This volume presents the text in French and English with photographs by Robert Mapplethorpe.

    H. Auden was once described as the Picasso of modern poetry - a tribute to his ceaseless experimentation with form and subject matter. Beginning with Anglo-Saxon poetry and ending with an Horatian expansiveness and conversational sweep, this volume is essential reading for anyone seriously interested in modern poetry after T. S. Eliot.In his lifetime a controversial, outspoken, yet enigmatic, writer, Auden has gradually come to seem an intimate poet, as we have learned to read him correctly. This volume is the best possible introduction to his consummate craftsmanship and his unparalleled originality which made him the master-poet of his generation.

    Five years later, Josef rescues a young girl, Mila, after her parents are killed while running to meet the Rebbe they hoped would save them. Josef helps Mila reach Zalman Stern, a leader in the Satmar community, in whose home Mila is raised as a sister to Zalman’s daughter, Atara. As the two girls mature, Mila’s faith intensifies, while her beloved sister Atara discovers a world of books and learning that she cannot ignore. With the rise of communism in central Europe, the family moves to Paris, to the Marais, where Zalman tries to raise his children apart from the city in which they live.      When the two  girls come of age, Mila marries within the faith, while Atara continues to question fundamentalist doctrine. The different choices the two sisters makes force them apart until a dangerous secret threatens to banish them from the only community they’ve ever known.      A beautifully crafted, emotionally gripping story of what happens when unwavering love, unyielding law, and centuries of tradition collide, I Am Forbidden announces the arrival of an extraordinarily gifted new voice and opens a startling window on a world long closed to most of us, until now.

    P. Cavafy (1863 - 1933) lived in relative obscurity in Alexandria, and a collected edition of his poems was not published until after his death. Now, however, he is regarded as the most important figure in twentieth-century Greek poetry, and his poems are considered among the most powerful in modern European literature.Here is an extensively revised edition of the acclaimed translations of Edmund Keeley and Philip Sherrard, which capture Cavafy's mixture of formal and idiomatic use of language and preserve the immediacy of his frank treatment of homosexual themes, his brilliant re-creation of history, and his astute political ironies. The resetting of the entire edition has permitted the translators to review each poem and to make alterations where appropriate. George Savidis has revised the notes according to his latest edition of the Greek text.About the first edition: The best [English version] we are likely to see for some time.--James Merrill, The New York Review of Books [Keeley and Sherrard] have managed the miracle of capturing this elusive, inimitable, unforgettable voice. It is the most haunting voice I know in modern poetry.--Walter Kaiser, The New Republic ?

    He had entered the synagogue's genizah--its repository for damaged and destroyed Jewish texts--which held nearly 300,000 individual documents, many of which were over 1,000 years old.Considered among the most important discoveries in modern religious history, its contents contained early copies of some of the Dead Sea Scrolls, early manuscripts of the Hebrew Bible, and other sacred literature. The importance of the genizah's contents rivals that of the Rosetta Stone, and by virtue of its sheer mass alone, it will continue to command our attention indefinitely.This is the first accessible, comprehensive account of this astounding discovery. It will delight you with its fascinating adventure story--why this enormous collection was amassed, how it was discovered and the many lessons to be found in its contents. And it will show you how Schechter's find, though still being "unpacked" today, forever transformed our knowledge of the Jewish past, Muslim history and much more.

    It is also the story of a boy who, exiled from the island because he could not abide by its sexist laws, looks back with both nostalgia and bitterness and wonders: Why does God have to be a woman? Celebrated prose poet Nin Andrews creates a world both fantastic and familiar where all the myths, logic, and institutions support the dominance of women.Nin Andrews's books include The Book of Orgasms and Sleeping with Houdini.

    A ruba'i is a two-line stanza with two parts (or hemistichs) per line, hence the word rubáiyát (derived from the Arabic language root for "four"), meaning "quatrains". (Courtesy: Wikipedia)(less)

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Tristan Brodsky, sprung from the asphalt of the depression-era Bronx, goes on to become one of the swaggering Jewish geniuses who remakes American culture while slowly suffocating his poet wife, who harbors secrets of her own. Nina Hricek, a driven young Czech photographer escapes from behind the Iron Curtain with a group of black musicians only to find herself trapped yet again, this time in a doomed love affair. And finally, Tris Freedman, grandson of Tristan and lover of Nina, a graffiti artist and unanchored revolutionary, cannibalizes his family history to feed his muse. In the end, their stories converge and the survival of each requires the sacrifice of another. The End of the Jews offers all the rewards of the traditional family epic, but Mansbach’s irreverent wit and rich, kinetic prose shed new light on the genre. It runs on its own chronometer, somersaulting gracefully through time and space, interweaving the tales of these three protagonists who, separated by generation and geography, are leading parallel lives.

    In The Jewish Annotated New Testament, eminent experts under the general editorship of Amy-Jill Levine and Marc Z. Brettler put these writings back into the context of their original authors and audiences. And they explain how these writings have affected the relations of Jews and Christians over the past two thousand years. An international team of scholars introduces and annotates the Gospels, Acts, Letters, and Revelation from Jewish perspectives, in the New Revised Standard Version translation. They show how Jewish practices and writings, particularly the Greek translation of the Hebrew Bible, influenced the New Testament writers. From this perspective, readers gain new insight into the New Testament's meaning and significance. In addition, thirty essays on historical and religious topics--Divine Beings, Jesus in Jewish thought, Parables and Midrash, Mysticism, Jewish Family Life, Messianic Movements, Dead Sea Scrolls, questions of the New Testament and anti-Judaism, and others--bring the Jewish context of the New Testament to the fore, enabling all readers to see these writings both in their original contexts and in the history of interpretation. For readers unfamiliar with Christian language and customs, there are explanations of such matters as the Eucharist, the significance of baptism, and "original sin." For non-Jewish readers interested in the Jewish roots of Christianity and for Jewish readers who want a New Testament that neither proselytizes for Christianity nor denigrates Judaism, The Jewish Annotated New Testament is an essential volume that places these writings in a context that will enlighten students, professionals, and general readers.

    Fifty years later, Roma, an artist living in Germany, attended a screening of Steven Spielberg’s Schindler’s List, and instantly knew that “the girl in the red coat”—the only splash of color in the film—was her. Thus began a harrowing journey into the past, as Roma Ligocka sought to reclaim her life and put together the pieces of a shattered childhood. The result is this remarkable memoir, a fifty-year chronicle of survival and its aftermath. With brutal honesty, Ligocka recollects a childhood at the heart of evil: the flashing black boots, the sudden executions, her mother weeping, her father vanished…then her own harrowing escape and the strange twists of fate that allowed her to live on into the haunted years after the war. Powerful, lyrical, and unique among Holocaust memoirs, The Girl in the Red Coat eloquently explores the power of evil to twist our lives long after we have survived it. It is a story for anyone who has ever known the darkness of an unbearable past—and searched for the courage to move forward into the light.

    Tsvetaeva's poetry was often of a very passionate and almost obsessive nature. She writes of unrequited love and heartbreak, of her admiration for other writers, of the devastation of war, and of her generally troubled life. Nonetheless, she is always able to contain this raw emotion in an extremely rigorous and disciplined form, unique only to her. Especially in her later poetry, frequent enjambments, inner rhymes, short lines, word play, and numerous allusions dominate her work. In this dual-language selection, Andrey Kneller offers his attempts to capture this distinctive style of Marina Tsvetaeva's poetry by preserving both the message and the music of the originals.

    It included Hebrew, a touch of the Romance and Slavic languages, and a large helping of German. In a world of earthly wandering, this pungent, witty, and infinitely nuanced speech, full of jokes, puns, and ironies, became the linguistic home of the Jews, the bond that held a people together.Here is the remarkable story of how this humble language took vigorous root in Eastern European shtetls and in the Jewish quarters of cities across Europe; how it achieved a rich literary flowering between the wars in Europe and America; how it was rejected by emancipated Jews; and how it fell victim to the Holocaust. And how, in yet another twist of destiny, Yiddish today is becoming the darling of academia. Yiddish is a history as story, a tale of flesh-and-blood people with manic humor, visionary courage, brilliant causes, and glorious flaws. It will delight everyone who cares about language, literature, and culture.

    Gabriels transformation from devout Muslim is a powerful reminder of how love can indeed conquer hate. His bold change of heart prompts him to bless the Jewish people rather than curse and hate them.” -Rabbi Yechiel Eckstein “Islam and the Jews reveals the secret agenda that is not being told by the media. I wish U.S. government officials would read this book.” -Sid Roth, President, Messianic Vision

    Killing a King relates the parallel stories of Rabin and his stalker, Yigal Amir, over the two years leading up to the assassination, as one of them planned political deals he hoped would lead to peace, and the other plotted murder.Dan Ephron, who reported from the Middle East for much of the past two decades, covered both the rally where Rabin was killed and the subsequent murder trial. He describes how Rabin, a former general who led the army in the Six-Day War of 1967, embraced his nemesis, Palestine Liberation Organization leader Yasser Arafat, and set about trying to resolve the twentieth century’s most vexing conflict. He recounts in agonizing detail how extremists on both sides undermined the peace process with ghastly violence. And he reconstructs the relentless scheming of Amir, a twenty-five-year-old law student and Jewish extremist who believed that Rabin’s peace effort amounted to a betrayal of Israel and the Jewish people. As Amir stalked Rabin over many months, the agency charged with safeguarding the Israeli leader missed key clues, overlooked intelligence reports, and then failed to protect him at the critical moment, exactly twenty years ago. It was the biggest security blunder in the agency’s history.Through the prism of the assassination, much about Israel today comes into focus, from the paralysis in peacemaking to the fraught relationship between current Prime Minister Benjamin Netanyahu and President Barack Obama. Based on Israeli police reports, interviews, confessions, and the cooperation of both Rabin’s and Amir’s families, Killing a King is a tightly coiled narrative that reaches an inevitable, shattering conclusion. One can’t help but wonder what Israel would look like today had Rabin lived.