London has long been a magnet for aspiring artists and writers, musicians and fashion designers seeking inspiration and success in this great city. In London Calling, Barry Miles explores the counter culture that sprang up in the decades following the Second World War, focusing on the West End and Soho, where the presence of so many artists has established a unique atmosphere; creative, avant garde, permissive, anarchic - the throbbing heart of London. Here are the heady days of post-war Soho when suddenly everything seemed possible, the jazzbars and clubs of the fifties, the teddy boys and the Angry Young Men, Francis Bacon and the legendary Colony Club, the 1960s and the Summer of Love, the rise of punk and the early days of the YBAs.

    - help is finally at hand. That help comes in the comfortingly accessible form of Stephen Trombley's Short History of Western Thought, which outlines the 2,500-year history of European ideas from the philosophers of Classical Antiquity to the thinkers of today, No major representative of any significant strand of Western thought escapes Trombley's attention: the Christian Scholastic theologians of the Middle Ages, the great philosophers of the Enlightenment, the German idealists from Kant to Hegel; the utilitarians Bentham and Mill; the transcendentalists Emerson and Thoreau; Kierkegaard and the existentialists; the analytic philosophers Russell, Moore, Whitehead and Wittgenstein; and - last but not least - the four shapers-in-chief of our modern world: the philosopher, historian and political theorist Karl Marx; the naturalist Charles Darwin, proposer of the theory of evolution; Sigmund Freud, the father of psychoanalysis; and the theoretical physicist Albert Einstein, begetter of the special and general theories of relativity and founder of post-Newtonian physics.

    His ‘natural supernaturalism’, personal mythology and vision can leave readers dazzled by the intensity and passion of his verse. In this outstanding work, Chesterton goes right to the heart of the matter and addresses the question of whether Blake’s genius was tainted by madness or whether his peculiar outlook on the world was the key to his success. With a detailed exposition of Blake’s life, and by weaving lucid explanations of his philosophy and religion into a discourse on his poetry, Chesterton has produced a remarkable and sensitive biography.

    Ancient Greek tragedy is revealed as surprisingly modern and experimental, while such concepts as mimesis, catharsis, hubris and the tragic collision are discussed from different perspectives."[Kaufmann] has attempted a searching analysis of the essence of tragedy. He offers a new definition and, without raising his voice, his version of poetics as against that of Aristotle." -- The New York Times

    Encyclopedic in scope and heroically audacious, "The Novel: An Alternative History" is the first attempt in over a century to tell the complete story of our most popular literary form. Contrary to conventional wisdom, the novel did not originate in 18th-century England, nor even with Don Quixote, but is coeval with civilization itself. After a pugnacious introduction, in which Moore defends innovative, demanding novelists against their conservative critics, the book relaxes into a world tour of the premodern novel, beginning in ancient Egypt and ending in 16th-century China, with many exotic ports-of-call: Greek romances; Roman satires; medieval Sanskrit novels narrated by parrots; Byzantine erotic thrillers; 5000-page Arabian adventure novels; Icelandic sagas; delicate Persian novels in verse; Japanese war stories; even Mayan graphic novels. Throughout, Moore celebrates the innovators in fiction, tracing a continuum between these premodern experimentalists and their postmodern progeny. Irreverent, iconoclastic, informative, entertaining - "The Novel: An Alternative History" is a landmark in literary criticism that will encourage readers to rethink the novel.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. The books in the series will all follow the same structure:a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or TV adaptations, literary prizes, etc.; a wide range of suggestions for further reading, including websites and discussion forums; and a list of questions for reading groups to discuss.

    This user-friendly training guide includes groups of instructional exercises and practice tests on various aspects and features of the sixth edition of the Publication Manual, including electronic references and citations, grammar, headings, seriation, statistical and mathematical copy, italics, capitalization, numbers style, and table formatting.

    The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

    He was sleek and prosperous, with a dainty goatee. Though he smiled reassuringly, the poet noticed that he kept a safe distance. In a soothing, urbane voice, the physician explained the treatment: stewed prunes to evacuate the bowels; succulent meats to ease digestion; cinnabar and the sweating tub to cleanse the disease from the skin. The doctor warned of minor side effects: uncontrolled drooling, fetid breath, bloody gums, shakes and palsies. Yet desperate diseases called for desperate remedies, of course.Were Shakespeare's shaky handwriting, his obsession with venereal disease, and his premature retirement connected? Did John Milton go blind from his propaganda work for the Puritan dictator Oliver Cromwell, as he believed, or did he have a rare and devastating complication of a very common eye problem? Did Jonathan Swift's preoccupation with sex and filth result from a neurological condition that might also explain his late-life surge in creativity? What Victorian plague wiped out the entire Brontë family? What was the cause of Nathaniel Hawthorne's sudden demise? Were Herman Melville's disabling attacks of eye and back pain the product of "nervous affections," as his family and physicians believed, or did he actually have a malady that was unknown to medical science until well after his death? Was Jack London a suicide, or was his death the product of a series of self-induced medical misadventures? Why did W. B. Yeats's doctors dose him with toxic amounts of arsenic? Did James Joyce need several horrific eye operations because of a strange autoimmune disease acquired from a Dublin streetwalker? Did writing Nineteen Eighty-Four actually kill George Orwell? The Bard meets House, M.D. in this fascinating untold story of the impact of disease on the lives and works of some the finest writers in the English language. In Shakespeare's Tremor and Orwell's Cough, John Ross cheerfully debunks old biographical myths and suggests fresh diagnoses for these writers' real-life medical mysteries. The author takes us way back, when leeches were used for bleeding and cupping was a common method of cure, to a time before vaccinations, sterilized scalpels, or real drug regimens. With a healthy dose of gross descriptions and a deep love for the literary output of these ten greats, Ross is the doctor these writers should have had in their time of need.

    It is language made special so that it will be remembered and valued. It does not always work—over the centuries countless thousands of poems have been forgotten. This little history is about some that have not. John Carey tells the stories behind the world’s greatest poems, from the oldest surviving one written nearly four thousand years ago to those being written today. Carey looks at poets whose works shape our views of the world, such as Dante, Chaucer, Shakespeare, Whitman, and Yeats. He also looks at more recent poets, like Derek Walcott, Marianne Moore, and Maya Angelou, who have started to question what makes a poem "great" in the first place. This little history shines a light on the richness and variation of the world’s poems—and the elusive quality that makes them all the more enticing.

    But what began as a cultural war of independence from Britain devolved into a battle among lexicographers, authors, scholars, and publishers, all vying for dictionary supremacy and shattering forever the dream of a unified American language.The overwhelming questions in the dictionary wars involved which and whose English was truly American and whether a dictionary of English should attempt to be American at all, independent from Britain. Martin tells the human story of the intense rivalry between America’s first lexicographers, Noah Webster and Joseph Emerson Worcester, who fought over who could best represent the soul and identity of American culture. Webster believed an American dictionary, like the American language, ought to be informed by the nation’s republican principles, but Worcester thought that such language reforms were reckless and went too far. Their conflict continued beyond Webster’s death, when the ambitious Merriam brothers acquired publishing rights to Webster’s American Dictionary and launched their own language wars. From the beginning of the nineteenth century to the end of the Civil War, the dictionary wars also engaged America’s colleges, libraries, newspapers, religious groups, and state legislatures at a pivotal historical moment that coincided with rising literacy and the print revolution.Delving into the personal stories and national debates that arose from the conflicts surrounding America’s first dictionaries, The Dictionary Wars examines the linguistic struggles that underpinned the founding and growth of a nation.

    "Hopper represents the most lethal of organized religions many opponents: a curious, well-educated individual with a sharp wit." Queen's University Journal Review "Wickedly fun and informative." Toronto Star "The Heathen's Guide To World Religions has taken up permanent residence on my bookshelves... a masterfully written, wonderfully funny, and deliciously snarky trip down religious lane." Al Stefanelli, UNITED ATHEIST FRONT. "Like Monty Python in religious garb... easily one of the best places to invest your book buying dollar." Georgia Straight

    Each word in Biblical Greek, Hebrew and Aramaic is numbered, presented in Greek/Hebrew script and in transliteration and is accompanied by a pronunciation guide. Each word is defined in English, and the translation(s) of that word in the Authorized English Version are presented. Strong's work was originally published in 1890 under the titles A Concise Dictionary of the Words in the Hebrew Bible; with their Renderings in the Authorized English Version and A Concise Dictionary of the Words in the Greek New Testament; with their Renderings in the Authorized English Version. They were bound together with Strong's Exhaustive Concordance of the Bible.Beautiful Greek, Hebrew in This E-BookThis digital edition of Strong's classic work is distinctive in not only presenting the Greek and Hebrew/Aramaic in their respective scripts but doing so using in an aesthetically pleasing manner that looks great on the Kindle. All Greek and Hebrew is accompanied by beautiful transliteration; you do not need to know Greek or Hebrew to make use of this e-book.Superior Navigation Features in This E-BookThis digital edition of Strong's Greek and Hebrew Dictionary of the Bible recognizes that you do not generally read dictionaries linearly. As a result, there are multiple options provided for powerful and rapid navigation. Note that navigation details might be different in the various Kindle applications for platforms other than the Kindle itself.First, when you click on Go to in the menu, you have the option of selecting Table of Contents. This Table of Contents provides hyperlinks to each letter of the dictionary, first for Hebrew and then for Greek, along with the range of Strong's numbers for that letter. Clicking on a link to a letter provides a list of options for the first two letters of the word as well as the range of Strong's numbers for that letter combination. Once you click on the desired two-letter combination, you can flip the page to get to the desired entry if need be.Second, when you are reading, clicking the 5-way controller to the right will advance you to the hyperlinked list for the next letter of the alphabet. Clicking the 5-way controller to the left does similarly.Third, you can navigate directly to a particular glossary entry by clicking on Index in the menu and typing in the letter "g" followed by the Strong's number for that entry for Greek, or "h" followed by the Strong's number for that entry for Hebrew. For example, to navigate to the entry for Strong's Hebrew #1234, simply type "h1234" into the text box and hit enter. To navigate to the entry for Strong's Greek #1234, simply type "g1234" into the text box and hit enter. This option is not available on first generation Kindles and might not be available on Kindle applications.Fourth, you can navigate directly to a particular glossary entry by clicking on Index in the menu and typing in the word in transliteration, preceded by "g " for Greek and "h " for Hebrew/Aramaic. For Greek, use the same SBL transliteration scheme used in this book, leaving off any diacritics and using all lower-case. For example, to navigate to the entry for Strong's #124, Aígyptos, simply type "g aigyptos" in the text box and hit enter.

    Is writing a children's book as simple as it looks? Do you want to write for children or about them? Do you want to write a picture book for young children, a book for new readers, or a chapter book for preteens? Why is Beatrix Potter so beloved? E. Nesbit? A. A. Milne? Maurice Sendak?After more than fifteen years as a writing shelf classic, The Way to Write for Children has been completely revised and updated. From analysis of what makes the best-loved children's books so successful, to where to look for inspiration, to practical advice on how to structure a plot, Aiken delivers an extremely useful book for anyone who's ever considered writing a children's book.