The book is infused with the freedom songs of the Kenyan people, as well as dream prophecy and folk tales that are part of Kenya's rich storytelling tradition. Tracing the roots of the Mau Mau rebellion, wa Wamwere follows the evolution and degeneration of Jomo Kenyatta and the rise of Daniel arap Moi.In 1979, wa Wamwere won a seat in the parliament, where he represented the economically depressed Nakuru district for three years. An outspoken activist and journalist, wa Wamwere was framed and detained on three separate instances, spending thirteen years in prison, where he was tortured but not broken. His mother and others led a hunger strike to free him and fellow political prisoners. Their efforts brought about a show trial at which Koigi was sentenced to four more years in prison and "six strokes of the cane," and escaped Kenya—and probably execution—only through the exertions of human rights groups and the government of Norway.

    Yet this was only one of the thirty books she wrote, and it took just a few months of her remarkably active life to compose.A woman of compelling personality and exceptional energy, Elspeth Huxley was not only a celebrated writer, but also a farmer, broadcaster, journalist, conservationist, political thinker, magistrate, and government adviser. She was a vivid chronicler of colonial Kenya, and became increasingly recognized as an observer and interpreter of African affairs over a period of profound change. Initially a staunch defender of the white settlers, she would later come to support moves toward African independence.After a childhood spent in East Africa and wartime Britain, Elspeth married a grandson of Thomas Huxley and cousin of Aldous Huxley, whom she knew well. Her wide circle also later included George and Joy Adamson, the Leakeys, and Peter Scott (whose biography she wrote). Whatever their subject, her books reveal the adventurousness, warmth, perception, and occasional astringency that made up her own personality; they are also notable for their acute observation and great social range, encompassing the lives of Kenya’s poor white farmers, the frivolous Happy Valley set, and Africans alike.For this, the first biography of Elspeth Huxley, C. S. Nicholls has made extensive use of her papers and letters---including those to and from Elspeth’s formidable mother Nellie and her hapless father Jos. Elspeth Huxley: A Biography is not merely a fascinating portrait of an extraordinary woman, but an absorbing account of an entire era of colonial and British history.

    But in the middle years of colonial rule Baringo's anonymity gave way to notoriety. Prolonged drought and localized famine in the district from the mid-1920s led to claims that Baringo was a land of dramatic decay, brought on by overcrowding and livestock mismanagement. In response to the alarm over erosion, the state embarked upon a programme for rehabilitation, conservation and development. Baringo's experience became a point of reference for similar programmes elsewhere in British Africa, especially in the 1950s when state-led rural development encompassed not just economic growth but an accelerated transformation of African society. The politics of African nationalism was fuelled by opposition to colonial development policies, and in Baringo the politics of the nationalist era was the politics of ecology. The longevity of colonial interventions in Baringo provides an excellent focus for the study of the broader evolution of colonial ideologies and practices of development. These ideologies and practices are fundamental to an understanding of the history of development in all parts of Africa. North America: Ohio U Press; Kenya: EAEP