Reflections on my life --On the structural analysis of science fiction --Science fiction : a hopeless case --with exceptions --Philip K. Dick : a visionary among the Charlatans --The time-travel story and related matters of science-fiction structuring --Metafantasia : the possibilities of science fiction --Cosmology and science fiction --Todorov's fantastic theory of literature --Unitas oppositorum : the prose of Jorge Luis Borges --About the Strugatsky's Roadside picnic

    This new double volume from Subterranean Press stands squarely in that distinguished tradition, offering a pair of colorful, fast-paced stories from the reigning master of the intergalactic space opera: Alastair Reynolds. Thousandth Night, the genesis for the epic novel House of Suns, is quintessential Reynolds. A visionary account of intrigue, ambition, and technological marvels set within a beautifully realized far-future milieu, it combines world-class storytelling with a provocative meditation on the mystery, grandeur, and inconceivable immensity of the universe.The masterful novella Minla s Flowers features Merlin, a familiar figure to Reynolds s readers. Diverted by technical difficulties to a planet known as Lecythus, Merlin finds himself forced to play a part in the moral and military dilemmas of a world on the verge of extinction.

    P. Lovecraft, the seminal, enigmatic horror writer of the early 20th century. Houellebecq’s insights into the craft of writing illuminate both Lovecraft and Houellebecq’s own work. The two are kindred spirits, sharing a uniquely dark worldview. But even as he outlines Lovecraft’s rejection of this loathsome world, it is Houellebecq’s adulation for the author that drives this work and makes it a love song, infusing the writing with an energy and passion not seen in Houellebecq’s other novels to date.

    From the deceptiveness of Penelope Fitzgerald to the directness of Hemingway, from Kipling’s view of France to the French view of Kipling, from the many translations of Madame Bovary to the fabulations of Ford Madox Ford, from the National Treasure status of George Orwell to the despair of Michel Houellebecq, Julian Barnes considers what fiction is, and what it can do. As he writes, “Novels tell us the most truth about life: what it is, how we live it, what it might be for, how we enjoy and value it, and how we lose it.”

    Each story includes an all-new introduction with compelling insight into the narrative. Exploring the boundaries of the genre, Bova not only writes of spaceships, aliens, and time travel in most of his titles, but also speculates on the beginnings of science fiction in “Scheherazade and the Storytellers,” as well as the morality of man in “The Angel’s Gift.” Stories such as “The Café Coup” and “We’ll Always Have Paris” dip into speculative historical fiction, asking questions about what would happen if someone could change history for the better. This expansive collection is a key addition for Bova fans and sci-fi lovers alike! Stories included in this anthology: “Monster Slayer,” “Muzhestvo,” “We’ll Always Have Paris,” “The Great Moon Hoax, or A Princess of Mars,” “Inspiration,” “Scheherazade and the Storytellers,” “The Supersonic Zeppelin,” “Mars Farts,” “The Man Who Hated Gravity,” “Sepulcher,” “The Café Coup,” “The Angel’s Gift,” “Waterbot,” and “Sam and the Flying Dutchman.”

    Appearing in print for the first time, "Amnesty" is a story of a woman named Noah who works to negotiate the tense and co-dependent relationship between humans and a species of invaders. Also new to this collection is "The Book of Martha" which asks: What would you do if God granted you the ability—and responsibility—to save humanity from itself?Like all of Octavia Butler’s best writing, these works of the imagination are parables of the contemporary world. She proves constant in her vigil, an unblinking pessimist hoping to be proven wrong, and one of contemporary literature’s strongest voices.

    Written in the splendid bareness of her late style, these pages are Marguerite Duras's theory of literature: comparing a dying fly to the work of style; remembering the trance and incurable disarray of writing; recreating the last moments of a British pilot shot during World War II and buried next to her house; or else letting out a magisterial, so what? To question six decades of storytelling, all the essays together operate as a deceitful, yet indispensable confession.

    The most fucked up memoir you’ll ever read.A foul-mouthed memoir about a dysfunctional life.Each chapter recounts a key moment in the author’s life through the books she was reading at the time including:• Howard’s End, the only text she had read whilst engaging in sexual intercourse.• The Secret Diary of Adrian Mole, which she had in her bag while on holiday in Tangier when a market trader offered her to buy her from her mother for 30 camels.• Angela’s Ashes, her chosen reading material during her breast reduction surgery.• Wild Swans, the book she read the day she decided to have nothing more to do with her mother.It is funny, it is shocking, it is heartbreaking, it is very rude and it is totally unforgettable.

    These fascinating essays reveal the versatility of his extraordinary mind. They range from subjects such as the greeting-card image of Mother to ancient fertility rites; from the origin of the alphabet to the relation of language to philosophy; from literary censorship to the appalling lack of sexual knowledge in modern society. Exciting, caustic, sometimes shocking, they offer Aldous Huxley's unique view of that continuing paradox - mankind.

    An indispensable work of science fiction criticism revised and expanded

    From there, Child catapulted to fame - first with the publication of Mastering the Art of French Cooking in 1961 and the launch of her home cooking show, "The French Chef" in 1963. In this volume of carefully selected interviews, Child's charm, guile, and no-nonsense advice are on full, irresistibly delicious display.

    She discovers often at night, often in nature the pleasures of rescuing a fleeting thought. Deeply moving, Woolgathering calls up our own memories, as the child glimpses and gleans, piecing together a crazy quilt of truths. Smith introduces us to her tribe, a race of cloud dwellers, and to the fierce, vital pleasures of cloud watching and stargazing and wandering.A radiant new autobiographical piece, Two Worlds (which was not in the original 1992 Hanuman edition of Woolgathering), and the author's photographs and illustrations are also included. Woolgathering celebrates the sacred nature of creation with Smith's beautiful style, acclaimed as glorious (NPR), spellbinding (Booklist), rare and ferocious (Salon), and shockingly beautiful (New York Magazine).

    This road movie of a novel, which begins as a fifties coming-of-age story and ends in an isolated hippy commune under threat of revolution, provides a transcendent commentary on America then and now.

    It briefly describes some events between The Machine Crusade and the upcoming novel, The Battle of Corrin. It's set starts off several months after the events of The Machine Crusade, when the League Armada is pounding the Tlulaxa homeworld into oblivion.

    Possessed with a precocious sense of style, Abe was in his element chatting with designers he idolized and turning a critical eye to the freshest runway looks of the season; Chabon Sr., whose interest in clothing stops at “thrift-shopping for vintage western shirts or Hermès neckties,” sat idly by, staving off yawns and fighting the impulse that the whole thing was a massive waste of time. Despite his own indifference, however, what gradually emerged as Chabon ferried his son to and from fashion shows was a deep respect for his son’s passion. The piece quickly became a viral sensation.With the GQ story as its centerpiece, and featuring six additional essays plus an introduction, Pops illuminates the meaning, magic, and mysteries of fatherhood as only Michael Chabon can.