However, when he discovers that his archenemy, Squilliam Fancyson, is not only a member of the club but a judge at the contest, Squidward vows to win no matter what it takes -- even if it means tricking SpongeBob into cheating for him!

    Wells were running dry, livestock suffered, great cracks crisscrossed farmers' fields, no crops could be planted. Rain had become more valuable than gold.Then a miracle happened: Dr. Dredd and his Wagon of Wonders came to town, and among his wonders was a young boy called Bufu the Rainmaker. At first the townspeople were skeptical — moments later they were dancing for joy, faces turned up into a driving rain. Then, as quickly as it had begun, the rain stopped.More rain! somebody yelled. Dr. Dredd's toothy smile grew wide. Yes, he could command Bufu to make more rain — but what it would cost Coven Tree, he wouldn't say. Not yet.Those who thought rain would be worth whatever it cost didn't know what Bufu knew. And when fourteen-year-old Ellen McCabe found Bufu cowering in her family's woodshed later that night, seeking sanctuary from his evil master, all of Coven Tree soon would know the terrible wrath — and frightening powers — of Dr. Hugo Dredd.

    This enthralling study of the man behind the mask gives also a unique picture of the 16th-century mind and milieu.

    Bailyn writes, depicts the fortunes of a conservative in a time of radical upheaval and deals with problems of public disorder and ideological commitment. It is at the same time a dramatic account of the origins of the American Revolution from the viewpoint, not of the winners who became the Founding Fathers, but of the losers, the Loyalists. By portraying the ordeal of the last civilian royal governor of Massachusetts, Mr. Bailyn explains what the human reality was against which the victors struggled and in doing so makes the story of the Revolution fuller and more comprehensible.

    In a fast-paced narrative, Nelson George's book chronicles the rise and fall of "race music" and its transformation into the R&B that eventually dominated the airwaves only to find itself diluted and submerged as crossover music.

    Louie and Ralphie are tough, tough, tough, just like Big Lou, and they’re going to prove it. But every time they try to show just how tough they are, the Ratso brothers end up accidentally doing good deeds instead. What’ll Big Lou do when he finds out they’ve been acting like softies all over the Big City?

    Sixteen favorite stories are featured in this full-color, hardcover storybook collection.

    He has been her only family. But now Scott too is dead--or so believe the local police and everyone in Arden's community. Arden, however, is convinced that Scott has staged his snowmobile accident and purposely disappeared. She will search until she finds him. As Arden obsessively continues her detective hunt, she is forced to examine her feelings of loss and isolation, and to finally realize that these feelings existed long before Scott's accident. Whether or not her brother reappears, where should Arden turn for the support that usually comes from family? The page-turning mystery leads to a heart-tugging conclusion that is at once hopeful and sad, piercing and satisfying.

    Even the wealthy, powerful, and world-renowned must ultimately meet their Maker—though some have departed this life more ignobly than they might have wished.From Mozart to rock and roll, which performers ended their lives on the wrong note?What famous U.S. bridge is named after an explorer who was eaten by cannibals?Everyone wants to hit the lottery, but does Lady Luck visit winners with deadly fangs?Plus: Learn the real fate of Gilligan's Island castaways and all your favorite TV actors as well as famous writers, senators, saints, dictators, and philosophers, among many others.Michael Largo, the man who illuminated readers on the myriad ways of death in Final Exits, has compiled a fascinating, off-beat, and darkly humorous necrology that provides the grim, often outrageous details about the passing of influential persons. Meticulously researched—employing archaeological records, published obituaries, official documents, and forensic evidence—this authoritative, one-of-a-kind reference presents the unabashed truth about a multitude of celebrity deaths, while examining the various deeds, misdeeds, and lifestyle quirks that hastened the demise and determined the departed's role in history and popular myth. The Portable Obituary has the skinny on what made our late icons—whether through overindulgence or neglect: on the john, in the sack, or in some spectacular accident—what they are today: dead!

    Half-Japanese, adopted by African American parents, she returns to Tokyo, ostensibly to research her thesis on Japan's "sad, brutal reign of conformity." When she vanishes, Tom Hurley, who is half-Korean and half-white, is assigned to her case at the American embassy, as is local cop Kenzo Ota, who is 100 percent Japanese but deemed an outsider.

    One tale recounts the author's search for a Kafka story that can only be found in an elusive and quite possibly cursed edition. Other stories feature humans dressing in full-body protective exoskins in the personas of old Hollywood movie stars to barter old Earth movies for an alien aphrodisiac and a young boy coming to terms with creation and moulding his own man out of detritus from a nearby forest. In the title story, a great fantasy writer loses touch with the world he has created and pleads with his young assistant to help him visualise the story's end and enable him to complete his greatest novel ever.

    In this collection, he discusses diverse religious concepts-early monasticism, Russian Orthodox spirituality, the Shakers, and Zen Buddhism-with characteristic Western directness. Merton not only studied these religions from the outside but grasped them by empathy and living participation from within. "All these studies," wrote Merton, "are united by one central concern: to understand various ways in which men of different traditions have conceived the meaning and method of the 'way' which leads to the highest levels of religious or of metaphysical awareness."

    Lewis Lockwood sketches the turbulent personal, historical, political, and cultural frameworks in which Beethoven worked and examines their effects on his music. "The result is that rarest of achievements, a profoundly humane work of scholarship that will—or at least should—appeal to specialists and generalists in equal measure" (Terry Teachout, Commentary). Finalist for the Pulitzer Prize.  "Lewis Lockwood has written a biography of Beethoven in which the hours that Beethoven spent writing music—that is, his methods of working, his interest in contemporary and past composers, the development of his musical intentions and ideals, his inner musical life, in short—have been properly integrated with the external events of his career. The book is invaluable." —Charles Rosen "Lockwood writes with poetry and clarity—a rare combination. I especially enjoyed the connection that he makes between the works of Beethoven and the social and political context of their creation—we feel closer to Beethoven the man without losing our wonder at his genius." —Emanuel Ax "The magnum opus of an illustrious Beethoven scholar. From now on, we will all turn to Lockwood's Beethoven: The Music and the Life for insight and instruction." —Maynard Solomon "This is truly the Beethoven biography for the intelligent reader. Lewis Lockwood speaks in his preface of writing on Beethoven's works at 'a highly accessible descriptive level.' But he goes beyond that. His discussion of the music, based on a deep knowledge of its context and the composition processes behind it, explains, elucidates, and is not afraid to evaluate; while the biographical chapters, clearly and unfussily written, and taking full account of the newest thinking on Beethoven, align closely with the musical discussion. The result is a deeply perceptive book that comes as close as can be to presenting the man and the music as a unity."—Stanley Sadie, editor, The New Grove Dictionary of Music and Musicians "Impressive for both its scholarship and its fresh insights, this landmark work—fully accessible to the interested amateur—immediately takes its place among the essential references on this composer and his music."—Bob Goldfarb, KUSC-FM 91.5 "Lockwood writes like an angel: lucid, enthusiastic, stirring and enlightening. Beethoven has found his ablest interpreter."—Jonathan Keates, The Spectator  "There is no better survey of Beethoven's compositions for a wide audience."—Michael Kimmelman, The New York Times Book Review

    In addition to seven essays on craft, this collection brings together her penetrating and instructive commentaries on a wide variety of individual writers, including Jane Austen, E. M. Forster, Willa Cather, Anton Chekhov, William Faulkner, and Virginia Woolf.

    (This volume is made up of selections from the Grey, Brown, Pink, Lilac and Orange Fairy Books, the stories therefrom that came from France, Italy or Spain.) Bear Bobino Castle of Kerglas Donkey Skin False Prince and the True Father Grumbler Fortunate and his Purse Frog and the Lion Fairy Golden Lion Knights of the Fish Lost Paradise Queen of the Flowery Isles Seven Who Helped Sprig of Rosemary Story of Bensurdatu Water of Life What Came of Picking Flowers White Doe