In 1967, she fled the Soviet Union for India, where she approached the U.S. Embassy for asylum. Once there, she showed her CIA handler something remarkable: a personal memoir about growing up inside the Kremlin that she’d written in 1963. The Indian Ambassador to the USSR, whom she’d befriended, had smuggled the manuscript out of the Soviet Union the previous year—and returned it to her as soon as she arrived in India.Structured as a series of letters to a “friend”—Svetlana refused to identify him, but we now know it was her close friend, Fyodor Volkenstein—this astounding memoir exposes the dark human heart of the Kremlin. After opening with Stalin’s death, Svetlana returns to her childhood. Each letter adds a new strand to her remarkable story; some are wistful—romanticized recollections of her early years and her family—while others are desperate exorcisms of the tragedies that plagued her, such as her mother’s suicide and her father’s increasing cruelty. It is also in some ways a love letter to Russia, with its ancient heritage and spectacularly varied geography.Candid, surprising, and utterly compelling, Twenty Letters to a Friend offers one of the most revealing portraits of life inside Stalin’s inner circle, and of the notorious dictator himself.

    From 1918 to 1921, through great cities and tiny villages, across untouched forests and vast frozen wasteland, the Bolshevik "Reds" fought the anti-Communist Whites and their Allies (fourteen foreign countries contributed weapons, money, and troops—including 20,000 American soldiers). This landmark history re-creates the epic conflict that transformed Russia from the Empire of the Tsars into the Empire of the Commissars, while never losing sight of the horrifying human cost.

    An Autobiography Robert Robinson

    Under the slogan of Ofree soviets, '' they established a revolutionary commune that survived for sixteen days, until an army came across the ice to crush it. After a savage struggle, the rebels were subdued. Paul Avrich vividly describes the uprising and examines it in the context of the development of the Soviet state.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905."

    The mass executions, the mock trials, the betrayals and purges, the jailings and secret torture that ravaged the Soviet Union during the three decades of Stalin’s dictatorship, were the result of a tight network of trusted henchmen (and women), spies, psychopaths, and thugs. At the top of this pyramid of terror sat five indispensable hangmen who presided over the various incarnations of Stalin’s secret police. Now, in his harrowing new book, Donald Rayfield probes the lives, the minds, the twisted careers, and the unpunished crimes of Stalin’s loyal assassins.Founded by Feliks Dzerzhinsky, the Cheka–the Extraordinary Commission–came to life in the first years of the Russian Revolution. Spreading fear in a time of chaos, the Cheka proved a perfect instrument for Stalin’s ruthless consolidation of power. But brutal as it was, the Cheka under Dzerzhinsky was amateurish compared to the well-oiled killing machines that succeeded it. Genrikh Iagoda’s OGPU specialized in political assassination, propaganda, and the manipulation of foreign intellectuals. Later, the NKVD recruited a new generation of torturers. Starting in 1938, terror mastermind Lavrenti Beria brought violent repression to a new height of ingenuity and sadism.As Rayfield shows, Stalin and his henchmen worked relentlessly to coerce and suborn leading Soviet intellectuals, artists, writers, lawyers, and scientists. Maxim Gorky, Aleksandr Fadeev, Alexei Tolstoi, Isaak Babel, and Osip Mandelstam were all caught in Stalin’s web–courted, toyed with, betrayed, and then ruthlessly destroyed. In bringing to light the careers, personalities, relationships, and “accomplishments” of Stalin’s key henchmen and their most prominent victims, Rayfield creates a chilling drama of the intersection of political fanaticism, personal vulnerability, and blind lust for power spanning half a century.Though Beria lost his power–and his life–after Stalin’s death in 1953, the fundamental methods of the hangmen maintained their grip into the second half of the twentieth century. Indeed, Rayfield argues, the tradition of terror, far from disappearing, has emerged with renewed vitality under Vladimir Putin. Written with grace, passion, and a dazzling command of the intricacies of Soviet politics and society, Stalin and the Hangmen is a devastating indictment of the individuals and ideology that kept Stalin in power.

    They reveal an unexpected rebirth of imagination, an unknown burgeoning that took place from 1970 until 1990. Contrary to the twenties and thirties, no “school” or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Their diversity announces the end of Soviet Union. Taking advantage of the collapsing monolithic structure, the holes of the widening net, architects revisited all the chronological periods and styles, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba sanatorium), others expressed their imagination in an expressionist way (Tbilisi wedding palace). A summer camp, inspired by sketches of a prototype lunar base, lays claim to its suprematist influence (Promethee). Then comes the speaking architecture widespread in the last years of the USSR: a crematorium adorned with concrete flames (Kiev crematorium), a technological institute with a flying saucer crashed on the roof (Kiev institute), a political center watching you like a Big Brother (Kaliningrad House of Soviet). This puzzle of styles testifies to all the ideological dreams of the period, from the obsession with the cosmos to the rebirth of privacy and it also outlines the geography of the USSR, showing how local influences made their exotic twists before bringing the country to its end.

    We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

    Arguing that the utopian Bolshevik project of remaking the world featured a sustained assault on Islam that destroyed patterns of Islamic learning and thoroughly de-Islamized public life, Khalid demonstrates that Islam became synonymous with tradition and was subordinated to powerful ethnonational identities that crystallized during the Soviet period. He shows how this legacy endures today and how, for the vast majority of the population, a return to Islam means the recovery of traditions destroyed under Communism.Islam after Communism reasons that the fear of a rampant radical Islam that dominates both Western thought and many of Central Asia’s governments should be tempered by an understanding of the politics of antiterrorism, which allows governments to justify their own authoritarian policies by casting all opposition as extremist. Comparing the secularization of Islam in Central Asia to experiences in Turkey, the former Yugoslavia, and other secular Muslim states, the author lays the groundwork for a nuanced and well-informed discussion of the forces at work in this crucial region.

    He wrote Conversations With Stalin in '61, between arrests. The book is a diary of his three voyages to Moscow in '43, '44 & '48. Djilas, memories no doubt leavened by hindsight, titles the three meetings "Raptures", "Doubts" & "Disappointments". As these names indicate, the book chronicles his growing disillusionment with Soviet-led socialism. Djilas was an educated man, a sophisticated thinker & a writer. So that when we read passages in the "Raptures" section such as, "My entire being quivered from the joyous anticipation of an imminent encounter with the Soviet Union", it seems clear he was not the naïf that he makes himself out to be. Rather, given his circumstances at the time that he was writing, he was heightening the sense of his early fascination with all things Soviet so that his later disenchantment is all the more palpable. The book fascinates with its detail. He travels to Moscow as a foreign dignitary to discuss Yugoslav-Soviet policies. He must cool his heels for days before he's finally summoned to meet Stalin. Then the meetings are typically all night dinners with copious drinking & byzantine political subtext to the conversation. Stalin dominates the discussion so thoroughly that when he insists that the Netherlands was not a member of the Benelux union, nobody dares correct him. Djilas recognizes traits of greatness in Stalin, his ruthlessness & farsightedness. He describes these not out of regard or respect, but because they are precisely the qualities which make Stalin evil. "Every crime was possible to Stalin, for there was not one he had not committed." As doubts begin to creep in, he records the development of his own cynicism. "In politics, more than in anything else, the beginning of everything lies in moral indignation & in doubt of the good intentions of others". His portraits of Krushchev, open-minded & clever; of Molotov, Stalin's taciturn lieutenant; Dimitrov, the powerful Bulgarian kept on Stalin's string; Beria, sinister & drunk; & a host of other prominent figures make this book required reading for those interested in the era. The descriptions of machinations surrounding Yugoslav-Albanian-Bulgarian politics & his unflattering characterization of Croatian hero Andrija Hebrang are of great interest to students of Balkan history.

    On Stalin's orders, purged rivals were airbrushed from group portraits, and crowd scenes were altered to depict even greater legions of the faithful. In one famous image, several Party members disappeared from an official photograph, to be replaced by a sylvan glade. For the past three decades, author and photohistorian David King has assembled the world's largest archive of photographs, posters, and paintings from the Soviet era. His collection has grown to more than a quarter of a million images, the best of which have been selected for The Commissar Vanishes. The efforts of the Kremlin airbrushers were often unintentionally hilarious. A 1919 photograph showing a large crowd of Bolsheviks clustered around Lenin, for example, became, with the aid of the retoucher, an intimate portrait of Lenin and Stalin sitting alone, and then, in a later version, of Stalin by himself. The Commissar Vanishes is nothing less than the history of the Soviet Union, as retold through falsified images, many of them published here for the first time outside Russia. In each case, the juxtaposition of the original and the doctored images yields a terrifying - and often tragically funny - insight into one of the darkest chapters of modern history.

    The book refutes the classical attacks against Stalin: Lenin's testament, the collectivization imposed by a totalitarian party, the forced industrialization, the liquidation of the old Bolsheviks, the blind and absurd terror of the purges, the cooperation between Stalin and Hitler, etc...In Another View of Stalin, the reader will find an enormous quantity of information from Western academic sources that has long remained unknown to a wider public.

    The nearly 200 documents -- dossiers, police reports, private letters, secret transcripts, and more -- expose the hidden inner workings of the Communist Party and the dark inhumanity of the purge process.

    Lenin was the leader of the communist Bolshevik party during the October 1917 revolution in Russia, and he subsequently headed the Soviet state until 1924, bringing stability to the region and establishing a socialist economic and political system.In Lenin, Lars T. Lih presents a striking new interpretation of Lenin’s political beliefs and strategies. Until now, Lenin has been portrayed as a pessimist with a dismissive view of the revolutionary potential of the workers. However, Lih reveals that underneath the sharp polemics, Lenin was actually a romantic enthusiast rather than a sour pragmatist, one who imposed meaning on the whirlwind of events going on around him. This concise and unique biography is based on wide-ranging new research that puts Lenin into the context both of Russian society and of the international socialist movement of the early twentieth century. It also sets the development of Lenin’s political outlook firmly within the framework of his family background and private life. In addition, the book’s images, which are taken from contemporary photographs, posters, and drawings, illustrate the features of Lenin’s world and time.A vivid, non-ideological portrait, Lenin is an essential look at one of the key figures of modern history.

       A man of indomitable will and fierce determination, Georgy Zhukov was the Soviet Union’s indispensable commander through every one of the critical turning points of World War II. It was Zhukov who saved Leningrad from capture by the Wehrmacht in September 1941, Zhukov who led the defense of Moscow in October 1941, Zhukov who spearheaded the Red Army’s march on Berlin and formally accepted Germany’s unconditional surrender in the spring of 1945. Drawing on the latest research from recently opened Soviet archives, including the uncensored versions of Zhukov’s own memoirs, Roberts offers a vivid portrait of a man whose tactical brilliance was matched only by the cold-blooded ruthlessness with which he pursued his battlefield objectives.   After the war, Zhukov was a key player on the geopolitical scene. As Khrushchev’s defense minister, he was one of the architects of Soviet military strategy during the Cold War. While lauded in the West as a folk hero—he was the only Soviet general ever to appear on the cover of Time magazine—Zhukov repeatedly ran afoul of the Communist political authorities. Wrongfully accused of disloyalty, he was twice banished and erased from his country’s official history—left out of books and paintings depicting Soviet World War II victories. Piercing the hyperbole of the Zhukov personality cult, Roberts debunks many of the myths that have sprung up around Zhukov’s life and career to deliver fresh insights into the marshal’s relationships with Stalin, Khrushchev, and Eisenhower.   A remarkably intimate portrait of a man whose life was lived behind an Iron Curtain of official secrecy, Stalin’s General is an authoritative biography that restores Zhukov to his rightful place in the twentieth-century military pantheon.

    In a courageous investigation, Antony Sutton establishes tangible historical links between US capitalists and Russian communists. Drawing on State Department files, personal papers of key Wall Street figures, biographies and conventional histories, Sutton reveals: the role of Morgan banking executives in funneling illegal Bolshevik gold into the US; the co-option of the American Red Cross by powerful Wall Street forces; the intervention by Wall Street sources to free the Marxist revolutionary Leon Trotsky, whose aim was to topple the Russian government; the deals made by major corporations to capture the huge Russian market a decade and a half before the US recognized the Soviet regime; and, the secret sponsoring of Communism by leading businessmen, who publicly championed free enterprise. "Wall Street and the Bolshevik Revolution" traces the foundations of Western funding of the Soviet Union. Dispassionately, and with overwhelming documentation, the author details a crucial phase in the establishment of Communist Russia. This classic study - first published in 1974 and part of a key trilogy - is reproduced here in its original form. (The other volumes in the series include "Wall Street and the Rise of Hitler" and a study of Franklin D. Roosevelt's "1933 Presidential election in the United States").