A rebel against the Catholic tradition in which he was raised, Althusser studied philosophy and later joined both the faculty of the Ecole normal superieure and the French Communist Party in 1948. Viewed as a "structuralist Marxist," Althusser was as much admired for his independence of intellect as he was for his rigorous defense of Marx. The latter was best illustrated in For Marx (1965), and Reading Capital (1968). These works, along with Lenin and Philosophy (1971) had an enormous influence on the New Left of the 1960s and continues to influence modern Marxist scholarship. This classic work, which to date has sold more than 30,000 copies, covers the range of Louis Althusser's interests and contributions in philosophy, economics, psychology, aesthetics, and political science. Marx, in Althusser's view, was subject in his earlier writings to the ruling ideology of his day. Thus for Althusser, the interpretation of Marx involves a repudiation of all efforts to draw from Marx's early writings a view of Marx as a "humanist" and "historicist." Lenin and Philosophy also contains Althusser's essay on Lenin's study of Hegel; a major essay on the state, "Ideology and Ideological State Apparatuses," "Freud and Lacan: A letter on Art in Reply to Andr� Daspre," and "Cremonini, Painter of the Abstract." The book opens with a 1968 interview in which Althusser discusses his personal, political, and intellectual history.

    Reviewing hate speech regulations, anti-pornography arguments, and recent controversies about gay self-declaration in the military, Judith Butler asks whether and how language acts in each of these cultural sites. Excitable Speech examines the issue of the threatening action of words. The book suggests that although language is a kind of performance which has the power to produce political effects and injuries, it is best understood as a scene of injury rather than its cause. Rather, Butler warns us against a "sovereign" view of language, in which the words we speak are construed as unequivocal forms of conduct. She shows that the repetition of injurious language can be the occasion of its redefinition. Butler illuminates the efficacy of injurious language, covering speech act therapy in both philosophical and literary traditions, Supreme Court cases, hate speech and pornography critics, and recent bans on gay speech in the military.

     “This is an important as well as an entertaining story and should be a must-read for those bored with traditional Victorian fiction, those concerned with the unfolding historical role of women and those who just love a great story based on truth and told with utter believability and real compassion.“ Crime Review January 1822: A child is found dead on wasteland in London's Liberty of Norton Folgate. Adah Flint, the Liberty's Searcher, must examine the little girl's body to determine her identity and discover the cause of death. MEET ADAH FLINT AND DISCOVER THE UNTOLD STORY OF THE SEARCHERS Adah's search for the truth takes her through the cosmopolitan backstreets of early 19th century London, with its inns and prisons, street markets and prostitution, cruelty and compassion. Written by Australian history professor T.J. Alexander and based on real characters and a true crime. This novel takes readers into the long-forgotten world of the women searchers who once played an important role in the solving of crimes, and eventually into the twenty-first century, where mysteries are resolved and new enigmas unfold. A MYSTERY WHICH WILL ENTRANCE AND HAUNT YOU.

    It continues the project of Linda Hutcheon's Narcissistic Narrative and A Theory of Parody in studying formal self-consciousness in art, but adds to this both an historical and an ideological dimension. Modelled on postmodern architecture, postmodernism is the name given here to current cultural practices characterized by major paradoxes of form and of ideology. The "poetics" of postmodernism offered here is drawn from these contradictions, as seen in the intersecting concerns of both contemporary theory and cultural practice.

    The mayor of Chicago will be assassinated at the end of the week, and she is stuck in the year 1893. What she doesn’t know is how she landed 100 years back in time, or why Peter Hastings, the man trying to help her, shares some eerie similarities to her dead husband.When Joey, perhaps unwisely, revealed the year of her origins it didn’t sit well with her host. Her effort to convince him by predicting the mayor’s murder only made matters worse. Now her sanity is in question, and everything she does puts it further into doubt. One of the few bright spots in the whole situation is William, Peter’s five year-old son, but he is a stark reminder that she left a son of her own back in 1993. Stuck in the past and desperate to return to her own Chicago, Joey stumbles her way through a time when women had a barely-audible voice, and very few options. Armed with nothing but her wits, Joey must navigate the rigid waters of the Victorian era while she tries to prevent a murder and find her way home.

    

    Fourteen years later the Petroski brothers arrived in London setting it alight with their breathtaking presence, bone melting accents and heart fluttering masculinity; eligible women were all interested in their availability. And yet the Prince’s betrothed, Miss Georgina Franklin, was yet to receive a visit.

    Author of Beginnings and the controversial Orientalism, Edward Said demonstrates that modern critical discourse has been impressively strengthened by the writings of Jacques Derrida and Michel Foucault, for example, and by such influences as Marxism, structuralism, linguistics, and psychoanalysis. He argues, however, that the various methods and schools have had a crippling effect through their tendency to force works of literature to meet the requirements of a theory or system, ignoring the complex affiliations binding the texts to the world.The critic must maintain a distance both from critical systems and from the dogmas and orthodoxies of the dominant culture, Said contends. He advocates freedom of consciousness and responsiveness to history, to the exigencies of the text, to political, social, and human values, to the heterogeneity of human experience. These characteristics are brilliantly exemplified in his own analyses of individual authors and works.Combining the principles and practice of criticism, the book offers illuminating investigations of a number of writers--Swift, Conrad, Lukacs, Renan, and many others--and of concepts such as repetition, originality, worldliness, and the roles of audiences, authors, and speakers. It asks daring questions, investigates problems of urgent significance, and gives a subtle yet powerful new meaning to the enterprise of criticism in modern society.

    Spanning the century between Victorian Britain and the current struggle for power in South Africa, the book takes up the complex relationships between race and sexuality, fetishism and money, gender and violence, domesticity and the imperial market, and the gendering of nationalism within the zones of imperial and anti-imperial power.

    He’s tired of being overlooked. It’s going to be a long two years.Eleanor Barrington has one rule: don’t draw attention to yourself. Her father does that far too often. She has one goal: marry a Peer with enough social status to protect her family from embarrassment. When her father decides on a last-minute Grand Tour, Eleanor finds herself spending time with the one man who cannot help her: a younger son who draws attention to himself everywhere they go. Her brother’s best friend.As the younger son of an earl, Percy Hauxton has to fight for everything. A Grand Tour is the perfect opportunity to pursue his ambition to work for the Foreign Office. But traveling with Eleanor and her parents wasn’t part of the plan.When circumstances draw them apart and a secret from the past threatens to unravel everything, Eleanor has to rethink her goals and decide one thing. Can she marry for love, or does she need a marriage of convenience?

    Developing an original integration of powerful contemporary methodologies - deconstruction, Marxism and feminism - Spivak turns this new model on major debates in the study of literature and culture, thus ensuring that In Other Worlds has become a valuable tool for studying our own and other worlds of culture.

    Examining the ancient poetry and myths found in African, Latin American, and Caribbean culture, and particularly the Yoruba trickster figure of Esu-Elegbara and the Signifying Monkey whose myths help articulate the black tradition's theory of its literature, Gates uncovers a unique system for interpretation and a powerful vernacular tradition that black slaves brought with them to the New World. His critical approach relies heavily on the Signifying Monkey--perhaps the most popular figure in African-American folklore--and signification and Signifyin(g). Exploring signification in black American life and literature by analyzing the transmission and revision of various signifying figures, Gates provides an extended analysis of what he calls the Talking Book, a central trope in early slave narratives that virtually defines the tradition of black American letters. Gates uses this critical framework to examine several major works of African-American literature--including Zora Neale Hurston's Their Eyes Were Watching God, Ralph Ellison's Invisible Man, and Ishmael Reed's Mumbo Jumbo--revealing how these works signify on the black tradition and on each other. The second volume in an enterprising trilogy on African-American literature, The Signifying Monkey--which expands the arguments of Figures in Black--makes an important contribution to literary theory, African-American literature, folklore, and literary history.

    J. T. Mitchell asks, are pictures (and theories of pictures) doing now, in the late twentieth century, when the power of the visual is said to be greater than ever before, and the "pictorial turn" supplants the "linguistic turn" in the study of culture? This book by one of America's leading theorists of visual representation offers a rich account of the interplay between the visible and the readable across culture, from literature to visual art to the mass media.

    When the 8th Earl of Staton dies, his eldest son, the unreliable Richard, inherits the title and the family’s home—Hembry Castle. The Earl's niece, the American-born Daphne, is intrigued by Edward Ellis, a rising author with a first-hand knowledge of Hembry Castle—from the servants’ hall. And Edward, though captivated by the lovely Daphne, has his own hurdles he must overcome. Can Richard come to terms with his title before bringing ruin on his family? Will Edward and Daphne find their way to each other despite the obstacles of life at Hembry Castle? When It Rained at Hembry Castle is a page-turning, romantic novel with vivid characters and an engrossing story that will keep you guessing until the end.

    Gissing has been judged to be one of the foremost novelists of the late 19th century