As relevant as when it was first published in 1968, groundbreaking director and cofounder of the Royal Shakespeare Company Peter Brook draws on a life in love with the stage to explore the issues facing a theatrical performance—of any scale. He describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht’s revolutionary alienation technique to the free form happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and Paul Scofield to a joyous impromptu performance in the burnt-out shell of the Hamburg Opera just after the war. Passionate, unconventional, and fascinating, this book shows how theatre defies rules, builds and shatters illusions, and creates lasting memories for its audiences.

    But they could never forgive the truths he told about them.From this compelling story of a doctor at war with the world he has been taught to heal, Taylor Caldwell has fashioned a novel of an unforgettable, angry idealist -- a novel in which the drama of new medical frontiers becomes part of a sweeping chronicle of love, death, desire, and redemption.

    As a record of Grotowski's theatrical experiments, this book is an invaluable resource to students and theater practioners alike.

    On the other hand, America returned Natu use to think of his cow, as only milk and meat giving domestic animal.This novel narrates the conflicts between the values, emotions and ethics of these contrast people.The novel starts with a song on cow, translated in almost every known language, and seeks through finding the importance of values rooted deeply in Indian culture. Artworks based on this novel in Kannada and “Godhuli” in Hindi movies have received acknowledgements at National and International levels.Even today, this novel published in 1968, is counted as one of the epic and incredibly narrated novel.This powerful and convincing novel, vigilant the two contradictions, love and anger, predominantly, for sure!!

    The hero of this novel is the young and idealistic Nobuo Nagano, who finds himself forced to make a heart-rending decision, when he must choose between his childhood sweetheart, Fujiko, and his newly found Christian faith. Set in Hokkaido at the turn of the nineteenth century, when for the first time Western culture and ideas were beginning to challenge Japan's long-held traditions, Shiokari Pass takes an intriguing look at Japanese life and thought of a hundred years ago. Filled with drama and featuring a spectacular climax amidst the snows of Hokkaido, the book was a bestseller in Japanese and a successful motion picture as well. Based on the life of a high-ranking railway employee who was revered for his humanitarian deeds, Shiokari Pass offers a revealing glimpse of the long, hard road traveled by Japanese Christians.

    Ancient Greek tragedy is revealed as surprisingly modern and experimental, while such concepts as mimesis, catharsis, hubris and the tragic collision are discussed from different perspectives."[Kaufmann] has attempted a searching analysis of the essence of tragedy. He offers a new definition and, without raising his voice, his version of poetics as against that of Aristotle." -- The New York Times

    The first volume of the "Collected Works" contains the important correspondence with Jacques Riviere, and Artaud's extraordinary explorations of consciousness and creativity in Umbilico Limbo and Nerve Scales, as well as essays on life and death, suicide, drugs, lunacy, religion and art, poems, manifestos, the terrifying short play The Spurt of Bloodletters and other material. This important volume is essential to an understanding of the art and theater of our time and will give endless pleasure and information to its readers. Translated and with an introduction by Victor Corti.Contents:Correspondence with Jacques Rivière --Umbilical limbo --Nerve scales --Art and death --Unpublished prose and poetry --Cup and ball --Seven letters --Appendix.

    He took up law, left it for public speaking, then turned to full-time writing, producing the wide range of subject matter and literary form which is represented in this collection.A master of the vivid scene, Lucian used his pungent style to ridicule the tyrants, prophets, waning gods, and hypocrite philosophers of his own day and the centuries preceding him. His most typical genre is a parody of a Platonic dialogue, but he also excelled in straight narrative, as in the elaborate spoof "A True Story" and the old folk tale outrageously retold, "Lucius, the Ass." His skeptical mind and imaginative irony have influenced generations of artists and writers, and now in Professor Casson's new translations can be freshly enjoyed today.

    . . [Mart] Crowley's point is about how the humor is shaped and defined by the pain."-The New York TimesThe Boys in the Band was the first commercially successful play to reveal gay life to mainstream America. Alyson is proud to release a special fortieth anniversary edition of the play, which includes an original preface by acclaimed writer Tony Kushner (Angels in America), along with previously unpublished photographs of Mart Crowley and the cast of the play/film.Mart Crowley's other plays include the autobiographical A Breeze from the Gulf (1973) and The Men from the Boys (2002).

    Daniel Barnes is a family man who works as a member of the Political Police in an imaginary country called Surelia. Ordered by his superior to torture a political prisoner, Daniel becomes sexually impotent. After a visit to Dr Valmy, Daniel discovers that his condition is a self-punishment for what he has done to the prisoner. Mary, Daniel's wife, gradually becomes aware of the secrets of her husband's grisly trade and attempts to persuade him to leave the police service, with devastating results. The play focuses not on the victim but on the torturer and the consequences of his actions for his family, marriage and personal relations.

    Novelist and essayist Jens Bjorneboe turned to playwriting during the 1960's, as a genre in which he might "stage his literary assault on hierarchical society with an aggressive, extroverted form of theater" (from the Introduction). This play had its world premiere in Oslo in 1969, and recounts the tragic history of Dr. Ignaz Semmelweis, the founder of modern antiseptic techniques, whose biography illustrates "the pitfalls and even horrors of the man or woman of science who is naively in search of truth and improvement in the human condition, in a society who is naively in search of truth and improvement in the human condition, in a society that reveres prestige and power and its own received belief systems to the exclusion of any new 'truths'" (from the Introduction). Brechtian in style and somewhat anarchic in its politics, "Semmelweis" provides a biting critique of obtuse authority.

    The complete scripts to six Sam Shepard plays: The Unseen Hand, Forensic and the Navigators, The Holy Ghostly, Back Bog Beast Bait, Shaved Splits, 4-H Club.

    This means danger for ships at sea, who rely on the light to steer clear of the rocks. Foul play is suspected and it's up to Tim and friends to save the day in one of their most exciting, and most dangerous, adventures ever!

    They are marked by the meticulous attention to detail and veracious dialogue that are habitual to O'Hara. His style of fiction, which often follows one individual or relationship through an unpredictable and unstable course, is frequently better served by the shorter form.The ten stories presented here were written in the sixties, the last decade of O'Hara's life, when he was as prolific as ever and concerned to record as much of what he had seen in his lifetime as possible. They are set during his adulthood and in the places that he knew, lived in, and always wrote about: Gibbsville (the fictionalized Pottsville, where he had grown up), Philadelphia, New York, and Hollywood. The characters are also familiar: O'Hara's alter ego, the writer Jim Malloy, the mismatched couples and disappointed lovers, the rising and fading stars of Hollywood, the socially aspiring, and the criminal fringe of the Prohibition era.As O'Hara's biographer Frank MacShane notes, the stories are "still extraordinarily alive." O'Hara effortlessly crafts stories that are propelled by his beautifully observed dialogue and studded with his placement of people by what they drink and the way they drink it, their cars, and their clothes. The life in the stories is in this detail, and in the universal applicability that his themes have for the latetwentieth century.

    One of Molina's best-known tragedies.