Always an outcast himself, Genet was drawn to this displaced people, an attraction that was to prove as complicated for him as it was enduring. Prisoner of Love, written some ten years later, when many of the men Genet had known had been killed, and he himself was dying, is a beautifully observed description of that time and those men as well as a reaffirmation of the author's commitment not only to the Palestinian revolution but to rebellion itself. For Genet's most overtly political book is also his most personal—the last step in the unrepentantly sacrilegious pilgrimage first recorded in The Thief's Journal, and a searching meditation, packed with visions, ruses, and contradictions, on such life-and-death issues as the politics of the image and the seductive and treacherous character of identity. Genet's final masterpiece is a lyrical and philosophical voyage to the bloody intersection of oppression, terror, and desire, at the heart of the contemporary world.

    And of the book by Anne Delbee, the book that caused a sensation in France, inspired a motion picture, and resurrected the artist for a public that had forgotten her. Camille Claudel's work possesses a unique power and visionary originality, marking her as one of the greatest sculptors of the nineteenth century. At a time when it was a scandal for a young woman to wish to be a sculptor, Camille threw all her innate enthusiasm and implacable will into just such quest. In 1883, she met Auguste Rodin, and the master accepted her as a student; soon he became her lover. After fifteen years of a passionate and stormy relationship and being beaten down by a system that strongly favored male artists, Camille emerged exhausted and vanquished. In 1913, protective of the career of her brother, the poet Paul Claudel, her family placed Camille in an asylum near Avignon, where she spent the final thirty years of her life. In this fictionalized biography (illustrated by photographs of the artist's work and including many passages from her letters from the asylum), Anne Delbee probes, with sympathy and sensitivity, the heart and soul of Camille Claudel, restoring her to her rightful place as woman and artist.

    'Durrell is a magician. He juggles with glittering words, he conjures up "cloud capped towers, gorgeous palaces and solemn temples," he entrances, intrigues and impresses.' The TimesAvignon: the kingdom of kings and Popes, capital of the historic South of France, heart of legendary Provence. The entwined lives of a group of friends - and lovers - are transformed forever by the outbreak of World War II. But their dramatic present only plunges them further into the darkness of an ancient past, as they become entangled in buried plots, gnostic cults, religious rituals, and a mysterious hunt for hidden Knight's Templar treasure. From Hitler's Europe to the medieval world, French chateaus to Egyptian deserts, The Avignon Quintet is an epic symphony of ecstasy and terror, madness and memory, passion and death. Consisting of five majestic novels - Monsieur, Livia, Constance, Sebastian and Quinx - it is a wild, wise masterpiece that could only be written by the literary master of his century, Lawrence Durrell.'Entrancing ... Swooning ... Charged with Durrell's strange magic.' Guardian'An enigmatic and secretive work, a cluster of dark passages and gaudy treasure-filled caves ... Inventive gusto and fictive extravagance ... Sensational.' London Review of Books'Splendid ... Reckless all-or-nothing writing.' Sunday Telegraph 'A virtuoso, capable of extraordinary feats.' New York Times 'Pungent and teasing ... There is some insidious power in him that keeps one reading.' Observer What readers are saying: 'As if Proust had written Raiders of the Lost Ark ...Templars, gnostics, handsome princes, asylums, madness, Freudians, southern France, Egypt, ancient tombs, castles, exotica, erotica, incest, ghosts, gypsies, ascetics, spies, Nazis, secret societies, bordellos, feasts, Nubian lesbians, assassins disguised as nuns, literary doppelgangers, convents, hidden treasure, suicide, and art.''Mystery, love, incest, war, espionage, gypsies, mysticism, secret rituals: a masterful writer.' 'Magnificent ... An incredible level of writing that should be experienced by everyone who loves modern literature.''A masterpiece ... Unlike anything I've ever read.' 'The master at his peak.' 'The writing is spectacular, unlike anything today.' 'Deeply complex, very clever use of language and gripping. Highly recommended.' 'Hairs suddenly rise on the back of the neck ... Read with a glass of wine.'

    Genette describes the multiple ways a later text asks readers to read or remember an earlier one. In this regard, he treats the history and nature of parody, antinovels, pastiches, caricatures, commentary, allusion, imitations, and other textual relations. Gérard Genette is one of the most original and influential literary critics of modern France. He is the major practitioner of narratological criticism, a pioneer in structuralism, and a much-admired literary historian. Such works as Narrative Discourse and Mimologics (Nebraska 1995) have established his international reputation as a literary theorist of the first order.

    He presents these with an engrossing narrative that places them in the context of the writer's life and times. Throughout this exposition in Flaubert's own words of his views on life, literature, and the passions, readers of his novels will be powerfully reminded of the fertility of his genius, and delighted by his poetic enthusiasm. Flaubert's letters are documents of life and art; lovers of literature and of the literary adventure can rejoice in this edition.

    A mixed group of twenty-six men, some of the Marshals came from aristocratic backgrounds, some had originally pursued tradesmen careers as drapers and bakers, and others rose from total poverty to hold the highest positions in the empire below the emperor himself. Delderfield's exciting chronicle of these men and their battles tells of their origins, their elevation under the rule of Napoleon, the kingships achieved by some and the betrayals of others, and the Marshals' changing relationship with their leader as the fortunes of the empire rose and fell.

    Earnest Hemingway taught her to ski and to clean fish and not to wear high heels while bowling. Dorothy Parker showed her how to tipple tequila and lime. Picasso provided art criticism. Cole Porter added the music and F. Scott Fitzgerald the magic. She was the only daughter of Sara and Gerald Murphy, the golden American who, between the wars, created the Emigre artists' paradise in the south of France. Their sunny charm, elegant good looks, and trend-setting brilliance, which made them Beautiful People before the term was coined, was chronicled in the bestselling Living Well is the Best Revenge. But there was another aspect to the Murphy's story, shadowing their gilded days with spirit-crushing loss. In this remarkable reminiscence, Honoria Murphy Donnelly includes her parents' sad as well as happy times, the intimate dramas as well as celebrity-studded anecdotes, in a deeply touching portrait of a family both very special and very human. From the lush lawns of East Hampton, New York, to the sun-struck Riviera beaches to the echoing corridors of exclusive Swiss sanitoriums, the legend of Sara and Gerald is funny, harrowing, memorable... but it is finally a story of love and courage, the triumph of a couple who won the hearts of a generation and, now, through their daughter, wins ours.

    Whereas previous books on French painting looked only at the history of painting as an evolution of artistic styles (baroque, rococo, neo-classical, and so on), Norman Bryson examines the evolution of narrative styles: the kinds of stories paintings tell, the ways they communicate their information, the different techniques of presenting the body as an instrument for incorporating textual messages. The procedure is applied to a number of painters: LeBrun, Watteau, Greuze, David and others, and the author demonstrates that the relation of formal and 'literary' elements was regarded by painters and critics in the eighteenth century as the primary issue to be confronted in the production of a painting.

    Though initially considered subversive, his harmonic innovations remained rooted in the tonal system, deepening and extending its scope. Today, the opera is universally hailed as the summit of French musical impressionism, a unique poetic conception in which Debussy's powers of orchestral and vocal writing are at their pinnacle.Reprinted in its entirety from the authoritative E. Fromont (1904) edition, this faithful edition reproduces the full orchestral and vocal score in clear, large, legible notation for easy reading and study. A new English translation of the original French front matter further enhances the value and completeness of the volume.

    This edition delivers can't-miss trips for the more than 2 million America's who trave to France annually, whether they're beginners or veterans.

    These and many more are the subjects of requests for confinement written to the king of France in the eighteenth century. These letters of arrest (lettres de cachet) from France’s Ancien Régime were often associated with excessive royal power and seen as a way for the king to imprison political opponents. In Disorderly Families, first published in French in 1982, Arlette Farge and Michel Foucault collect ninety-four letters from ordinary families who, with the help of hired scribes, submitted complaints to the king to intervene and resolve their family disputes. Gathered together, these letters show something other than the exercise of arbitrary royal power, and offer unusual insight into the infamies of daily life. From these letters come stories of divorce and marital conflict, sexual waywardness, reckless extravagance, and abandonment. The letters evoke a fluid social space in which life in the home and on the street was regulated by the rhythms of relations between husbands and wives, or parents and children. Most impressively, these letters outline how ordinary people seized the mechanisms of power to address the king and make demands in the name of an emerging civil order.  Arlette Farge and Michel Foucault were fascinated by the letters’ explosive qualities and by how they both illustrated and intervened in the workings of power and governmentality. Disorderly Families sheds light on Foucault’s conception of political agency and his commitment to theorizing how ordinary lives come to be touched by power. This first English translation is complete with an introduction from the book’s editor, Nancy Luxon, as well as notes that contextualize the original 1982 publication and eighteenth-century policing practices.

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    But what sort of monarch was he? Whereas in his own day he was acclaimed as 'the great king Francis', in more recent times he has generally been taken less seriously than his exact contemporaries Henry VIII of England and the Emperor Charles V. Yet his reign was no less important than theirs. It witnessed and promoted fundamental changes in France's political structure, economy, society, religion and cultural life. The king's obsession with war stimulated constitutional change. By entailing expenditures far in excess of the crown's traditional resources, it obliged him to tap new sources of wealth, to reorganise the fiscal system and to promote administrative centralisation. Economically, Francis' reign saw the completion of the recovery that had followed the Hundred Years' War. While the land was reclaimed, the population grew, town life flourished and trade expanded.

    She flirted with the handsome Prince of Wales, drank champagne until she was dizzy with desire and danced until dawn glowed rosy pink over the breathtaking Eiffel Tower. All of Paris was hers and the future looked perfect - but fate had other plans...With her sudden news of her family's great fortune having been gambled away, Valentina as set from her beloved France to Imperial Russia to marry a man she had never met, but whose reputation far exceeded his enormous wealth. Lonely, frightened, yet determined to shape her ow destiny, the strong-willed young beauty became a sophisticated woman of elegance-a woman who risked her life for secret nights of passion, who persevered through the madness of the Russian Revolution, who overcame the devastation of World War II-and forever dazzled the world she magnificent Contessa.

    

    Whatever our feelings about établissement and French Maoism here at Commune Editions (they aren’t positive), we think the book is incredible, and expect you will too.Get it here: http://communeeditions.com/excess-the...