On 11 June 1814, Byron attended a party in London. Among the guests was Mrs. Anne Beatrix Wilmot, wife of Byron's first cousin, Sir Robert Wilmot. He was struck by her unusual beauty, and the next morning the poem was written.

    La Fanfarlo-part bitter fictionalized autobiography, part parody, part ambiguous poetic exploration, and the poet's only completed work of fictional prose- is very much the work of an apprentice beginning to find his way. In terms only of plot, the story is slender enough: trying to help an acquaintance reclaim her husband from an infatuation with La Fanfarlo, the young poet Samuel Cramer himself falls in love with the exotic dancer and slides from the pursuit of his poetry into the commercialized world of advertising and politics.

    During Chopin's eighteen years in Paris, lasting nearly half his short life, he shone at the center of the immensely talented artists who were defining their time -- Hugo, Balzac, Stendhal, Delacroix, Liszt, Berlioz, and, of course, George Sand, a rebel feminist writer who became Chopin's lover and protector. Tad Szulc, the author of Fidel and Pope John Paul II, approaches his subject with imagination and insight, drawing extensively on diaries, memoirs, correspondence, and the composer's own journal, portions of which appear here for the first time in English. He uses contemporary sources to chronicle Chopin's meteoric rise in his native Poland, an ascent that had brought him to play before the reigning Russian grand duke at the age of eight. He left his homeland when he was eighteen, just before Warsaw's patriotic uprising was crushed by the tsar's armies. Carrying the memories of Poland and its folk music that would later surface in his polonaises and mazurkas, Chopin traveled to Vienna. There he established his reputation in the most demanding city of Europe. But Chopin soon left for Paris, where his extraordinary creative powers would come to fruition amid the revolutions roiling much of Europe. He quickly gained fame and a circle of powerful friends and acquaintances ranging from Rothschild, the banker, to Karl Marx. Distinguished by his fastidious dress and the wracking cough that would cut short his life, Chopin spent his days composing and giving piano lessons to a select group of students. His evenings were spent at the keyboard, playing for his friends. It was at one of these Chopin gatherings that he met George Sand, nine years his senior. Through their long and often stormy relationship, Chopin enjoyed his richest creative period. As she wrote dozens of novels, he composed furiously -- both were compulsive creators. After their affair unraveled, Chopin became the protÉgÉ of Jane Stirling, a wealthy Scotswoman, who paraded him in his final year across England and Scotland to play for the aristocracy and even Queen Victoria. In 1849, at the age of thirty-nine, Chopin succumbed to the tuberculosis that had plagued him from childhood. Chopin in Paris is an illuminating biography of a tragic figure who was one of the most important composers of all time. Szulc brings to life the complex, contradictory genius whose works will live forever. It is compelling reading about an exciting epoch of European history, culture, and music -- and about one of the great love dramas of the nineteenth century.

    While thus engaged the door opened and the Czar appeared. The princess, who held the book, hastily hid it under the sofa cushions. The Czar approached, and standing before his confused Consort. "You were reading, Madam?" he said. "Yes, Sire." "Do you wish me to tell you what you were reading?" The Czarina was silent. "You were reading the romance of M. Dumas, 'The Fencing Master.' "How do you know that, Sire?" "It is not difficult to guess, since it is the last book I have prohibited." In spite of, or rather by reason of this prohibition, "The Fencing Master" became very popular in Russia, so popular indeed that when in 1858, some eighteen years after its publication, Dumas visited the famous fair at Nijini Novgorod, handkerchiefs printed in colors with scenes from the book were offered for sale to its surprised author.

    This honor catapulted her into contact with both high society and the greatest artists and writers of the day. Marie Antoinette, Catherine the Great, Benjamin Franklin, and Lord Byron were only a few of her vast and prestigious clientele. While describing her life as an artist, Vigee Lebrun also provides an exciting account of the dramatic events of her day, particularly the French Revolution and the Terror, from which she barely escaped.

    His womanising and frank admissions of doping appalled 1960s French society, even as his five Tour de France wins enthralled it. Paul Fournel was besotted with him from the start ("Too young to understand, I was nevertheless old enough to admire") and followed Anquetil's career with the passion of a fan and the eye of a poet. In this stunningly original biography of a complex and divisive character, Fournel - author of the seminal Vélo (or Need for the Bike) blends the story of Anquetil's life with scenes from his own, to create a classic of cycling literature.

    She argues for a more honest, more complex portrait of the true nature of the connections and missed connections among characters and, fascinatingly, between the writer and the reader. D'Erasmo takes us deep into the structure and grammar of these intimacies as they have been portrayed by such writers as Joan Didion, Toni Morrison, D. H. Lawrence, Virginia Woolf, and William Maxwell, and also by visual artists and filmmakers. She asks whether writing about intimacy is like staring straight into the sun, but it is her own brilliance that dazzles in the piercing and original book, The Art of Intimacy.

    A mixed group of twenty-six men, some of the Marshals came from aristocratic backgrounds, some had originally pursued tradesmen careers as drapers and bakers, and others rose from total poverty to hold the highest positions in the empire below the emperor himself. Delderfield's exciting chronicle of these men and their battles tells of their origins, their elevation under the rule of Napoleon, the kingships achieved by some and the betrayals of others, and the Marshals' changing relationship with their leader as the fortunes of the empire rose and fell.

    When his wife is murdered, everything points to his guilt, even a handwritten confession. But the police discover Jacob Jones's diary, which tells a different story. Is Jones' diary a confession?

    This magnificent record of a towering figure is sure to become the new standard biography of Byron.

    A legendary figure in history, Vidocq is known as the first detective and an inspiration to great writers such as Honore de Balzac, Victor Hugo and Edgar Allen Poe. As a player in the criminal underworld, Vidocq is a master of disguises and an accomplished thief, eventually turning his unlawful talents toward catching criminals as the first French chief of secret police. Playing both sides of the law, Vidocq’s life highlights the blurry line between law enforcement and the criminals they pursue. Vidocq has a knack for finding trouble throughout his topsy-turvy life, getting into one hot situation after another, often finding himself behind bars, only to escape the first chance he gets. This book will take you on a whirlwind tour of 1830s France, including the circus stage, pirate ships, prison cells and beautiful women’s boudoirs. Vidocq’s life story is unforgettable and includes some of the best crime stories and juicy tales ever written. Last year, Gerard Depardieu starred in the French film adaptation of the memoirs, -titled Vidocq."He preferred the tumultuous life of danger to the contentment of security. His story is one long swashbuckling adventure as he breaks out of jails, pursues actresses, duels to the death, raids the hells of criminals and stalks the Paris night in a thousand disguises."—Philip John Stead, Vidocq, Picaroon of Crime

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    

    Jasanoff delves beneath the grand narratives of power, exploitation, and resistance to look at the British Empire through the eyes of the people caught up in it.Written and researched on four continents, Edge of Empire enters a world where people lived, loved, mingled, and identified with one another in ways richer and more complex than previous accounts have led us to believe were possible. And as this book demonstrates, traces of that world remain tangible—and topical—today. An innovative, persuasive, and provocative work of history.

    Dazzlingly beautiful and gravely intelligent, she fell in love with Archduke Maximilian of Austria, brother of Habsburg emperor Franz Josef. After their marriage they became viceroys of Lombardy-Venetia -- until Italian unification left them without a future. Meanwhile, Mexico's reformist president Benito Juarez had alienated Europe's rulers by suspending repayment of Mexico's debts. Napoleon III, with England and Spain's help, invaded Mexico to set up an empire, naming Maximilian emperor. In Rome to plead for aid from the pope, Charlotte suddenly went mad, while Maximilian was apprehended by Juarez and executed before a firing squad. Charlotte's life was part romance, part adventure, part mystery. What was her real relationship with Maximilian, and what explains this ambitious woman's sudden breakdown? Why did his family imprison her, after his death, in his fortress castle of Miramar? And what became of her immense fortune? Drawing on previously unpublished documents from the royal families' archives, Prince Michael of Greece answers some of these questions for the very first time. The result is a compelling, historically illuminating portrait of a remarkable woman. "More than a simple biography: this book is a real novel, rich, exciting, and filled with emotion." -- Elle