Read it—it’s moving, brave and just profoundly human and sad....There aren’t any answers. And that’s what makes this all so impossible, and Solomon’s journalism so essential” (Salon.com). “Both parents loved Adam. Neither parent imagined or wanted their child’s horrific end. This is why what Peter Lanza did by sharing his story with Andrew Solomon is so important. Lanza’s story fills important gaps in our understanding of how a beloved child became a killer—and reminds us as a society that we have an obligation to help families and children before they find themselves on irreversible paths of violence” (Time).

    As listeners have grown increasingly eclectic and adventurous in their tastes, The Wire has emerged as the most authoritative source on modern music.In Undercurrents some of the best music writers of our time uncover the hidden wiring of the past century's most influential music. Ian Penman discusses how the microphone transformed the human voice and made phantom presences of great singers such as Billie Holiday, Robert Johnson, and Brian Wilson. Christoph Cox demonstrates how the pioneers of live electronic music, the West Coast ensemble Sonic Arts Union, redefined virtuosity for the electronic age. Philip Smith and Peter Shapiro examine Harry Smith's Smithsonian Anthology of American Folk Music, which led to a massive reappraisal of musical values that went far beyond the folk music revival.Music explored in Undercurrents ranges through avant rock, jazz, hiphop, electronica, global music, and contemporary "classical."

    The idea that our civilisation is doomed is not established fact. It is a story we tell ourselves.' In the 1980s, we gave up on the future. When we look ahead now, we imagine economic collapse, environmental disaster and the zombie apocalypse. But what if we are wrong? What if this bleak outlook is a generational quirk that afflicted those raised in twentieth century, but which is already beginning to pass? What if we do have a future after all?John Higgs takes us on a journey past the technological hype and headlines to discover why we shouldn't trust the predictions of science fiction, why nature is not as helpless as we assume and why purpose can never be automated. In the process, we will come to a better understanding of what lies ahead and how, despite everything - despite all the horrors and instability we face - we can build a better future.

    But where once we settled down to admire the 'top-quality original songwriting' that the contest was inaugurated to showcase, throughout the long post-ABBA decades Eurovision has come to entertain us for all the wrong reasons: we chortle at its magnificent foolishness, its stubborn reinforcement of the crudest national stereotypes, at a scoreboard shamelessly corrupted by cross-border friendship and hatred. And as post-modern connoisseurs of showbiz meltdown, our focus has shifted from the blandly competent winners to the spangled, hapless, table-propping losers, those left to wander the lonely, windswept summit of Mount Fiasco. The gold standard of farcical failure, the benchmark of badness, to score nul points is to suffer international ignominy and find sympathetic understanding replaced by brutal guffaws. Remorseful of his own longstanding contributions to the latter chorus, yet darkly fascinated with those lives shadowed by the entertainment world's most grandiose humiliation, Tim Moore sets off to track down the thirteen Eurominstrels who have come and gone without troubling the scorers since Norway's Jahn Teigen twanged his silver braces and leapt splay-legged off the Palais des Congres stage in 1978. From Lisbon to Lithuania, from the Black Sea to the Baltic, Moore travels the continent to hear their extraordinary stories - 'poignant, ludicrous and heartwarming in almost equal measure' - recounting as he does so the no less improbable history of Eurovision itself, a towering cathedral of cheese that can nonetheless claim responsibility for keeping Norway out of the EU and catalysing the overthrow of a Portuguese dictatorship.

    The case became the wildly successful Netflix “Making A Murderer” documentary. In WRECKING CREW: Demolishing The Case Against Steven Avery, Ferak lays out in exacting detail the post-conviction strategy of Kathleen Zellner, the high-profile, high-octane lawyer, to free Avery. To write this book, Zellner, perhaps America’s most successful wrongful conviction attorney, gave Ferak unique access to the exhaustive pro bono efforts she and her small suburban Chicago law firm dedicated for a man she believes to be a victim of an unscrupulous justice system in Manitowoc County.

    And no one gets it like the Google Generation. God came to earth to invite us, personally, into a relationship. And while Christians at times downplay relationships, the social-media generation is completely sold on the idea. In Viral, Leonard Sweet says Christians need to learn about connecting with others from the experts—those who can’t seem to stop texting, IM-ing, tweeting, and updating their Facebook statuses. What would happen, he asks, if Christians devoted less attention to strategies and statistics and paid more attention to pursuing relationships? The current generation is driven by a God-given desire to know others and to be known by others. Most of them, in seeking to connect in meaningful ways, have found a place of belonging that is outside the organized church. Why not bring the two together? Those who are sold out to relationships can teach Christians how to be better friends to people who need God. At the same time, members of the social-media generation can learn how to follow their desire for belonging, straight into the arms of God. It’s time for relationship to be restored to the heart of the gospel. And when that happens, can revival be far behind? End-of-Chapter Interactives Included

    He who serves his fellows is the greatest of all. If a man is as wise as a serpent, he can be as gentle as a dove. The life of a man is a circle from childhood to childhood, and so it is in everything where power moves. A sin against a neighbor is an offense against the Great Spirit.

    Entire Christian populations have been eliminated, and the ultimate aim of ISIS and the Islamic State is to eradicate the world of Christianity. They are well on their way.  Thousands of Christians arrive in refugee camps daily as tents can be seen for miles across the countryside of Jordan, N. Iraq and Lebanon. Churches have been demolished, crosses burned and replaced with ISIS flags, homes destroyed, entire communities displaced, religious conversions forced, human torture enacted, children slaughtered, and all in plain sight. In many cities every single Christian has been “taken care of” - displaced, murdered or forcibly converted, and just as the Nazis painted the Star of David on the homes of Jews, Jihadists have painted the Christian “N” (the first letter of the Arabic word for “Christian”) on the homes of indigenous Christian communities to identify them before destroying them. They have proclaimed that they will not stop until Christianity is wiped off the earth from the land of its birth all the way to your own backyard.  So what can be done to help these brave souls in the crossfire and protect a holy land? With never before told stories of horror and of hope, Johnnie Moore unveils the threat of ISIS against worldwide Christianity, and what the world must do about it. Along the way, he introduces us to the courageous Christians who have stared down ISIS and lived to raise their crosses higher.

    Within weeks it would be the talk of the nation.For the first time, The Lost Tribe of Coney Island unearths the incredible true story of the Igorrotes, a group of “headhunting, dog eating” tribespeople brought to America from the Philippines by the opportunistic showman Truman K. Hunt. At Luna Park, the g-string-clad Filipinos performed native dances and rituals before a wide-eyed public in a mocked-up tribal village. Millions of Americans flocked to see the tribespeople slaughter live dogs for their daily canine feasts and to hear thrilling tales of headhunting. The Igorrotes became a national sensation—they were written up in newspaper headlines, portrayed in cartoons, and even featured in advertising jingles, all fueled by Truman’s brilliant publicity stunts.By the end of the summer season, the Igorrote show had made Truman a rich man. But his genius had a dark side and soon he would be on the run across America with the tribe in tow, pursued by ex-wives, creditors, Pinkerton detectives, and the tireless agents of American justice.Award-winning journalist Claire Prentice brings this forgotten chapter in American history to life with vivid prose and rich historical detail. The book boasts a colorful cast of characters, including the mercurial Truman Hunt; his ambitious, young Filipino interpreter, Julio Balinag; Fomoaley Ponci, the tribe’s loquacious, self-important leader; Luna Park impresarios Fred Thompson and Elmer “Skip” Dundy; and Frederick Barker, the government man dead set on bringing Truman to justice.At its heart, The Lost Tribe of Coney Island is a tale of what happens when two cultures collide in the pursuit of money, adventure, and the American Dream. It is a story that makes us question who is civilized and who is savage.

    Teaching readers how to bridge the cultural divide, Storti offers a set of best practices that will enable Westerners and Indians to work together with extraordinary results.

    1 defender of freedom of speech" and the bestselling author of Shakedown makes the timely and provocative case that when it comes to oil, ethics matter just as much as the economy and the environment.In 2009, Ezra Levant's bestselling book Shakedown revealed the corruption of Canada's human rights commissions and was declared the "most important public affairs book of the year." In Ethical Oil, Levant turns his attention to another hot-button topic: the ethical cost of our addiction to oil. While many North Americans may be aware of the financial and environmental price we pay for a gallon of gas or a barrel of oil, Levant argues that it is time we consider ethical factors as well. With his trademark candor, Levant asks hard-hitting questions: With the oil sands at our disposal, is it ethically responsible to import our oil from the Sudan, Russia, and Mexico? How should we weigh carbon emissions with human rights violations in Saudi Arabia? And assuming that we can't live without oil, can the development of energy be made more environmentally sustainable? In Ethical Oil, Levant exposes the hypocrisy of the West's dealings with the reprehensible regimes from which we purchase the oil that sustains our lifestyles, and offers solutions to this dilemma. Readers at all points on the political spectrum will want to read this timely and provocative new book, which is sure to spark debate.

    The truth is, though, Germans are different from us-in more ways than we may know. Greg Nees, in this new InterAct, Germany: Unraveling an Enigma, does an outstanding job of explaining those cultural differences that we most need to know in order to have effective and fulfilling interactions with the Germans. Nees explores major German cultural themes: the need for order and obedience to rules and regulations, the insistence on clarity of thought, compartmentalization, the penchant for rational thinking and the love of abstract debate, the sharp distinction between insiders and outsiders, a strong sense of duty, and German communication patterns. As a business consultant who has lived and worked many years with Germans, Greg Nees gives special attention to the German social market economy and to cultural differences in the workplace. Perhaps most valuable, in his last chapter he looks to the future as Germany seeks to create a new identity in the twenty-first century, dealing with such issues as multiculturalism, Americanization, changing lifestyles, the European Union, and globalization.

    Small in scale, low in price, but large in impact, these books present and disseminate new and innovative theories. The modest format of the books in the Pamphlet Architecture Series belies the importance and magnitude of the ideas within.

    Written in an entertaining, educational and assessible style, this biography is an accurate and well-researched portrayal of the man.

    As Michael Smith describes: "Brother Jero is a self-styled 'prophet,' an evangelical con man who ministers to the gullible and struts with self-importance over their dependence on him. The play follows him through a typical day: He acts as kind of tourist guide, displaying himself to the audience, explaining, demonstrating how he manages to live by his wits. He is pursued and cursed by his aged mentor, whose territory he has taken over. He is besieged by a woman creditor who turns out to be the tyrannical wife of his chief disciple. He converts a pompous, painfully timid Member of Parliament with prophecies of a ministerial post. And all day he tries to resist the endless temptation of beautiful women, the play is delightfully picturesque and entertaining." (8 men, 6 women.) THE STRONG BREED. As outlined by Michael Smith: "The play refers to a folk tradition by which one person becomes the 'carrier' of community evil and symbolically purifies the village in an annual ritual. The hero is Eman, a stranger who has come to this particular village to act as teacher and share his education. 'Those who have much to give,' he says, 'must do so in total loneliness.' On the night of the purification ceremony he learns that Ifada, a helpless idiot boy whom he has befriended, has been selected as 'carrier' and victim; and he is driven by compassion to take Ifada's part in the ritual. The crisis brings back memories. We learn that Eman's father was a 'carrier' and that Eman has fled the family tradition of symbolic sacrifice. We also learn of Omae, the young Eman's betrothed, whom he left for many years to pursue his personal destiny and who died soon after his return.Now Eman accepts his past and discovers, 'I am very much my father's son'-one of 'the strong breed' who must take these responsibilities upon themselves-and at the end of the play is caught in a trap at the sacred trees and killed." (12 men, 5 women.)"