As a first book of poems, it is remarkable for its accurate perceptions and its rich linguistic gifts.

    They began life as a sort of underground language just out of reach of the understanding of the Germans. They have since become one of the most widely read forms of composition in the Scandinavian - and English - languages. Grooks are the product of one of the most ingenious minds of this century or any other century. A Danish scientist turned poet, Piet Hein has published longer poems, fiction, drama and essays; he has designed a "rectangular oval," the Super-Ellipse, used in the new Stockholm city center and other cities; he has invented games, the newest of which, SOMA and the Super-Egg, have just been released by Parker Brothers to the delight of hundreds of thousands. What in the world is a grook? Look inside and see for yourself; but beware: you are about to become a grookaddict, a happy victim of one of the most relaxing pleasures available in this nervous world.

    Live or Die, her third volume, consists of poems written from January 25, 1962 to February, 1966, many of them published in such leading periodicals as The New Yorker, Harper's and Encounter.These poems are arranged chronologically and compose a fierce and intimate autobiography. The poet speaks with total frankness, her imagery and reference brilliant and hard as diamonds. It is impossible for her to be banal. Much of her experience is rendered as nightmarish, but it is significant that the final poem is stunningly affirmative, its title the single command "Live."This collection is a striking body of work by a poet whose experience is intensely female, whose poetry is strong and powerful.

    

    It was inspired by his journey to Macchu Picchu, the Peruvian Inca city high in the Andes. Neruda's journey takes on all the symbolic qualities of a personal venture into the interior as the poem progresses, exploring both the roots of the poet's identity and the history of Latin America.This translation has been rendered by the distinguished poet Nathaniel Tarn and is presented in a bilingual edition, with the Spanish and English texts on facing pages.

    Ashbery himself had just returned to America from ten years abroad working as an art critic in France, and "Rivers and Mountains," his third published collection of poems, is now considered by many critics to represent a pivotal transition point in his artistic career. The poet who would gain widespread acclaim with his multiple-award-winning "Self-Portrait in a Convex Mirror" (1975) is, in this collection, still very much engaged in the intimate, personal project of taking his poetry apart and putting it back together again, interrogating not just the act of writing but poetry itself--its purpose, its composition, its fundamental parts. Nominated for a National Book Award by a panel of judges that included W. H. Auden and James Dickey, "Rivers and Mountains" includes two of Ashbery's most studied and admired works. "Clepsydra," which takes its name from an ancient device for measuring the passage of time, echoes both the physical form and the philosophical weight of a water clock in its contemplation of the experience of time as it passes. "The Skaters," the long poem that closes the collection, was immediately praised as a masterpiece of modern American poetry, and is the work that perhaps most clearly introduces the voice for which Ashbery is now well known and loved: generous, restless, wide-ranging, and human.

    there is enough treachery, hatred violence absurdity in the averagehuman being to supply any given army on any given dayand the best at murder are those who preach against itand the best at hate are those who preach loveand the best at war finally are those who preach peacethose who preach god, need godthose who preach peace do not have peacethose who preach peace do not have lovebeware the preachersbeware the knowersbeware those who are always reading booksbeware those who either detest povertyor are proud of itbeware those quick to praisefor they need praise in returnbeware those who are quick to censorthey are afraid of what they do not knowbeware those who seek constant crowds forthey are nothing alonebeware the average man the average womanbeware their love, their love is averageseeks averagebut there is genius in their hatredthere is enough genius in their hatred to kill youto kill anybodynot wanting solitudenot understanding solitudethey will attempt to destroy anythingthat differs from their ownnot being able to create artthey will not understand artthey will consider their failure as creatorsonly as a failure of the worldnot being able to love fullythey will believe your love incompleteand then they will hate youand their hatred will be perfectlike a shining diamondlike a knifelike a mountainlike a tigerlike hemlocktheir finest art

    This volume assembles Kenneth Rexroth's shorter poems from 1920 to 1966, bringing together work from seven earlier books and a group of previously unpublished poems.

    Second Edition. POKER is Tomaz Salamun's first book of poetry, originally published in 1966 in Slovenia. This edition, vibrantly translated by award-winning poet Joshua Beckman in collaboration with the author, makes POKER available in its entirety in English. Poker was a finalist for the PEN American prize for poetry in translation. " ...the poetry of Tomaz Salamun is truly one of the wonders of the literary world"—John Bradley (in Rain Taxi)."...the wonderfully mystical, synaesthetic, and visionary poems of this book make a strange yet immediate sense"—Noah Eli Gordon (in The Poetry Project Newsletter).

    

    H. Auden was once described as the Picasso of modern poetry - a tribute to his ceaseless experimentation with form and subject matter. Beginning with Anglo-Saxon poetry and ending with an Horatian expansiveness and conversational sweep, this volume is essential reading for anyone seriously interested in modern poetry after T. S. Eliot.In his lifetime a controversial, outspoken, yet enigmatic, writer, Auden has gradually come to seem an intimate poet, as we have learned to read him correctly. This volume is the best possible introduction to his consummate craftsmanship and his unparalleled originality which made him the master-poet of his generation.

    This anthology of selections drawn from the whole range of his work—poetry, fiction, autobiography, drama and essays—shows conclusively that his prose was also remarkably original, versatile and powerful. It has been edited by M. L. Rosenthal, literary critic and Professor of English at New York University.

    Works by Blake supplemented by his letters and engravings are presented with punctuation corrections and the new readings rendered by American scholars.

    An annotated collection of Donne's most significant work, including five elegies, four satires, six verse letters, four divine poems and the text of all poems from the first 17th-century edition of his verse, originally published in 1633.

    610-580 b.c.e.) spent the majority of her life on the famed island of Lesbos. Passionate and breathtaking, Sappho's poems survive only in fragments following religious conspiracies to silence her. Sappho penned immortal verse on the intense power of the female libido; on the themes of romance, love, yearning, heartbreak, and personal relationships with women. This work retains the standard numerical order of the fragments and has been arranged in six sections. Distinguished poet and lecturer Paul Roche’s translation of The Love Songs of Sappho is enhanced with his brilliant essay, “Portrait of Sappho,” as well as a lucid historical introduction by celebrated feminist and classicist Page duBois.

    It contains poems by every important European poet, including Nobel Prize-winners Pasternak, Quasimodo, Seferis and Aleixandre. It also contains striking works by the brilliant new voices in European poetry, and a special section on important Latin American poetry. Each poet is represented by an unusually large selection of his works. English translations from the French, German, Greek, Italian, Russian and Spanish.This is the one anthology you keep right beside the bed, the desk, the cuisinart--wherever it is handiest when you want to know what modern European poetry is like--poetry in English, translated by poets! And now . . . you can say, . . . "What? You didn't know Borges wrote poems? Look, listen, this is what they're like!"--Richard Howard"A superb collection of modern European poetry in which virtually every major modern voice is represented. Offered in translation by many of our finest English-language poets, the broad range of the best poetry of this century is spread before us. Modern European Poetry is a model of what an anthology should be."--Breon Mitchell"The best anthology of its kind available anywhere. The translations are superior, and the representation of poets generous."--International Poetry Forum

    1986 14th printing hardcover with dust jacket as shown. Tight spine, clear crisp pages, no writing, no tears, smokefree. Jacket in New condition too.

    The Ugle Stubble settles things by having them both for dinner!"

    

    Exciting photographs accent the contemporary tone of the collection.From lighthearted Phyllis Mc-Ginley to pessimistic Ezra Pound; from the lyricism of Edna St. Vincent Millay to the vigor of Lawrence Ferlinghette; from Carl Sandburg on loneliness to Paul Dehn on the bomb -- such is the range. The little known or unknown poet and the widely recognized appear side by siide.Whatever the subject matter -- pheasant or flying saucer; lapping lake water or sonic boom; a deer hunt, a basketball, or a bud -- it is all poetry reflecting today's images and today's moods.The editors spent several years bringing together 1200 poems they considered fine enough to include, then slowly and carefully sifted out of 114 which appear in the book.Readers of Reflections on a Gift of Watermelon Pickle . . . and Other Modern Verse may well be tempted by Eve Merriam's suggestion in "How to Eat a Poem"Don't be politeBite in.Pick it up with yourfingers and lickThe juice that mayrun down your chin.It is ready and ripe now,whenever you are.

    

    It presents a unique blend of theory and applications, with special emphasis on mathematical modelling, computational techniques and examples from the biological sciences. It is appropriate for students in applied mathematics, biostatistics, computational biology, computer science, physics, and statistics.

    

    It is designed to be used following the first weeks that are devoted to learning the basics of the language.The texts of these poems are edited with commentary and a completely indexed glossary specifying all grammatical forms.

    Collection of poetry published and unpublished from 1952 to 1966.

    From his arrival there in the late 1930s to his death in 1973, Isla Negra became a text that unraveled in a series of images fundamental to an understanding of his work. Renowned documentary photographer Rogovin’s photographs were taken in Isla Negra at the suggestion of Neruda himself. The poems and photographs reveal the landscape of Isla Negra as well as the home into which Neruda put so much of himself. This volume is issued to celebrate the centennial of the Nobel Prize winning poet’s birth.

    

    The poem depicts the sadly comic delusions of the spies and reveals the larger web of interlocking duplicities that destroys them. At the end of the poem the author addresses the reader, saying 'there is no meaning|or purpose; only the codes'. The War of the Secret Agents and Other Poems (1966), winner of the Lamont Poetry Award from the Academy of American Poets in 1965.

    Included are his three major collections of poetry: White Buildings, The Bridge, and Key West, as well as a number of his uncollected poems; a selection from his letters and prose; and Waldo Frank's Introduction to the 1958 edition of Crane's poetry.