense Pass King, because she had more sense than even the king. When news of the girl reached the jealous king, he became enraged, and so began a fierce battle between might and wits that would determine the girl's fate and the kingdom's future.

    At noon on January 22nd, 1879, a British camp, garrisoned by over 1700 troops, was attacked and overwhelmed by 20,000 Zulu warriors. The defeat of the British, armed with the most modern weaponry of the day, caused disbelief and outrage throughout Queen Victoria's England. The obvious culprit for the blunder was Lieutenant General Lord Chelmsford, the defeated commander. Appearing to respond to the outcry, he ordered a court of inquiry. But there followed a carefully conducted cover-up in which Chelmsford found a scapegoat in the dead - most notably, in Colonel Anthony Durnford. The popular conception of the Anglo-Zulu War is that of a conflict between British redcoats and Zulu Warriors. It is seldom realized that over 60% of Chelmsford's army was composed of black auxiliaries, and that the cavalry mostly comprised colonial settlers. Zulu Victory: The Epic of Isandlwana and the Cover-Up traces the history of the Zulu kingdom and its British neighbors, the Colony of Natal. It also details the composition of both armies from individual Zulu regiments to the tribesmen of the Natal Native Horse who fought on the side of the British. Using source material ranging from the Royal Windsor Archives to the oral history passed down to the present Zulu inhabitants of Isandlwana, the authors shed new light upon this famous Zulu victory in all its bravery and horror, and the scandal that followed.

    Over the past several years I have been asked to put together in one volume the most important evidences showing the correlations and common teachings between Kamitan (Ancient Egyptian) culture and religion and that of India. The questions of the history of Ancient Egypt, and the latest archeological evidences showing civilization and culture in Ancient Egypt and its spread to other countries, has intrigued many scholars as well as mystics over the years. Also, the possibility that Ancient Egyptian Priests and Priestesses migrated to Greece, India and other countries to carry on the traditions of the Ancient Egyptian Mysteries, has been speculated over the years as well. In chapter 1 of the book Egyptian Yoga The Philosophy of Enlightenment, 1995, I first introduced the deepest comparison between Ancient Egypt and India that had been brought forth up to that time. Now, in the year 2001 this new book, THE AFRICAN ORIGINS OF CIVILIZATION, MYSTICAL RELIGION AND YOGA PHILOSOPHY, more fully explores the motifs, symbols and philosophical correlations between Ancient Egyptian and Indian mysticism and clearly shows not only that Ancient Egypt and India were connected culturally but also spiritually. How does this knowledge help the spiritual aspirant? This discovery has great importance for the Yogis and mystics who follow the philosophy of Ancient Egypt and the mysticism of India. It means that India has a longer history and heritage than was previously understood. It shows that the mysteries of Ancient Egypt were essentially a yoga tradition whichdid not die but rather developed into the modern day systems of Yoga technology of India. It further shows that African culture developed Yoga Mysticism earlier than any other civilization in history. All of this expands our understanding of the unity of culture and the deep legacy of Yoga, which stretches into the distant past, beyond the Indus Valley civilization, the earliest known high culture in India as well as the Vedic tradition of Aryan culture. Therefore, Yoga culture and mysticism is the oldest known tradition of spiritual development and Indian mysticism is an extension of the Ancient Egyptian mysticism. By understanding the legacy which Ancient Egypt gave to India the mysticism of India is better understood and by comprehending the heritage of Indian Yoga, which is rooted in Ancient Egypt the Mysticism of Ancient Egypt is also better understood. This expanded understanding allows us to prove the underlying kinship of humanity, through the common symbols, motifs and philosophies which are not disparate and confusing teachings but in reality expressions of the same study of truth through metaphysics and mystical realization of Self.

    In vivid and evocative prose and with a fine eye for detail, Alagiah's viewpoint is spiked with the freshness of the young George on his arrival in Ghana, the wonder with which he recounts his first impressions of Africa, and the affection with which he dresses his stories of his early family life. A sense of possibility lingers, even though the book is full of uncomfortable truths. It is a book neatly balanced on his integrity and sense of obligation in his role as a writer and reporter.

    Poaching was rampant, but it was loss of habitat that most endangered the gorillas. Weber and Vedder realized that the gorillas were doomed unless something was done to save their forest home. Over Fossey's objections, they helped found the Mountain Gorilla Project, which would inform Rwandans about the gorillas and the importance of conservation, while at the same time establishing an ecotourism project -- one of the first anywhere in a rainforest -- to bring desperately needed revenue to Rwanda.In the Kingdom of Gorillas introduces readers to entire families of gorillas, from powerful silverback patriarchs to helpless newborn infants. Weber and Vedder take us with them as they slog through the rain-soaked mountain forests, observing the gorillas at rest and at play. Today the population of mountain gorillas is the highest it has been since the 1960s, and there is new hope for the species' fragile future even as the people of Rwanda strive to overcome ethnic and political differences.

    This was perhaps the greatest challenge yet: to cross the vast and merciless Sahara desert.Shrugging aside the perils of camel stew and being run over by the Paris-Dakar rally, he travels through some of the most spectacular landscapes on earth. For the Sahara is no empty wasteland, but home to a diversity of cultures whose long history stretches from the time of the ancient Egyptians to the oil-rich Islamic republics of today.

    Later referred to as 'Prophet' Noble Drew Ali, he would teach the so-called 'Negro' ('Black') public of the 1910s and '20s that they were specifically 'Moors,' and that they needed to publicly declare their Moorish nationality and Islamic faith. Drew Ali insisted upon the designation of 'Moor,' while relatively few of his contemporaries understood or appreciated the logic of placing such emphasis upon a 'Moorish' nationality. With the exception of Shakespeare's fictional 'Othello,' few 'mainstream' Americans knew anything of consequence concerning 'Moors' in any Western society. But before his passing in 1929, Ali's Moorish Science Temples would expose 'Negro' Americans to historical information connecting them to a 'Moorish' identity. Using primarily a historical methodology and drawing directly from M.S.T.A. literature, this work explores the key postulates of the Moorish Science Temple movement"--Amazon.co

    What can you do to help?"Today, this very day, 5,500 Africans will die of AIDS. If this isn't emergency, what is?" -Bono (U2)The aWAKE Project is a collection of stories and essays geared toward educating and mobilizing Americans to help with the AIDS crisis in Africa. Action is needed for a continent on which five people die every minute from the deadly AIDS virus. aWAKE stands for: AIDS-Working toward Awareness, Knowledge and Engagement. Compiled of articles written by significant speakers on the AIDS issue, ranging from Nelson Mandela to Kevin Max, The aWAKE Project provides poignant stories and compelling statistics, encouraging the reader to care and even take action to battle this horrific crisis.A significant portion of the proceeds from The aWAKE Project will be donated to Jubilee 2000 and World Vision's Hope Iniative for Africa.Contributors include: Johanna McGreary, Nelson Mandela, Senator Bill Frist, Mary Graham, Desmond Tutu, Margaret Becker, Jimmy Carter, Jeffrey Sachs, Kevin Max, Jesse Helms, Kofi Annan, Out of Eden, Dikembe Mutombo, Luci Swindoll, Michael Tait, Charlie Peacock, President Olusegun Obsanjo of Nigeria, Bono, Nadine Gordimer, President George W. Bush, Danny Glover, Ambassador Rachel Gbenyon-Diggs, Mark Schoofs, Greg Barz, Paul O'Neill, Noelina Nakumisa, World Bank Report, and others."As featured on the official U2 website."

    It is the turbulent 1980s in apartheid South Africa, when even the ordinary life is full of danger and uncertainty. Tihelo, a thirteen-year-old girl lives with her older sister Keitumetse and their mother Kgomotso in a township outside Pretoria. Life in this brutalized South Africa holds mysteries of other sorts. DANCING IN THE DUST is a moving story of growing up in a fearful, oppressive society, where the only comfort for the young is dream and romance, and the only free option that of rebellion. Kagiso Lesego Molope was born in South Africa in 1976 where she also grew up, before moving to Canada in 1997. DANCING IN THE DUST is her first novel.

    Laughter flows from beneath a door. It opens to a kaleidoscope of sound and color, led by an azmari singing a song of invitation. A waiter smiles as you glance in the book - you order a bira and some ocholoni. The day had started with a mountain-top view of the Blue Nile and now the vibrant city nightlife takes you in... In This Guide: New pronunciation guide and Amharic script.Expanded dictionary with over 1000 words.Grammar essentials for building your own sentences.Cultural information and basic travel tips.Phrases for every traveler.

    Ethiopia’s political independence at the end of the nineteenth century put this new African state in a position to determine its own levels of engagement with the West. Ethiopians went to study in universities around the world. They returned with the skills of their education acquired in Europe and America, and at home began to lay the foundations of a new literature and political philosophy. Pioneers of Change in Ethiopia describes the role of these men and women of ideas in the social and political transformation of the young nation and later in the administration of Haile Selassie.

    The book is infused with the freedom songs of the Kenyan people, as well as dream prophecy and folk tales that are part of Kenya's rich storytelling tradition. Tracing the roots of the Mau Mau rebellion, wa Wamwere follows the evolution and degeneration of Jomo Kenyatta and the rise of Daniel arap Moi.In 1979, wa Wamwere won a seat in the parliament, where he represented the economically depressed Nakuru district for three years. An outspoken activist and journalist, wa Wamwere was framed and detained on three separate instances, spending thirteen years in prison, where he was tortured but not broken. His mother and others led a hunger strike to free him and fellow political prisoners. Their efforts brought about a show trial at which Koigi was sentenced to four more years in prison and "six strokes of the cane," and escaped Kenya—and probably execution—only through the exertions of human rights groups and the government of Norway.

    Amedeo Guillet is still alive and living in County Meath, Ireland. Khadija is lost.This is the story of Amedeo Guillet – an Italian calvary officer who was sent out to Abyssinia as part of Mussolini’s army to establish and command a troupe of 2,000 Spahis – or Arabic calvary. He met and fell in love with Khadija – a beautiful Ethiopian Muslim. Together they held up the British lorries heaving up the mountain road to Asmara and blew up the important Ponte Aosta. Eventually captured, Amedeo went on the run disguised as an Arab, eventually making it to Yemen, only to be thrown in jail.This is a rare view of the Second World War from an Italian perpective; particularly valuable are the chapters that tell the story of Italian resistance to the Nazis, and their subsequent withdrawal from Italy in 1943.There are few stories more cinemagraphic than this – Fascist Italy, his early years in Ethiopia commanding the Cossack-like Spahis, the brutal Abyssinian war waged by the Duce, Italian and British colonial rivalry; Amedeo led the last ever cavalry charge the British army faced (Eritrea 1941 – they were massacred by tanks and sub-machine guns), defeat and guerrilla warfare against the British; then flight, disguised as an Arab, imprisonment in the Yemen and a great love lost as he leaves his beloved Khadija behind to face her future alone and returns to Italy, to his fiancée and a career as a distinguished Italian diplomat and Arabist.Amedeo is still alive and living in County Meath, Ireland. Sebastian O’Kelly is a journalist for the Mail and Telegraph and has Amedeo’s full co-operation in writing this book.This is a very valuable and absolutely stunning story, beautifully told by O’Kelly.

    With their stunning color photographs and fascinating, first-hand narration, these companion books offer a rare insight into the lives of these magnificent animals. Presenter, author, and photographer Jonathan Scott has written about the Mara cats for over 25 years; his books include Mara-Serengeti and Kingdom of Lions. Angie Scott, born and raised in Africa, is an award-winning wildlife photographer.

    Yet this was only one of the thirty books she wrote, and it took just a few months of her remarkably active life to compose.A woman of compelling personality and exceptional energy, Elspeth Huxley was not only a celebrated writer, but also a farmer, broadcaster, journalist, conservationist, political thinker, magistrate, and government adviser. She was a vivid chronicler of colonial Kenya, and became increasingly recognized as an observer and interpreter of African affairs over a period of profound change. Initially a staunch defender of the white settlers, she would later come to support moves toward African independence.After a childhood spent in East Africa and wartime Britain, Elspeth married a grandson of Thomas Huxley and cousin of Aldous Huxley, whom she knew well. Her wide circle also later included George and Joy Adamson, the Leakeys, and Peter Scott (whose biography she wrote). Whatever their subject, her books reveal the adventurousness, warmth, perception, and occasional astringency that made up her own personality; they are also notable for their acute observation and great social range, encompassing the lives of Kenya’s poor white farmers, the frivolous Happy Valley set, and Africans alike.For this, the first biography of Elspeth Huxley, C. S. Nicholls has made extensive use of her papers and letters---including those to and from Elspeth’s formidable mother Nellie and her hapless father Jos. Elspeth Huxley: A Biography is not merely a fascinating portrait of an extraordinary woman, but an absorbing account of an entire era of colonial and British history.

    This series meets National Curriculum Standards for: Social Studies: Culture Global Connections People, Places, & Environments

    Routledge is an imprint of Taylor & Francis, an informa company.

    This pivotal volume considers the meaning and power of images in African history and culture. Paul S. Landau and Deborah Kaspin have assembled a wide-ranging collection of essays dealing with specific visual forms, including monuments, cinema, cartoons, domestic and professional photography, body art, world fairs, and museum exhibits. The contributors, experts in a number of disciplines, discuss various modes of visuality in Africa and of Africa, investigating the interplay of visual images with personal identity, class, gender, politics, and wealth.Integral to the argument of the book are over seventy contextualized illustrations. Africans saw foreigners in margarine wrappers, Tintin cartoons, circus posters, and Hollywood movies; westerners gleaned impressions of Africans from colonial exhibitions, Tarzan films, and naturalist magazines. The authors provide concrete examples of the construction of Africa's image in the modern world. They reveal how imperial iconographies sought to understand, deny, control, or transform authority, as well as the astonishing complexity and hybridity of visual communication within Africa itself.

    In A Certain Curve of Horn, veteran journalist John Frederick Walker tells the story of one of the most revered and endangered of these regal beasts: the giant sable antelope of Angola, a majestic, coal-black quadruped with breathtaking curved horns over five feet long. It is an enthralling and tragic tale of exploration and adventure, politics and war, the brutal realities of life in Africa today and the bitter choices of conflicting conservation strategies. A Certain Curve of Horn traces the sable's emergence as a highly sought-after natural history prize before the First World War, and follows its struggle to survive in a war zone fought over by the troops of a half-dozen nations, and its transformation into a political symbol and conservation icon. As he follows the trail of this mysterious animal, Walker interweaves the stories of the adventurers, scientists, and warriors who have come under the thrall of the beast, and how their actions would shape the course of the history of the giant sable antelope and the history of the war-torn nation that is its home. Culminating with a heart-pounding voyage into the heart of rebel-held Angola in search of the first scientific confirmation of the animal's existence in decades, A Certain Curve of Horn is a thrilling blend of history, natural science, and adventure -- and a fascinating look into the world of a magnificent beastthat has haunted the imaginations of hunters and naturalists around the globe for generations. Eight pages of photographs are included.

    Features hundreds of magnificent sketches, photographs, and paintings of the African bush and its exotic wildlife.

    Cornuke travels to Axum, where today he believes the ark is kept in absolute isolation at St. Mary's of Zion Church.

    You Fool, How Can the Sky Fall? is an unbridled study in grotesquerie, reflecting a belief, traceable throughout Mda’s work, that government by those who inherit a revolution is almost inevitably, in the first decade or two, hijacked by the smart operators. The Bells of Amersfoort, with its graphic portrayal of the isolation imposed by exile, picks up on the themes of the other two plays but adds to them the concept of "healing," both of the soul and of the land.

    Mali, one of the most glorious but least known civilizations of the world, comes to life through vivid color photographs, timelines, maps...and the legends of the griots, or storytellers, who've preserved the past of Mali for millennia, handing down stories of brave kings from generation to generation. The book is an introduction to an astonishing, little-known history, and it's a vital, refreshing educational tool, packed with suggestions for games and activities that reinforce the history lessons. For instance, readers will learn how to play the "Trading Game," a life-or-death activity for the people who once practiced it. MALI: LAND OF GOLD AND GLORY is an invaluable entrée into a place and a time that deserve more attention, especially among young people. "African-Americans were not dropped out of the sky with slavery as their beginning," said Andrew Prophett, the esteemed educator responsible for the development of Virginia's new innovative elementary-level Mali curriculum. "That is not history." Mali IS history, a civilization worthy of being studied along with those of Rome, Greece, Egypt, China, and India. MALI: Land of Gold and Glory makes that possible, bringing to life "a land of grand palaces and gold." As the narrator-griot sings in the book. "It was called the Bright Country and that was the way it was—a bright and shining place."

    Learn about the history of this music, the pioneering musicians that developed each style, and the dominant characteristics and techniques necessary to play this remarkable music. All material is presented in standard notation and TAB. A recording demonstrating examples and compositions in the book makes learning easy and trouble-free for all players.

    A collection of politically satirical cartoons.

    Ostensibly the story of her family, this is really a story of two nations. Rwanda and neighbouring Burundi wrestle with centuries-old tribal hatreds. The East African revival, in which Meg's parents were heavily involved, was famed for repentance and reconciliation. But did it paper over deeper divisions?

    The visions and prison cries of the few African nationalists imprisoned by colonialists, who later became leaders of their independent dictatorships and in turn imprisoned their own writers and other radicals, are brought into sharper focus, thereby critically exposing the ironies of varied generations of the efforts of freedom fighters. Extracts of prose, poetry and plays are grouped into themes such as arrest, interrogation, torture, survival, release and truth and reconciliation. Contributors include: Kunle Ajibade, Obafemi Awolowo, Steve Biko, Breyten Breytenbach, Dennis Brutus, Nawal El Saadawi, M J Kariuki, Kenneth Kaunda, Caesarina Kona Makhoere, Nelson Mandela, Emma Mashinini, Felix Mnthali, Augustino Nato, Ngugi wa Thiong'o, Kwame Nkrumah, Abe Sachs, Ken Saro Wiwa, Wole Soyinka, and Koigi wa Wamwere. Although an often harrowing indictment of the history, culture and politics of the African continent and the societies from which this literature comes, the anthology presents excellent prose, poetry and drama, which stands up in its own right as serious literature to be cherished, read and studied.

    Two hands to plant the seed. Three ways to help it grow."Cultivating, sharing, preparing. Starting with a single seed in a child’s hand and leading right through to a warm, nourishing meal (with plenty for all), this colorful book offers up a satisfying story of the fruits of a communal effort.So play a simple counting game. Watch a pumpkin grow. Follow young Nothando and discover the rhythms of her daily life in this vivid portrait of one child, one seed, and the South African village in which they both thrive.

    Loving companions— an Egyptologist and two traditionalists— show her secret hieroglyphic texts left by migrant Egyptian scribes millennia ago. As Lindela translates them, old questions animating her search for knowledge of self and society acquire a sharpened urgency. Kmt is the narrative of an African woman's life-quest, and of the answers she uncovers.

    Includes interviews with leading African socialists and activists.With contributions from Leo Zeilig, David Seddon, Anne Alexander, Dave Renton, Ahmad Hussein, Jussi Vinnikka, Femi Aborisade, Miles Larmer, Austin Muneku, Peter Dwyer, Trevor Ngwane, Munyaradzi Gwisai, Tafadzwa Choto, and Azwell Banda.Leo Zeilig coordinated the independent media center in Zimbabwe during the presidential elections of 2002 and, prior to this, worked as a lecturer at Université Cheikh Anta Diop in Dakar, Senegal. He then worked for three years as a lecturer and researcher at Brunel University, moving later to the Center of Sociological Research at the University of Johannesburg. He has written on the struggle for democratic change, social movements, and student activism in sub-Saharan Africa. Zeilig is co-author of The Congo: Plunder and Resistance 1880–2005.

    According to modern historians, it has been a tourist destination since 30 B.C., and the interest of foreign travelers has hardly waned since. The photographers presented here are no exception; each knits past with present while validating their own discovery of Egypt's ancient monuments. From the pyramids of Giza to the Valley of the Kings, Lynn Davis' and Linda Connor's silver gelatin prints echo nineteenth-century photographers' documentations of their North African travels. Strewn with scaffolding, piecemeal temples and shattered sculptures of pharaohs, Tom Van Eynde's Egypt reveals the dramatic detail of its ruins. Harsh and colorful, Richard Misrach's landscapes juxtapose contemporary culture with ancient desert monuments, framing the Pyramids with tour buses, downtown Cairo, and cement housing complexes. "The Angle of Repose" is the first book in a series featuring the LaSalle Bank Photography Collection, the second-oldest corporate collection of photography in America.

    A young buffalo calf becomes separated from her mother on the African veldt and begins a search for her.

    This book takes a deep look at South Africa and shows why this country may now be doomed to future racial confrontation and to sharing the same miserable fate of the rest of Africa." Lamprecht points out the many parallels between events and trends in Zimbabwe which he believes will profoundly influence South Africa's future.According to Lamprecht, in a future World War, South Africa will be aligned with Russia and China against America and the West. Lamprecht exposes the deceit and trickery used by power-hungry Marxist terrorists and dictators to fool Westerners and abuse their kindness. Lamprecht has packed his book with information that according to Lamprecht, for a number of reasons, Western media will not report. Says Lamprecht: "Nelson Mandela is not a 'modern Ghandi' but a clever deception artist."

    As Sheila and her husband nursed it back to health, they treated the young chimp they would name Pal as if he were a human infant -- feeding him medicine and bottled milk, sharing their bed with him at night, and carrying him on their backs until he regained the strength to survive on his own. From these humble beginnings Sheila and David Siddle would go on to launch the Chimfunshi Wildlife Orphanage, an internationally acclaimed animal refuge that has grown to become the home for more than eighty chimps, one disarmingly domesticated hippopotamus named Billy, and a variety of other endangered animals. Currently the largest primate sanctuary in the world, Chimfunshi has been honored by the United Nations Environmental Programme as one of the Global 500 and called by Jane Goodall "the most wonderful place on earth." In My Family Tree is the uplifting story behind one woman's transformation from a grandmother on the brink of retirement to an international animal-rights activist -- and the unforgettable chimpanzees she has come to know and love along the way.

    It analyzes the many present-day problems facing West Africans such as the lack of development, dependency on economic relations with wealthy countries, poor governance, interference by the military in civilian affairs, corruption, and the lack of functioning democratic governments. This book also shows how West African indigenous civilization developed its humanitarian, democratic, and communalistic nature. Traditional political processes and ancestral customs are put forth as ways of solving West Africa's modern problems.Divided into three main parts: "The Setting and Social Organization," "The History of West Africa," and "The Modern Era," the main objective of this textbook is to teach students about the depth of African civilization and how its principles can be used to address modern-day problems in West Africa. Mendonsa expresses the opinion that in order to solve current problems plaguing the region, a knowledge of history, African culture, and ancient African beliefs is crucial.A teacher's manual is available which includes chapter outlines and summaries, key points, sample questions, and suggested films and websites.

    In the light of the Israeli government's plan to halt Ethiopian immigration, this book provides original research into the transformation of the Falashas to Ethiopian Jews during the twentieth century which made them eligible for immigration into Israel, adding a new dimension to the question of 'Who is a Jew', namely the case of the 'manufactured Jew'.

    This book shares the wonderful and often heroic stories of people of faith from the continent of Africa.

    A deeply nuanced ethnography of historical consciousness, it challenges many cross-cultural investigations of youth, for its key actors are not adults but schoolchildren. Lesley Sharp refutes dominant assumptions that African children are the helpless victims of postcolonial crises, incapable of organized, sustained collective thought or action.She insists instead on the political agency of Malagasy youth who, as they decipher their current predicament, offer potent, historicized critiques of colonial violence, nationalist resistance, foreign mass media, and schoolyard survival. Sharp asserts that autobiography and national history are inextricably linked and therefore must be read in tandem, a process that exposes how political consciousness is forged in the classroom, within the home, and on the street in Madagascar.Keywords: Critical pedagogy

    . . kind of. She's got an adorable yet highly annoying little brother, unending peer pressure, and moments of such clutziness that she really would like to crawl under a rock. But that's where the normalness ends. She and her family live in Mozambique, Africa, right in the middle of a major civil war. Though the war forces them to move to a safer location, it still doesn't seem truly real--until they are caught in the middle of enemy territory, at night, with no escape. Crushed by the disappearance of her African grandfather (Vovo), Keri struggles with the intense pain of missing him and with the agonizing thought that God could have saved Vovo Pastor if He had wanted to. Each time she looks at a small hand-carved wooden ox Vovo made, Keri's crisis of faith becomes more intense. Even God seems powerless or unwilling to stop the violence that threatens her family and friends. Is faith worth holding onto when God doesn't seem to care?

    Innovative use of primary sources, including life histories, oral narratives, court cases, newspapers, colonial archives, and physical evidence, attests that African women's experiences defy static representation. Readers at all levels will find this an important contribution to ongoing debates in African women's history and African colonial history.

    Biographical portraits present important figures in Congo's storied history. An annotated bibliography and chronology help make this the most current and accessible introduction to this fascinating, complex, and long-suffering nation.The Democratic Republic of Congo, formerly Zaire, is located at the center of Africa. The country encompasses the entire Congo River Basin, the potential source of 13% of the world's hydroelectric power. The Congo River Basin also contains one-third of Africa's rainforests, countless species of trees, and more then 10,000 species of flowering plants. Congo contains extremely valuable deposits of diamonds and coltan, a metal used in high-tech machinery. Because of this abundance of natural resources, Congo has unfortunately been the site of colonial domination, repressive dictatorships, and internecine violence between rebel groups and neighboring countries.

    This study of Mozambique's shift from a command to a market economy draws on a wealth of empirical material, including archival sources, interviews, political posters and corporate advertisements, to reveal that the state is a central actor in the reform process, despite the claims of neo-liberals and their critics. Alongside the state, social forces--from World Bank officials to rural smallholders--have also accelerated, thwarted or shaped change in Mozambique. M. Anne Pitcher offers an intriguing analysis of the dynamic interaction between previous and emerging agents, ideas and institutions, to explain the erosion of socialism and the politics of privatization in a developing country. She demonstrates that Mozambique's present political economy is a heterogenous blend of ideological and institutional continuities and ruptures.

    In its route from the Lake Plateau of East Africa to the Mediterranean, the Nile flows for more than four thousand miles through nine countries: Tanzania, Kenya, Congo, Burundi, Rwanda, Ethiopia, Uganda, the Sudan, and Egypt. The river begins in volcanoes and mountains with glacial snows and ends in arid deserts. Throughout history, the banks of the Nile have been home to many peoples, from Bantu cultivators, Nilotic herdsmen, and Ethiopians in their highlands to the Sudanese, Nubians, and Egyptians on the plains below. No other river in the world has embraced such human diversity. But the huge and varied populations that have thrived on the waters of the Nile have also exerted extraordinary pressures on the river and its environment. From the early canals dug by the pharaohs to the building of the Aswan High Dam in 1971, civilizations have struggled to tame the Nile and control its resources. In The Nile, Robert Collins charts this dynamic interplay between man and nature in chronicling the past, present, and future of this great river.

    This powerful and passionate narrative completes the story Jeff Guy began in his earlier books The Destruction of the Zulu Kingdom and The Heretic.

    Mammo's well-meaning but simple-minded efforts to bring his wages home end in disaster until he makes a rich merchant's daughter laugh.

    The issues she addresses belong to the world; the settings she employs are international.At times funny and irreverent, these are pieces that dissect relationships, poems that delve as easily into the mysteries of nature as they do into the intricacies of daily living--encounters we immediately recognize. But whether serious or fun in their approach, her penetrating and unsentimental eye is always there, steadfast on the goods.